andronik supersonik

b-ASS-isy

Sørlie Musikksenter AS Rolf Sørlie

Radial Engineering

BigShot EFX

Lee Atkin

Envelope-Filter sind großartige Werkzeuge, um inspirierende und musikalische Effekte zu erzeugen. Das neue EBS BassIQ Blue Label geht mit großer Vielseitigkeit und Reaktionsfähigkeit noch einen Schritt weiter. Entwickelt für Bass, aber auch hervorragend für Gitarre geeignet.


Envelope filters are great tools to create inspiring and musical effects. The new EBS BassIQ Blue Label takes the concept further with great versatility and responsiveness. Made for bass and excellent on guitar as well.

Product Page

Review by TonePedia

Official Product Video

Demo by Bonedo

BassIQ

Tester

The EBS UniChorus Studio Edition is an advanced low-noise studio-quality effect to craft your sound. Topnotch analog processing circuitry provides a smooth, warm tone that caters well to live and recording performances. With mix level control under the hood, you can determine how much or little the effect blends with your original signal. 

Review by Talk Bass.com

Review by Musiker-Board

Review by bonedo

Manual

Demo by Bass Stuff

UniChorus Studio Edition, Rev 2

The EBS OctaBass SE has been further improved in the SE version (Studio Edition). The OctaBass from 1992 quickly established itself as THE octaver for electric basses. The classic now has an improved internal signal path, a new design and a new protection circuit against overvoltages of up to 18 volts. 

Official Website

Review by Basschat

Demo by Thomann's Guitars & Basses

OctaBass Studio Edition

ch ray

The DynaVerb Limited Spring Edition is a stereo reverb pedal for professional use. With three new reverb effects of Reversed, Gated, and Spring-type, and three Hall and three Room reverbs this versatile pedal is designed for bass players who want to expand their sound options.

The new DynaVerb is created for bass but can enhance any instrument from guitar to keyboard and even vocals with its studio-quality sound in full range.

Review by Premier Guitar

Demo by Gregor Fris

Demo by Bruno Tauzin

DynaVerb Limited Spring Edition

Nathan Turnbull

Die Radial BigShot ABY V2 ist einen kompakte ABY switcher, der es dir ermöglicht zwischen zwei Verstärkern zu schalten oder das Signal zu kombinieren, wenn beide Verstärker zur gleichen Zeit aktiv sein sollen. Mit netten Extras wie eingebauten Isolationstransformern, separatem Tuner Ausgang und Status LEDs, ist dies der wohl flexibelste True-Bypass Switcher am Markt.

The Radial BigShot ABY V2 is a compact ABY switcher that enables you to either switch between two amplifiers or combine the signal when you want both amps to play at the same time. Featuring nice extras like a built-in isolation transformer, separate tuner output and status LED’s, is the most versatile true-bypass switcher made today!

Official Product Page

Review by The Gear Page

Demo by Landon Bailey

Demo by Hollywood Rare Guitars

Review by reddit /guitarpedals

Bigshot ABY v2

Jonny Dibble

The BASSRIG ’64 Black Panel is, quite simply, a complete vintage bass amp in a pedal. Based on Fender®’s Showman® and Bassman® amplifiers, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you the drive, grit and articulation of these classic amps in one small box.

Origin Effects

Demo by Andertons

Demo by The Bass Channel

Demo by BassTheWorld.com

Official Product Video 

BASSRIG  ’64 Black Panel

Sam McAinch

The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box.
When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages.
With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.

Demo by Origin Effects with Ian Allison

BassRig Super Vintage

W Js

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

Review by OVNI LABS

Review by That Guitar Lover

Demo by Superdanger Studios

Cali76 FET Compressor (Black)

PedalSafe Type OE

QuickMount Type OE 

Pedal-Montageplatte für die ORIGIN EFFECTS Cali76 Bass Compressor und Cali76 FET Compressor Pedale

Pedal Mounting Plate for the ORIGIN EFFECTS Cali76 Bass Compressor and Cali76 FET Compressor pedals 

Schutzabdeckung & RockBoard-Montageplatte für die ORIGIN EFFECTS Cali76 Bass Compressor und Cali76 FET Compressor Pedale

Protective Cover & RockBoard Mounting Plate For the ORIGIN EFFECTS Cali76 Bass Compressor and Cali76 FET Compressor pedals 

Schutzabdeckung & universelle Montageplatte für die ORIGIN EFFECTS Cali76 Bass Compressor und Cali76 FET Compressor Pedale

Protective Cover & Universal Mounting Plate For the ORIGIN EFFECTS Cali76 Bass Compressor and Cali76 FET Compressor pedals 

The micro-Thumpinator is a bandwidth optimizer designed for bass guitar. It removes the low frequency signals that are outside the range of notes produced by the instrument.

Infrasonic frequencies cannot be reproduced by standard bass cabinets but they often make amplifiers clip, especially when they are set to boost the lower frequencies. The Thumpinator filters the signal content optimising the energy delivered by the amplifier. Low-frequency clip is substantially reduced and the sound is tighter especially at high volume levels.

The micro-Thumpinator accepts instrument and line level signals. It can be used between preamplifier and amplifier, between bass and amplifier or anywhere in the effect chain (line or instrument level). It can also be connected directly to an audio interface.

SFX Sound

Demo by Paul Reich

micro-Thumpinator v2

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

BOSS

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

Adam Kidd

Line 6 in the effects loop of the Darkglass Kaamos

Small Bass Board-copy

Logan Norcliffe

Er ist ein zurückhaltender Zeitgenosse, der so gut wie nie Interviews gibt. Doch stille Wasser sind bekanntlich tief. Und wenn TOOL-Bassist Justin Chancellor seinen exklusiven Wal-Bass umschnallt und seine komplexen Basslines mit diesem einzigartigen Sound anstimmt, dann spricht er Bände.

The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.

Dunlop

Demo by Nate Navarro

Demo by BassTheWorld 

Review by GASS MAGAZINE

Review by GUITAR World 

Review by GEARNEWS 

JCT95 Justin Chancellor Cry Baby Wah

Teeratai Kaewmanee

The greatest pieces of studio gear studio gear are the ones that add something special to the sound of an instrument, going beyond the job they were designed for and enhancing anything that passes through the circuit. One such piece is the UA 610 preamp, which was the inspiration for the DCX Bass. This retro console preamp is famous for adding vintage, analogue colour to a signal, as well as precise control of level and EQ. Push the level harder and you get rich, harmonic saturation of the kind that makes analogue hardware a must-have in any present-day studio.

The DCX Bass reimagines this classic preamp as a tone-shaper and drive pedal for bass guitar, with a wide range of clean and overdrive tones, EQ frequencies optimised for the instrument, and our Adaptive Circuitry providing a treble response that reacts to playing dynamics. It’s a signal-boosting, tone-enhancing pedal straight from the studio!

Review by reddit /basspedals

Review by Gitarre & Bass

Sound Samples w/ Ian Martin Allison

DCX BASS

Der Kaamos wurde in Zusammenarbeit mit dem legendären Bassisten und Produzenten Amos Heller entwickelt und kombiniert eine kraftvolle Verzerrung mit oktavierten Sounds.

Mit den Echtzeit-Routing-Reglern können Sie Ihren Signalweg mühelos formen - stapeln Sie Effekte in Reihe, um eine satte Sättigung zu erzielen, oder schalten Sie sie parallel, um komplizierte, vielschichtige Texturen zu erzeugen. Eine bewegliche Effektschleife, die in drei verschiedenen Positionen konfiguriert werden kann, eröffnet neue Möglichkeiten, während ein spezieller Suboktav-Ausgang kreative Multi-Amp-Setups ermöglicht. Jedes Detail wurde präzise entwickelt, damit Sie die volle Kontrolle über Ihren Sound haben.

Designed in collaboration with legendary bassist and producer Amos Heller, Kaamos blends a powerful distortion with octave-down tones.

Real-time routing controls let you shape your signal path with ease—stack effects in series for rich saturation or run them in parallel for intricate, layered textures. A movable effects loop, configurable in three distinct positions, opens up new possibilities, while a dedicated sub-octave output unlocks creative multi-amp setups. Every detail is precision-engineered to put you in complete control of your sound.

Darkglass Electronics

Review by gearnews.de

Demo by Premier Guitar

Kaamos

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

LINE 6

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

David Graves

Der Cali76 Bass Compressor ist ein Kompressor-Pedal in Studioqualität, das vom weltberühmten Urei® 1176® Studiokompressor inspiriert ist, der seit den 1960er Jahren auf vielen der großartigsten Studioaufnahmen zu hören ist. Der Cali76 Bass Compressor nutzt eine kompromisslose, vollständig analoge Schaltung, um dem modernen Gitarristen diese unverwechselbaren, ultraschnellen FET-Kompressionsklänge zugänglich zu machen.

Als neuestes Modell in einer langen Reihe von Cali76-Kompressoren verfügt der Cali76 Bass Compressor über einen vollständigen Satz an Reglern im Studio-Stil, einen DRY-Regler für Parallelkompression und einen verbesserten Sidechain, der dem Ansprechverhalten unseres begehrten „Großformat“-Cali76 entspricht – dem Pedal, das Origin Effects bereits 2012 bekannt gemacht hat.

Mit einer 10-LED-Anzeige für die Gain-Reduktion, einem pedalboardfreundlichen Gehäuse und enormem Headroom dank intern erhöhter Spannung markiert der Cali76 Bass Compressor den Höhepunkt von über einem Jahrzehnt Erfahrung in der Herstellung der weltweit besten Kompressor-Pedale.

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

With a 10-LED gain reduction meter, a pedalboard friendly enclosure and massive headroom thanks to internally increased voltage, the Cali76 Bass Compressor marks the culmination of over a decade of experience making the world’s finest compressor pedals.

Review by Compressor Pedal Reviews

Review by Gearnews

Review by AMAZONA

Manual download

Demo by  BassTheWorld.com

Cali76 Bass Compressor (Classic)

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Dario De Luca

EHA 2026

Arnold Hablewitz

Die Radial Engineering Pro DI ist eine kompakte, passive DI-Box, welche sich sehr gut für Keyboards, Drumcomputer und Digitalpianos eignet. Die eigens dafür entwickelten Audioüberträger entsprechen dem außergewöhnlichen Qualitätsmaßstab, der durch den Industriestandard Radial Engineering JDI etabliert wurde.

The ProDI is a passive direct box designed for use on stage or in home recording studios, with the ability to handle high output instruments without distortion, and a transformer-isolated output to eliminate noise from ground loops

Demo by Audio University

Review by Guitar Gear 

Review by Audiofanzine

ProDI

David Litaba

Entwickelt, um wertvollen Platz auf dem Pedalboard zu sparen und gleichzeitig eine schnelle Mehrsaiten-Analyse zu ermöglichen, lässt dieses kompakte Stimmgerät Musiker alle Saiten gleichzeitig anschlagen, um Tonhöhenabweichungen sofort zu erkennen. Es verfügt über eine ultrahelle, an das Umgebungslicht anpassbare LED-Anzeige, die ihre Intensität für optimale Sichtbarkeit unter harten Bühnenlichtern oder dunklen Club-Umgebungen automatisch anpasst. Die Schaltung integriert die hauseigene BonaFide-Buffer-Architektur des Herstellers, die die Signalintegrität über lange Kabelwege hinweg gewährleistet, sowie vom Benutzer wählbare interne DIP-Schalter zum Umschalten zwischen True-Bypass- und gepuffertem Betrieb. Untergebracht in einem robusten Miniatur-Metallgehäuse, bietet das Gerät hochpräzise chromatische und blitzschnelle Strobe-Stimmungsmodi, die eine Genauigkeit von bis zu 0,02 Cent ermöglichen.

Designed to save valuable pedalboard space while providing rapid multi-string analysis, this compact tuning pedal allows musicians to strum all strings simultaneously to spot pitch discrepancies instantly. It features an ultra-bright ambient-light-adaptive LED display that automatically adjusts its intensity for optimal visibility under harsh stage lights or dark club settings. The circuit incorporates the manufacturer's proprietary BonaFide buffer architecture, ensuring signal integrity across long cable runs, alongside user-selectable internal DIP switches for switching between true bypass and buffered operation. Housed in a heavy-duty miniature metal enclosure, the unit includes high-accuracy chromatic and lightning-fast strobe tuning modes capable of precision down to 0.02 cents.

TC Electronic

Demo by Stu's Guitar Channel

Review by MusicRadar

Review by Soundgale

Polytune 3 Mini

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Das Death By Audio Rooms ist ein multifunktionales, digitales Stereo-Delay, dass neben extremen Lautstärken auch massive 'Gated Walls Of Sound', lange, schleppende Ambience-Reverbs und extrem intuitive Regelmöglichkeiten bietet. Bei der Entwicklung des Pedals wurde neben höchsten Ansprüchen an Klangqualität und Flexibilität vor allem darauf geachtet, dass das Pedal im Live-Einsatz flexibel regelbar bleibt. Die Mixer-Sektion bietet getrennte Regelmöglichkeiten für Dry und FX und kontrolliert sechs wählbare Reverb-Algorithmen (Room, Digit, Peak, Gate, Wave und Gong). Jeder Reverb-Modi bietet ein unglaubliches Spektrum an möglichen Sounds und einen einzigartigen Klang-Charakter. Das kreative Input-Output-Setting und Dual-Mono Dry Signal Lines machen das Death By Audio Rooms außerdem zu einem unglaublich flexiblen Effektpedal, dass sich in jedes denkbare Setup (Mono / True Stereo / Parallel etc.) integrieren lässt.

The Death By Audio Rooms is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. Rooms was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent Dry and FX controls over six meticulously programmed reverb algorithms (Room, Digit, Peak, Gate, Wave and Gong). Each different verb is capable of a universe of sounds. Rooms' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups.

Death By Audio

Death By Audio Rooms - Demo Video - collector//emitter

Death By Audio Rooms - Demo Video - Pedal of the Day

Death By Audio Rooms - Demo Video - Guitar Bonedo

Death By Audio Rooms - Demo Video - Perry Frank

Death By Audio Rooms - Demo / Review Video - ThePedalZone

Death By Audio Rooms - Demo / Review Video - Chicago Music Exchange

Death By Audio Rooms - Demo Video - Pedalboard of the Day

Rooms

Der Blumes ist ein Overdrive, der auf dem Plumes-Schaltkreis basiert und ideal für Bassisten und alle, die gerne tiefe Töne spielen, geeignet ist. Es wurden die wichtigsten Merkmale und Eigenschaften des Plumes übernommen, aber die Schaltung mit dem doppelten Gain und einer tieferen Basswiedergabe modifiziert, um das gesamte Low End beizubehalten. Bei niedrigeren Gain-Einstellungen erhältst du den knackigen Ton, den du vom Original so liebst, aber sobald du den Gain-Regler über 12 Uhr stellst, hören die Ähnlichkeiten auf. 
Dieser rein analoge Tri-Mode-Overdrive mit Soft Clipping ist der Nachfolger des klassischen Screamer-Schaltkreises, hat aber eine ganz eigene Stimme. Und dank seiner +/- Stromversorgung nutzt er bipolaren Strom, was mehr Dynamik, Klarheit und den ganzen Headroom bietet, den man sich nur wünschen kann. Das Endergebnis ist ein dreidimensionaleres Klangbild mit zusätzlicher Klarheit, der einen guten Röhrenverstärker wirklich auf Touren bringt. 
Und ähnlich wie das Plumes bietet dieses Pedal drei verschiedene Clipping-Optionen für die gewünschten Low-End-Face-Melting-Bedürfnisse.

The Blumes is an overdrive based on the Plumes circuit that is ideal for bass players and all purveyors of low-end. While embodying the key characteristics and features of the Plumes, they went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end. At lower gain settings, you’ll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that’s where the similarities stop. 
This all-analog tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its +/- power supply it utilizes bipolar power, which gives you more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. 
And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs.

EarthQuaker Devices

Blumes Low Signal Shredder Bass Demo | EarthQuaker Devices

New Earthquaker Devices Bass Overdrive | Insane Value for Money - Janek Gwizdala

EarthQuaker Devices Blumes - Low Signal Shredder - Amazona.de, 02/2024 - DE

Earthquaker Devices Blumes Low Signal Shredder - Review by Bonedo [DE], [01-2024]

Blumes

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Cali76 STD

Paulo Damasceno Nepomuceno

Der Bass BB Preamp Distortion Booster wurde entwickelt, um den ursprünglichen Attack-Sound und die Klangspektren beizubehalten und eine Vielzahl von Gain-Strukturen für alle Bassisten zu erzeugen. Jeder der beiden sich weitgehend überlappenden EQs bietet 15 dB Boost oder Cut. Der Gain-Regler bietet einen makellosen, sauberen Boost für eine harte, übersteuerte Verzerrung, was einen sehr schönen Klang erzeugt, der fest bleibt, mit toller Notentrennung und genau dem richtigen Maß an Komprimierung für eine glatte Gesamttextur.

The Bass BB Preamp distortion booster was designed to retain the original attack sound and tonal spectrums and produce a variety of gain structures for all bass players. Each of the two broadly-overlapping EQs offers 15dB of Boost or Cut. The gain knob offers pristine clean boost to a hard overdriven distortion which is very nice tone that stays firm, with great note separation and just the right amount of compression for a smooth overall texture.

Xotic

Bass BB Preamp

Das Gerät bildet das Verhalten historischer Spulen- und Kassetten-Tonbandgeräte nach und vereint analoge Bandsättigung mit Doubletracking-Verarbeitung auf einer modernen DSP-Plattform. Die Tape-Saturation-Sektion bietet musikalische Kompression, harmonische Wärme und Röhren- bzw. Band-Overdrive, ergänzt durch einen dedizierten Toneregler sowie umschaltbare Voicings für klassische Mastering-Bandmaschinen und Kassetten-Auto-Level-Control. Die Doubletracker-Sektion simuliert zwei synchronisierte Tonbanddecks und erzeugt Studio-Bandflanging, dichten Chorus, Slapback-Echos sowie klassische Bandverzögerungen. Unabhängige Fußschalter ermöglichen das separate oder gemeinsame Aktivieren der Effekte inklusive automatischer Through-Zero-Flange-Funktion bei gehaltenem Taster. Eine umfassende MIDI-Integration erlaubt die vollständige Preset-Verwaltung, Parametersteuerung und MIDI-Clock-Synchronisation über TRS- oder USB-C-Anschlüsse. Eine diskrete Class-A-JFET-Eingangsstufe gewährleistet eine hohe Anschlagsdynamik mit wählbarem Mono- oder Stereobetrieb und umschaltbaren Bypass-Modi.

Recreating vintage reel-to-reel and cassette tape dynamics, the unit combines analog tape saturation and doubletracking processing within an advanced DSP platform. The Tape Saturation section introduces musical compression, harmonic warmth, and tape overdrive, featuring a dedicated tone control alongside selectable Classic reel-to-reel and Cassette auto-level-control voicings. The Doubletracker section models twin synchronized tape decks to deliver studio tape flanging, lush chorus, slapback delays, and tape echo. Independent bypass footswitches allow individual or combined activation, including an automatic through-zero flange function when holding the doubletracker switch. Comprehensive MIDI integration facilitates complete preset recall, parameter automation, and MIDI clock delay synchronization via TRS or USB-C connections. Discrete Class-A JFET input circuitry provides optimal touch response with selectable mono or stereo routing and switchable bypass modes.

Strymon

Review by mixdownmag

Review by Guitar.com

Demo by Duskmos

Deco v2

PedalSafe Type J

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Schutzabdeckung & RockBoard-Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & RockBoard Mounting Plate For STRYMON medium size effect pedals

Schutzabdeckung & universelle Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & Universal Mounting Plate For STRYMON medium size effect pedals

Big Booty Judy ist ein Zerrpedal von Backburner. BBJ basiert auf deinen Lieblings-Rodent-Schaltungen. Es wurde speziell für Bass entwickelt.

Big Booty Judy is a dirt pedal from Backburner.
BBJ is based off of your favorite rodent circuits. 
It is made specifically for bass. 

Backburner Noise

Demo by Patrick Hunter

Big Booty Judy

Line 6 HX Stomp ist ein professioneller Gitarrenprozessor, der den Klang von Helix-Verstärkern, -Boxen und -Effekten in einem ultrakompakten Pedal liefert. Egal, ob Sie lieber ein traditionelles Amp-and-Pedal-Setup spielen oder direkt auf die Bühne oder ins Studio gehen, HX Stomp lässt sich nahtlos in eine Vielzahl von Umgebungen und Anwendungen integrieren. Das HX Stomp-Gitarrenpedal verwendet dieselbe DSP- und HX-Modellierungstechnologie wie seine größeren Helix-Brüder und passt dennoch problemlos auf Ihr Pedalboard oder sogar in die Tasche Ihres Gigbags. Es gibt über 300 Ampere, Kabinen und Effekte – einschließlich eines Loopers. HX Stomp enthält dieselben HX-Modelle wie die Produkte der Helix-Familie sowie die Legacy-Effektbibliothek der Line 6 M-Series-Pedale und Stompbox-Modellierer wie den DL4. Verwenden Sie es als "Super-Stompbox", als Backup- oder Travel-Rig, als zusätzlichen Tonexpander in Kombination mit anderen Modellierern, als Audio-Interface - oder sogar als komplettes Gitarren- oder Bass-Rig.

Line 6 have been at the forefront of the digital modelling world for over 20 years now, pushing the boundaries of guitar technology is nothing new for them and their flagship product, the Helix, has taken the guitar world by storm. With the scaled down Helix, the HX, becoming a go to for players, its latest version, the HX Stomp is sure to generate loads of interest!

The HX Stomp is the ultimate streamlined version of this superstar pedal. Constructed as a 3 pedal unit, the HX Stomp features the same processor as the Helix, meaning you get over 300 effects including legacy lines from the M Series, 8 simultaneous amp, cab and effects blocks, TRS dual expression pedal inputs and a stereo effects loop, it's a serious pedal!

It's super comprehensive but really user intuitive. Built with the working player in mind, it has a solid aluminium construction that can take the rigours of the road, perfect on stage or in the studio, the Helix is the future of multi effects.

Review by musicradar

Demo by Guitar Bonedo

Demo by Bernd Kiltz - Gitarrenvideos

HX Stomp Black

Erfahre mehr über das BASSRIG  ’64 Black Panel Cab sim, Preamp, Amp, Di-Pedal von Origin Effects auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr