Jeremy Baker

Les Paul

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Sandbox Pedal Board

Nicolas Wilfer

Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Walrus Audio

Manual

Video Manual

Official Product Video 

Product Page

Canvas Tuner

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Tester

Die magische Kombination aus Tremolo und Reverb ist das früheste Beispiel für eine perfekte Verbindung von Gitarreneffekten. Erstmals in legendären Verstärkern der 1960er Jahre eingesetzt, hat dieses harmonische Zusammenspiel unzählige Aufnahmen und Live-Performances geprägt – von frühem Surfrock, swampigem Bayou-Blues, Spaghetti-Western und Film-noir-Soundtracks bis hin zu modernem Indie-Rock. Auch heute entdecken Gitarrist:innen die inspirierende Kraft dieses Traumpaars immer wieder neu.

Flint ist ein Studio-Qualitäts-Effektpedal, das genau diese klassische Kombination liefert. Wir haben unsere Lieblings-Tremolo- und Reverb-Schaltungen aus der Vergangenheit intensiv analysiert, ihre klanglichen Feinheiten untersucht und sie in unseren aufwendig entwickelten Algorithmen detailgetreu nachgebildet. Flint ist im Grunde zwei Pedale in einem – Tremolo auf der einen, Reverb auf der anderen Seite.

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Strymon

Review by Amazona 

Review by Guitar.com

Review by Pedal of the Day

Review by Six String Sensei

Demo by Made by Miike

Audio Examples

Flint

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening it with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.

Review by The Gear Page

Review by reddit /guitarpedals

Review by bonedo

Review by Premier Guitar

Demo by strymon

Deco - V1

Lee Atkin

Black Fountain emuliert den Klang eines Oil-Can-Delays: warm, moduliert und mit einer leichten Körnigkeit. Es eignet sich perfekt für Chorus-Effekte, Doubling, Slapback und lange rhythmische Delays. Die Modulationstiefe und -geschwindigkeit, der Klangcharakter und die Körnigkeit, die beiden Delay-Zeiten und ihr Feedback sowie die Mono- oder Stereo-Wiedergabe lassen sich individuell einstellen. Für eine flexible Integration in verschiedene Setups bietet Black Fountain vielseitige Anschlussmöglichkeiten.

Black Fountain emulates the sound of an oil can delay: warm, modulated, and a little gritty. It’s perfect for chorusing, doubling, slapback, and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback, and the mono/stereo voice of it all. For integration into many different rigs, Black Fountain has:

Old Blood Noise Endeavors

Review by Guitar World

Review by Music Radar

Official Product Video

Black Fountain Stereo - Slate

QuickMount Type MR

Pedal-Montageplatte für MERIS Hedra, Enzo, Mercury 7, Ottobit Jr. & Polymoon Pedale 

Pedal Mounting Plates for MERIS Hedra, Enzo, Mercury 7, Ottobit Jr. & Polymoon pedals

ruben martinez

The Shawn Tubbs Tilt Overdrive is the tonal culmination of a lifetime in music. Shawn not only needed a practical tone tool to give him the right sound quickly in any musical context - he aimed to combine the greatest vintage amp tones & recorded guitar sounds of all time into one ideal sound. Now that tone is available to you in an award-winning compact 9v double pedal with a unique Tilt Boost.

REVV

Review by guitar pedal X

Review by AMAZONA

Demo by R.J. Ronquillo

Demo by Chicago Music Exchange

Tilt Boost

Thomas & Simone RhPf Electronics

Ein reaktives Distortion-Pedal mit gestapelten MOSFET-Gain-Stufen. Der Mo(s)Ghoul liefert dynamischen Crunch, gesättigte Leads und fuzzige Texturen – immer musikalisch, nie steril. Die passive 3-Band-Klangregelung erlaubt präzises Formen ohne Härte. Organisch, lebendig, direkt – der Ton folgt deinem Spielgefühl.

A reactive distortion pedal built around cascading MOSFET gain stages. From thick rhythm crunch to saturated leads and fuzz textures, the Mo(s)Ghoul stays dynamic and expressive. Its passive 3-band EQ lets you scoop, boost, or contour without harshness. Raw, organic, and responsive—always alive under your fingers.

RhPf Electronics

Demo by We As A Company

3D Viewer and AR tool

Interactive Demo

Interactive Frequency Response

Mo(s)ghoul

Mythos Pedals

Mjolnir

DELETED USER

Named after Jason and the Argonauts ship, the Argo easy to use fuzz box will transport you to new lands with blissful sonic exploration. Based on the much sought after C.O.B. pedal, the Argo allows you to have a boosted clean tone and a fuzz octave sound with a blend control to dial in the perfect level of filth. 

The Fuzz control when runs the gamut of classic octave fuzz tones, from Hendrix, SRV, Doyle Bramhall II and more. Like most vintage octave boxes the Argo reacts best with single coils above the 10th fret, rolling back your volume helps the octave jump out as well. The octave up effect is ever present, but fuzz control has a huge range of gain. With the fuzz set to minimum you get a slightly gnarly clean octave up, when set to max it’s an all out fuzz explosion.

Argo

Joshua Corriveau

The Positron Collider is back for a limited time! This homage to Zach's favorite Ghost catching comedy from 1984 houses his tweaked version of the iconic Ram's Head Muff circuit. Don't let it's playful appearance fool you this slimed up fuzz pedal is a versatile dirt box. 

The Positron Collider features a Focus (Volume), Intensity (Fuzz), Clipping Switch (LED/Silicon), and Independent Treble/Bass controls. Couple that with it's Total Protonic Reversal footswitch which bypasses the tone circuit, you can get such a wide variety of tones that is truly fun and inspiring to play.  The wide range of controls let you go from versatile low gain fuzzy tones, to huge high gain fuzz sounds. Using the Treble and Bass knobs let you run the gamut of classic muff sounds to less mid scooped, fuller tones.

Demo by Premier Guitar

Demo by Mythos Pedals

Review by musicradar

Positron Collider

RockBoard

ISO Power Block V12 IEC

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Flat Light is a flanger unlike any other. Taking inspiration from the sounds within flanging, three modes add pitch shifting, additional flanger lines, or echoes to the foundational flanger.

Review by delicious audio

Demo by Eric Merrow

Flat Light

Float is a dual analog filter pedal. It features two independent filters, independently controllable and routable as stereo, parallel mono, or series mono. Digital control opens up tweakable motion from envelopes and LFOs, or stick with a fixed filter and slide the cutoff as if you’ve just added a synth to your pedalboard. It’s the filter tool greater than the sum of its parts.

Review by Russo Music

Demo by Stephen McLeod

Float

Stereo Routing-, Split- und Zusammenfühurngs-Pedal. Zwei TRS-IN/OUTs, vier TS-IN/OUTs. Passives Pedal, Strom nur für LEDs benötigt. Typische Anwendung ist z. B., wenn aus einem Stereopedal zwei Mono-Ausgänge kommen, das nächste Signal in der Kette aber nur einen Stereo-Eingang hat. Das T- und R-Signal werden dann einfach zu einem TRS zusammengeführt. 

Split | Meld Is a passive, non-summing, non-destructive way to manage parallel dual-mono and stereo signal paths. 

Split | Meld is an audio routing solution. 

Split | Meld consists of 2 pairs of a TRS (or Stereo) Jack & 2 TS Mono jacks.
The TIP & RING of each TRS jack is routed to a corresponding Mono jack.

Use SPLIT | MELD to route your parallel signal path in a myriad of ways—Especially useful with devices that have TRS input & dual-mono output.

Official Website

Review by Gearnews

Demo by Jam in the closet

SPLIT|MELD

Beam Splitter takes one signal and makes three copies of it, each with differing overdrive voices and delay times. It is specifically our way of creating a huge sound out of a regular one. Output can be kept in parallel mono or split individually to three places. While the goal is singular bigness, you can also find strange filters, flangers, lo-fi vibratos, and trailing slap-back echoes using the delay controls and blending everything to taste.