cuulguit@r

This is a board including dirt pedals I don't use too often. They all have their distinctive sound and I put them in front of the amp or the loop of onather board when needed. 

Distort-A-Board 1

Terence Vignaud

Moen

Product Page

Manual

GEC8 JR V2

Tester

The FLUX-FIVE™ adds our classic Five Band Graphic EQ and footswitchable HI/LO performance Modes, featuring separate OUTPUT LEVEL controls to the already versatile FLUX-DRIVE™ package for increased tone shaping power and enhanced stylistic versatility.

Mesa Boogie

Demo by Ola Englund

Demo by Riffs, Beards & Gear

Review by Guitar World

Review by The Gear Page

Review by Musiker-Board

Review by bonedo

Flux-Five

David Litaba

Electro-Harmonix

Crayon

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

PAUL MARSHALL

The Fulltone Full Drive 2 is a highly-regarded boutique overdrive pedal known for its versatility and ability to replicate classic overdrive tones. It’s a popular choice among guitarists, with a wide range of users including The Rolling Stones, Robin Trower, The Black Crowes, Robben Ford, Ian Moore, Steve Stevens, Drew Zingg, Pete Anderson, and John Abercrombie.

Fulltone

Demo by  N Stuff Music

Official Product Video

Review by Guitar.com

Full-drive 2 v2

Der OKKO FX King Krunch ist das erste Pedal der "BlackBox" Serie, handgefertigt in Leipzig, Deutschland. Es simuliert den satten, dynamischen Klang übersteuerter Röhrenverstärker – von subtiler Zerre und Harmonien bis hin zum vollen Plexi‑Roar – mit einer Reaktivität auf Anschlagstärke und Gitarrenlautstärke. Die passiven Bass‑ und Höhenregler ermöglichen eine Klangfeineinstellung ohne Härte und behalten selbst bei extremen Einstellungen Musikalität bei. 

The OKKO FX King Krunch is the inaugural pedal in OKKO's "BlackBox" series, handcrafted in Leipzig, Germany. It emulates the rich, dynamic drive of pushed vintage tube amps — from subtle breakup and harmonics to full-throttle Plexi roar — with responsive dynamics that react to picking attack and guitar volume. Its passive bass and treble tone controls let you fine-tune your sound without harshness, maintaining musicality even at extreme settings.

Okko FX

Demo by Pedals Fusion

Demo by Alberto Barrero

Home Page

Review by Guitar Pedal X

King Krunch

Alexandre Lamontagne

Klon Centaur Clone

DELETED USER

The Powerball pedal is tonally based on the Lead2 channel of the Engl Powerball II, recreating the gain stages of the amp itself. True bypass and completely analog, the pedal’s specially selected components offer up a particularly high level of sound quality. The electronics assembly is protected by a highly durable housing, meaning you get a pedal that’s going to deliver for a lifetime!

ENGL

Demo by JJK's One Girl Band

Demo by Guitar Bonedo

Powerball EP645

Patryk Dąbrowski

Der NUX Recto Distortion bietet eine authentische, gleichrichterähnliche High-Gain-Verzerrung. Einer der begehrtesten Verstärker-Sounds wird in einem kompakten Pedalformat geliefert. Bekannt für seinen knackigen, aggressiven Sound ist es das ideale Pedal für Metal und härtere Genres im Allgemeinen.

Von knackig bis schlammig, wenn Sie Ihrem Sound mehr Biss verleihen wollen - dieses Pedal liefert ihn in Hülle und Fülle. Die rein analoge Schaltung bildet jede Nuance des extremen Amp-Breakups mit hartem Clipping und jeder Menge Gain ab.

Mit den detaillierten Reglern kannst du eine Vielzahl von verzerrten High-Gain-Sounds einstellen, während die True-Bypass-Schaltung jegliches Ausbluten des Tons verhindert und dein trockenes Signal rein hält. Der Recto ist für alles, was schwer ist, bestens geeignet.

The NUX Recto Distortion nails authentic rectifier-esque high-gain distortion. One of the most sought-after amp tones is delivered in a compact pedal format. Known for its tight, aggressive sound quality, this is the ideal pedal for metal and heavier genres in general.

From crispy to sludgy, if you're seeking added bite for your tone- this pedal delivers in abundance. All-analog circuitry accurately replicates every nuance of extreme amp breakup with hard clipping and loads of gain on tap.

Just use the detailed controls to dial-in a myriad of high-gain distorted tones, all while the true bypass switching stops any tone bleed, keeping your dry signal pure. For all things heavy, the Recto does the business.

Demo by Rich Bischoff

Review by audiofanzine

Recto Distortion

BOSS

Manual Page

MT-2 Metal Zone

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Alix Laplanche

Das DS-1 Distortion wurde 1978 als Teil der zweiten Compact Pedal-Welle vorgestellt. Mit seiner kantigen Attack und dem smoothen Sustain überzeugte es Gitarristen weltweit und prägte den Sound zahlreicher Rock-Legenden. Diese Begeisterung hält bis heute an und macht das DS-1 zum meistverkauften BOSS Pedal aller Zeiten.
Anlässlich 40 Jahren BOSS Pedal Innovationen, haben wir nun eine Sonderedition des DS-1 veröffentlicht, deren schwarzes Gehäuse goldene Buchstaben zieren, und das durch vergoldete Regler und eine Flügelschraube in Vintage-Silver zum Verschließen des Batteriefachs im Pedalboard wie auch in der Vitrine für Aufsehen sorgt. Das Pedal ist in einer edlen Box mit dem 40 Jahre BOSS-Jubiläumslogo verpackt und nur 2017 erhältlich.

The DS-1 Distortion was introduced in 1978 as part of the second wave of compact pedals. With its edgy attack and smooth sustain, it won over guitarists around the world and shaped the sound of numerous rock legends. This enthusiasm continues to this day and makes the DS-1 the best-selling BOSS pedal of all time.
To mark 40 years of BOSS pedal innovations, we have now released a special edition of the DS-1, the black housing of which is decorated with gold letters and which attracts attention with gold-plated controls and a wing screw in vintage silver for closing the battery compartment in the pedal board and in the display case. The pedal is packaged in an elegant box with the 40-year BOSS anniversary logo and is only available in 2017.

Demo by Totsumon Club

Demo by Pedal of the Day

Review by reddit /guitarpedals

Review by guitar pedal X

Review by Gitarre & Bass

SD-1 4A

PedalSafe Type E

Schutzabdeckung & RockBoard-Montageplatte für Standard Boss Pedale

Protective Cover & RockBoard Mounting Plate For Standard Boss Pedals

Schutzabdeckung & universelle Montageplatte für Standard Boss Pedale

Protective Cover & Universal Mounting Plate For Standard Boss Pedals

The Getaway Driver is an amp-in-a-box type pedal with just three dials – Volume, Bite (tone) and Gain. While the pedal adds its vintage vibe on all amplifiers, it really excels when used with the amplifier’s clean channel, even ones with a bright cap. It also makes a great clean boost, with lower Gain and higher Volume settings pushing amps over the edge into classic overdrive.

The gain structure is produced using single-ended JFET circuitry running in Class A, just like a valve amp. The input buffer, output buffer and Cab Sim are handled using op-amps, using a charge pump to give 18v of headroom.

Orange

Review by Gear Gods

Demo by delamar Guitar

Getaway Driver

The Kongpressor is an analogue Class A compression pedal which adds an organic three dimensional quality to any rig. The pedal takes its inspiration from some of the world’s most iconic vintage optical studio units, employing a re-issue of the famous vactrol VTL5C3 optocoupler that was responsible for the sound heard on countless hit records.

At lower compression levels the Kongpressor’s effect is transparent but somehow fattening. It adds mojo and a glossy sheen to your core tone that you’ll truly miss when it’s bypassed. Even at extreme settings, the tone always remains musical with great feel under the fingers.

Demo by PMTVUK

Demo by Pete Thorn

Demo by ProGuitarShopDemos

Official Product Video 

Kongpressor

Caline

CP-207

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

The Okko Diablo is a versatile, extremely transparent and dynamic Overdrive with lots of gain on tap. With its independent, discrete circuit (no ICs) and features such as its Feed and Body Knobs (see below), it allows a multitude of sounds from transparent chords to fat, singing lead lines with gobs of sustain. The Diablo also sounds great in front of a clean amp.

Official Website

Demo by Bratt Kingman

Demo by ambienttrash

DIABLO+

Gritty overdrive, low gain fuzz, vintage preamp – no matter how you call it, the Holy Grit combines the clarity and dynamic response of a great overdrive with the raw and complex texture of a vintage fuzz. The intuitive controls let you dial in anything from cleanish boost with a little grit to full-blown vintage „amp on 11“ sounds. Plug it into a clean or driven amp, stack with boosters, overdrives or fuzz pedals, Holy Grit will deliver – for guitar, bass, keys or whatever you want to spice up.

The circuit is based on the classic Fuzz Face/Tone Bender but heavily tweaked into something else. We’re using a set of matched low gain silicon transistors here (parts numbers may differ from one unit to another), voiced between germanium warmth and silicon presence.

Quick Start Guide

Demo by Demos in the Dark

Holy Grit

The Black Beast is a massive sounding fuzz/distortion pedal for guitar or bass.
As you can guess from its name, this is not a smooth vintage germanium fuzz but
a modern distortion machine for all kinds of dirty or heavy sounds.

The magic of the pedal is in the knob called KAPUTT (german for broken/out of order). This control changes the gain structure from plain harmonic distortion to all out nasty fuzz. You can dial in the exact sweet (or not so sweet) spot where you have both: great string separation and clarity of chords AND that buzzy, gnarly crazyness we all love a good fuzz for.

This box delivers loads of gain and sustain for days. The active 2-band tone control provides a wide range of sounds – warm or biting, with tight bass or massive low end.

Demo by Dennis Kayzer

Demo by MrExcane

Review by Stompbox Steals

Review by guitartest.de

Black Beast

The Coca Compressor is a studio quality compressor and clean boost pedal.
It doesn’t color your tone but enhances it.

Use it for your clean sound to make it big, tight and punchy without squashing your attack... put it in front of your overdriven amp or overdrive pedals for dynamic singing lead tones, adding sustain but no distortion...
plug in your Piezo-equipped acoustic guitar (or any other stringed instrument) for a fatter, less harsh sound... use it with your bass guitar... the Coca makes everything sound better :-)
The CocaComp also works well with bass guitars. It just makes everything sound better balanced and easier to place in the mix.

The CocaComp’s circuit has nothing in common with the classic grey, red or orange stompbox compressors. Like expensive studio compressors, it works with an optocoupler for smooth and natural compression.

Demo by BUZZBEE TV

Coca Comp MKII

King Krunch von Okko FX