RockBoard

Signature Board of our artist Pablo Scarpa from Italy.
Make sure to check out his Instagram-channel: 
https://www.instagram.com/that_pablo_show/

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

That Pablo Show

Roland Schmidt

Die RockBoard QuickMount Pick Box ist ein hilfreiches Zubehör für Musiker, die alles an einem Ort aufbewahren möchten. Nie wieder verlorene Plektren oder verschwundenes Zubehör! Dank des QuickMount-Systems benötigst du kein klebriges Velcro mehr, die Pick Box lässt sich fest und sicher in das RockBoard Slot Grid klemmen.

The RockBoard QuickMount PickBox is a useful accessory for musicians who want to keep everything in one place. No more lost picks or missing accessories! Thanks to the QuickMount system, you no longer need sticky hook & loop tape. The PickBox snaps securely into the RockBoard slot grid.

RockBoard PickBox

PickBox

Tester

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

TC Electronic

Product Page

Review by Charleston Classical Guitar

Review by musicradar

Manual

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Das Electric Vibe ist ein analoges Phaser/Vibrato-Pedal, das die klassischen Vibe-Sounds mit zusätzlichen einzigartigen Funktionen kombiniert.

Elektronisch ist es von der Univibe (TM) Schaltung inspiriert und verfügt über ein ähnliches optisches System zur Modulation des Signals durch vier Phasenverschiebungsstufen.

Die ENVELOPE ist wahrscheinlich das, was ihn am meisten auszeichnet. Wenn die Hüllkurvenfunktionen aktiviert sind, kannst du eine dynamische, reaktionsschnelle Modulation erhalten, die der Intensität des Saitenzupfens und Akkordschlagens genau folgt. Was bedeutet das eigentlich? Wenn zum Beispiel die SPEED- und/oder DEPTH-Hüllkurve aktiviert ist, kann die Modulationsrate/Amplitude entsprechend der rhythmischen Akzente variieren, was subtile oder dramatische Veränderungen des Effekts ermöglicht. Es ist wirklich so, als ob du den Effekt „spielen“ würdest!

The Electric Vibe is an analog phaser/vibrato pedal which combines the classic vibe tones with additional unique features.

Electronically it’s inspired by the Univibe (TM) circuit and features a similar optical system to modulate the signal by going through four phase shifting stages.

The ENVELOPE is probably what makes it stand out the most. When envelope functions are engaged you can get dynamic responsive modulation which accurately follows string picking and chord strumming intensity. What does it mean after all? For example with SPEED and/or DEPTH envelope engaged the modulation rate/amplitude can vary according to rhythmic accents, allowing for either subtle or dramatic changes in the effect output. It’s really like you are “playing” the effect!

OPFXS

Demo by Pair of Pandas

Demo by The Guitar Effect

Official Product Video

Demo by JayLeonardJ

Review by Premier Guitar

Electric Vibe

Das Dispatch Master V3 ist ein Delay und Reverb Pedal, desen Effekte unabhängig oder gleichzeitig verwendet werden können. Es hat eine Verzögerungszeit von 1,5 Sekunden und einen dynamischen Nachhall, der von natürlich, geräumig bis tief und höhlenhaft geht. Es verfügt über Regler für Time, Repeats, Reverb und Mix und ist True Bypass. Die Version 3 ist mit der neuen Flexi-Switch™ -Technologie ausgestattet, die den Fußschalter sowohl als Momentary- als auch Latching-Schalter nutzbar macht und basiert auf einer geräuschlosen, relais-basierter Soft-Touch-Schaltung! Der Flexi Switch Momentary Modus wird aktiviert, indem du den Fußschalter so lange gedrückt hältst, wie du den Effekt verwenden willst. Lasse ihn los und dein Signal ist wieder dry. Um das Dispatch Master als normales Pedal zu verwenden, drücke den Schalter einfach einmal, um es zu aktivieren, und erneut, um es in Bypass zu schalten. Das Dispatch Master V3 wird in Ohio, USA handgefertigt.

The Dispatch Master V3 is a delay and reverb pedal, whose effects can be used independently or simultaneously. It has 1.5 seconds of delay time and a dynamic reverb that goes from natural and roomy to cavernous and deep. It features controls for Time, Repeats, Reverb and Mix and it's true bypass. The V3 version features the new Flexi-Switch™ Technology, which allows you to simultaneously use momentary and latching-style switching. It's based on the silent relay-based soft touch switching! It works by pressing and holding the footswitch for as long as the effect it's been used, releasing it, and resuming for dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass. The Dispatch Master V3 is hand made in Ohio, USA.

EarthQuaker Devices

Official Product Page

EarthQuaker Devices Dispatch Master Delay & Reverb Demo - EarthQuakerDevices

Dispatch Master Digital Delay and Reverb Video Manual - EarthQuaker Devices

EarthQuaker Devices & Juan Alderete Present: Dispatch Master on Bass - EarthQuakerDevices

EarthQuaker Devices Dispatch Master V3 - Demo Video - Musiker TV

Dispatch Master V3 - Digital Delay / Reverb

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Beetronics

Octahive

THE ZZOMBEE “FILTREMULATOR” IS A ONE OF A KIND ANALOG MULTI EFFECT THAT DELIVERS FILTER, WAH, LFO, RANDOMIZED FILTER, TREMOLO, SWELLS, OVERDRIVE, FUZZ, LOW-OCTAVE AND THE NEVER BEEFORE HEARD HONEY PATENTED CROSS TREMOLO, A VERY UNIQUE KIND OF TREMOLO THAT PULSES BETWEEN THE FUNDAMENTAL AND A LOW OCTAVE.

ITS UNBEELIAVABLE ANALOG TONES ARE ENHANCED BY AN INNOVATIVE WAY OF RAMPING AND CONTROLLING MODULATION MOVEMENTS THAT USES A MOMENTARY FOOTSWITCH IN THE MOST MUSICAL WAYS. THESE CONTROLS MAKE THE PEDAL AN EXTENSION OF YOUR INSTRUMENT, BEECOMING AN ESSENTIAL TOOL TO EXPAND YOUR CREATIVITY.

THE SOUNDS FOUND IN THE ZZOMBEE ARE VERY UNIQUE AND WOULD REQUIRE A VERY COMPLEX RIG TO BE RECREATED. THATS BECAUSE THE INSTRUMENT SIGNAL GETS A 4 STAGE GAIN BUZZ SELECTION AND RUNS IN PARALLEL TO A MONOPHONIC LOW OCTAVE BEEAST, IN THE MOST BEETRONICAL STYLE. THE FILTER CAN BE APPLIED TO EITHER OF THESE WITH THE OTHER REMAINING UNTOUCHED.

THREE MODES OF MODULATED FILTER CAN CREATE WAH-LIKE EFFECTS (THAT WILL MAKE YOU WANNA DITCH YOUR OLD BULKY WAH PEDAL), HONEY WAVES OF LFO OR OVER FIFTY THOUSAND VERY MUSICAL RANDOM PATTERNS. THREE MODES OF MODULATED AMPLITUDE CAN CREATE THE CROSS-TREMOLO, TRADITIONAL TREMOLO OR VOLUME SWELLS.

TO TOP IT OFF, THIS ANALOG BEE IS DIGITALLY PARASITIZED AND INCLUDES TAP-TEMPO FUNCTION, CV CONTROL, EXTERNAL TAP, EXPRESSION OUT AND CAN SAVE PRESETS.

Video Manual

Demo by Beetronics

ZZOMBEE FILTREMULATOR

The Phase 99 combines two Phase 90 circuits in a single housing with Modern/Vintage, Series/Parallel, and Sync switches for ultimate phaser experimentation.

 

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Product Page 

Product Manual 

Product Demo 

Phase 99

The Centura is a true overdrive pedal, enhancing the tone and capability of your amp. Highly acclaimed one-one recreation of the Klon Centaur circuit.

Ceriatone

Review by Pedal of the Day

Manual Page 3

Manual Page 2

Manual Page 1

Demo by TheKlonWars

Demo by Andrew Cheng

Centura overdrive raw/clear coat version

Dan here, Mick here – hello!

We have a deep love for the harmonic tremolo’s unique modulation character: a little bit phase-y and a little bit pulsing. It can add a complete, enveloping texture over your whole guitar tone, or sit more subtly as a fantastic ‘widening’ effect either straight mono or in a wet/dry rig.

We wanted to address some of the issues we found in our other favourite examples of the effect and add a superb amplitude trem to boot; enter the Harmonious Monk, a collaboration between JAM pedals and That Pedal Show!

The Harmonious Monk uses all-analogue circuitry with two selectable LFOs providing varying levels of modulation intensity, available in both Harmonic and Amplitude modes: essentially four core sounds. We have included both depth and mix controls, so you can get it sat just right in your overall tone.

Subtle (-) setting in Amplitude mode offers a plethora of vintage-inspired tremolo tones with all the same adjustability as Harmonic mode. Intense (+) setting brings the chop! Stuttering, staccato pulses that add drama and rhythm to your music right up to a fast warble that can sound truly otherwordly.

We also added a footswitch so you can access two tremolo speeds instantly in any mode; internal trimmers to shape the EQ to your liking, and the ability to either boost or cut the overall output level to suit your rig and other pedals.

The Harmonious Monk covers a huge amount of sonic ground and it will inspire you towards a whole new palette of sounds, textures and music.

We summoned the Harmonious Monk from the waves of JAM pedals' sonic ocean so that we can all bathe blissfully in its glorious undulating tones. Let there be wobble!

Jam Pedals

Review by bonedo

Demo by Living Room GD

Harmonious Monk mk.1

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Mit einem sorgfältig abgestimmten, zusätzlichen Mittenfrequenzregister liefert der Tubedreamer einen warmen und satten Overdrive-Sound über jeden Verstärker.

Ein entscheidender Unterschied zwischen dem Tubedreamer und anderen Tubescreamern ist unsere Entscheidung für 3 Dioden für asymmetrisches Clipping anstelle von symmetrischem, wodurch die Reaktion des Pedals auf Nuancen von Bundieren und Zupfen verbessert wird.

Der Tubedreamer verwendet den legendären JRC4558D-Chip, um seinen klassischen Sound zu liefern, genau wie bei den originalen, begehrten 808ern, und führt außerdem einen größeren Verstärkungsbereich ein, der über den Kippschalter für die Hochverstärkungsstufe zugänglich ist.

With a carefully tuned, added midrange frequency register, the Tubedreamer delivers warm and rich overdriven sound through any amp.

A pivotal difference between the Tubedreamer and other Tubescreamers, is our choice to go with 3 diodes for asymmetrical clipping instead of symmetrical, enhancing the responsiveness of the pedal to fretting and picking nuances.

The Tubedreamer employs the legendary JRC4558D chip to deliver its classic sound, just like in the original, sought-after 808’s, and also introduces a wider gain range accessible by the high-gain-stage toggle-switch.

Demo by Alberto Barrero

Review by The Gear Page

Review by Squid Ink Guitar

TubeDreamer 58

PedalSafe Type A1.1

QuickMount Type A

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Comprised of photocells, a bulb, original NOS 2SC828 transistors and carbon comp resistors, the RetroVibe delivers the majestic sounds of the best Uni-Vibe pedals from back in the day, but housed in a modern pedalboard-friendly enclosure and featuring standard 9V DC operation internally lifted to 15V DC.

Choose between the Vibrato and Chorus settings and navigate from slow-rate wavy sounds all the way to fast Leslie-speaker effects!

Use it with any common passive 10k Expression pedal in conjunction with a standard TRS cable for real-time Speed control.

Review by Musiker-Board

Demo by Mikel Bluni

RetroVibe mk2

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

The Ernie Ball VP Jr 250k provides all the same great features as our original volume pedal while reducing your footprint by 22%. The VP 250k Jr is perfectly voiced for passive signals and features a compact, rugged design consisting of aircraft grade aluminum housing that is virtually indestructible. Directly behind the input jack under the footplate is a micro taper switch which provides the user two distinct volume swell rates.

Ernie Ball

Demo by Long & McQuade 

6180 VP JR. 250K

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Chris Corrado

This board shows how to get close to the Jimi Hendrix sound. Absolutely essential for his sound was a Fender Stratocaster, a Wah Pedal, a Germanium Fuzz and a Uni-Vibe. The whole thing amplified by a Marshall Superlead Plexi (the Woodstock setup). On this board we expand the palette a bit to cover all facets of his sound. 

Stratocaster

The Jimi Hendrix Sound Pedalboard

1959 HW

This Cry Baby Wah packs three different wah voicings to cover most of your tonal needs—Low, Vintage, GCB95—into a housing that's half the standard size and features true bypass switching.

Dunlop

CRY BABY MINI WAH CBM95

David Litaba

This pedal recereates the sound of the Dallas Arbiter Fuzz Face unit Jimi Hendrix use in the late '60s, with modern features such as a status LED, true-bypass switching, a 9-volt power jack, and a pedalboard-friendly housing.

Demo by musictoyznetwork

Demo by Guitar Talk

JIMI HENDRIX FUZZ FACE DISTORTION

Catalinbread’s Talisman plate reverb is touted as a homage to the plate reverbs of the 70s, famously used on Pink Floyds iconic Dark Side of the Moon album. To clarify, according to Musician on a Mission, plate reverb is “a clever way of imitating the way sound reverberates through a room. Plate reverb units are big, enclosed cases. Hanging inside of the case is a thin metal sheet, aka the “plate.” When a sound is played into a plate reverb unit, vibrations inside of the case create the illusion of reverb“.

Catalinbread

Demo by Reverb 

Demo by Catalinbread Effects

Review by Guitar Fella 

Review by BK Pedal Reviews 

Talisman

The Echoplex EP-3 tape echo unit is famous for its deliciously warm, organic modulation and sweet musical voice—a key component to some of the most iconic guitar tones from the '70s onward. The original EP-3 units, however, are expensive, temperamental, and larger than a VCR.

That's where the EP103 Echoplex Delay comes in. It's the size of a Phase 90, and it delivers the EP-3's legendary tones with a simple control interface and a hi-fi all-analog dry path. The Delay control sets the time between repeats—from 65ms to 750ms—the Sustain control sets the number of repeats, and the Volume control sets the output level of your repeats.

Review by Gitarre & Bass

Review by Premierguitar

Demo by Guitarist

EP103 Echoplex Delay

M267 OCTAVIO FUZZ

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

Der Twin Boost ist ein digital gesteuerter analoger Booster mit mehreren Funktionen.
Er bietet bis zu 24 dB Clean Boost, einen flachen Frequenzgang und auch bei hohen Einstellungen ein niedriges Grundrauschen. Der Boost-Wert in dB kann über die numerische Anzeige überprüft und eingestellt werden.

Der Twin Boost kann ganz einfach wie ein herkömmliches Booster-Pedal bedient werden, indem Sie die Verstärkung über den CONTROL-Knopf einstellen oder seine erweiterten Funktionen nutzen.

Er verfügt über zwei interne Booster-Kanäle, die so eingestellt werden können, dass sie im JOINT- oder SEPARATE-Modus arbeiten. Im JOINT-Modus wird die Verstärkungseinstellung auf beide Kanäle gleichermaßen angewendet, Sie können eine Stereosignalquelle eingeben und Stereo daraus ausgeben. Im SEPARATE-Modus können Sie die Verstärkung der beiden Kanäle unabhängig voneinander handhaben, sodass Sie ihn als Stereo-Boost mit unabhängigen Boost-Reglern verwenden oder ihn so einsetzen können, als hätten Sie zwei Booster-Pedale in Ihrer Pedalkette an verschiedenen Stellen platziert.

The Twin Boost is a digital controlled analog booster with multiple features.
It offers up to 24dB of clean boost, flat frequency response and a low noise floor at high settings too. The boost amount in dB can be checked and set through the numerical display.

The Twin Boost can be operated as simply as a conventional booster pedal by setting the gain through the CONTROL knob or take advantage of its advanced features.

It comes with two internal boosting channels which can be set to work in JOINT or SEPARATE mode. When set to JOINT the gain setting will be applied equally to both  channels, you can input a stereo signal source and get stereo out from it. In SEPARATE mode you can handle gain of the 2 channels indipendently, so it can be used as a stereo boost with independent boost controls or employ it like you had two booster pedals in your pedal chain placed in different spots.

Demo by  The Guitar Effect

Review by Guitar Bomb

Review by delicious audio

Review by Guitar World

Review by guitar pedal X

Manual download

Twin Boost

ASTEROIDE sampelt die Note, die Sie spielen, wenn der SAMPLE-Fußschalter gedrückt wird. Die gesampelte Note wird gespeichert und gemäß der Eingangshüllkurve oder mit unendlichem Sustain im HOLD-Modus wiedergegeben. Sie können tiefere und höhere Harmonische hinzufügen, um der gesampelten Note einen satten Bassklang oder ein orgelähnliches Timbre zu verleihen.

Sie können zwei Noten sampeln, indem Sie in den DUAL-Modus wechseln. Gesampelte Noten werden gleichzeitig wiedergegeben.

ASTEROIDE kann nützlich sein, wenn Sie eine einfache Basslinie wünschen, die Ihrem Spiel dynamisch folgt, oder harmonisch komplexe Riff- oder Akkordfolgen erstellen möchten.

ASTEROIDE samples the note you’re playing when SAMPLE footswitch is pressed, the sampled note is memorized and played back following the input envelope or applying infinite sustain in HOLD mode. You can add lower and higher harmonics to give the sampled note a fat bass sound or organ like timbre.

You can sample two notes by switching into DUAL mode. Sampled notes will be played back at the same time.

ASTEROIDE can be useful if you want a simple bass line following your playing dinamically or create harmonically complex riff or chord progressions.

Demo by Anne Sulikowski

Review by mixdownmag

Review by Guitar.com

Asteroide

COMETA ist ein Stereo-Chorus/Vibrato-Effekt mit zahlreichen Steuerelementen in kompaktem Format. Eine Besonderheit von Cometa ist die Hüllkurvenfunktion, mit der die Modulation dynamisch auf die Intensität des Gitarrenspiels reagieren kann. Mit der Aliasing-Funktion kann dem Effekt zusätzliche Wärme verliehen oder er kristallklar klingen.

COMETA is a stereo chorus/vibrato effect with multiple controls in a compact form. One special feature of Cometa is the envelope function which allows the modulation to react dynamically to guitar picking intensity. The Aliasing function can add extra warmth to the effect or make it sound crystal clear.

Cometa

DIG DEEP ist ein Oktavpedal, das nur die unteren Saiten verfolgt und eine monophone Basslinie erzeugt, ohne die oberen Saiten zu beeinflussen. Es kann nützlich sein, um einem dünnen Gitarrenklang Tiefe und Körper zu verleihen oder die Präsenz einer Bassgitarre zu simulieren.

DIG DEEP is an octave down pedal which tracks lower strings only and generates a monophonic bass line without affecting upper strings. It can be useful to add depth and body to a thin guitar sound or simulate the presence of a bass guitar.