Badger

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Bass Pedal Board (Wah layout - V2.0)

Tester

MOOER

Official Product Page

Manual

Pitch Box

PedalSafe Type K1

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Schutzabdeckung & RockBoard-Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & RockBoard Mounting Plate for MOOER Micro Series effect pedals 

Schutzabdeckung & universelle Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & Universal Mounting Plate For MOOER Micro Series effect pedals 

JAM pedals’ unabashed distortion monster. We pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to your playing resulting in an open, dynamic, overdriven tube-amp feel!

Its symmetrical clipping circuit and of course the legendary LM308 chip, the featured star of this design, are the main ingredients of a great recipe resulting in the Rattler shining through any rig, whether modern or vintage.

Enjoy fat and creamy distortion courtesy of the devious snake!

Jam Pedals

Product Page

Demo by Chris Kollias

Demo by Patrick Hunter

Demo by BassTheWorld

Rattler Bass

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Josh Johnson

The MC3 is a fully programmable controller, capable of sending up to 16 different MIDI messages per switch.

Morningstar Engineering

The PLASMA Pedal creates heavy distortion by amplifying an audio signal up to 3500 Volts and transforming it into electrical discharges. You are literally playing a bolt of electricity.

Gamechanger Audio

Website

Plasma Pedal

Mark Dodgeon

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

BOSS

Octave OC-5

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

In memory of one of the (if not THE) last true rock’n’roll icons, OKKO presents the MOTÖRBASS pedal. You’re all familiar with Lemmy’s signature sound – ultra powered rumbling grind, distorted, slightly fuzzy but with a lot of edge and definition for high speed hammering powerchords.

It would be presumptuous to claim you could get the exact sound of the iconic modified Marshall Super Bass stack from a 9-volts-powered box... but we did a lot of tweaking to capture that sonic character and we’re pretty happy with the result.

When trying the recreate the Lemmy sound with distortion pedals you easily run into problems. Bass distortions often lack the aggressive edge or get muddy when playing chords. Guitar distortions usually cut too much low end and often sound too fizzy. The MOTÖRBASS runs on an internal voltage of 24 volts*. Paired with carefully chosen filtering, this massive headroom ensures for a raw but tight distortion sound all across the fretboard.

Controls are easy: FASTER controls the gain from almost clean to full blast. HARDER works on the upper mids. Lower settings sound more rounded, turning up adds aggressive bite and attack. LOUDER? Hmm....

The MOTÖRBASS is not only for die hard Motörhead fanatics but for every bass player wanting a powerful, tight rock sound. Now, grab a pick and PLAY HARD!
Btw., don’t lend it to your guitar player, chances are you’ll never get it back...

OKKO FX

Review by Talk Bass.com

Review by Gitarre & Bass

Demo by MrExcane

Official Product Video

MOTÖRBASS

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

TC Electronic

Review by bonedo

Review by reddit /guitarpedals

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

TAI  TONG YEE

Welch schönes Thema doch Effekte und Amps sind, nicht wahr? Seit den ersten Bodentretern Mitte des vergangenen Jahrhunderts faszinieren sich fast alle Gitarrist:innen für die Boxes of Goodness. Seit der Einführung der Digitaltechnik in die Effektgerätbranche werden die Kisten heiß diskutiert. Gerade die Modeling-Technik und später das Capturing/Profiling lösen immer wieder große und lange Diskussionen in den Online-Portalen (oder am heimischen Gitarren-Stammtisch) aus.

"Upgrade" is more than a 7-letter word. It embodies the continuation and evolvement beneath
the surface, and embraces revolution and creativity outside the box.
It’s what Ampero II Stomp does. Throughout years of grinding to establish its core technologies
from empirical practice, Hotone team proudly presents this soul partner for your
sophisticated taste in the sound of the music.

HOTONE

Review by Preshan John, audiotechnology.com

Review by Simon S, amazona.de

Demo by Andetons Music Co

Demo by Sonic Drive Studio 

Demo by Bernd Kiltz - Gitarrenvideos

Ampero II Stomp

Breandan Malone

The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound.

Laney Amplification

Review by Gitarre & Bass 

Demo by Andertons 

Demo by PMTVUK

Demo by The Bass Channel 

Digbeth DB-PRE

Syd Duning

Das Power Fuzz Wah ist ohne Zweifel einer der großen Morley-Klassiker. Die 20/20 Version kommt in einer kompakten, Pedalboard-freundlichen Größe und bietet zusätzlich ein schalterloses Design zur Aktivierung des Wah Effekts. Das 20/20 Power Fuzz Wah bietet Morleys breitesten Frequenzbereich für den Wah-Sweep und erzeugt in Kombination mit der Fuzz-Schaltung einen monströsen Fuzz Wah-Sound, der andere Wah Pedale erzittern lässt.

The Power Fuzz Wah is without a doubt one of the great Morley classics. The 20/20 version comes in a pedalboard friendly size and features the acclaimed switchless activation. The 20/20 Power Fuzz Wah offers Morley's widest frequency sweep and when combined with it's Fuzz circuit delivers monstrous Fuzz Wah tone that will send other Wah pedals into hiding.

Morley

Morley MTPFW - 20/20 Power Fuzz Wah - Demo / Review Video - Sweetwater

20/20 Power Fuzz Wah

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

The Okko Diablo is a versatile, extremely transparent and dynamic Overdrive with lots of gain on tap. With its independent, discrete circuit (no ICs) and features such as its Feed and Body Knobs (see below), it allows a multitude of sounds from transparent chords to fat, singing lead lines with gobs of sustain. The Diablo also sounds great in front of a clean amp.

Official Website

Review by audiofanzine

Demo by Bratt Kingman

Demo by ambienttrash

DIABLO+

Gritty overdrive, low gain fuzz, vintage preamp – no matter how you call it, the Holy Grit combines the clarity and dynamic response of a great overdrive with the raw and complex texture of a vintage fuzz. The intuitive controls let you dial in anything from cleanish boost with a little grit to full-blown vintage „amp on 11“ sounds. Plug it into a clean or driven amp, stack with boosters, overdrives or fuzz pedals, Holy Grit will deliver – for guitar, bass, keys or whatever you want to spice up.

The circuit is based on the classic Fuzz Face/Tone Bender but heavily tweaked into something else. We’re using a set of matched low gain silicon transistors here (parts numbers may differ from one unit to another), voiced between germanium warmth and silicon presence.

Review by guitar pedal X

Review by The Gear Page

Demo by Demos in the Dark

Holy Grit

The Black Beast is a massive sounding fuzz/distortion pedal for guitar or bass.
As you can guess from its name, this is not a smooth vintage germanium fuzz but
a modern distortion machine for all kinds of dirty or heavy sounds.

The magic of the pedal is in the knob called KAPUTT (german for broken/out of order). This control changes the gain structure from plain harmonic distortion to all out nasty fuzz. You can dial in the exact sweet (or not so sweet) spot where you have both: great string separation and clarity of chords AND that buzzy, gnarly crazyness we all love a good fuzz for.

This box delivers loads of gain and sustain for days. The active 2-band tone control provides a wide range of sounds – warm or biting, with tight bass or massive low end.

Demo by Dennis Kayzer

Review by Stompbox Steals

Review by guitartest.de

Black Beast

The Coca Compressor is a studio quality compressor and clean boost pedal.
It doesn’t color your tone but enhances it.

Use it for your clean sound to make it big, tight and punchy without squashing your attack... put it in front of your overdriven amp or overdrive pedals for dynamic singing lead tones, adding sustain but no distortion...
plug in your Piezo-equipped acoustic guitar (or any other stringed instrument) for a fatter, less harsh sound... use it with your bass guitar... the Coca makes everything sound better :-)
The CocaComp also works well with bass guitars. It just makes everything sound better balanced and easier to place in the mix.

The CocaComp’s circuit has nothing in common with the classic grey, red or orange stompbox compressors. Like expensive studio compressors, it works with an optocoupler for smooth and natural compression.

Demo by BUZZBEE TV

Coca Comp MKII

MOTÖRBASS von OKKO FX