andronik supersonik

very ritch bitch ctrl

Ruben Shannon

The Effectrode® ‘LA-1A’ Leveling Amplifier is a high-end, studio-grade vacuum tube compressor in a pedal. Whisper-quiet operation and a wide, wide dynamic range make this tone-tool an unparalleled tone enhancer on stage and in the studio—its natural warmth and clarity are unmatched.

Effectrode

Product Page

Review by CompressorPedalReviews

Manual

Demo by Mike Hermans

Demo by Electric Mojo Guitars

Review by loopersparadise

LA1A Levelling Amplifier

Tester

Dual Vacuum Tube Preamp, Direct Box, and DC Power Supply

Noble

Demo by Noble Amplifier Company 

Noble Preamp DI

Daniel Kirk

Jeder kennt die Frustration, die ein durch viele hintereinander verschaltete Effektpedale verfälschtes Signal hervorruft. Pro Audio Mixer haben AUX send/return Funktionen standardisiert um dieses Problem zu lösen. Dies bewahrt die Integrität und Dynamik des Gitarrensignals, da der Effekt mit dem unbearbeiteten Signal "gefüttert" wird.

Der X-Blender verwendet diese professionelle Audio Techologie um die klanglichen Unzulänglichkeiten auszugleichen, die manche Effekte produzieren und ist auf vollständige Transparenz ausgelegt.


It's frustrating to hear the signal deterioration when playing through a chain of effects. Because of the narrow dynamic range and multiple filtering, these effects greatly disturb the directness and trueness of the guitar signal. Pro-audio mixers standardized Aux send/return function to help solve this problem. This preserved the integrity of the guitar'ssignal and dynamics by feeding the effect with the unaffected signal. The X-Blender incorporates pro-audio engineering technology to solve the sonic imperfection some effects produce and was designed to be completely transparent.

Xotic

Official Product Page

Demo by Xotic

X-Blender

The micro-Thumpinator is a bandwidth optimizer designed for bass guitar. It removes the low frequency signals that are outside the range of notes produced by the instrument.

Infrasonic frequencies cannot be reproduced by standard bass cabinets but they often make amplifiers clip, especially when they are set to boost the lower frequencies. The Thumpinator filters the signal content optimising the energy delivered by the amplifier. Low-frequency clip is substantially reduced and the sound is tighter especially at high volume levels.

The micro-Thumpinator accepts instrument and line level signals. It can be used between preamplifier and amplifier, between bass and amplifier or anywhere in the effect chain (line or instrument level). It can also be connected directly to an audio interface.

SFX Sound

Review by Talk Bass.com

Demo by Paul Reich

Official Product Video

micro-Thumpinator v2

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

BOSS

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

vubitch

ch ray

Pedal76 accurately reproduces one of the fastest and most powerful studio compressors of all time, known for having ultra-fast attack and release and adding sweet analog tone to any source. Just like in the studio, Pedal76 has Attack & Release, Ratio, and Input controls, critical for taming unwanted changes in volume on stage. Backed by over 10 years of expertise delivering premium, award-winning studio compression with the Warm Audio WA76, the Pedal76 is capable of bringing out the wide range of legendary compression tones from subtle to hard-limiting as favored by celebrated artists such as Led Zeppelin, Pink Floyd, Periphery, Jack White and many more.

Warm Audio

Demo by  TheSuperFunAwesomeHappyTimePedalShow

Review by Premier Guitar

Review by Sound on Sound

Review by bonedo

Pedal76

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

bassis

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by Bass Musician Mag

Review by Compressor Pedal Reviews

Demo by Benn Jordan

Demo by Fireghosting

Bass Compressor Silver Sparkle

Für 3-5 FX-Pedale - **318 x 142 mm / 12.52" x 5.59"** - erhältlich mit Gig Bag

For 3 - 5 FX pedals - **318 x 142 mm / 12.52" x 5.59"** - including Gig Bag

Sam McAinch

Updated Main Bass Board

Das originale MXR Phase 90 war und ist DER Meilenstein im Bereich der Phaser Pedale, da sind sich Musiker wie Sammler einig. Das ursprüngliche „Haus-Arbeitspferd“ wurde 1974 vom Dunlop Senior Entwickler Bob Cedro auf den Markt gebracht. Und genau dieses Pedal bringt MXR nun in einer peniblen und fachkundigen Wiederauflage in Form des neuen ’74 Vintage Phase 90 heraus. Auf der per Hand verdrahteten Platine finden wir selektierte Widerstände genau wie aufeinander abgestimmte FET-Transistoren, um exakt den gleichen sanften und warmen Modulations-Sound wie beim Original zu erreichen. Das ’74 Vintage Phase 90 kommt verpackt in ein im klassischen Orange lackierten Alugehäuse, welches das unverwechselbare Script-Logo trägt. Dieses Pedal stellt ausschließlich der MXR Custom Shop her!

The MXR Phase 90 set the benchmark for phasers, with its thick and rich tone. Dunlop's in-house work horse, purchased in 1974, was meticulously specified and recreated as the '74 Vintage Phase 90. The hand-wired board features select resistors paired with handmatched FETs to achieve the same smooth and warm modulation as the original. The '74 Vintage Phase 90 comes housed in the classic orange finished box and is adorned with the unmistakable Script logo.

Produktvideo

CSP026 '74 Vintage Phase 90

Official Website

CE-2B Bass Chorus

There is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus. Tumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right. The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Treble) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone. Let’s face it, not everyone has room for a four-legged beast on their board. This smaller version slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.

Wampler

Review by The Gear Check 

Demo by Pete Thorn

Demo by Tone Factory

Tumnus

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Mit dem OC-2 Octave-Pedal kannst du deinen Sound durch Hinzufügen von zwei zusätzlichen Tönen aufpeppen - eine und zwei Oktaven unterhalb der ursprünglichen Note. Jeder Ton hat einen separaten Lautstärkeregler und wird mit hervorragender Klarheit wiedergegeben.

The OC-2 Octave pedal lets users fatten up their sound by adding two additional tones--one and two octaves below the original note. Each tone has a separate volume control and plays back with outstanding clarity.

Review by Reddit /guitarpedals

Review by TalkBass

Demo by Middle Aged Gear Junkie

Demo by Nick Granville

OC-2 Octaver

Das StroboStomp HD verfügt über das größte Stimmdisplay, das Peterson Tuners je in eines seiner Pedal-Stimmgeräte integriert hat, und besticht durch einen hochauflösenden LCD-Bildschirm mit einer LED-Hintergrundbeleuchtung in variablen Farben. Die vom Benutzer wählbaren Farben können genutzt werden, um das Stimmgerät individuell anzupassen oder die Ablesbarkeit des Displays je nach Einsatzumgebung bei unterschiedlichen Lichtverhältnissen zu verbessern. Die leuchtenden Bildschirmfarben können zudem Standard- oder Benutzer-Presets zugewiesen werden, um die Zeit für die Menüführung deutlich zu verkürzen und die Sicherheit beim Stimmen auf der Bühne zu erhöhen.

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Review by The Gear PAge

Review by TDPRI

Review by reddit /guitarpedals

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

StroboStomp HD

The BASSRIG Super Vintage is, quite simply, a complete vintage bass amp in a pedal. Based on the iconic Ampeg® SVT®, we have used all-analogue circuitry to recreate a complete valve amp-style signal path, along with an all-analogue cabinet simulator, giving you all the warmth, feel and drive of this classic bass rig in one small box.
When the SVT® arrived on the scene in 1969, it rewrote the rulebook for purpose-built bass amplification. Thanks to its enormous power, deep bass, growling overdrive and purposeful control set, this tower of tone has remained the amp of choice for the most discerning bassists on the world’s biggest stages.
With XLR and ¼” outputs, the BASSRIG Super Vintage will fit seamlessly into any signal chain, no matter how simple or complex, and our powerful Amp Out EQ tailors your sound to work with any amp, meaning you never have to compromise on tone.

Origin Effects

Demo by The Bass Channel

Demo by Origin Effects with Ian Allison

BassRig Super Vintage

Cali76 TX/TX-L

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

tubebitch

Richard Delos Santos

Chavy21 bass rig

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

David Graves

Born in the heart of NYC and raised on the road, the Tone Hammer Preamp DI has been an indispensable tool for bassists seeking inspiring tone and versatility. With its warm, rich, and dynamic sound, the Tone Hammer Preamp is an essential preamp/direct box for every bassist. The Tone Hammer features fully sweepable midrange frequencies, in addition to bass and treble controls. With the Tone Hammer’s pristine D.I., players are set for either studio or stage. Enhanced for even greater flexibility, the updated Drive circuit now provides an expanded range, allowing for increased gain and a dedicated control to finely tune your sound. You can go from modern slap sounds to vintage or overdriven, and everything in between. 18-volt operation gives the Tone Hammer plenty of headroom, and we’ve added a Headphone Out and Aux In, making it the perfect practice companion, whether on the road or at home.

Aguilar

Demo by Nate Navarro

Review by reddit /basspedals

Review by algam Benelux

Tone Hammer Preamp v2

Fraser Grant

Der BASSRIG Fifteen ist ein rein analoge Amp-Rekreator-Preamp/D.I.-Pedal, basierend auf dem legendären Ampeg B-15 Portaflex-Kombi-Bassverstärker. Er bildet den Klang, das Spielgefühl und den Charakter des Original-B-15 nach mittels eines kompletten ventilähnlichen Signalweges im Miniaturformat. Er verfügt über eine analog simulierte 1×15-Lautsprechersimulation auf dem D.I.-Ausgang sowie eine eigene AMP OUT EQ, um den Klang an jeden Verstärker oder jede Box anzupassen. Der BLEND-Regler erlaubt das Beimischen des sauberen Signals für Klarheit und Artikulation.

The BASSRIG Fifteen is an all-analogue amp recreation preamp and DI pedal, based on the legendary Ampeg B-15 Portaflex amplifier. It recreates the sound, feel and character of the original B-15 studio bass combo using a full valve-style signal path in miniature. It features an all-analogue 1×15 cabinet simulator on the DI output and a dedicated AMP OUT EQ to tailor the sound to any amp or cab. The BLEND control allows you to mix clean signal in for clarity and articulation.

Demo by Andertons

Review by Sound On Sound

Review by Bass Gear Reviews

BassRig Fifteen

Benjamin Hooper

Der berüchtigte Harmonic Percolator-Schaltkreis ist auf maximalen Klang getrimmt. Geeignet für schmutzige Suboktaven und mutwillige Rückkopplungen, bis hin zu einem Hauch von Grit oder einem Transistor-Booster, der den Verstärker knallt. Eindeutig mehr als nur ein Fuzz.

Wie das Original HP-1 verwendet auch das Hurts sowohl Germanium- als auch Siliziumtransistoren, die sorgfältig ausgewählt und auf Klang und Verstärkung abgestimmt wurden. Im Inneren befinden sich mehrere Trimmer, einer zum Einstellen des Oktav-Sweetspots“ und einer zur Gain-Kompensation im Falle von Oszillationen.

Er verwendet Germanium-Dioden wie im originalen HP-1 und hat einen Schalter, um auf Silizium-Dioden umzuschalten, die etwas lauter sind (mein Favorit im Bass). In der Mittelstellung überbrückt dieser Schalter die Dioden, was ihn zu einem lauten Transistor-Booster macht, der das Front-End eines Verstärkers wirklich antreibt. 

The infamous Harmonic Percolator circuit tuned for maximum tone. Capable of filthy sub octave and wilful feedback, through to just a hint of grit, or an amp slamming transistor booster. Definitely more than just a fuzz.

As in the original HP-1 the Hurts uses both germanium and silicon transistors carefully selected and graded for both sound and gain. Inside it has a couple of trimmers, one to tune in the octave "sweet spot" and one for gain compensation in case of oscillation.

It uses germanium diodes as in the original HP-1 and has a switch to change to silicon diodes which are slightly louder (my favourite on bass). In the mid position this switch bypasses the diodes making it a loud transistor booster that really pushes the front end of an amp. 

Latent Lemon Audio

Demo by Guy Incognito

Review by ilovefuzz

Review by The Gear Page

Hurts

HP-2 is a distortion device, based on the harmonic percolator. A genuinely unusual design that is instantly recognizable. Known as a sonic doomsday device, but can easily be dialed down to add just a touch of harmonic richness. Harmonics (H) controls the input level and Balance (B) controls the output level. Rocker switches in and out the clipping section. Switch left for 1970s. Switch right for absolute destruction.

Land Devices

Demo by Goofy Ears

Demo by ambienttrash

HP-2

Lee Atkin

Das BOSS XS-1 Poly Shifter ist ein kompaktes Pitch-Shifting-Pedal, das fortschrittliche polyphone Technologie nutzt, um präzises, störungsfreies Umstimmen sowohl für Gitarre als auch für Bass zu liefern. Es bietet einen Gesamt-Shift-Bereich von ± sieben Halbtönen plus ± drei Oktaven, der alles von Drop-Tunings über sofortige Kapo-Effekte bis hin zu Oktav-Layers abdeckt. Die unkomplizierte Benutzeroberfläche verfügt über einen Balance-Regler zum Mischen des trockenen und des Effektsignals, einen Shift-Regler zur einfachen Pitch-Auswahl und flexible Steuerungsoptionen über externe Fußschalter oder ein Expression-Pedal. Angetrieben von 24-Bit-Wandlern und der Adaptive Focus-Methode gewährleistet es eine hochauflösende Pitch-Verschiebung, während der natürliche Klang und Charakter des Instruments auch bei komplexen Akkorden erhalten bleibt.

The BOSS XS-1 Poly Shifter is a compact pitch-shifting pedal that uses advanced polyphonic technology to deliver precise, glitch-free retuning for both guitar and bass. It offers a total shift range of ± seven semitones plus ± three octaves, covering everything from drop tunings to instant capo effects and octave layers. The straightforward interface features a Balance knob to blend the dry and effect signals, a Shift knob for easy pitch selection, and flexible control options via external footswitches or an expression pedal. Powered by 24-bit converters and Adaptive Focus method, it ensures high-fidelity pitch shifting while preserving the instrument's natural tone and character, even with complex chords.

Review by Gear News

Review by Guitar World

XS-1 Poly Shifter

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Entwickelt in Zusammenarbeit mit Bass-Professor und Klangkenner Ian Martin Allison ist der MXR Bass Synth ein Kraftpaket unter den Pedalen, das donnernde Sub-Oktaven, expressive Hüllkurven und üppige Modulationseffekte mit erstklassigem Tracking und Sustain bietet – dazu alle Funktionen, die Sie benötigen, um jeden einzelnen Aspekt Ihres Klangs zu formen.

Designed with low-end professor and tone connoisseur Ian Martin Allison, the MXR Bass Synth is a powerhouse of a pedal offers thunderous sub-octave, expressive envelope, and lush modulation effects with killer tracking and sustain—plus all the features you need to shape every detail of your tone.

Review by No Treble

Bass Synth MB301

Nathan Turnbull

Die Radial BigShot ABY V2 ist einen kompakte ABY switcher, der es dir ermöglicht zwischen zwei Verstärkern zu schalten oder das Signal zu kombinieren, wenn beide Verstärker zur gleichen Zeit aktiv sein sollen. Mit netten Extras wie eingebauten Isolationstransformern, separatem Tuner Ausgang und Status LEDs, ist dies der wohl flexibelste True-Bypass Switcher am Markt.

The Radial BigShot ABY V2 is a compact ABY switcher that enables you to either switch between two amplifiers or combine the signal when you want both amps to play at the same time. Featuring nice extras like a built-in isolation transformer, separate tuner output and status LED’s, is the most versatile true-bypass switcher made today!

Radial Engineering

Review by Musiker-Board

Demo by Landon Bailey

Demo by Hollywood Rare Guitars

Bigshot ABY v2

scott delony

Pushing the boundaries of bass innovation, Anagram is our most powerful and versatile multi-effect unit yet. More than just an effects processor—it’s a revolution. With ultra-low latency, deep customization, and seamless integration into the Darkglass ecosystem, it empowers bassists like never before, from studio precision to stage power.

Designed for effortless creativity, Anagram delivers studio-quality sound, advanced signal chain editing, and the groundbreaking Neural Amp Modeler (NAM) technology—all within a compact footprint that accommodates any pedalboard. Fun to use, inspiring to explore, and limitless in sonic potential, Anagram doesn’t just shape tone—it unlocks new ways of assembling music.

Darkglass Electronics

Demo by Sweetwater

Demo by Leo Gibson

Demo by Nate Navarro 

Anagram

"When you see an aging building or a rusted bridge, you are seeing nature and man working together"

OAMP is an output driver designed to replace a conventional output buffer or gain pedal at the end of your chain. If you’re familiar with EUNA, it’s a similar concept but with a few key differences. High headroom, clean gain, great drive capability. They key features are labeled below. There are subtle tonal variations in the gain settings. Maximum clean output level is 20dB. 29dB of gain available. OAMP makes enough gain to drive your amp into breakup without adding it’s own distortion, or you can use it to trim hot signals from your pedalboard. The insert loop is active when OAMP is OFF, so you can easily swap from clean drive to a dirt pedal, alternative preamp or anything you want really. With nothing plugged into the insert OAMP is True-Bypass when switched off.

29 Pedals

Review by American Songwriter

Review by Guitar.com

Demo by collector//emitter

Demo by MAS Distro

OAMP

Review by American Songriter

Demo by Rabea Massaad

EUNA

Nathan Rapheld

The Cali76 Stacked Edition is a dual-stage compressor pedal, using two of our Cali76 compressor circuits cascaded in series for the ultimate compressed guitar tone. Based on the iconic Urei® 1176®, we’ve taken this studio classic to the next level of compression and flexibility.

Open up a huge range of new sounds with independent control of each stage. With heaps of clean gain and compression on tap, the Cali76 Stacked Edition offers up punch, presence and limitless sustain, all delivered with studio-grade fidelity. This pedal will totally transform the feel of your guitar.

Demo by Ross Campbell

Demo by JayLeonardJ

Cali76 Stacked Edition (Brushed Aluminum)

Combo

Das Empress ParaEq MKII Deluxe ist ein parametrischer EQ und Boost-Pedal in Studioqualität, das für Gitarre, Bass, Synthesizer und andere Instrumente entwickelt wurde. Es bietet drei vollständig parametrische EQ-Bänder mit einstellbarer Frequenz, Verstärkung und durchstimmbarer Q-Einstellung für präzise Klangformung. Es verfügt über Baxandall-artige High-Shelf- und Low-Shelf-Shelving-Filter sowie umschaltbare 12-dB/Oktave-Hochpass- und Tiefpassfilter für eine fein abgestimmte Klangregelung. Eine Clean-Boost-Sektion ist ebenfalls enthalten und liefert bis zu +30 dB Signalverstärkung, um Verstärker oder lange Signalketten anzusteuern. Der Signalweg bleibt vollständig analog und rauschoptimiert und bietet auch bei intensiver Nutzung einen hohen Headroom und Transparenz. Das Pedal unterstützt je nach Ihren Routing-Anforderungen einen wählbaren True-Bypass- oder Buffered-Bypass-Modus.

The Empress ParaEq MKII Deluxe is a studio-grade parametric EQ and boost pedal designed for guitar, bass, synth or other instruments. It offers three fully parametric EQ bands with adjustable frequency, gain, and sweepable Q settings for precise tone shaping. It adds Baxandall-style high-shelf and low-shelf shelving filters plus switchable 12 dB/octave high-pass and low-pass filters for refined tone control. A clean boost section is included, delivering up to +30 dB of signal boost to drive amps or long signal chains. The signal path remains fully analog and noise-optimized, providing high headroom and transparency even under heavy use. The pedal supports a selectable true-bypass or buffered-bypass mode depending on your routing needs.

Demo by AndyDemos

Review by Bass Gear Magazine

Review by Guitar Chalk

Para Eq MKII Deluxe

James Squire

Das Empress Effects Bass ParaEq ist ein hochwertiges analoges parametrisches Equalizer- und Boost-Pedal, das speziell für Bassisten entwickelt wurde, die präzise Klangkontrolle suchen. Es verfügt über drei vollständig einstellbare parametrische EQ-Bänder mit variabler Q und ermöglicht eine Anhebung oder Absenkung von ±15 dB. Das Pedal beinhaltet Hochpass-, Tiefpass-, Tiefen- und Höhen-Shelving-Filter, die umfassende Frequenzformungsmöglichkeiten bieten. Ein fußschaltbarer Boost bietet bis zu 30 dB sauberen Gain, und das Pedal arbeitet intern mit 27V für außergewöhnlichen Headroom. Weitere Funktionen sind ein wählbarer 10MΩ Hi-Z-Eingang für Piezo-Tonabnehmer und ein automatisch erkennender symmetrischer Ausgang, was es sowohl für Live- als auch Studioanwendungen geeignet macht.

The Empress Bass ParaEq is the only parametric EQ pedal on the market built from the ground up for bass. It gives players studio-grade tone shaping in a compact pedal format that is purpose-built for low-end instruments, not just adapted from guitar gear.

Following the success of our Bass Compressor—and after hearing from countless players who were already using the ParaEq MKII Deluxe on bass—we knew it was time to give bassists more than a “good enough” EQ. The Bass ParaEq delivers the same transparent, tone-sweetening power that made the Deluxe a favourite, but with frequency ranges, filters, and features tailored specifically for bass.

With a dynamic low shelf, bass-tuned EQ bands, a Hi-Z input for upright players, and an auto-detecting balanced output, it’s built to give bassists the control they’ve always deserved—on stage, in the studio, everywhere.

Review by TGT11

Demo by Happy Mag

Demo by Tim Lefebvre

Bass ParaEQ

Erfahre mehr über das Noble Preamp DI di, preamp, power supply-Pedal von Noble auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr