A look in the past…
By turning on this distortion pedal this is the sound you always wanted to hear.
The Dark Lady works in HI-GAIN area, aggressive and determined.

The highly selected components guarantee a dynamic and musical response to any type of guitar and guitarist.

Nemphasis

Demo by  Lorenzo Semeraro

Manual

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Dark Lady Distortion Fuzz

We are proud to present the “aggressive” version of our Dark Lady distortion pedal…the “Red Knobs” one.

The Dark Lady Red Knobs distortion for guitar, works in HI-GAIN area, and was designed thinking of our highly appreciated Dark Lady distortion/fuzz, but with a more “our time” sound in mind.

Cut your mix  with this unique sound.

Demo by  MadisonandFifthUK

Dark Lady "Red Knobs"

Not only an overdrive, not only a fixed wah. Simply both, in a single unit.
Mr.Q will lead you to the land of sweet, juicy, singing lead tones as well as deeply characterized talking riffs.

Just turn the ‘Q’ knob and be inspired by the infinite amount of voicings and warm tone coloration that the Mr.Q offers you.

Just put the Mr.Q on your pedalboard and open this character tank everytime is needed.

Demo by Guitarist

Mr Q Driwah

The O2 Oxygen Bass Preamp is a must have on a bass player pedal board.

With its efficient and sensitive five control knobs it allows you to deliver YOUR tone – whether on stage or in the studio.

The internal “BASS BOOST” switch allows you to squeeze more bass from the O2 while the “MID SHIFT” switch allows instant selection of one of two distinct tones: deep warm and smooth, or hard, fast and responsive. Both modes are delivered dynamically and with great definition.

Every note will be sculpted with the O2 Bass Preamplifier.

Demo by Bassline Music Shop

Demo by  Marco Sassetti

O2 Oxygen Bass Preamp

Liquid Mind, the analog chorus for guitar with an enveloping sound, smooth and never extreme, obtained thanks to the employment of a Bucket Brigade Device, accomplished with an accurate LF oscillator and a choice of the best electronic components available.

Particular attention has been dedicated to the layout of the circuit with the aim of fully eliminating the sound of the “click noise” derived from the LFO.

In addition to the classic controls of DEPTH and SPEED there is also the adjustment of the tone “COLOR” of the effected signal.

Liquid Mind Analog Chorus