Michael  Logan

New Pedal Board

Lefry Leily Carvajal Novas

Das Donner Versa Yellow Fall 2 ist ein Gitarrenpedal mit 3x3 Delay- und Reverb-Effektmodellen, die einstellbare Parameter wie Delay Time, Reverb Depth, Reverb Size und Pre-Delay ermöglichen. Es verfügt über ein Double-Tap-Design mit zwei Pedalen, die das Ein- und Ausschalten von Delay und Reverb steuern. Das Pedal verfügt über eine Vielzahl von Begleitparametern, mit denen sich die breite Klangpalette steuern lässt, und kommt in einem vertrauten neuen Look daher, der an das Design der Universal Audio Effektpedale erinnert. Das Yellow Fall 2 bietet außerdem ein 2x2-Stereo-Eingangs-/Ausgangsdesign, das die Klangqualität verbessert und Flexibilität für individuelle Mischungen bietet.

The Donner Versa Yellow Fall 2 is a guitar pedal that provides 3x3 delay and reverb effect models, allowing for adjustable parameters such as delay time, reverb depth, reverb size, and pre-delay. It features a double tap design with two pedals controlling the on/off of delay and reverb. The pedal includes a host of accompanying parameters to navigate its wider tonal palette, and it comes with a familiar new look, resembling the design of Universal Audio effects pedals. The Yellow Fall 2 also offers a 2x2 stereo input/output design, enhancing its sound quality and providing flexibility for personalized mixes.

Donner

Demo by Steven Kambach

Demo by Electric Flamingo

Product Page

Review by Guitar World 

Review by Guitar Bomb

Review by Synth Anatomy

Versa - Yellow Fall II

Lasse Lund Elmer

Kompression gleicht Lautstärkeunterschiede aus, indem laute Töne abgesenkt und leise angehoben werden. Über den Attack-Regler des CS-3 legst du fest, wie schnell die Schaltung diese Anpassung vornimmt. Durch das Drehen im Uhrzeigersinn bleiben Saitenanschläge stärker erhalten und sorgen für einen knackigeren, perkussiven Klang. Je mehr du den Regler gegen den Uhrzeigersinn drehst, desto mehr werden die Signalspitzen abgesenkt. Der Sustain-Regler steuert die Stärke der Kompression und sorgt für einen straffen Sound und ein natürliches Sustain ohne Verzerrungen.
Das CS-3 basiert auf einer leistungsfähigen VCA-Schaltung, die eine stabile und gleichmäßige Kompression mit minimalem Grundrauschen ermöglicht. Mit seinem charakteristischen, ausgewogenen Ansprech- und Kompressionsverhalten sorgt das Pedal für einen transparenten Klang über alle Spielstile hinweg. Ob knackige Country-Licks, druckvolle Power-Chords oder singende Soli – das CS-3 überzeugt als unverzichtbares Werkzeug für einen besseren Sound.
Mit dem Tone-Regler wird das CS-3 noch vielseitiger. Hierüber kontrollierst du den EQ des komprimierten Signals. Stärkere Einstellungen betonen die hohen Frequenzen und für einen schärferen, schneidenden Sound – perfekt für glockenklare Arpeggi, funkige Rhythmen und Passagen, die besonders herausstechen sollen. Je mehr du den Regler zurückdrehst, desto softer werden die Höhen, was einen warmen, weicheren Sound erzeugt, der sich besonders für Genre wie Jazz und Neo Soul eignet. Ganz egal, ob du eine Extraportion Biss oder Samt benötigst – mit dem CS-3 kannst du deinen Sound flexibel an deine Musik anpassen.

Compression evens out volume differences by lowering loud sounds and raising quiet ones. The CS-3's Attack knob lets you set how quickly the circuit makes this adjustment. Turning it clockwise preserves string attacks more strongly and creates a crisper, more percussive sound. The more you turn the knob counterclockwise, the more the signal peaks are reduced. The sustain knob controls the strength of the compression and ensures a tight sound and natural sustain without distortion.
The CS-3 is based on a powerful VCA circuit that provides stable and consistent compression with minimal noise. With its characteristic balanced response and compression characteristics, the pedal delivers transparent sound across all playing styles. Whether crisp country licks, powerful power chords, or singing solos, the CS-3 is an indispensable tool for better sound.
The tone control makes the CS-3 even more versatile. It lets you control the EQ of the compressed signal. Stronger settings emphasize the high frequencies and create a sharper, more cutting sound—perfect for crystal-clear arpeggios, funky rhythms, and passages that need to stand out. The more you turn the control back, the softer the highs become, creating a warm, softer sound that is particularly suitable for genres such as jazz and neo soul. Whether you need an extra dose of bite or velvet, the CS-3 lets you flexibly adapt your sound to your music.

BOSS

Review by Gitarre&Bass

Manual

Demo by Reverb 

Demo by SweetWater 

CS-3 Compression Sustainer

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

Review by bonedo

Demo by Gear4music 

Demo by Equipboard

Official Product Video

Demo by BOSS 

Review by reddit /Guitar

Review by Musiker-Board

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

Tester

Oft kopiert aber nie erreicht, rangiert das schwer zu findende, originale, Phase 90 bei den Sammlern alter Bodentreter ganz weit oben. Das Original - seit der Gründung der Firma Dunlop bis in die späten 70er Jahre erhältlich – definierte den klassischen Phase Shifter Sound und war in allen Musikstilen zu hören, egal ob Hard Rock, Jazz-Fusion oder Funk-Hits. Der nach dem Kultpedal der Firma designte Phaser kommt puritanisch mit einem Regler aus, über den der Phaser-Speed einstellbar ist. Eine rote LED über dem stabilen Fußschalter zeigt den Schaltstatus an. Das massive Spritzgußgehäuse verfügt über jeweils 1/4" Klinke In- und Out-Eingänge. Betrieben wird der Kulttreter mit einer 9V Batterie, die in einem leicht zugänglichen Batteriefach auf der Unterseite Platz findet. Es ist erhältlich in der ursprünglichen orangenen Farbe.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between. Power: Single 9 volt battery or Dunlop ECB-003 AC Adapter - Controls: Footswitch toggles effect on/bypass (red LED indicates on) Speed knob varies rate of phase sweep

Review by Guitar Player

Demo by Reverb

M101 Phase 90

Der EHX Little Big Muff Pi ist identisch mit unserem Big Muff Pi, aber kleiner. Wir haben den klassischen Big Muff-Schaltkreis genommen und ihn einfach geschrumpft, ohne den süßen, geigenartigen Sustain-Sound zu verändern. Dieser kleine Bruder trägt sein Erbe mit Stolz zur Schau.

The EHX Little Big Muff Pi is identical to our Big Muff Pi but smaller. We took the classic Big Muff circuit and simply shrunk it without any change to the sweet violin-like sustaining sound. This little brother displays its heritage proudly.

Electro-Harmonix

Demo by Ryan Lutton

Demo by shnobel

Review by Talk Bass.com

Review by The Gear Page

Review by musicradar

Review by reddit /guitarpedals

Little Big Muff

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

Official Website

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Manual's All

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

Demo by Musicmaker

GE-7 Equalizer

ch ray

Der DS-1 Distortion ist eine wahre Ikone in der Welt der Gitarreneffekte. Das 1978 eingeführte erste Distortion-Pedal von BOSS definierte einen mutigen neuen Sound mit einem harten Attack und einem sanften Sustain, das seit Generationen bei Spielern beliebt ist. Der DS-1 ist das meistverkaufte kompakte BOSS-Pedal aller Zeiten und sein ursprüngliches, unverändertes Design inspiriert weiterhin die Schaffung großartiger Musik auf der ganzen Welt. Der klassische DS-1-Ton steckt hinter den charakteristischen Sounds zahlreicher Rocklegenden und ist bereit, Ihren eigenen charakteristischen Sound noch heute zu befeuern.

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Review by Ultimate Guitar

Demo by TheGuitarGeek

Demo by  Boechler Guitars and Repair

DS-1 Distortion

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Review by Sound on Sound

Review by Gigs and Guitars

Demo by gearmanndude

CE-2W Chorus

DELETED USER

Der Dunlop CBM95 Cry Baby Mini ist ein kompaktes Wah-Pedal, das klassische Cry-Baby-Wah-Sounds in einem verkleinerten Gehäuse bietet. Es verfügt über einen dreistufigen Voicing-Schalter, mit dem sich verschiedene Wah-Frequenzbereiche auswählen lassen, die auf Vintage-Cry-Baby-Schaltungen basieren. Das Pedal verwendet denselben Fasel-Induktor wie traditionelle Cry-Baby-Modelle, um den vertrauten Klangcharakter zu erhalten. Das kleinere Gehäuse ist für Pedalboards mit begrenztem Platz konzipiert und bewahrt dennoch das Spielgefühl und den Regelweg eines Full-Size-Wahs. Das CBM95 besitzt ein robustes Metallgehäuse für den Einsatz auf der Bühne. Es gehört zur modernen Cry Baby Mini Serie von Dunlop.

The Dunlop CBM95 Cry Baby Mini is a compact wah pedal designed to deliver classic Cry Baby wah tones in a reduced footprint enclosure. It features a selectable three-position voicing switch that allows the player to choose between different wah frequency ranges inspired by vintage Cry Baby circuits. The pedal uses the same Fasel inductor found in traditional Cry Baby models to maintain familiar tonal character. Its smaller housing is intended for pedalboards where space is limited while retaining the feel and sweep of a full-size wah. The CBM95 is built with a durable metal chassis for live performance use. It is part of Dunlop’s modern Cry Baby Mini series.

Dunlop

Review by Music Radar

Guide to Cry Baby Wahs by Jim Dunlop

CBM95 Cry Baby Mini Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Süß, nuanciert und ultra-ausdrucksstark – der BD-2 Blues Driver ist eine bleibende Ikone in den Annalen des Gitarren-Overdrive. Sein einflussreiches analoges BOSS-Schaltungsdesign verhält sich wie ein Röhrenverstärker und bietet eine natürliche, berührungsempfindliche Verstärkung, die mit herkömmlichen Overdrive- und Distortion-Pedalen nicht möglich ist. Fast drei Jahrzehnte später verleiht der artikulierte Klang des BD-2 den Klängen von Spielern aller Musikgenres, von Blues und Rock bis hin zu Country, Jazz und darüber hinaus, weiterhin Kraft.

Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with standard overdrive and distortion pedals. Nearly three decades on, the BD-2’s articulate voice continues to power the sounds of players in every musical genre, from blues and rock to country, jazz, and beyond.

Demo by Wampler Pedals

Demo by The Pedal Bored

Review by Guitar Pedal Demos

BD-2 Blues Driver

Elod Bajrami

Altoids

Eduardo Moraes

Based on MXR® A/B BOX

The A/B Box allows you to route your instrument's signal to two separate output amp paths. Use it to switch between amps or run them both at the same time with different effect configurations so you can find your ultimate sound. Use the Thru jack to connect to a tuner, amp or other device that you want to receive a constant signal. The A/B Box comes in a heavy-duty die-cast housing with high quality jacks and switches.

Mosky

A/B SWITCH BOX

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

The BOSS RC-1 is our simplest and most user-friendly Loop Station ever, and it’s a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they’ve been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.

Demo by Guitar Gallery

Review by Looper Pedal Reviews

RC-1 Loop Station

Das weiße Gehäuse des Spark Booster besteht vollständig aus Metall und die Beschriftung in Gold verleiht dem Pedal ein durchaus edles Erscheinungsbild. Die Verarbeitung ist vorbildlich, genau wie bei allen anderen Pedalen, die wir bereits getestet haben. Auch dieses Gerät ist absolut roadtauglich, aber das war nicht anders zu erwarten, denn rund um den Globus findet man unzählige Pedale von TC, die sich seit Jahrzehnten klaglos im Dauereinsatz befinden.

Kick your playing into high gear with Spark Booster, a pedal rocking a completely clean boost and heaps of extra features for a world of tone. With a full 26 dB of boost, Spark Booster delivers the juice you need for highlighting solos and nailing that killer lick or riff.

TC Electronic

Review by mylespaul

Demo by The Tone Lounge 

Spark Booster

David Graves

Unlike the large transformer fully isolated power supplies, this unique lightweight IC design fully isolated power supply is smaller, easy to mount and requires less space on your pedal board. Fully isolated power outlets ensure stable power and ultra-low noise.

The Circuit has anti-ground noise and anti-interference treatment which delivers a 100% clear sound.
The power supply has 10 outputs for powering a variety of different effects including Drum effect, multi effect and digital delay pedals.
Each output is independent and with short circuit protection which is indicated by the LED lights.

Caline

Review by TDPRI

Demo by Bassguitarist1985

CP-207

With PIPELINE TAP TREMOLO at your feet, you have access to the warm, organic sounding sinus curves of the ’60s, the jagged edge rotor blade clippings reminiscent of helicopter landings, and everything in between.

Review by Gearnews 

Demo by Mike Hermans 

Pipeline Tap Tremolo

The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.

Demo by PMTVUK

Demo by  Guitars, Music and Tech

Review by Rig-Talk

TR-2 Tremolo

New Board

Board #4

Pedalboard #3

Board #4-copy

Based on HORIZEN DEVICES PRECISION DRIVE

Never worry about fighting your tone or your gear again with the Accurate Drive, the first modern
overdrive made by guitar players for guitar players. The Accurate Drive can take any set-up,
both tube and digital, and turn it into the perfect modern metal rig with its precise tonal carving controls.

Crafted with a bright knob instead of tone for retaining clear singing tone, an attack control to tailor the pedal to your rig,
and a built-in noise gate for retaining shape and punch at higher gain, the Accurate Drive rethinks the overdrive with new controls
for a pedal that brings your sound to new heights. Taking a novel approach to dirt boxes, the Accurate Drive sets itself apart for the
minute adjustments available to make the pedal adapt to and complement your rig without sacrificing grit.
A workbench of tone-sculpting tools in one box.

Demo by  Double D guitar

Accurate Drive

Based on REVV G3

The G3, inspired by the renowned Generator 120 Purple Channel, boasts one of the most distinct tones found in contemporary amplifiers. It offers exceptional clarity and tightness, coupled with just the correct level of saturation to suit any musical scenario. This tone, previously reserved for a select few, can now be experienced by all in the form of an amp in a box. It provides a tactile experience that guitarists will truly appreciate.

Demo by  Barnstormer001

Demo by Kenre Buctuan

G III Blue

Based on Wampler Pinnacle Distortion

"Brown Sound"
It has an extremely tweakable EQ – from scooped mids to tons of warm mids, all with the turn of 2 knobs.

This pedal has 4 knobs — two separate tone controls that act as a sort of parametric EQ, gain and volume.
It also has a four‘bright’ switch that adds a tone of variety and is very handy when playing a dark sounding amp,
as well as another toggle switch that will give you high gain 'Brown Sound' tones.

Demo by THIAGO MATTOS

Red Brown Distortion

Based on LOVEPEDAL Hermida Audio Zendrive.
The TAI JI DRIVE is a true reproduction of the most sought-after "amp-in-a-box" pedal of all time,
delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana,
and Cory Wong are known to have used either the original amplifier or the pedal inspired by it. With an artist roster like that,
it's no wonder that original vintage pedals are talked about amongst the most demanding and discerning chasers of tone.
Staying true to the legacy, the TAI JI  delivers all the tones of the original pedal and amplifier that inspired it.

Demo by  ILOVEMYBUDGETGUITAR

Demo by  Budget Pedal Chap

Tai Ji Drive

A/B SWITCH BOX von Mosky