Alex Paddick

Future Dream

John Barker

Fender

The Bends

jackinthemix

Mikrogroße MIDI-Tap-Tempo- und Taktquelle

Mit micro.clock Gen4 können Sie Ihre tempofähigen MIDI- und Nicht-MIDI-Geräte synchronisieren, ohne zu viel wertvollen Platz auf der Platine zu beanspruchen.

Micro-Sized MIDI Tap Tempo and Clock Source

The micro.clock Gen4 allows you to synchronize your tempo-enabled MIDI and non-MIDI devices, without taking up too much precious board space

Disaster Area Designs

Product Page

Review by reddit /guitarpedals

Manual

Demo by Doug Hanson

micro.clock Gen4

Tester

Auf Basis der fortschrittlichen BOSS-Technologie bietet das ultra-vielseitige MD-500 so gut wie jeden Modulationseffekt, den ein Musiker benötigt. Das MD-500 verfügt über 28 unterschiedliche Algorithmen mit tiefgreifenden Programmierungsoptionen für eine nahezu endlose Soundpalette. Dank der 32 Bit AD/DA-Wandlung mit 32 Bit Fließkommaberechnung und durchgängiger 96 kHz Samplingrate gewährleistet das MD-500 absolut unverfälschten Sound, der selbst die Fähigkeiten der besten Studio-Hardware in den Schatten stellt.

Zu den Effekten des MD-500 zählen zahlreiche neue Prime-Variationen auf Basis aktuellster BOSS-Technologie sowie klangliche Nachbildungen von Vintage-Klassikern, wie dem CE-1 Chorus Ensemble, dem Roland Dimension D, ‘70s Script-Phaser, ‘80s Tri-Chorus, und vielen mehr. Im A/B Simul-Modus lassen sich zwei Patches gleichzeitig verwenden. Auf diese Weise deckt das MD-500 nahezu alle deine Modulationsanforderungen mit nur einem Pedal ab. Durch Hinzufügen von Drive-Pedalen über die Insert-Loop-Funktion lassen sich Modulationseffekte je nach Soundvorstellung einfach vor, hinter oder um einen Loop herum positionieren.

Based on advanced BOSS technology, the ultra-versatile MD-500 offers almost every modulation effect a musician needs. The MD-500 has 28 different algorithms with deep programming options for a nearly endless palette of sounds. Thanks to the 32-bit AD/DA conversion with 32-bit floating-point calculation and a continuous 96 kHz sampling rate, the MD-500 guarantees absolutely pristine sound that outshines even the best studio hardware.

The effects of the MD-500 include numerous new Prime variations based on the latest BOSS technology as well as tonal recreations of vintage classics such as the CE-1 Chorus Ensemble, the Roland Dimension D, '70s Script-Phaser, '80s Tri- chorus, and many more. In A/B Simul mode, two patches can be used simultaneously. In this way, the MD-500 covers almost all of your modulation needs with just one pedal. By adding drive pedals via the insert loop function, modulation effects can be easily positioned before, after or around a loop.

BOSS

Review by Johannes Krayer, amazona.de

Review by Thomas Dill, bonedo.de

Demo by Premier Guitar

Demo by Reverb

Official Product Video

MD-500 Modulation

Mikołaj Mularczyk

The SP-25L-PRO has dual 25K outputs with polarity selection and a latching toe switch, compatible with many devices for guitar, keyboards, acoustic instruments both live and in the studio.

Activating the toe switch lights an ultra-bright sapphire LED and acrylic base that creates an illuminated halo effect around the pedal visible from almost any position. When used with compatible MIDI controllers and digital devices, the illuminated base can indicate the status of a remote effect.

Mission Engineering

Review by Fractal Audio Forum

Demo by shnobel

Demo by EytschPi42

SP25L-PRO AERO

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analog/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There’s even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Demo by Rabea Massaad

Review by The Gear Page

Review by guitar pedal X

Review by bonedo

OD-200 Hybrid Drive

Mit dem Walrus Audio Ages Overdrive hat der amerikanische Boutique-Effektpedalhersteller ein Effektpedal im Sortiment, das analog aufgebaut ist und fünf unterschiedliche Overdrive-Grundsounds erzeugen kann. Außerdem lässt sich das Direktsignal hinzumischen, was bei Overdrive-Pedalen grundsätzlich für eine erhöhte klangliche Flexibilität sorgt

Ages is an overdrive with innovative features that can stand on its own and stack well with other drives. From clean, sparkly and smooth gain to thick compressed overdrive.

Walrus Audio

Demo by Walrus Audio Effects 

Demo by Rabea Massaad 

Review by Amazona 

Review by Bonedo 

Ages Five-State Overdrive

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Review by Sound on Sound

Review by Gigs and Guitars

Demo by Musicmaker

Demo by gearmanndude

CE-2W Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

EQ-200 Graphic Equalizer

Das DL4 MkII ist eine umfassende Delay- und Looper-Workstation, die die legendäre „Green Box“ von 1999 für die moderne Ära aktualisiert. Es verfügt über 30 Delay-Modelle, darunter 15 neu entwickelte MkII-Algorithmen aus der HX-Prozessorfamilie sowie die 15 ursprünglichen „Legacy“-Modelle. Das Pedal enthält zwei verschiedene Looper-Modi – Classic 4-Switch und 1-Switch – mit internem Speicher, der über einen microSD-Slot auf mehrere Stunden erweitert werden kann. Die Konnektivität wurde durch einen dedizierten XLR-Eingang für dynamische Mikrofone, vollständige MIDI-Implementierung und Stereo-Ein-/Ausgänge erheblich erweitert. Benutzer können zwischen True-, Buffered- oder DSP-Bypass wählen, um den Anforderungen ihrer Signalkette gerecht zu werden. Untergebracht in einem schlankeren, leichteren Aluminiumgehäuse, behält es das ikonische Layout bei und bietet gleichzeitig moderne Vielseitigkeit.

The DL4 MkII is a comprehensive delay and looper workstation that updates the legendary 1999 "Green Box" for the modern era. It features 30 delay models, including 15 newly developed MkII algorithms derived from the HX family of processors alongside the 15 original "Legacy" models. The pedal incorporates two distinct looper modes—Classic 4-Switch and 1-Switch—with onboard memory expandable to several hours via a microSD slot. Connectivity is significantly expanded with a dedicated XLR dynamic microphone input, full MIDI implementation, and stereo I/O. Users can select between true, buffered, or DSP bypass to suit their signal chain requirements. Housed in a sleeker, lighter aluminum chassis, it maintains the iconic layout while adding modern versatility.

LINE 6

Demo by Bam3

Demo by Riffs, Beards, & Gear

Demo by  Bernd Kiltz - Gitarrenvideos

Review by AMAZONA

Review by Gitarre & Bass

DL4 MkII

Greg Dunn

The new pinnacle of what a reverb pedal can be has arrived.
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.
These are sounds to inspire new creative works and endless hours of playing.

BigSky MX features a staggering amount of computing power — it uses a high performance tri-core 800 MHz ARM processor — all dedicated to producing truly breathtaking reverbs. Our new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. 

Strymon

Review by Synth Anatomy

Review by musicradar

Review by Guitar.com

BigSky MX

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct.

Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Review by GuitarWorld

Demo by Guitar Bonedo

Iridium

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

David Litaba

Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before.

NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven’t heard a pedal like this before.

Demo by  Guitar

Demo by  sonicstate

Demo by Rhett Shull

Review by bonedo.de

Review by soundonsound.com

Review by amazona.de

Review by musicradar.com

NightSky

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

TU-3W Tuner

Nicolas Wilfer

Das Canvas Volume Pedal wurde entwickelt, um Spielern eine beispiellose Kontrolle, Zuverlässigkeit und Flexibilität zu bieten, die sie von einem Lautstärkepedal erwarten. Basierend auf einem Präzisionspositionssensor und hochwertigen VCAs (Voltage Controlled Amplifiers) bietet Canvas Volume einen erstklassigen, vollständig analogen Signalweg ohne die mechanischen Kompromisse herkömmlicher Designs. Passen Sie das Spielgefühl und die Ansprache des Canvas Volume mit anpassbaren Funktionen an Ihren Spielstil an, darunter mehrere von bestehenden Lautstärkepedalen modellierte Tapering-Varianten, minimale Einschaltlautstärke, maximale Verstärkung und Verzögerung.

The Canvas Volume Pedal is designed to give players unprecedented control, reliability, and flexibility from a volume pedal. Built around a precision position sensor and high-quality VCAs (Voltage Controlled Amplifiers), Canvas Volume delivers a premium, all-analog signal path without the mechanical compromises of traditional designs. Shape the feel and response of Canvas Volume to fit your playing style with customizable features, including multiple tapers modeled from existing volume pedals, minimum-on volume, maximum gain, and lag.

Demo by Walrus Audio

Canvas Volume

RockBoard

ISO Power Block V6+

ISO Power Block V12 IEC

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Expression-Controller für Eventide  
Steuere die Expression- und Aux-Switch-Funktionen am Eventide H9. Über den Eingang kann zusätzlich ein Fußschalter angeschlossen werden, mit dem du zwischen dem internen und externen Aux-Switch wählen kannst.

Eine LED zeigt an, ob das Expression-Pedal korrekt verbunden ist. Der SP-H9 wird über das TRS-Kabel mit Strom versorgt – es wird keine Batterie oder externe Stromquelle benötigt.

Expression controller for Eventide
Control expression and aux switch functions on the Eventide H9. A switch can also be connected via the input allowing you to choose between either the internal or external aux switch.

An LED indicates that the expression pedal is connected correctly. The SP-H9 is powered via the TRS cable. No battery or external power supply is required.

SP-H9 EVENTIDE

The EP-1 is compatible with a large range of digital amps, effects units, MIDI controllers and stomp boxes, and can be used anywhere you would use a Roland EV-5, M-Audio EXP, Boss FV500, or similar pedal. The EP-1 features Missions resilient metal chassis, and purpose designed sealed 10K linear potentiometer. A single 1/4″ TRS output jack connects the pedal to your device with a TRS cable

The EP-1 can be fitted with an optional spring load that will always return the pedal to heel down. This is great for players who are looking to recreate the feel of a spring loaded wah pedal, or when using the pedal with an auto on/off detection such as the Fractal Audio auto-engage feature.

EP-1-BK SPL

The first Mission pedal and still one of our top selling products, the SP-1 has two output jacks, one for the expression pedal and one for the switch. The SP-1 can be used with compatible devices such as digital effects and MIDI controllers to turn effects such as a wah or vibrato on and off at the pedal itself.

The SP-1 is compatible with many popular digital amps, effects and MIDI controllers including Fractal Audio Systems Axe-FX, FM3 and FC controllers and Voodoo Lab Ground Control Pro.