Dark Riff

This compact board is designed for a guitarist who wants a focused high-gain tone, precise tonal shaping, and a spacious reverb effect without any excess noise. Every pedal is chosen to keep the signal clean, strong, and flexible for any amp setup.

The guitar signal enters the TC Electronic Sentry, which acts as a noise gate and ensures that the high-gain sections stay quiet. The signal then passes through the Seymour Duncan Palladium Gain Stage, which provides tight, responsive gain while maintaining clarity and dynamics. The Palladium feeds back into the Sentry, keeping the signal clean and controlled even at higher gain levels.

Next, the chain goes through the Mesa Boogie 5-Band Graphic EQ, allowing precise tonal shaping and fine control over the output before reaching the ambience section.

The Boss RV-6 Reverb adds spaciousness and depth, and its output can be routed to either a single amp or dual-amp setup, giving flexibility for live performance or .

Power comes from the isolated MXR M 239 Mini Iso-Brick, with quick access via the RockBoard Mini Mounting MOD DC, all mounted on the RockBoard Duo 2.1.

This board delivers tight high-gain tones, clear dynamics, and a wide atmospheric space - all with minimal noise and maximum signal integrity. Each pedal has a specific role, making this compact setup simple and effective.

Dark Mini Guitar Board (V1)

Tester

Our legendary Boogie® Five-Band Graphic EQ is now available in a Pedal! For well over four decades the Boogie Five-Band Graphic EQ has been at the heart of chart topping guitar sounds and it’s hard to ignore the impact its now-classic “V-Curve” has had on modern guitar sounds and popular music. Now we offer this powerful tool in a stand-alone pedal format that packs the same tone-shaping power and hand-built in Petaluma, CA quality as those found in our high-end amplifiers.

Mesa Boogie

Product Page

Review by

Demo by Lucas Fowler

Official Product Video

Manual

Boogie Five-band Graphic

Seymour Duncan

Palladium Gain Stage

Mit hochwertigem Sound und vielseitiger Einsatzmöglichkeit hebt der **RV-6** Reverb-Pedale auf ein neues Level. Über die Möglichkeiten vorheriger Generationen hinausgehend, vereint dieses leistungsstarke Pedal modernste Technologie mit dem legendären BOSS-Know-how – so lassen sich beeindruckende Reverb-Sounds im Handumdrehen abrufen.  

Von dezenten Raumklängen über moderne Shimmer-Effekte bis hin zu langen, atmosphärischen Reverbs umhüllt der RV-6 deinen Sound mit dichten, inspirierenden Klangwelten.

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

BOSS

Review by Guitar.com

Review by Music Radar

RV-6 Reverb

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Das TC Electronic Sentry nimmt sich als Noisegate-Pedal den Problemen an, von denen vor allem Singlecoil-Spieler sowie Hard- und Heavy-Gitarristen ein Lied singen können. Die Rede ist natürlich von unerwünschten Nebengeräuschen, die gern in Form von Einstreuungen oder stärkerem Rauschen auftreten und uns das Leben schwer machen.

The TC Electronic Sentry is a noisegate pedal that addresses the problems that single-coil players and hard and heavy guitarists in particular can tell you a thing or two about. Of course, we're talking about unwanted noise, which often occurs in the form of interference or stronger noise and makes life difficult for us.

TC Electronic

Review by Gitarre & Bass

Review by Bonedo 

Demo by Science of Loud

Sentry Noise Gate

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

M239 Iso Brick Mini Power Supply

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

This board is designed for a guitarist who needs a tight, powerful high-gain tone, a clean or slightly pushed edge-of-breakup tone, and lush atmospheric effects. Every pedal is chosen to keep the signal strong, defined, and flexible for any setup - amps or mixers.

The guitar signal enters the RockBoard MOD 5 (Cab SIM + DI) first, then flows into the JHS Little Black Buffer, keeping the tone consistent and strong from the very start of the chain.

Then the Digitech Drop handles tuning shifts, followed by the TC Polytune 3 Noir to always show the actual tuned pitch after the Drop.

The One Control Patchbay provides an easy way to insert the Dunlop KH95 Wah when needed.
A gentle squeeze comes from the MXR Super Comp, and the TC Electronic Sentry noise gate keeps all high-gain stages perfectly quiet.

The drive path begins with the Boss SD-1, adding a focused boost and tightening the front of the tone. The signal then moves into the HB Rodent, used as a light overdrive for edge-of-breakup textures or a slightly pushed clean. After that, the chain reaches the high-gain section controlled by the One Control True Bypass Looper: when activated, the JHS Buffered Splitter feeds both the Seymour Duncan Palladium and the Friedman BE-OD in parallel, and the JHS Summing Amp blends their outputs into a single, powerful signal. This setup provides a wide, detailed modern distortion whenever needed, while the Rodent remains the lighter, more dynamic gain option earlier in the chain.

From there, the chain goes into the Mesa Boogie 5-Band Graphic EQ for precision shaping before the ambience block: Boss RE-2 and Boss RV-6 providing spacious delay/echo and reverb textures.

After the RV-6, the signal goes into the JHS Mute Switch - a simple, instant kill function to cut all sound immediately after the reverb. It mutes the main output for quick, clean signal stops when playing into a single amp or mixer.

The output is routed through the RockBoard MOD 5 (Cab SIM + DI), making the board ready for two amps or direct-to-mixer setups.

Power comes from the isolated MXR Mini Iso-Brick, with quick power access via the RockBoard Mini Mounting MOD DC, all mounted on the RockBoard QUAD 4.1.

This board delivers crushing gain, transparent or slightly pushed clean tones, and a wide atmospheric space - all while keeping noise low and signal quality high. Every pedal has a specific role, and together they create a flexible, modern, and studio-grade guitar rig.

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Dark Main Guitar Board (V2)

Vincent Shore

Das TC Electronic PolyTune 3 Noir ist ein ultrakompaktes Stimmgerät, das polyphones, chromatisches und extrem präzises Strobe-Tuning in einem schwarzen Mini-Gehäuse vereint. Es integriert die renommierte Bonafide Buffer-Schaltung, um Signalverluste bei langen Kabelwegen und komplexen Pedalboards zu verhindern. Das Pedal erkennt automatisch, ob eine einzelne Saite oder alle Saiten gleichzeitig angeschlagen werden, und passt die Anzeige entsprechend an. Ein dedizierter Schalter ermöglicht den Wechsel zwischen True Bypass und Buffered Bypass Modi für maximale Flexibilität. Das Display verfügt über einen Umgebungslichtsensor, der die Helligkeit der 109 LEDs automatisch an die Lichtverhältnisse anpasst.

The TC Electronic PolyTune 3 Noir is an ultra-compact tuner that combines polyphonic, chromatic, and ultra-precise strobe tuning modes within a black mini-chassis. It integrates the renowned Bonafide Buffer circuit to prevent signal loss across long cable runs and complex pedalboards. The pedal automatically detects whether a single string or all strings are plucked and adjusts the display mode accordingly. A dedicated switch allows users to toggle between True Bypass and Buffered Bypass modes for maximum signal flexibility. The display features an ambient light sensor that automatically adjusts the brightness of its 109 LEDs to suit the lighting conditions.

Demo by Man Bun Metal Head

Official Product Video 

Demo by HEY MOONSHINE

Review by Guitar World

Review by bonedo

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Oscar Kezirian

Die One Control Minimal Series Stereo 1 Loop Box (MSS1LB) ist ein True Bypass Loop Switcher, der speziell für Stereo-Setups mit zwei Verstärkern oder für Aufnahmen und Live-Situationen entwickelt wurde, bei denen man direkt in den Mixer spielt. Alle Klinken-Anschlüsse des MSS1LB (Eingang, Ausgang, Send und Return des Effekt-Loops) unterstützen TRS Stereo-Klinkenstecker. Die Stereo 1 Loop Box verfügt über einen M/S-Schalter zum Umschalten zwischen Mono- und Stereo-Betrieb. Wenn das Mono-Eingangssignal von den Effektpedalen im Effekt-Loop in ein Stereosignal umgewandelt wird, ist der Ausgang ebenfalls Stereo. Der Fußschalter kann in zwei wählbaren Modi entweder auf 'Normal' oder 'Rapid' eingestellt werden. In der N-Position ('Normal') fungiert der Schalter als Latching-Type Switch, der den Loop bei jedem Drücken des Fußschalters ein- oder ausschaltet. In der R-Position ('Rapid') wird der Schalter zu einem Momentary Switch, der den Loop nur aktiviert, während der Fußschalter gedrückt wird.

The One Control Minimal Series Stereo 1 Loop Box (MSS1LB) is a single loop switcher made for a stereo setup with two amplifiers or running directly into the mixer for recordings or live performances. All the jack connections on the MSS1LB (input, output, effects loop send and return) support TRS stereo plugs. The Stereo 1 Loop Box features a M/S switch to toggle between mono and stereo operation. If the mono input signal is transformed into a stereo signal by the effects pedals connected to the effects loop, the output will be stereo as well. The switching mode can be set to either 'Normal' or 'Rapid'. In the N position ('Normal'), the switch functions as a latching-type switch that will switch the loop on or off every time the footswitch is pressed. In the R position ('Rapid'), the switch becomes a momentary switch that engages the loop only while the footswitch is pressed.

One Control

Official Product Page

Demo by Nick Scarfo

Review by Musiker-Board

1 Loop Box

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Pedalboard Patchbay BJF Buffer

David Litaba

Mit dem JHS Pedals Summing Amp habst du die Möglichkeit, zwei Eingangssignale in einem Ausgangssignal zu mischen. Dies ist ideal, um Effekte parallel zu betreiben, so dass sie nicht voneinander beeinflusst werden. The Edge verwendete diese Technik beispielsweise in den 80er Jahren mit seinen Delays. Wenn du ein Viertel-Delay und ein Punktierte-Achtel Delay hast und beide gleichzeitig benutzen möchtest, kannst du sie mit dem Summing Amp zusammen führen und die Delays des einen Pedals werden nicht weiter vom anderen verzögert. Er kann auch mit Overdrives verwendet werden damit sich diese nicht gegenseitig pushen. Eine weitere Möglichkeit besteht darin, Fuzz und Kompressor parallel zu kombinieren, damit das Fuzz nicht durch die Kompression zerdrückt wird. Mit dem Summing Amp hast du die Möglichkeit, Effekte auf völlig neue Art und Weise zusammen zu nutzen, die du dir vielleicht nie vorgestellt hast. Und der JHS Summing Amp eröffnet dir mit deinen alten Effekten völlig neue und inspirierende Klänge.

The JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output. This is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the 80s with his delays. When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not "delaying the delays". This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn't getting choked by the compression. The Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects.

JHS Summing Amp - Review by Muzikus [CZ], [08-2019]

JHS Summing Amp - Review by TopGuitar [PL], [06-2019]

JHS Switchback, Summing Amp, Active ABY - Review by Gitarre & Bass [DE], [05-2019]

Demo by Double D guitar

Demo by Sound Affects

Summing Amp

Die wohl beste Geheimwaffe, von der du wahrscheinlich noch nicht wusstest, dass du sie brauchst! Gerade wir Pedal-Nerds laufen Gefahr unseren Sound mit endlosen Pedalketten in den Ruin zu treiben. Der Feind heißt Kapazität, ein Problem das bei zu langen Kabelwegen undn ich zuletzt schlechten Schaltungen auftritt und das Signal High End kostet und es schwach und charakterlos klingen lässt. Ein Trugschluss, der dies noch unterstützt is die Annahme dass True Bypass immer gut ist, denn ganz stimmt dies leider nicht. Der Little Black Buffer kommt genau hier ins Spiel und versorgt dein Rig mit genau der richtigen Eingangsimpedanz, damit du am Ende einen klaren, natürlichen Sound hast, der klingt als hättest du dich direkt in den Amp gestöpselt.

This may be the greatest weapon you didn’t know you needed. For those of us who are a little “pedal happy” there can be some downfall to our tone. When running a pedal board with more than one or two effects, something called “capacitance” happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all “true bypass” is good. This isn’t true and actually can be worse than imagined. This is where the “Little Black Buffer” steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural tone that sounds like you're plugged straight into your amp.

Little Black Buffer

Du willst dein Signal splitten und nicht auf passive Geräte, die deinen Tone killen und Signal verlieren zurückgreifen? Hier hast du was du brauchst! Diese kleine Zauberbox nimmt dein Inputsignal und splittet es permanent in zwei gebufferte Ausgangssignale, sodass dein Sound nicht an Klarheit verliert. Schließ deine Gitarre ans eine Ende und schicke es an einen Tuner, Mixer, separaten Amp etc. und den anderen Ausgang an dein Pedalboard, wie immer.

Need to split your signal? Don’t want to settle for a passive device that will kill your tone and cause signal loss? This is what you need! This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Plug your guitar in and use one output to send your clean signal somewhere like a tuner, mixer, separate amp, etc... and send the other output through your board like normal.

Buffered Splitter

A vintage-voiced distortion pedal inspired by one of the most revered circuits in the history of rock! Not content with merely emulating the sound of the original it also mirrors its Distortion, Filter, and Volume controls, albeit in a much more compact format to save valuable pedalboard real estate. But this miniature tone monster has an ace up its sleeve: a three-way mode switch to take you over the edge during solos or kick in a turbo for extra horsepower.

Harley Benton

Review by Gitarre & Bass 

Review by AMAZONA 

Demo by Rich. Wors. Music. 

Demo by Chrisdava 

MiniStomp Rodent

PedalSafe Type L

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

RockBoard

Mit dem neuen Kirk Hammett Cry Baby Wah kannst du jetzt den gleichen Killer-Wah-Sound wie Kirk haben. Entwickelt in enger Zusammenarbeit mit der Metal-Gitarren-Ikone selbst, wurde es akribisch abgestimmt und optimiert, um den Wah-Sound zu liefern, der Metal-Soli revolutioniert hat. Dies ist der legendäre Ton, den Kirk auf Tour mit seinem Cry Baby Rack Wah erzeugt. Dieses Pedal ist außergewöhnlich gleichmäßig in der Ansprache, wenn du dich von der Ferse bis zu den Zehen bewegst, mit einem dicken Top-End und vollem Dynamikbereich.

Now you can command the same killer wah tone as Kirk with the new Kirk Hammett Cry Baby Wah. Developed in close collaboration with the metal guitar icon himself, it has been meticulously tuned and tweaked to deliver the wah sound that revolutionized metal solos. This is the legendary tone that Kirk dials in on tour using his Cry Baby Rack Wah. Dunlop's engineers took Kirk's EQ, volume and tone settings—reflecting decades of blazing Cry Baby riffology—and reproduced them with exacting precision. This pedal is exceptionally even in response as you move from heel to toe, with a thick top end and full dynamic range. Dare to step into the footprint of a giant. Own a piece of the legend: the Kirk Hammett Signature Wah from Dunlop.

Dunlop

Review by SweetWater 

Demo by Guitar World 

Demo by SweetWater 

KH95 Kirk Hammett Signature Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Das authentische Space Echo-Erlebnis in einem kompakten Pedal

Das Roland RE-201 Space Echo wurde 1974 eingeführt und über 14 Jahre lang produziert. Es zählt zu den legendärsten und begehrtesten Effektgeräten der Musikgeschichte. Bekannt für seine unverwechselbaren rhythmischen Echo-Sounds, seinen warmen Charakter und seine spielerischen Klangbesonderheiten, inspiriert dieser klassische Tape-Effekt auch nach über vier Jahrzehnten noch Musiker, Produzenten und Toningenieure.

Mit dem RE-2 sind der authentische Klang und das Verhalten des Space Echo nun erstmals in der berühmten BOSS-Kompaktserie verfügbar. Dank intensiver Forschung und Entwicklung sowie unserer neuesten Innovationen bietet das RE-2 die begehrte Magie des RE-201 in einer pedalboardfreundlichen Größe – realisiert in makelloser Detailtreue von dem Unternehmen, das das Original entwickelt hat.

The Authentic Space Echo Experience in a Compact Pedal

Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.

With the RE-2, the authentic sound and behavior of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint — realized in flawless detail by the company that designed the original.

Instagram Channel

RE-2 Space Echo

Alix Laplanche

Das DS-1 Distortion wurde 1978 als Teil der zweiten Compact Pedal-Welle vorgestellt. Mit seiner kantigen Attack und dem smoothen Sustain überzeugte es Gitarristen weltweit und prägte den Sound zahlreicher Rock-Legenden. Diese Begeisterung hält bis heute an und macht das DS-1 zum meistverkauften BOSS Pedal aller Zeiten.
Anlässlich 40 Jahren BOSS Pedal Innovationen, haben wir nun eine Sonderedition des DS-1 veröffentlicht, deren schwarzes Gehäuse goldene Buchstaben zieren, und das durch vergoldete Regler und eine Flügelschraube in Vintage-Silver zum Verschließen des Batteriefachs im Pedalboard wie auch in der Vitrine für Aufsehen sorgt. Das Pedal ist in einer edlen Box mit dem 40 Jahre BOSS-Jubiläumslogo verpackt und nur 2017 erhältlich.

The DS-1 Distortion was introduced in 1978 as part of the second wave of compact pedals. With its edgy attack and smooth sustain, it won over guitarists around the world and shaped the sound of numerous rock legends. This enthusiasm continues to this day and makes the DS-1 the best-selling BOSS pedal of all time.
To mark 40 years of BOSS pedal innovations, we have now released a special edition of the DS-1, the black housing of which is decorated with gold letters and which attracts attention with gold-plated controls and a wing screw in vintage silver for closing the battery compartment in the pedal board and in the display case. The pedal is packaged in an elegant box with the 40-year BOSS anniversary logo and is only available in 2017.

Demo by Totsumon Club

Demo by Pedal of the Day

Review by reddit /guitarpedals

Review by The Gear Page

Review by guitar pedal X

SD-1 4A

ch ray

The DigiTech Drop Blackout Limited Edition is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop Blackout Limited Edition also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop Blackout Limited Edition into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes. The Drop is true bypass and uses 9V DC power supply to easily integrate into your existing pedalboard. Same features as Drop but in a Blackout Limited Edition.

DigiTech

Review by bassic.de

Review by AGUFISH Music

Demo by Music Bliss Malaysia

Demo by Leon Todd

Drop Blackout

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Der BE-OD Overdrive/Distortion wird in USA zusammengeschraubt und soll den sahnigen Sound des BE-100 auf Knopfdruck generieren.

The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world-class musicians the world over. The BE-OD delivers authentic tube-amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain, tight, bass, treble and presence. These responsive knobs will take you from light, slightly broken up overdrives to straight up gain nirvana. Built in the USA and designed to withstand decades of abuse the BE-OD is a must have pedal for any tone enthusiast.

Friedman

Demo by Pete Thorn 

BE-OD

Simpel, solide und nützlich. Der JHS Mute Switch ist genau der einfache Stummschalter den du schon immer gebraucht hast. Tritt drauf und alles, was du daran anschließt ist sofort 100 % still!

Simple, solid and very useful. Have you ever needed a simple mute switch with no frills? Just hit the footswitch and anything plugged into the input is made 100% silent.

Demo by Pedal Empire

Mute Switch

Countless pros rely on the original Dyna Comp Compressor in the studio and on stage. Now, the updated Super Comp Compressor takes that classic one step further. Output and Sensitivity knobs let you dial in the perfect setting to keep your parts where they belong in the mix. The new Attack Level control lets you keep your initial bite and chunk as you pour on the sustain. If you want tight, snappy clean tones and soaring lead tones, the Super Comp is the pedal for you.

Demo by  tunnelvisionmusic

Demo by mpalin11

Review by Talk Bass.com

Review by audiofanzine

M132 Super Comp

ISO-BRICK M238

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Tone expansion. Working on getting a large presence in the band with this settup. 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Broad Tone Board 

You’ll find sounds from a gentle full range boost, gritty treble boost, gassing up to a full aggressive fuzz.
Great for boosting and adding some edge to a dirty preamp, add definition to a saturated front end.

Controls:
Gain– Dial up harmonic content maxing up to fuzzy
Volume – Match your amp volume, then cut or boost as needed
Contour – toggle between a bassy setting and a trebly setting.
Range – toggle between lower and higher gain ranges.

Black Arts Toneworks 

Black Arts Toneworks SKYBOOST

Black Arts Toneworks SKYBOOST riff rider demo

Skyboost

The Supreme has all of the sounds and abilities of the Standard and Primitive Pharaohs, but with some very useful additions and a bit of a twist.
In place of the hi/lo switch,the Supreme utilizes a variable pre input control to infinitely adjust the saturation of the front end of the circuit from 1 to 10. In Place of the 3 way diode selector, the Supreme utilizes a 6 way rotary switch to select from the Standard Pharaoh diode settings, plus an additional 3 setting not available on the previous Pharaohs. The Pharaoh supreme allows selection from the following diode settings: Germanium, Asymmetrical Germanium(standard Pharaoh), Silicon (standard Pharaoh), Mosfet,LED and Bypass (standard Pharaoh).

The Pre knob control in addition to the Clip knob, produce an array of sounds and textures that expand the Pharaoh into the ultimate, or Supreme fuzz-stortion that Black Arts has produced.

To visually demonstrate the depth of the new Pharaoh Supreme, a huge 10mm green LED glows with a calm, deep and inviting look into the window of the Supreme soul.

Product Page 

Pharaoh Supreme Official Demo V1

Pharaoh Supreme Official Demo v2

Pharaoh Supreme

Reflector V3 is a dense lush chorus coupled with three modes of modulation. This was a chorus with a bent, an ephemeral voice floating between aural dimensions.
Controls included Rate and Depth for the chorus LFO, Mix for a balance between unaffected and affected signal, and Modulate for unique control in each mode: pitch shift, reverb blend, and filter depth. A three-way toggle switch allows the player to choose between three modes: Wrinkle, a deep chorus with an additional pitch shift from one octave down to one octave up; Washed, a simple lush chorus feeding into a reverb; and Mirrors, a chorus and moving filter linked via the chorus rate.

Old Blood Noise Endeavors

Demo by Ambient Endeavors

Reflector V3 Prism Colorway

Der Pigtronix EP2 Envelope Phaser macht aus deinem Gitarrensound ein extraterrestrisches Erlebnis der Extraklasse. Unfassbar vielseitige Regelmöglichkeiten sorgen dafür, dass du deine Gitarre SO garantiert noch nicht gehört hast. Der Envelope Phaser schickt einen breiten und durchsetzungsstarken Sweep durch das Signal und kann in den Envelope, LFO oder einer Mischung aus beidem wandern.

The Pigtronix Envelope Phaser pours on the special sauce to take your tone into outer space. Accentuating and sweeping through the harmonics of any musical source, the motion of this revolutionary phase shifter can be controlled by Envelope, LFO or a blend of both.

Envelope Phaser makes it easy to dial in monster envelope tones for any instrument or playing style. This envelope kicks it up a notch with a “Staccato” function that is ideal for fast picking, funk bass and tight rhythm guitar. The Staccato circuit enables an “intelligent envelope” that listens to your playing and quickly discharges the envelope between your notes. This crafty circuit enables incredibly responsive envelope performance, even during rapid fire playing.

Pigtronix

Demo by Prymaxe 

Demo by Reverb 

Review by Pedal of the Day

Review by No Treble

Envelope Phaser EP2

Der Bass Synth Wah ist eine aufregende Kombination aus sieben verschiedenen Synth- und Wah-Effekten, darunter Envelope Filter, Synth-Töne, Filtergeneratoren und Oktavverschiebung. Der Bass Synth Wah kann entweder in Reihe mit deinen aktuellen Pedalen oder parallel zu deinem Bass-Signal betrieben werden, um einzigartige Kombinationen aus Bass- und Synthesizer-Sounds zu erzeugen.


The Bass Synth Wah is an exciting combination of seven different synth and wah effects including envelope filter, synth tones, filter generators, and octave shift. The Bass Synth Wah can be run inline with your current pedals, or parallel with your bass tone to create unique combinations of both bass and synth sounds.

Review by Musiker Board

Demo by BassTheWorld.com

Demo by Dan Leggat

Demo by Bass Stuff

Demo by Gnarly Murphy

Review by Ultimate Guitar

Bass Synth Wah Envelope Filter

[MAIN] Dark Vibe Guitar Board

Jason Donenfeld

Electro-Harmonix

Pico Pitch Fork

Der RV-5 bietet sechs der besten Reverbs von BOSS – in Stereo. Dadurch kann er hinter anderen Pedalen mit Stereo-Ausgängen eingesetzt werden. Zu den neuen Reverb-Typen gehören eine authentische Federhall-Emulation und ein hochwertiger Gate-Reverb. Für besonders weiträumige Reverb-Sounds sorgt der neu entwickelte **Modulate-Modus**. Dank der **doppelten Eingänge** ist der RV-5 sogar für Keyboard-Spieler geeignet.

The RV-5 offers six of BOSS' best reverbs ever—in stereo. This makes it possible to connect after other pedals that feature stereo outputs. New reverbs include convincing spring reverb emulation and a high-quality gate reverb. More spacious reverb sounds can be had using the newly developed Modulate mode. And thanks to its dual inputs, the RV-5 even works for keyboard players

Review by EquipBoard

Review by Guitar Gear.org

Demo by Sweetwater

Demo by Middle Aged Gear Junkie

RV-5 Digital Reverb

Erfahre mehr über das Boogie Five-band Graphic Equalizer-Pedal von Mesa Boogie auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr