Tim Atfield

Telecaster

Les Paul

Das RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay für Pedalboards bietet eine einfach zu realisierende, kabellose Verbindung zwischen deinem Instrument und deinem Pedalboard. Dabei nutzt es eine digitale Wireless Technologie, die eine beeindruckende Klangqualität, ein einfaches Setup und eine zuverlässige Nutzung für aktive Musiker garantiert. Das Wireless System arbeitet im 2,4 GHz ISM Band und kann so weltweit ohne Beschränkungen genutzt werden. Mit einem nutzbaren Frequenzbereich von 20 Hz - 20 kHz und nur 5 ms Latenz bleiben keine Wünsche offen. Die Patchbay-Sektion wurde entwickelt um Verbindungen und Anschlüsse des Pedalboards von der Unterseite nach außen zu führen, dir einen zentralen Zugangspunkt zu deinem Setup zur Verfügung zu stellen und um deine Kabelwege aufzuräumen und sortieren zu können. Die A, B, C und D TRS Buchsen sind als direkte, durchgängige Verbindungen von der Vorderseite des MOD 4 zu den entsprechenden Buchsen auf der Rückseite verkabelt. Damit kannst du deine Effekt-Kette so einrichten, dass du bei der Vorbereitung auf den Gig lediglich Kabel an der Vorderseite des Boards einstecken musst, anstatt unter dem Board zu hantieren.
- Wireless System Receiver + Patchbay für Pedalboards, inkl. Wireless Transmitter
- 2,4 GHz ISM Band für weltweite Nutzung
- 30 m durchschnittliche Reichweite (ohne Hindernisse)
- 24 bit / 48 kHz unkomprimierte digitale Signalübertragung
- 20 Hz - 20 kHz Frequenzbereich
- 5 ms Latenz
- 103 dB Dynamikbereich
- 85 dBm HF-Empfindlichkeit
- 0.2% Verzerrung (THD)
- 4 wählbare Kanäle
- passend für MOD Slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4x 6,3 mm Stereo-Klinke Thru (TRS)
- 1x 6,3 mm Mono-Klinke Receiver Audio Ausgang (TS)
- 1x DC 2,1 x 5,5 mm Hohlstecker Thru
- 1x AC IEC Thru
- 1x USB Type A Charge Ausgang
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Batteriebetrieb nicht unterstützt
- Stromaufnahme 500 mA
- passiver Betrieb möglich (nur Patchbay, ohne Wireless System)
- Abmessungen mit Frontplatte (B x T x H): 175 x 85 x 47 mm
- Abmessungen ohne Frontplatte (B x T x H): 160 x 85 x 33 mm
- Gewicht 500 g
- Wireless Transmitter, zwei Antennen, ein USB Kabel, Montageschrauben und Muttern im Lieferumfang enthalten

The RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay for Pedalboards offers an easy-to-use wireless connection between your instrument and your pedalboard, featuring digital wireless technology that delivers incredible audio quality, a simple setup procedure, and reliable use for any gigging musician. The wireless system works in the 2.4 GHz ISM band for unlimited worldwide use and offers a full 20 Hz - 20 kHz frequency range with only 5 ms of latency. The patchbay module is designed to route connections from underneath your pedalboard to its front, giving you a central access point and tidying up your connections. The A, B, C, and D TRS sockets are wiring thru-connections from the front of MOD 4 to the corresponding sockets on the back. This allows you to connect your pedals permanently underneath the board, so you only have to connect cables to and from the front of the board, instead of having to route underneath it when setting it up for a gig.
- wireless system receiver + patchbay for pedalboards, incl. wireless transmitter
- compatible with guitar wireless system
- 2.4 GHz ISM band for worldwide use
- 30 m / 100 ft. approx. range (without obstacles)
- 24-bit / 48 kHz uncompressed digital transmission
- 20 Hz - 20 kHz frequency range
- 5 ms latency
- 103 dB dynamic range
- 85 dBm RF sensitivity
- 0.2% total harmonic distortion
- 4 selectable channels
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- detachable front plate for mounting on top or underneath pedalboards
- 4x 6.3 mm / 1/4" stereo thru (TRS)
- 1x 6.3 mm / 1/4" mono receiver audio output (TS)
- 1x DC 2.1 x 5.5 mm barrel thru
- 1x AC IEC thru
- 1x USB Type A charge output
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- battery operation not supported
- current draw 500 mA
- passive operation possible (patchbay only, without wireless system)
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 500 g / 1.1 lbs
- incl. wireless transmitter, two antennas, USB charging cable, mounting screws, and counter nuts

2.4 GHz Guitar Wireless Receiver, Transmitter + TRS Patchbay

Dark rock

David Litaba

Eine gute, solide A/B Box kann des Gitarristen bester Freund sein. JHS bauen ihre mit einem winzigen Hammond Gehäuse mit hochwertigen Buchsen und Schaltern. Außerdem ist eine Bi-Color LED (rot/blau) verbaut, sodass du sofort siehst, ob du A oder B nutz. Sehr nützlich für Live-Situationen

A good solid A/B box can be a guitarist's best friend. JHS make theirs from a Hammond 3.8 x 9.1 cm metal enclosure with high quality jacks and switch. JHS also includes a dual color (red/blue) LED to let you know by sight if you're using A or B. This is very practical in a live situation.

Official Product Page

Manual

Mini A/B

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Tester

Was haben die Sounds berühmter Gitarristen wie Page, EVH und Johnson gemeinsam? Sie alle nutzten die legendäre Echo-Maschine EP-3 als Vorverstärker. Wir haben diese Magie in einem neuen Xotic Effects-Pedal eingefangen: dem EP Booster. Wir haben die hochwertigsten verfügbaren Bauteile verwendet. Mit einem diskreten FET-Design und einem Ausgang mit niedriger Impedanz liefert der EP Booster bis zu +20 dB unverfälschten Boost mit multidimensionalen, schimmernden Höhen und Tiefen, ohne das Gehör zu ermüden. Über die internen DIP-Schalter können Sie die Boost-Frequenzen und EQ-Einstellungen wählen. Ein einfacher, reiner Boost, der dem magischen EP-3 Tribut zollt und die gefeierten Sounds der berühmtesten Spieler der Welt einfängt. Der EP-Booster – großartiger Sound beginnt hier!

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here!

Xotic

Product Page

Demo by Mike Hermans

Official Product Video

EP Booster

Enrico Toselli

Das ADA GCS-2 ist ein Gitarren-Boxen-Simulator in einem robusten Ganzstahlgehäuse. Es wurde sowohl für den Live- als auch für den Studioeinsatz entwickelt und reproduziert die natürliche Resonanz einer Gitarren-Lautsprecherbox bei hohen Lautstärken. Das GCS-2 wird zwischen Ihrem Vorverstärker oder Ihrer Effektkette und einem Mischpult eingefügt, wodurch das Nahmikrofonieren einer Box überflüssig wird. Es verfügt über wählbare 10-Zoll- oder 12-Zoll-Lautsprechergrößen, Vintage- oder Modern-Lautsprechercharakter und offene oder geschlossene Gehäusetypen. Ein variabler Mikrofonplatzierungsregler ermöglicht eine weitere Klangformung, und sein rein analoges Schaltungsdesign sorgt für hohe Aussteuerungsreserven und geringes Rauschen.

The ADA GCS-2 is a guitar cabinet simulator in a rugged, all-steel package. Designed for both live and studio use, it replicates the natural resonance of a guitar speaker cabinet at loud volumes. The GCS-2 is inserted between your preamplifier or effects chain and a mixing console, eliminating the need for close-mic'ing a cabinet. It features selectable 10” or 12” speaker sizes, vintage or modern speaker character, and open-back or sealed cabinet types. A variable microphone placement control allows for further tonal shaping, and its pure analog circuit design provides high headroom and low noise.

A/DA

Demo by Ben Edens

Demo by Ian Kurz

gcs-2

jackinthemix

Mikrogroße MIDI-Tap-Tempo- und Taktquelle

Mit micro.clock Gen4 können Sie Ihre tempofähigen MIDI- und Nicht-MIDI-Geräte synchronisieren, ohne zu viel wertvollen Platz auf der Platine zu beanspruchen.

Micro-Sized MIDI Tap Tempo and Clock Source

The micro.clock Gen4 allows you to synchronize your tempo-enabled MIDI and non-MIDI devices, without taking up too much precious board space

Disaster Area Designs

Review by reddit /guitarpedals

Demo by Doug Hanson

micro.clock Gen4

Jake Edwards

The Golden Boy Mini - the epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth. With its exceptional harmonic detail and abundant headroom, this compact overdrive pedal takes the concept of transparent overdrive to new heights, using a simple and powerful interface.

Start enjoying the same tone and quality that Joey Landreth uses night in and night out on tour.

Jackson Audio

Demo by 楽器好きにはたまらない! フーチーズ 渋谷店

Review by GEAR GODS

Review by delicious audio

Review by Guitar.com

Review by The Gear Page

Golden Boy Mini - Black

Allan Lisle

While the OD808 may have been the first overdrive circuit of its kind, it was the OD-9 that cemented this sound in the history of Rock & Roll guitar.

Looking at the MAXON Limited Edition OD-9 Blackdrive circuit, you’ll realize that this is not some redesign being cleverly marketed as a reissue – this is THE original OD-9 (TS-9) circuit, yet with the addition of true bypass switching. Even the PC board is the same one that Maxon’s been using for the past 30+ years, complete with empty slots where parts for the FET switching circuit have been left out!

Like the original, the current production OD-9 features the NJM (JRC) 4558D Op Amp – an essential component for authentic “TS” tone. The NJM is smoother sounding and less compressed than other Op Amps, offering superior sound quality with low noise.

The absence of the FET switching circuit gives the OD-9 some added output and a slightly more open sound than the OD808, making it perfect for the classic rock tones that it helped to define.

Maxon

Demo by Valentin Rousseau

Demo by  Diego Leanza

Official Website

Review by Guitar World

Review by gearnews.de

OD-9 Blackdrive

PedalSafe Type F

QuickMount Type F

Pedal-Montageplatte für Standard Ibanez TS / Maxon Pedale

Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Ibanez TS / Maxon Pedale

Protective Cover & RockBoard Mounting Plate For Standard Ibanez TS / Maxon Pedals

Schutzabdeckung & universelle Montageplatte für Standard Ibanez TS / Maxon Pedale

Protective Cover & Universal Mounting Plate For Standard Ibanez TS / Maxon Pedals

Parun Ngamsanit

The Greer Amps Black Mountain Crunch Drive hearkens back to the metal panel, EL34-powered British tube monsters — looming large and bringing new dimensions of vintage tone to guitarists (and bass players, too!). With plenty of gain and output on hand for any situation and a flexible tone control that lets you push the mids well into crunch zone, the Black Mountain packs a formidable punch.

Greer Amps

Review by guitar pedal X

Demo by R.J. Ronquillo

Demo by Pedalboard of the Day

Black Mountain Crunch Drive

David Paladini

Ibanez

Demo by Peach Guitars

Demo by Pete Thorn

TSV808 Vemuram Tube Screamer

Mardy Wagner

Ernie Ball

VPJR Tuner

Die Fender Micro ABY ist eine kompakt, robust und unglaublich nützlich-Pedal, mit dem Sie zwischen Jack Kanäle wechseln oder vereinen Kanäle um einen einzigartigen Ton zu erstellen. Ob gleichzeitige Verwendung von Twin-Verstärker oder Umschalten zwischen den Fender Micro ABY kann es mit der Gründung einer Variablen/Ausgang (1 X Eingang/2 x Ausgang) oder 2 x Eingang/1 X Ausgang eingerichtet.

The Fender Micro ABY is a compact, robust and incredibly useful pedal that allows you to switch between jack channels or combine channels to create a unique tone. Whether using twin amplifiers simultaneously or switching between the Fender Micro ABY can do it all with its incorporation of a variable input/output set up (1 x input/2 x output or 2 x input/1 x output).

Fender

Review by TalkBass

Review by MusicRadar

Review by Audiofanzine

Micro ABY

The FFM4 Dunlop, Joe Bonamassa Fuzz Face Mini Distortion delivers the same thick, creamy fuzz tones as its big brother but in a much smaller housing with several upgrades for modern convenience. Equipped with NOS Russian military germanium transistors, the FFM4 sports replica top hat knobs and a rich gloss black finish. A bright status LED, an AC power jack, and a battery door bring modern convenience to a classic sound, and like all Fuzz Face pedals, the FFM4 features true bypass switching.

Dunlop

Demo by Marc Rosaz

Demo by K Sakuma

Product Page Joe Bonamassa

Product Page Dunlop

FFM4 Joe Bonamassa Fuzz Face Mini

Zixton Han

Strymon

Timeline Midnight Edition

Mit dem Opus Two Notes bringt der französische Hersteller eine Kombination aus DI-Box, IR-Loader und Modeling-Amp auf den Markt. Das Opus basiert auf dem C.A.B. M aus gleichem Hause und kann als digitale Speakersimulation (IR-Loader) zwischen Amp und Box verwendet werden. Dank eines neu entwickelten Pre- und Power-Amp-Modelings namens TSM („Tube Stage Modeling“) ist zusätzlich möglich, das Opus im Standalone-Modus als (MIDI-fähigen) Pedalboard-Amp zu betreiben. Hierzu liefert Two Notes eine eigens entwickelte Sammlung von über 600 Impulsantworten (DynIRs), von denen 32 bereits auf dem Opus vorinstalliert sind und mit einer Auswahl an Effekten (Reverb, Enhancer und EQ) kombiniert werden können.

Two Notes has unveiled the “next milestone evolution” of its highly acclaimed Torpedo CAB IR loader, the Opus – a “masterpiece” of a product that expands its predecessor's feature set with pre and power-amp simulation.

Prior to the arrival of the Opus, Two Notes’ CAB – and, later, CAB M+ – were considered some of the industry’s leading cabinet simulation units, offering at first exclusively DynIR Virtual Cabs from Victory, Celestion, Engl and more (with an assortment of mic types and room emulation), and then later a sole clean preamp for added versatility.

To that end, the Opus goes above and beyond just cab sims, and brings to the table fully fledged Tube-Stage Modeling pre- and power-amp sims, MIDI integration and USB-C connectivity.

Two Notes Audio Engineering

Ensemble Queen Top Guitar Review - PL

Ensemble Queen - Bass Chorus Review Muzikus CZ

Mooer Ensemble Queen - Review

Demo by Andertons 

Demo by Pete Thorn 

Review by GUITAR WORLD 

Review by bonedo 

Opus

M76 Studio Compressor

The Lil’ RAT features the same controls and tone as the full sized RAT, but only 2 inches wide. It’s built like a tank with rear mounted power and audio jacks. At half the size, this pedal conserves valuable pedalboard real estate, and provides full-sized RAT tones, attack and sustain.

The beauty of the Lil' RAT lies in its versatility.  Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads.  Do you have a powerful amp with too much headroom for the gig?  Let the Lil' RAT be your dirty channel.  Maybe you already love your amp’s distortion.  Use the Lil' RAT as a boost for solos and get the extra kick you need.

The Lil' RAT features the legendary RAT filter control.  Turn it to the right to roll off brittle high-end frequencies.  Having trouble cutting through the mix?  Turn it to the left and allow the natural brightness of your instrument to shine through.

Distortion dials in the perfect amount of gain – from mild overdrive to full out fuzzy assault, and the volume control lets you dial it in just perfectly against your bypassed clean tone.

ProCo

Demo by  K Sakuma

Demo by  Rhythm & Beard

Review by musicradar

Review by bonedo

Lil' RAT

Isen Ritchie

Unleash your dark side with the limited run H90 Dark Harmonizer®. This exclusive edition brings Eventide’s most powerful effects pedal in a bold new look. With only a limited number available, this H90 won’t last long.

Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 66 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Demo by Emily Hopkins

Review by TAPE OP

Review by AMAZONA

Review by Gitarre & Bass

Manual Page

H90 Dark Harmonizer

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

BOSS

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

EQ-200 Graphic Equalizer

Isaac Goldstein

Das UAFX Dream '65 Reverb Amp Pedal liefert Dir den unverkennbaren amerikanischen Röhrenverstärker, der seit 60 Jahren von Künstlern und Produzenten verwendet wird, von Muddy Waters über die Beatles bis hin zu Mac Demarco.
Aufbauend auf leistungsstarker Dual-Engine-Verarbeitung und erstklassigem UAD-Modeling liefert Dream '65 fette Cleans, sanften Breakup und traumhaften Federhall und Vibrato.

The UAFX Dream '65 Reverb Amplifier pedal gives you the essential American tube amp used by artists and producers for 60 years, from Muddy Waters to The Beatles to Elvis Costello.
Built on powerful dual-engine processing and UAD audio modeling expertise, the Dream '65 effects pedal delivers bold cleans, sweet breakup, and divine spring reverb and vibrato.

Universal Audio

Demo by TomoFujitaMusic

Dream '65 Reverb-Amp

QuickMount Type N

Pedal-Montageplatte für TC Harmony Singer 2, Duplicator & MicMechanic Pedale

Pedal Mounting Plates for TC Harmony Singer 2, Duplicator & MicMechanic pedals

Here at Strymon, we wanted to do a limited run of some of our favorite pedals we’ve released over the years, each finished in a sleek black and white finish as dark as the midnight sky, complete with black knobs and a blacked-out box. Despite their minimalist styling, the sounds waiting to be released from these limited edition pedals are as colorful and inspiring as ever.

Feel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine. BigSky gives you twelve studio-class reverb machines, each with simple yet powerful controls.

Review by Jan Steiger, amazona.de

BigSky Midnight Edition

The GigRig

ABY Baby

RockBoard

ISO Power Block V6

ISO Power Block V16

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Maxon’s version of classic TS-9 Tube Screamer

Demo by ProGuitarShopDemos

Demo by Godlykelnc

OD-9

- Fuzz engine based on vintage Shin-Ei / Univox Super - Fuzz
- Square Wave clipping with upper octave harmonic
- Level and Expand controls
- Parametric Tone circuit with Frequency and Cut/Boost controls
- Unlimited variety of tonal colors
- Mechanical True Bypass Switching

Water’s powerful parametric EQ covers a massive frequency range from a hefty 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

Demo by Dennis Kayzer

Review by Music Connection

Fuzz Elements - Ether (FE10)

The FWA10 Water narrows the playing field by taking the authentic Ram’s Head replication of the Fuzz Elements Earth and adding a parametric EQ circuit to the mix.

Water’s powerful parametric equalizer covers a massive frequency range from a punchy 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

By manipulating Water’s EQ, the user can dial in the entire palette of Big Muff variations, from the more mid-heavy, musical snarl of the original Triangle-Knob Muff to the harmonically-rich sustain of the Ram’s Head all the way through to the super-compressed, scooped-mid mayhem of the Green Russian Sovtek’s.

The FWA10 Water: Why settle for one Muff, when you can have them all?

Demo by Ray Suhy

Review by Premier Guitar

Fuzz Elements - Water (FWA10)

Looking at the MAXON Limited Edition OD-9 Creamdrive circuit, you’ll realize that this is not some redesign being cleverly marketed as a reissue – this is THE original OD-9 (TS-9) circuit, yet with the addition of true bypass switching. Even the PC board is the same one that Maxon’s been using for the past 30+ years, complete with empty slots where parts for the FET switching circuit have been left out!

Review by gearnews

Demo by MusicGearz

OD 9 Creamdrive

OD-9 Blackdrive von Maxon