Fred Petit

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Mad Professor

David BIET

THE GREEN WONDER ist ein vielseitiges Overdrive-/Booster-Pedal mit viel Headroom, hoher Ausgangsleistung und einem hervorragenden Klang sowohl mit Single-Coil- als auch mit Humbucker-Tonabnehmern. THE GREEN WONDER funktioniert hervorragend mit verschiedenen Verstärkern und kann sowohl mit Clean- als auch mit Overdrive-Kanälen verwendet werden, selbst bei starker Verzerrung.

THE GREEN WONDER ist eine aktualisierte Version des legendären LITTLE GREEN WONDER. Alles, was Sie am klassischen LITTLE GREEN WONDER geliebt haben, ist im neuen und sorgfältig abgestimmten THE GREEN WONDER enthalten. THE GREEN WONDER verfügt über zusätzliche Bass- und Höhenregler, mit denen Sie Ihre tiefen und hohen Frequenzen je nach verwendetem Equipment optimal einstellen können.

THE GREEN WONDER is a versatile high headroom overdrive/booster pedal, that has high output and sounds great with both single coil and humbucking pickups. THE GREEN WONDER works extremely well with different kinds of amplifiers and can be used with both clean and overdrive channels, even with heavy distortion.

THE GREEN WONDER is an updated version of the legendary LITTLE GREEN WONDER. Everything you loved with the classic LITTLE GREEN WONDER is included in the new and carefully fine tuned THE GREEN WONDER. THE GREEN WONDER has added Bass and Treble controls, that allow you to really dial in your low and high frequencies depending on other gear you are using.

Mad Professor Amplification

Official Product Video

Demo by GUITARS & GIZMOS

Product Page

Review by delicious audio

Review by musicradar

Review by bonedo

Manual

The Green Wonder

Kari Kärkkäinen

Hand-made in Finland premium quality tremolo pedal. Mad Professor Mellow Yellow Tremolo (MYT) is a true sine wave tremolo effect designed for tremolo tones from the of 50′s type soft swing to deep modulation with great playability, regardless of tremolo depth or speed.
The strength of the incoming signal is modulated by a sinusoidal oscillator, just like in the early amps, and modulation bias is set to give symmetrical modulation. This gives a very musical tremolo effect that blend very well with both clean and distorted guitar tones

Review by musicradar 

Demo by Prymaxe 

Demo by ProGuitarShopDemos 

Demo by Wall Of Sound 

Mellow Yellow Tremolo

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Tester

Deep Blue Delay is a natural sounding digital/analog delay, with the analog direct signal path. The Deep Blue Delay has about the same bandwidth as the classic tape echo units, and it can be used in front of an amplifier or in amplifier effects loops.

Demo by Sound Xperience

Demo by Wall of Sound

Deep Blue Delay

The tone is very musical and balanced thanks to carefully matched parts in the circuit. With the four controls, you can fine-tune the phaser effect to your taste. With the rotating switch you can choose between two different phase tones, the other is a light one and the other with the big fat low end and deep tone. With The Mix control, you can adjust phaser tones from very mild into deep phase effect. Speed range and amplitude of the internal oscillator are set to allow high phaser speeds without getting erratic.

You can find classic phasing sounds at about 12 o’clock speed setting, the lower settings produce a nice floating “Vibe”- a type of sound.

Demo by VintageandRare

Review by reddit /guitarpedals

Review by The Gear Page

Review by Premier Guitar

Manual download

Tiny Orange Phaser

Mad Professor Sweet Honey Overdrive (SHOD) is a touch sensitive low gain overdrive pedal. It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds.

Distortion level can be controlled by pick attack and pickup strength. Harder picking for overdrive and softer for a cleaner tone. With the unique Focus control, you can adjust the feel and dynamics of the pedal as well as overall EQ. Turning Focus CCW you need to play harder to get distortion and the tone is softer, great for jazz and blues. Focus turned CW gives a slight treble boost and earlier distortion great for classic rock.

Demo by Brett Kingman

Sweet Honey Overdrive

A compact digital reverb pedal with pure-analog dry signal path, true-bypass switching, and controls for Time, Tone, and Reverb (depth), the Silver Spring proved a sparkling little performer in a range of settings. It ably subbed for a tube Fender Reverb Unit in front of a tweed-like combo for some surfy instrumentals, and worked equally well replacing a Bogner Goldfinger’s builtin spring reverb in the amp’s parallel FX loop. It doesn’t go splash when you kick it, and you might detect just a hair of pulsing in the wash of the effect’s decay, but all in all it’s a stellar sounding unit

Review by AMAZONA

Demo by Alberto Barrero

Demo by ProGuitarShopDemos

Silver Spring Reverb

Sie können den Ruby Red Booster als Treble Booster, Clean Booster oder als Overdrive-Einheit verwenden, oder eine beliebige Kombination der oben genannten Funktionen. Außerdem kann er mit oder ohne Buffer verwendet werden. Der Treble Booster ist ein auf die richtige Höhenfrequenz abgestimmter Booster mit einer sorgfältig konzipierten Bandbreite und einem optimierten Bass-Cut-Verlauf. Der Booster-Schaltkreis wurde entwickelt, um die Eingänge Ihres Verstärkers mit einer massiven Anhebung von 40 dB zu übersteuern - von schönem Glitzern bis hin zu starkem Overdrive. Der Booster ist so kalibriert, dass er bei höheren Boost-Einstellungen von sich aus musikalische Verzerrung erzeugt. Sie können den Gesamtpegel der beiden Booster mit dem Master-Volume-Regler steuern und den Master-Volume-Regler auch dazu verwenden, die Verzerrung des Geräts zu steuern. Der Ruby Red Booster ist der am besten klingende und vielseitigste E-Gitarren-Booster auf dem Markt!

You can use the Ruby Red Booster as a treble booster, clean booster, or as an overdrive unit, or any combination of the above. Plus, it can be used with or without a buffer. The Treble Booster is a booster tuned to the right treble frequency with a carefully designed bandwidth and an optimized bass cut slope. The booster circuit is designed to overdrive your amp's inputs from nice sparkle to heavy overdrive with a massive 40dB boost. The booster is calibrated to produce musical distortion on its own at higher boost settings. You can control the total level of the two boosters with the Master Volume control, and also use the Master Volume to dial in distortion from the unit. The Ruby Red Booster is the best sounding and most versatile electric guitar booster on the market!

Demo by EytschPi42

Review by elevea

Ruby Red Booster

Mighty Red Distortion is a high-gain distortion pedal, which was modeled after the 80′s style compressed gain sounds. It is extremely easy (and a lot of fun) to play because its texture is adjusted to give clarity and definition also at heavy distortion. The gain range allows also low distortion sounds as well as stacking with other pedals, where an overdrive (preferably MP LGW) can pre-drive MRD for extreme and highly focused sounds. To get these gain levels with their impressive signal to noise ratio, we didn’t use any noise gate or expander. Instead, we used special amplifier techniques and extremely low noise amplifier stages, which result in a natural decay and a rather high current consumption for a distortion pedal in view of battery operation.

Demo by Pedalicious

Review by Ultimate Guitar

Mighty Red Distortion

LECTRIC BLUE II - Chorus Vibrato is a super high quality modulation pedal with a small footprint. It is simple-to-use yet surprisingly versatile. Vintage technology and modern engineering ensures the most organic and purest analog tone and ultra quiet performance. Electric Blue II is innovative and beautifully complex all analog bucket brigade design.

Warm or bright? Blast from the past or from today and everything in between? You get to choose. The effective and thorough, yet simple to use, controls allow you to explore analog modulation like never before.

Demo by delamar Guitar

Review by Gearnews

Electric Blue II Chorus

Forest Green Compressor (FGC) is designed to meet the highest standards of guitar and bass compression.There is extremely low noise throughout the range and a high overload margin, which allows also a wide dynamic input range at minimum distortion and noise.
FGC is equipped with a special tone control to fine-tune the compressed sound for most transparent tone and effect. The pedal has a switchable compressor and sustainer mode. In Sustain mode, you can get a very dynamic, touch-sensitive tone with a long sustain. Here the attack is not lost, making the pedal suitable even for blues players and works great with slide playing.

Demo by 【ムツミ】Mutsumi

Forest Green Compressor

RockBoard

ISO Power Block V6

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Jort Smeets

telecaster h-s

crazy stuff

SE-GEQ is the 8 band-Equalizer with Chromatic Tuner. When pushing the Tuner Switch, the SE-GEQ becomes a Pedal Tuner. You can choose True Bypass or Tuner system with Foot Switch. When tuning, the noise is perfectly blocked by Low-Impedance Mute of output. When pull up the Tuner Switch, this becomes a 8 band-Equalizer. You can choose Bypass or Equalizer system with Foot Switch.

Artec

Review by Harmony Central

Review by audiofanzine

Review by Musiker-Board

Demo by  Gitaris Fake

Demo by Cory Mura

SE-GEQ Graphic EQ & Tuner

ch ray

You want real Spring reverb
In ACES !!! Brian Wampler has some how found a way to shrink that Accutronics 3 spring in to a very tiny pedal that faithfully reproduces that exact tone, dwell and splash of a true 3 spring. There's no digital harshness or false tone to it , it just sounds like a pure spring reverb.

Wampler

Demo by Mike Hermans

Review by SurfGuitar101 

Official Website

Faux Spring Reverb

Philip Radomski

Electro-Harmonix

Slap-Back Echo

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Das TC Electronic Thunderstorm Flanger Pedal bietet einen Vintage Stil Flanger-Effekt, ausgestattet mit einer Bucket-Brigade-Schaltung für einen hervorragenden Klang. Das innovative Design ermöglicht Ihnen eine einfache Bedienung, indem Sie einfach den Regler drehen, bis Sie Ihren perfekten Flanger-Ton gefunden haben

The TC Electronic Thunderstorm Flanger is a fully analog bucket-brigade based flanger pedal effect. It perfectly captures the classic vintage tones from the legendary days at an affordable price. From the guitar sounds that made the ´80s and all the way back to the classic ´60s psychedelic riffs, or just for creating experimental tones – The TC Electronic Thunderstorm Flanger is a lot of fun!

TC Electronic

Review by Talk Bass.com

Review by Bass Musician Magazine 

Thunderstorm Flanger

BOSS

PS-2 Digital Pitch Shifter/Delay

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Nicolas Wilfer

Ein Buffer ist ein wichtiges Werkzeug, um Tonverluste bei langen Kabelwegen oder in Signalketten mit vielen True-Bypass-Pedalen zu bekämpfen. Mit seiner hohen 1 Mohm-Eingangsimpedanz und der niedrigen 100 Ohm-Ausgangsimpedanz stellt der EarthQuaker Devices Buffer/Preamp die klangliche Integrität wieder her und gibt dir das klare und dynamische Signal zurück, das du verdienst und nach dem sich dein Verstärker sehnt. Du willst mehr? Der Buffer/Preamp stellt nicht nur den Höhenverlust wieder her, sondern hat auch einen kleinen Trick in petto, der den Bässen einen subtilen, aber dennoch kraftvollen Kick verleiht und für zusätzliche Dimensionen sorgt. 
Obwohl es üblich ist, einen Buffer am Anfang der Signalkette hinzuzufügen, finden wir, dass er für optimale Ergebnisse am besten am Ende eingesetzt werden sollte. Dennoch funktioniert er überall dort, wo du ihn platzieren möchtest. Die besten Ergebnisse erzielst du, wenn du den EarthQuaker Devices Buffer/Preamp NACH den Fuzz-Pedalen platzierst, die normalerweise gerne die Gitarre an ihrem Eingang sehen.

A buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. With its high 1 Mohm input impedance and low 100 ohm output impedance, the EarthQuaker Devices Buffer/Preamp will restore your tonal integrity and give you back the clear and dynamic signal you deserve and your amp craves. Want more? Not only will it restore high end loss, this device has a little trick up its sleeve that will also give your low end a subtle, yet powerful, little kick for some added dimension. 
While it is commonplace to add a buffer at the beginning of the signal chain, we find this to best at the end for optimum results. That said, it’ll work great anywhere you decide to place it. For best results, make sure the EarthQuaker Devices Buffer/Preamp is placed AFTER any fuzz pedals that typically like to see the guitar at their input.

EarthQuaker Devices

Official Product Page

Buffer/Preamp

Pablo Scarpa

Nachdem das Wahcko jahrelang auf vielen Profi-Boards vertreten war und viel Lob und Auszeichnungen erhalten hat, hat es sich als das lautstärkste, ausdrucksstärkste und gleichzeitig vielseitigste Wah-Pedal auf dem Markt etabliert.

Das Wahcko verfügt über ein pufferloses, proprietäres Schaltungsdesign, das den problemlosen Anschluss impedanzempfindlicher Pedale, wie z. B. Germanium-Fuzzboxen, an das Wahcko ermöglicht.

After years of appearing as a mainstay on many pros’ boards and earning its fair share of praise and awards, the Wahcko has established itself as the most vocal, expressive and at the same time versatile wah pedal out there.

The Wahcko features a bufferless proprietary circuit design that allows for impedance sensitive pedals, like germanium fuzz boxes to be placed after the Wahcko with no issues!

Jam Pedals

Demo by intheblues

Review by Sam Goffen Guitar

Wahcko

Ein echtes Rock N' Roll-Artefakt - Hendrix' abgeplatztes, cremefarbenes „Cheese Wedge“-Pedal mit handgeschriebener Beschriftung - befindet sich im Experience Music Project, Seattles heiligem Rock & Roll-Museum.

Jimis originale Oktavteiler sehen nicht nach viel aus, aber diese magischen Kisten erzeugten die unvergesslichen, verwaschenen Oktavtöne, die man auf dem legendären „Band of Gypsys: Live at Fillmore East“ zu hören sind.

Kürzlich pilgerte ein Team von Dunlop-Ingenieuren nach Seattle, um einen originalen Octavio zu untersuchen und zu dokumentieren - den heiligen Gral des Oktavtons. Sie haben mit liebevoller Sorgfalt gemessen und gescannt. Das Ergebnis? Das Dunlop Jimi Hendrix Octavio ist ein exakter Klon des erstaunlichen „octave up“-Pedals, mit dem Jimi Rockgeschichte geschrieben hat. Es ist alles da: jeder Knopf und jede Buchse, ein DPDT Ein/Aus-Schalter und genau das gleiche Schaltungslayout, das originalgetreu vom „Breadboard“ kopiert wurde, Bedienelemente auf der Vorderseite, mit denen du genau die richtige Menge an Fuzz einstellen und den Gesamtpegel anpassen kannst. Besitze ein kleines Stück von Jimi - den Dunlop Jimi Hendrix Octavio.

A true Rock N’ Roll artifact—Hendrix’s chipped, off-white, “cheese wedge” pedal with hand stenciled lettering—is enshrined at the Experience Music Project, Seattle’s hallowed rock and roll museum.

Jimi’s original octave dividers don’t look like much, but these magic boxes produced the unforgettable fuzzed-out octave tones heard on the legendary Band of Gypsys: Live at Fillmore East performance.

Recently a team of Dunlop engineers made a pilgrimage to Seattle to examine and document an original Octavio—the holy grail of octave tone. They measured and scoped with loving care. The result? The Dunlop Jimi Hendrix Octavio is an exact clone of the amazing “octave up” pedal that Jimi used to make rock history. It’s all here: every knob and jack, a DPDT on/off switch, and the exact same circuit layout faithfully copied from the original “breadboard,” front-panel controls which let you dial in just the right amount of fuzz and adjust overall level. Own a little piece of Jimi—the Dunlop Jimi Hendrix Octavio.

Dunlop

Review by Reddit /guitarpedals

Demo by Densmore Media

Demo by ams.guitar

Demo by Santi Guillén - Roadhouse Guitar School

Demo by gearmanndude

Review by guitartest

Review by Audiofanzine

JH-OC1 Octavio

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Ben Zecker

Studio Pedalboard 2024

There is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus. Tumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right. The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Treble) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone. Let’s face it, not everyone has room for a four-legged beast on their board. This smaller version slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.

Review by The Gear Check 

Demo by Pete Thorn

Demo by Tone Factory

Tumnus

MFer

The Saturnworks ABY pedal takes a single input and switches it A/B style to one of two outputs (A or B), or, with a second switch, to both outputs at the same time (Y). With Active Phase Inversion

Saturnworks Pedals

A/B/Y

Der Keeley Compressor Pro wurde designt für zuhause, wie für‘s Studio um voll klingende Aufnahmen eines jeden Instruments zu ermöglichen.
Im Live-Betrieb kann der Compressor Pro dazu dienen, um eben diesen vollen Sound und, exzellente Performance zu erreichen, jedoch gleichzeitig den Amp und die Speaker vor Overload zu schützen.
Der Comp Pro wurde entwickelt um perfekt mit jedem Instrument, von Gesang bis Gitarre und Keyboard, Bass oder Drums zu arbeiten. Verwende ihn für deinen Podcast oder Youtube Videos um professionelles Leistungsniveau zu erreichen. Nutze ihn zuhause um ein Mörder-Sustain bei niedrigen Volume- oder Gain-Settings zu erreichen.
Der Compressor Pro ist auch der perfekte Booster oder Driver für’s Rig. Einfach RATIO auf 1:1 gestellt (= keine Kompression) und mit dem Gain Knob Amp, Pedals oder Speaker in die Sättigung getrieben (und den „anderen Typen“ aus dem Weg geblasen) 
Einmal gelernt den Comp Pro zu benutzen, wirst du nie einen Grund finden ihn nicht einzusetzen!

The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument.  In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload.  The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums.  Use it when creating a podcast or YouTube videos to maintain professional performance levels.  Use it around the home to create tons of sustain while at low volumes or low gain settings!

Keeley Electronics

Keeley Compressor Pro - Bass Demo Video - shnobel

Keeley Compressor Pro - Review by Bonedo [DE]

Keeley Compressor Pro - Review by Tone Report [EN]

Compressor Pro

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Das TC Electronic Sentry nimmt sich als Noisegate-Pedal den Problemen an, von denen vor allem Singlecoil-Spieler sowie Hard- und Heavy-Gitarristen ein Lied singen können. Die Rede ist natürlich von unerwünschten Nebengeräuschen, die gern in Form von Einstreuungen oder stärkerem Rauschen auftreten und uns das Leben schwer machen.

The TC Electronic Sentry is a noisegate pedal that addresses the problems that single-coil players and hard and heavy guitarists in particular can tell you a thing or two about. Of course, we're talking about unwanted noise, which often occurs in the form of interference or stronger noise and makes life difficult for us.

Review by Gitarre & Bass

Review by Bonedo 

Demo by Science of Loud

Sentry Noise Gate

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Der Keeley Fuzz Bender ist ein modernes 5-Regler-3-Transistor-Fuzz mit einer Kombination aus High-Gain-Silizium und seidigem, glattem Germanium Fuzz. Was macht Fuzz besser? Aktiver EQ. Mit zwei Gyratoren als aktivem EQ hast du die Möglichkeit massive Fuzz-Töne zu erzeugen, die mit typischen Squarewave Fuzzes nicht möglich sind. Bring deinen Verstärker mit bis zu 20 dB Boost / Cut bei 100 Hz und 10 kHz zum glühen. Der Fuzz Bender wurde um japanisches Vintage Germanium Transistoren herum aufgebaut, um seine monumentalen Fuzz-Töne zu erzeugen. Mit der neuen Bias-Steuerung regelst du das Attack und Decay deiner Noten. Der Bias Regler macht alles von fettem Squarwave Fuzz über Angular Fuzz bis zu glitchendem Velcro-Attack möglich. Die fünf Knöpfe des Fuzz Benders zeugen davon, dass für episches Fuzz schlicht die Größe ausschlaggebend ist.

The Keeley Fuzz Bender is a 5 knob - 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz.

Keeley Fuzz Bender - Official Demo Video

Keeley Fuzz Bender - Demo / Review Video - SeanPierceJohnson

MXR Octavio & Keeley Fuzz Bender - Review by Musikmaker [NL], [07-2020]

Keeley Fuzz Bender - Review by Gitarist [NL], [08-2020]

Keeley Fuzz Bender - Review by GuitarWorld [EN], [01-2020]

Keeley Fuzz Bender - Review by TopGuitar [PL], [12-2019]

Keeley Fuzz Bender - Review by Muzikus [CZ], [11-2019]

Keeley Fuzz Bender - Review by Gitarre&Bass [DE], [10-2019]

Keeley Fuzz Bender - Review by Gitarzysta [PL], [08-2019]

Fuzz Bender

David Litaba

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Demo by W-Distribution

Review by Jim Dunlop 

Review by VAR GUITAR

VOLUME (X) PEDAL DVP3

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der EQD Tone Job ist ein üppig ausgestattetes Tonverbesserungs-Tool mit EQ und Booster, geeignet für Gitarre, Bass, Synthesizer und mehr. Das Tone Job Pedal ist mit Reglern für Level, Treble, Mid und Bass ausgestattet, wobei Treble, Mid, Bass aktiv arbeiten, mit je +-20dB Regelbereich. Der Level-Regler liegt hinter dem EQ und kann den Pegel um bis zu dem fünffachen anheben. Das EQD Tone Job eignet sich beispielsweise vorzüglich für ein Feintuning des Sounds am Ende einer Effektpedalkette. Der Tone Job V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Tone Job is a complete tone enhancement tool with EQ and Booster suitable for guitar, bass, synthesizer and more. The Tone Job is equipped with controls for Level, Treble, Mid and Bass, where the last three will cut or boost up to 20db. The level control will boost the signal (post EQ) up to 5 times the input depending on where the dial is set. The EQD Tone Job can be used for example at the end of the effect chain for tone fine tuning. The Tone Job V2 uses silent relay-based soft touch switching. Audio will not pass without power.

Tone Job

Sweet Honey Overdrive von Mad Professor Amplification