OnionBelt

From photo by Steven Diffey
https://photos.google.com/share/AF1QipO2td2z3T_FCjmclBeH-1vGUowK-5dEAuP0T-mddoal-6ttV4wVAKMTt5UHzES4lw?key=WkZsQUhhTFJZVnQwSGRQcjdjb0V4MFBsQUdyTlBB

Tommy Guerrero Jazz Cafe

Tester

The Roto Choir recreates both the rotating lower speaker and the treble rotor horn –the only way to attain that complex, multi-dimensional tone. In fact, the Roto Choir utilizes a specifically formulated SansAmp technology to deliver the entire signal chain –from the original tube power amp to the speaker and high-frequency rotor horn, to the microphone used to capture it. This is HD, 3D emulation.

The simple controls hide a wealth of options. Drive adds just the right amount of compression, harmonics and grit. Low and High sculpt the tube amp emulation with powerful EQ curves. The Fast/Slow footswitch allows users to ramp up, slow down or even stop the rotating speaker. There’s also a dedicated control to custom set the Top Speed of your rotor. Want to vary the intensity of the effect? Simply adjust the Position control to move the Roto Choir’s virtual mic closer or further from the horns. Other features include a biamped/single-speaker mode switch, stereo output and a Speaker Sim switch for direct recording.

Tech 21

Product Page

Review by The Gear Page

Review by bonedo

Review by Gitarre & Bass

Manual

Official Product Video

Demo by Brett Kingman

RotoChoir

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Stefan Valenberghs

The Aqua-Puss Analog Delay MkIII delivers smooth vintage delay tones and tape-based echo with 20ms to 300ms of delay time.

Way Huge

Aqua-Puss MKII

PedalSafe Type WH3

QuickMount Type WH3

Pedal-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE SupaPuss Pedale

 Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE SupaPuss pedals

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Catalinbread

Review by Amazona 

Review by Bonedo 

Demo by Reverb 

Belle Epoch

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The MXR Uni-Vibe Chorus/Vibrato delivers the same lush, chewy textures that players have used since the late '60s. Updated with modern gigging players in mind, this effect now it comes in a standard MXR housing—a fraction of the size and weight of the original—with true bypass switching.

With its simple three-knob interface, you can dial in the effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode—dry signal mixed with pitch-shifted signal—or Vibrato Mode—only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity.

Put the MXR Uni-Vibe Chorus/Vibrato on your board and expand your tonal palette.

Demo by jumdunlopusa

M68 Uni-Vibe Chorus/Vibrato [small box]

The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

Electro-Harmonix

Oceans 11

PedalSafe Type A2

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

M293 Booster Mini

The MXR Sugar Drive Pedal provides a diverse range of clear and transparent overdrive tones, from sauced up boosting to blown-tube distortion. It's based on a rare overdrive pedal that has acquired a mythical reputation among fanatical tone-seekers thanks to its unique circuit design.

The key elements of that circuit design are the Drive control and something called a voltage doubler. First, the Drive control on this pedal doesn't just increase the intensity of the overdrive pedal. It starts with your clean signal and then blends it with the overdrive effect as you turn it up, replicating the smooth transition of an amplifier going from clean to dirty. The voltage doubler increases overall headroom, which opens everything up nicely.

Review by Guitar World

Review by Hometone Blog

Demo by  Made by Miike

M294 Sugar Drive

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

Used at Island Brewing Sunset Live Session 


Tommy Guerrero Uluwatu

The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality. Want these sounds but need presets? Check out the Slötvå.

Walrus Audio

Tech Demo by Walrus Audio

SLÖ

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Der Blue Hippo Analog Chorus MKIII klingt so herrlich flüssig wie eh und je und ist nun im Pedalboard-freundlichen Way Huge Smalls Gehäuse erhältlich. Mit seiner einfachen Bedienoberfläche für Speed und Depth kannst du alles von üppiger Klang-Verbreiterung bis hin zu vollem Modulations-Wahnsinn einstellen. Wenn du ein bisschen dichtes Vibrato genießen möchtest, leg einfach den Vibe-Schalter um und gib deinem Sound mehr Textur. Der Blue Hippo Chorus ist geradlinig und ein perfektes 'No-Nonsense Pedal' - einfach einstöpseln und in die Untiefen abtauchen!

The Blue Hippo Analog Chorus sounds as lusciously liquefied as ever in a Way Huge Smalls housing. With its simple Speed and Depth control interface, you can dial in everything from lush tone-widening to full-on rotating speaker modulation madness. If you want to splash on some thick vibrato goodness, just flip the Vibe switch to give your already aqueous tones a little more texture. The Blue Hippo Chorus is straightforward and no-nonsense-just plug in and dive into the deep end.

Official Product Page

Way Huge Smalls Blue Hippo (WM61) - Demo Video - Musiker TV

Way Huge Smalls Blue Hippo (WM61) - Demo Video - Reverb

Way Huge Smalls Blue Hippo (WM61) - Review by Gitarzysta [PL], [04-2019]

Way Huge Smalls Blue Hippo (WM61) - Review by GuitarWorld [EN], [07-2018]

Demo by Way Huge

SMALLS BLUE HIPPO ANALOG CHORUS

PedalSafe Type WH1

QuickMount Type WH1

Pedal-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Giordano Rivolta

Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay time knob in the middle. The range of delay time is 20ms to 600ms. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone. 100% Analog circuitry produces the warm tone that players look for in analog delays. With the ADMINI, you'll enjoy a warm, classic, and exceptionally clean delay, all while saving some space on your pedalboard.

Ibanez

Review by reddit /guitarpedals

Review by Premier Guitar

Review by AMAZONA

ADMINI Analog Delay

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

ch ray

The first POLYTUNE NOIR raised the bar for how über-cool a tuner could be with its compact design and sleek black look. Now POLYTUNE 2 NOIR is here to rock pedalboards around the world! Featuring a super-bright LED display, an insanely-accurate strobe tuner and our groundbreaking polyphonic tuning mode, POLYTUNE 2 NOIR packs the most-innovative tuning technology into a tiny enclosure in the coolest color of all – basic Black. Tuning has simply never been more rock ‘n’ roll!

TC Electronic

Demo by Daniel Seriff

Demo by Nick Rees

Polytune 2 noir

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes.

The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. 

Demo by Rabea Massaad

ARP-87 Multi-function Delay

PedalSafe Type B2

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

From Josh Lippi's Instagram (towards the end) https://www.instagram.com/p/DKBFle2zRr8/

Tommy Guerrero Japan Tour 2025

Der Custom Badass Modified O.D. verfügt über eine klassische Overdrive-Schaltung mit modernen Modifikationen für verbesserte Leistung und Vielseitigkeit.

Für zusätzliche Flexibilität haben wir einen 100-Hz-Cut- und Boost-Regler hinzugefügt, der einen fokussierteren EQ ermöglicht, wenn er abgesenkt wird, oder einen kräftigeren Ton, wenn er angehoben wird. Der Bump-Schalter aktiviert ein alternatives EQ-Voicing, das die Bässe und Mitten anhebt. Wenn du ihn vor den '78 Custom Badass Distortion schaltest, erhältst du eine Reihe von Gain-Strukturen, die an einen Verstärker erinnern, ohne deinen Ton zu 

The Custom Badass Modified O.D. features a classic overdrive circuit with modern modifications for improved performance and versatility.

For added flexibility, we've added a 100HZ cut and boost control that allows for a more focused EQ when cut, or a beefier tone when boosted. The Bump switch engages an alternate EQ voicing that boosts the lows and mids. Put it in front of the '78 Custom Badass Distortion for a slew of amp-like gain structures that won't mask your tone.

Review by Musiker-Board

Demo by Pierre Le Cam

Demo by Max Guitar B.V.

M77 Custom Badass Modified O.D.

720 Looper

AShR501

Archived Pedals

Silvano Mercado

The NUX '6ixty5ive Overdrive pedal from our bestselling Reissue Series offers up the punchy clear tones of the Classic Black Panel Fender amps from the 60's. It's an easy-to-handle glassy overdrive that retains the characteristics of the guitar with great sustain and natural compression.

NUX '6ixty5ive Overdrive is inspired by VEMURAM Jan Ray. It offers up the punchy clear tones of the Classic Black Panel F# amps from the 60's

Review by

Review by delicious audio

Demo by Jon is just TOO LouD!!

'6ixty5ive Overdrive

Joel Rodrigues

The Aurras Optical Vibraphase—a powerful effects pedal named after the goddess of sound, meets the legacy of its predecessor the Athena Vibraphase in a harmonious blend of legendary, vintage Uni-Vibe textures and innovative, modern prowess.

SolidGoldFX

Demo by Andy Martin

Review by musicradar

Review by Gearnews

Review by guitar pedal X

AURRAS OPTICAL VIBRAPHASE

Lee Atkin

Der Voyager MKII ist ein mittenbetonter Overdrive/Preamp, der die legendäre Magie des originalen Voyager vereint und mit zahlreichen Funktionen ausgestattet ist, die ein Klon-artiges Pedal bisher nicht bot. Von der niedrigsten bis zur höchsten Einstellung bietet der Voyager eine einzigartige Klarheit für jeden Spielstil.

Bei niedrigeren Gain-Einstellungen hellt er das Signal auf und verleiht jeder Note Klarheit. Bei erhöhter Gain-Einstellung verwandelt sich der Voyager in einen satten Overdrive, der Akkordspiel Tiefe verleiht und gleichzeitig die nötige Klarheit für durchschlagende Soli bewahrt.

Der Voyager MKII bricht mit der traditionellen Centaur-Drei-Regler-Struktur und verfügt über einen fußschaltbaren parametrischen Mittenfrequenz-EQ mit einem Boost/Cut-Bereich von +/-12 dB. Der Freq-Regler (Frequency) steuert die Mittenfrequenz, auf die der Mid-Regler eingestellt ist, und bietet einen Bereich von 250 Hz bis 2 kHz. Ideal für jede Gitarren- und Tonabnehmerkombination und zur individuellen Anpassung des Sounds an den eigenen Spielstil.

Passen Sie den Sound des Voyager mit dem Fünfwege-Drehschalter weiter an:

1: Klassische 1N34A Germaniumdioden (am stärksten komprimiert). Dies ist der originale Voyager-Sound.

2: Klassische 1N34A Germaniumdioden mit Bassanhebung (vertrauen Sie uns).

3: Symmetrische Siliziumdioden (offener und dynamischer).

4: Asymmetrische Siliziumdioden (am wenigsten komprimiert, offen und getrieben).

5: Asymmetrische Siliziumdioden mit Bassanhebung (am wenigsten komprimiert, offen und getrieben mit Bassanhebung).

Stellen Sie sich jede Position als eine andere „Variante“ des Pedals vor. Optimieren Sie jeden dieser Modi mit dem Mid/Freq-EQ für nahezu unbegrenzte Gain-Optionen.

The Voyager MKII is a mid-focused overdrive/preamp that contains all the mythical magic from the original Voyager and adds a wealth of features not seen before in a Klon-style pedal. From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to any playing style.

At lower gain settings, it brightens the signal and adds clarity to each note. With the gain turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through solos.

The Voyager MKII breaks out of the traditional Centaur three-knob topography by adding a foot-switchable parametric mid-frequency EQ with a boost/cut range of +/-12dB. The Freq (Frequency) knob then controls the center frequency of where the Mid knob is set, giving a range of 250Hz-2kHz. Great for accommodating any guitar and pickup combination and tailoring your tone to your own style of playing.

Further customize the Voyager’s sound with the five-way rotary switch:

1: Classic 1N34A Germanium Diodes (most compressed). This is the original Voyager sound.

2: Classic 1N34A Germanium Diodes with bass boost (trust us).

3: Symmetric Silicon Diodes (more open and dynamic).

4: Asymmetric Silicon Diodes (least compressed, open & driven).

5: Asymmetric Silicon Diodes with bass boost (least compressed, open & driven with a bass boost.)

Think of each position as a different “flavor” of the pedal. Fine-tune each of these modes with the Mid/Freq EQ for a near-infinite supply of gain options. 


Demo by Mark Johnston

Voyager Preamp/Overdrive MKII (Seafoam)

Nicolas Wilfer

Der Fuzz Master General ist unsere Version des klassischen Ace Tone Fuzz Master FM-2 Professional, ein Oktav-Fuzz, der dem populären Super Fuzz sehr ähnlich war. Wir haben die Basisschaltung neu überdacht und überarbeitet, um ihn für moderne Musiker brauchbarer zu machen. Der Fuzz Master General verfügt über einen präziseren Fuzz-Regler, der ein viel breiteres Spektrum an verzerrten Sounds liefert, das von nahezu clean bis hin zu vollem Kettensägensound reicht. Wir haben auch einen Voice-Schalter hinzugefügt, um Ihren Ansprüchen an verzerrte Sounds besser gerecht zu werden und der klassischen Schaltung einen variableren Sound zu entlocken. Dieser Kippschalter wählt zwischen Germanium oder Silizium Clipping Dioden oder einem Modus ohne Clipping aus.  Dies hat einen enormen Einfluss auf den Charakter des Fuzz-Tons und auf die Klarheit  der oberen Oktave und den Ausgangspegel. Germanium Dioden bieten mehr Ausgangspegel und einen offenen, weniger komprimierten Fuzz-Sound, während die Silizium Dioden das Signal komprimieren und einen strafferen Fuzz erzeugen. Wenn der Voice Schalter auf Mittelstellung steht (kein Dioden-Clipping), kann man eine fast saubere obere Oktave erreichen, die an Ringmodulation grenzt! Während der ursprüngliche Fuzz Master über einen Fußschalter verfügte, mit dem man zwischen zwei verschiedenen Tone-Einstellungen wählen konnte, verfügt der Fuzz Master General über einen variablen Tone-Regler, mit dem man alles zwischen weit geöffneten, aggressiven Höhen und einem basslastigen Vintage-Sound mit extremem Scoop einstellen kann. Mit all diesen zusätzlichen Funktionen bietet der Fuzz Master General eine vielseitigere Version des Originals, während er immer noch den gleichen pulsierenden Oktave-Grind liefert den wir alle kennen und lieben. Jeder Fuzz Master General wird in Handarbeit im meist tropischen Akron, Ohio, hergestellt.

The Fuzz Master General is our take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. We have taken the basic circuit and re-imagineered it to be more useful for the modern player. The Fuzz Master General features a more accurate Fuzz control that delivers a much broader spectrum of dirt tones ranging from nearly clean through full buzz saw assault. We added a Voice toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. This has a huge impact on the characteristics of fuzz tone, upper octave clarity and output level. Germanium diodes offer more output and an open, looser fuzz tone while the silicon diodes compress the signal and yield a tighter fuzz tone. When the voice is set to no diode clipping (center position) you can attain a nearly clean upper octave that borders on ring modulation! While the original Fuzz Master had a foot switch to select between two different tone settings, the Fuzz Master General has a variable Tone control that allows you to dial in everything in between a wide-open treble assault and a super-scooped, bass-heavy vintage unit. With all these added features, the Fuzz Master General delivers a more versatile version of the original while still retaining the same swelling octave grind we all know and love. Each Fuzz Master General is made by human hands in mostly tropical Akron, Ohio.

EarthQuaker Devices

Fuzz Master General Legacy Reissue Demo

Fuzz Master General, Limited Edition

Der Keris ist eine asymmetrische Klinge, erfüllt vom Geist der Frustration und inspiriert vom Klang der Perforation.

Die externe Steuerung des Keris erhöht sowohl die Schrillheit als auch die Lautstärke. Es gibt keine Klangregelung.

Zwei interne Regler unterstützen die Synchronität zwischen Träger und Waffe:

DIP-Schalter Ein: Asymmetrische Clipping-Dioden im Schaltkreis. Dies ist die Standardeinstellung.
DIP-Schalter Aus: Clipping-Dioden entfernt. Eine lautere, trashigere Verzerrung mit seltsam brummendem Tonabfall.
Gain: Drehen, um den Gain zu erhöhen oder zu verringern. Standardmäßig niedrig eingestellt. Tonabnehmer mit hoher Ausgangsleistung können von einer weiteren Reduzierung des Gains profitieren. Das Ausloten der Grenzen dieses Reglers kann zu unbeabsichtigten Ergebnissen führen – sowohl zu „guten“ als auch zu „schlechten“.

--

Bypass: True Bypass
Stromversorgung: 9 VDC, 2,1 mm mittig negativer Hülse
Stromverbrauch: gering

Der Betrieb dieses Geräts mit einer isolierten Stromversorgung wird dringend empfohlen.

The Keris is a asymmetric blade, infused with the spirit of frustration and inspired by the sounds of perforation.

The external control of The Keris will increase both shrillness and volume. There is no tone control.

Two interior controls exist to aid with synchronicity between wielder and weapon:

DIP Switch On: Asymmetric clipping diodes in-circuit. This is the default setting.
DIP Switch Off: Clipping diodes removed. A louder, trashier distortion with strange buzzing note decay.
Gain: Turn to increase or decrease gain. Set low as default. High output pickups may benefit from lowering the gain further. Exploring the limits of this control may result in unintended outcomes; both "good" and "bad".

--

Bypass: True Bypass
Power: 9VDC, 2.1mm centre-negative barrel
Power consumption: not a lot

Running this unit off of an isolated power supply is highly recommended.

Wyong Road Electronics

KERIS - Asymmetric Blade

Jason Ward

Der Big Fuzz ist eine Muff-Schaltung, die grundlegend neu abgestimmt wurde, um den Klang, die Spielbarkeit und die Vielseitigkeit des Pedals zu verbessern. Dies ist eine moderne Fuzz-Verzerrung mit einem satten Sound und höherer Verstärkung und Sustain als die klassischen russischen Muff-Versionen, die ich herstelle.

The Big Fuzz is a muff circuit, which has been critically re-tuned to improve the tone, playability, and versatility of the pedal. This is a modern fuzz-distortion, with a big sound and higher gain and sustain than the classic Russian version muffs which I make.

Dazatronyx

Demo by intheblues 

Demo by Captain CHerry

Review by Stompbox Steals

Big Fuzz

Soul Food

Badger

R-28 DOUBLE THRUSTER is an Overdrive pedalspecially designed for Bass. It sculpts clear and punchy lows, delivering sharp and grainy mid and high frequencies.Compact and portable.

JOYO

Demo by The Bass Channel

R-28 Double Thruster

Das TC Electronic Sentry nimmt sich als Noisegate-Pedal den Problemen an, von denen vor allem Singlecoil-Spieler sowie Hard- und Heavy-Gitarristen ein Lied singen können. Die Rede ist natürlich von unerwünschten Nebengeräuschen, die gern in Form von Einstreuungen oder stärkerem Rauschen auftreten und uns das Leben schwer machen.

The TC Electronic Sentry is a noisegate pedal that addresses the problems that single-coil players and hard and heavy guitarists in particular can tell you a thing or two about. Of course, we're talking about unwanted noise, which often occurs in the form of interference or stronger noise and makes life difficult for us.

Demo by Science of Loud

Sentry Noise Gate

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Das TC Electronic Thunderstorm Flanger Pedal bietet einen Vintage Stil Flanger-Effekt, ausgestattet mit einer Bucket-Brigade-Schaltung für einen hervorragenden Klang. Das innovative Design ermöglicht Ihnen eine einfache Bedienung, indem Sie einfach den Regler drehen, bis Sie Ihren perfekten Flanger-Ton gefunden haben

The TC Electronic Thunderstorm Flanger is a fully analog bucket-brigade based flanger pedal effect. It perfectly captures the classic vintage tones from the legendary days at an affordable price. From the guitar sounds that made the ´80s and all the way back to the classic ´60s psychedelic riffs, or just for creating experimental tones – The TC Electronic Thunderstorm Flanger is a lot of fun!

Review by Talk Bass.com

Review by Bass Musician Magazine 

Demo by EytschPi42

Thunderstorm Flanger

With the Tumnus Deluxe, Brian has set a new standard. Thanks in large part to the design’s articulate-sounding buffer, all of the clarity, punch, and detailed breakup of the original Tumnus are still there. But if you prefer the sound of true bypass performance, just hit the switch on the side of the pedal for uncolored tonal purity. Brian also injected the Tumnus Deluxe with a level of tonal flexibility not previously available on this style of drive. Active bass and mid controls, as well as a regular treble control (the same as the pedal it was inspired by), encourages you to sculpt the tone from this pedal to the demands of your rig. Whether you’re boosting a driven amp or another pedal, using the pedal as a stand-alone overdrive, or crowning it your “always on” tonal sweetener, you’ll find the Tumnus Deluxe’s wide-ranging controls make it much more than just another clone. The Tumnus Deluxe delivers all the string-to-string clarity, high-headroom output, and amp-like breakup that made this style of overdrive pedal so iconic. But its 3-band EQ will enhance your tone with warm low end, instantly identifiable midrange, and just the right amount of top-end sparkle. Unlike some other similarly voiced pedals, the Tumnus Deluxe has enough tonal control to perfect your sound through any rig. The buffer inside the Tumnus Deluxe sounds so good, you might just find it enhances your tone whether the pedal is on or off. But Wampler knows that some players prefer the clean signal path of true bypass operation. With the Tumnus Deluxe’s side-mounted buffered/true bypass control, attaining that uncolored sound is as easy as flipping a switch.

Wampler

Review by Pedal Authority

Review by Gretsch-Talk

Quick Reference Guide

Demo by Tom Quayle

Demo by Pete Thorn

Demo by Reverb

Demo by Wampler

Tumnus Deluxe

Das Wampler Pantheon bietet dir das unverkennbar britische Break Up und die klanglichen Nuancen, die du in den besten dieser verehrten Schaltungen findest.... Aber mit einigen neuen Features und moderner Funktionalität, die alle aus dem Hause WAMPLER stammen! Eine leistungsstarke EQ-Sektion, mit der du deinen Sound für jeden Gig maßschneidern kannst - einschließlich eines aktiven Baxandall-Bassreglers, mit dem du das Pedal an jeden Verstärker/jedes Cab anpassen und jeden Raum ausfüllen kannst, gepaart mit einem schönen Presence-Regler, der dir genau die richtige Menge an Glanz und Süße verleiht. Alle Regler befinden sich auf der Vorderseite des Pedals und sind nicht im Inneren versteckt. Das Pantheon ist ganz Wampler - ein frischer Ansatz für die Gestaltung dieses erstaunlichen Schaltkreises und sofortiger Zugriff auf alle verschiedenen Oberton- und Harmoniestrukturen, die man sich nur wünschen kann. Wenn Du auf der Suche nach einem klassisch inspirierten Drive-Pedal bist, das perfekt zu jedem Rig passt, das mit all Deinen modernen Tone-Tools zusammenspielt, das die Persönlichkeit und das Feeling Deines Spiels beibehält UND das alles von süßem und cremigem Push bis zu aufgedrehtem britischen Grind liefert..... wähle Pantheon.

The Wampler Pantheon gives you all the unmistakably British break up and tonal nuance found in the best of these revered circuits…. But with some fresh features and modern functionality which are all WAMPLER! A Powerful EQ Section so you tailor your sound for any gig - Includes an active Baxandall bass control so you can match the pedal to any amp/cab and fill up any room, coupled with a beautiful Presence Control gives you just the right amount of Sparkle and Sweetness. With all the controls right up there on the front, not hidden away inside, the Pantheon is all Wampler - a fresh take on shaping this amazing circuit, and instant access to all the different harmonic and overtone structures you could ever want. If you’re looking for a classically inspired drive pedal that mates perfectly with any rig, that plays nice with all your modern tone-tools, can retain all the personality and feel of your playing, AND also delivers everything from sweet and creamy push to cranked British Grind….. Go Pantheon.

Pantheon Overdrive

M68 Uni-Vibe Chorus/Vibrato [small box] von MXR