 Der Distortion III läuft nomen est omen unter der Gattung Distortion, während der GT-OD ein echter Overdrive ist. Da alle Produkte jedoch aus dem gleichen Haus kommen, ist es schon interessant, Parallelen und Gegensätze anzuzeigen. Alle Geräte kommen mit sehr stabilen Metallgehäusen daher, welche voraussichtlich für ein langes Leben sorgen werden. Alle Testkandidaten sind mit einem True Bypass, einer LED, phosphorisierenden Markierungsstrichen auf den Reglern ausgestattet und arbeiten wahlweise mit einem 9V Block oder einem Netzadapter. Die beiden Distortion-Jungs kommen in einer Art leichten Hammerschlag Lackierung daher, während man dem Custom Shop Kollegen eine Grün-Metallic Lackierung zuteil werden ließ.

The Distortion III delivers everything from sweet singing overdrive to massive distortion crunch.
This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Demo by Reverb 

Demo by Wall Of Sound 

Product Page

Review by reddit /guitarpedals

Review by The Gear Page

Review by The Fretboard

Review by AMAZONA 

Manual

M115 Distortion III

The MXR Uni-Vibe Chorus/Vibrato delivers the same lush, chewy textures that players have used since the late '60s. Updated with modern gigging players in mind, this effect now it comes in a standard MXR housing—a fraction of the size and weight of the original—with true bypass switching.

With its simple three-knob interface, you can dial in the effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode—dry signal mixed with pitch-shifted signal—or Vibrato Mode—only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity.

Put the MXR Uni-Vibe Chorus/Vibrato on your board and expand your tonal palette.

Demo by jumdunlopusa

M68 Uni-Vibe Chorus/Vibrato [small box]

MC-403 

50 JAHRE 90
Vor fünf Jahrzehnten begründete der Phase 90 eine der kultigsten Firmen für Musikeffekte und etablierte sich als das Pedal, an dem alle anderen Phaser gemessen werden. Der Phase 90 wurde 1972 als erstes Produkt des aufstrebenden Unternehmens MXR auf den Markt gebracht und ist seitdem ein fester Bestandteil der Pedalboards von Millionen von Musikern rund um den Globus - darunter eine Vielzahl von Künstlern wie David Gilmour und Eddie Van Halen, Tom Morello und John Mayer.

50 YEARS OF 90
Five decades ago, the Phase 90 launched one of the most iconic music effects companies and established itself as the pedal by which all other phasers are judged. Released in 1972 as the first offering of the upstart MXR, Phase 90 has been a mainstay on the pedal boards of millions of players around the globe ever since—including a wide range of artists from David Gilmour and Eddie Van Halen to Tom Morello and John Mayer.

Review by Guitar.com

Review by gearnews.de

Phase 90 50th Gold Edition

The M-181 MXR Bass Blowtorch bass overdrive pedal is made to deliver the hottest sounds this side of Hades--from a tube-like growl to full-blown distorted madness. Because the Bass Blowtorch's overdrive is focused in the midrange frequencies, you'll retain your low-end thunder and high-end sizzle while the overdriven mids cut through any mix. An active 3-band EQ with a mid shift switch provides precise signal balancing, while the Blend knob lets you balance the distortion with the direct signal for the exact tone you're after. 18-volt performance equals increased dynamic headroom, clarity, and low noise no matter the volume level, and true bypass circuitry means it's really off when you want it off, leaving your signal completely unaffected.

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