The EVH 5150 Chorus is based on a legendary chorus unit that Eddie used to add texture and dimension to some of his most classic recordings from the early 1980s. It has a simple three-knob setup—Volume, Tone, and Intensity—with Input and Output Level pad switches, mono and stereo outputs, and an internal True/Buffered Bypass switch for modern rig flexibility. Combine this pedal with the 5150 Overdrive for a huge sound that's thick and chewy.

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MXR EVH 5150 CHORUS, "DIVER DOWN" tones, in a box!

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EVH30 EVH 5150 Chorus

The MXR Super Badass Dynamic O.D. will give any rig as much extra bite as you need while preserving your existing tonal dynamics. With MOSFET clipping diodes under the hood, this pedal’s overdrive is a smooth purr that can be pulled back for a nice, clean boost or cranked into full gear for vintage high-gain grind. On the dashboard, a simple set of controls allows you to dial in the right sound for your setup, feature your classic Output, Tone, and Gain controls along with a Boost/Cut switch that allows you to bump up the overall level with a little extra midrange or drop everything down a notch. This pedal sounds killer on its own, but we think it sounds simply sublime when used to rev up a tube amp that’s just about to cross the line.

Step on the MXR Super Badass Dynamic O.D., and let that engine roar.

Review by bonedo

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Demo by Peach Guitars

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M249 Super Badass Dynamic O.D.

Mit dem MXR Tremolo kehrt der seit Jahrzehnten bei Gitarristen beliebte Tremolo-Effekt zurück ins Portfolio des Herstellers. Genau wie das inzwischen nur noch auf dem Gebrauchtmarkt erhältliche M159 MXR Stereo Tremolo bietet MXRs Neuausgabe ebenfalls einen Stereo-Signalweg und kommt mit gleich sechs verschiedenen Tremolo-Modi ins Haus geschneit.

The MXR Tremolo's six tremolo waveforms represent classic and iconic sources of the effect as well as new sounds concocted by the MXR design team. First, the MXR style recreates the organic sound and pulse of the much beloved M159 MXR Stereo Tremolo. Next, the Bias style takes after the lush, power-soaked compression of tremolo effects that came equipped on early 1960s tube amplifiers. The Revo style, an original innovation, turns the optical tremolo waveform backwards for more exaggerated peaks and valleys. The Opto style emulates the smooth pulsating tremolo generated by photo cells in many popular amplifiers. Inspired by an iconic outboard effect, the SQR setting produces choppy, super pronounced tremolo. Finally, the Harm style recreates the trippy, phase-like tremolo produced by certain rare vintage amplifiers.

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