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RC-500 Loop Station

This little yellow box is responsible for those great distortion sounds heard on so many classic recordings. Set the Distortion control low and crank the Output knob to drive the front end of your amp for cool blues tones, or max out the Distortion knob for classic early '80s hard rock tone. There still isn't any distortion unit on the market that sounds like the Distortion+.

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Manual

M104 Distortion + (and vintage models)

Mit dem MXR Tremolo kehrt der seit Jahrzehnten bei Gitarristen beliebte Tremolo-Effekt zurück ins Portfolio des Herstellers. Genau wie das inzwischen nur noch auf dem Gebrauchtmarkt erhältliche M159 MXR Stereo Tremolo bietet MXRs Neuausgabe ebenfalls einen Stereo-Signalweg und kommt mit gleich sechs verschiedenen Tremolo-Modi ins Haus geschneit.

The MXR Tremolo's six tremolo waveforms represent classic and iconic sources of the effect as well as new sounds concocted by the MXR design team. First, the MXR style recreates the organic sound and pulse of the much beloved M159 MXR Stereo Tremolo. Next, the Bias style takes after the lush, power-soaked compression of tremolo effects that came equipped on early 1960s tube amplifiers. The Revo style, an original innovation, turns the optical tremolo waveform backwards for more exaggerated peaks and valleys. The Opto style emulates the smooth pulsating tremolo generated by photo cells in many popular amplifiers. Inspired by an iconic outboard effect, the SQR setting produces choppy, super pronounced tremolo. Finally, the Harm style recreates the trippy, phase-like tremolo produced by certain rare vintage amplifiers.

Review by PREMIER Guitar 

M305 TREMOLO

The Timmy Overdrive provides a versatile range
of overdrive tones that enhance the natural sound
of your guitar and amp setup. With three different
clipping options and ingeniously configured Bass
and Treble controls, this pedal offers players a ton
of options to make the most of their playing and
recording experience.

Review by bonedo

Review by guitarguitar

CSP027 TIMMY OVERDRIVE

Zakk Wylde, der eigentlich Jeffrey Phillip Wiedlandt heißt, wurde 1987 von Ozzy Osbourne entdeckt und als Nachfolger von Jake E. Lee in dessen Band aufgenommen. Die Merkmale seines sehr fleischigen und gleichzeitig virtuosen Spiels beinhalten, neben viel Gain, auch ständig eingewobene Harmonics, die immer einen gewissen 80er Touch vermitteln. Wer Mr. Wylde kennt, der hat sicher auch direkt dessen schickes Les Paul Signature Modell mit der charakteristischen Bullseye-Lackierung vor Augen.

Custom built for Zakk Wylde’s relentless riffs and leads, this muscular stomp box will transform your amp into a heavy crunch machine.

Review by guitar pedal X

Review by bonedo 

ZW44 Zakk Wylde Overdrive

Die nächsten Folgen dieser Kolumne basieren auf einer Frage von G&B-Leser Ralph Müller-Domke. Ralph berichtet, dass er seinen MXR Dyna Comp zwar sehr schätzt, aber die Nebengeräusche v. a. im Vergleich zum Dyna-Comp-Bausatz von uk-electronic sehr störend findet.

The Dyna Comp Compressor is one of the most popular compressors of all time. Whether you want to tighten up your signal, add rich sustain, or create the percussive and clicky sound heard on numerous hit records, this pedal is straightforward and easy to use. For these reasons, the Dyna Comp Compressor has been the secret weapon on countless pedalboards for years.

Review by GUITAR WORLD 

Review by Gitarre & Bass 

Dyna-Comp by MXR

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