Landon Wolf

Jack White July 28, 2025 studio pedal board

MXR und Third Man Hardware haben sich zusammengetan, um den perfekten Booster für Live-Gitarristen zu entwickeln. Das Double Down Pedal vereint zwei separate MXR Micro Amp-Schaltkreise in einem einzigen Gehäuse, sodass du mit nur einem Pedal zwei verschiedene Signalwege mit genau dem richtigen Maß an klassischem Micro Amp-Boost verstärken kannst.  

Der einzelne Eingang des Double Down Pedals splittet dein Signal auf zwei separate Ausgänge, die jeweils über einen eigenen Gain-Regler verfügen und bis zu +26dB an Signalverstärkung liefern. Auf der linken Seite des Gehäuses befindet sich ein Phase-Schalter, der durch Phasenumkehr des zweiten Ausgangssignals einen ausgeprägten Stereoeffekt erzeugt. Auf der rechten Seite befindet sich ein Buffer-Schalter, mit dem du zwischen True Bypass – für Puristen – und gepuffertem Bypass wählen kannst, um den Klang bei der Nutzung von zwei Signalwegen konsistent zu halten.  

Schließe dein Setup an das Double Down Pedal von MXR und Third Man Hardware an und verstärke dein Signal doppelt für maximalen Sounddruck!

MXR and Third Man Hardware have teamed up to create the perfect booster for gigging guitar players. The Double Down Pedal combines two separate MXR Micro Amp circuits into a single box so that you can heat up two separate signal chains with just the right amount of classic Micro Amp bump.
 
The Double Down Pedal’s single input jack splits your signal to two separate outputs, each with its own Gain control for up to +26dB of signal-boosting power. On the left side of the housing is a Phase switch that adds a pronounced stereophonic effect by inverting the phase of the second output signal. On the right side of the pedal is a Buffer switch so that you can choose between true bypass—for the purists—and buffered bypass switching to keep your sound intact when driving two signal chains. 
 
Plug into the Double Down Pedal from MXR and Third Man Hardware, and double boost your double stack. 

Product Page

Review by The Gear Page

Review by guitar pedal X

Review by Premier Guitar

Review by reddit  /guitarpedals

Manual

Official Product Video

Demo by Guitar World

Double Down (Limited Edition Yellow)

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Travis Dom

The Decimator guitar pedal offers a new approach to noise reduction processing. Most noise suppression systems suffer from one major problem inherent in their design: The system cannot be immediately responsive to very short-term staccato notes. The typical downward expander sound reduction system suffers from a dead zone in the release response characteristic that causes a compromise in tracking both fast decaying notes and long sustained notes. The Decimator pedal's design offers a novel approach to tracking the envelope of the input signal called Time Vector Processing.

Due to this novel approach in controlling the expander, the Decimator system will instantly respond to short staccato notes and, at the same time, will provide a very slow ripple free control of long sustained notes. The Decimator noise suppression system is very transparent delivering high performance.

Isp Technologies

Official Website

Review by sevenstring.org

Review by 300Guitars

Demo by EnsiGear

Demo by Reverb

Decimator

ch ray

Triple Threat starts with a wide-range high gain distortion, with volume, gain, and tone controls to create a threatening rock sound. A classic phaser upgraded from the Pearl Tremor pedal by Donner is next with extended mod controls. Third in line is an analog voiced echo, originated from Donner’s first ever pedal, the Yellow Fall Delay released in 2013,  with warm analog tone and rich feedback. 

With upgraded circuit design and tuning the tone to Jack’s specifications, Donner combined three analog circuits into one metal enclosure, delivering unique analog sounds and versatile utility for musicians on the go. Third Man Hardware designed the external appearance of The Triple Threat, adding its signature patterns such as lightning bolts from the Tesla tower on the panel, three sharp stripes in front and  the signature diagrams from Third Man Hardware’s logo on both sides of the pedal. 

Donner

Demo by Marty Music

Third Man Records Page

Donner Music Page

Review by Guitar Interactive Mag

Review by reddit /guitarpedals

Triple Threat

La Grotte is the new analog spring reverb by Anasounds. It may look like a mere evolution of the Element with the spring inside the main pedal, but in fact it offers a brand new sound and brand new features, designed in close collaboration with Jack White for his Third Man Hardware brand.

At its core, La Grotte is a mechanical reverb that includes a three-spring tank, but it also features a warm preamp with a distinct sonic personnalité, and a very powerful two-band EQ that only affects the reverberated sound. Independent volume settings for the dry and wet sounds allow you to find the perfect balance you’ve been searching for.

La Grotte is a secret weapon of choice on the pedalboard of any demanding guitar player, regardless of their musical approach: vintage or modern, blues or pop, garage or soul. Other musicians and sound engineers alike will also enjoy the sonic depths of La Grotte.

Anasounds

Review by GEAR GODS

Review by Guitar World

Manual Page

Demo by TheGuitarGeek

La Grotte

From the twisted minds at Third Man Hardware and the mad scientists at Eventide, comes Knife Drop—a pedal so maniacal, so drenched in sonic chaos, you’ll wonder if you’re dreaming… or already trapped in a nightmare.

Summon the filter before your distortion glows green with sonic menace, or bathe it in the blood-red glow of post-distortion mayhem. Exclusive presets handcrafted with Jack White, pulse with +6db of additional gain, each one more terrifying than the last. Store your own creations alongside his, then unleash them at will through an LED ladder to guide you through the darkest of nights. 
Not for the faint of heart, this pedal is for those who want to conjure walls of fuzz that sound like they’re crawling out from the depths of a cursed VHS tape. Combining Jack White’s unholy fascination with subversive tones and Eventide’s cutting-edge sonic sorcery, Knife Drop is the soundtrack to your own personal horror film. Plug in, turn up, and cut loose the beast within.

Eventide

Eventide Page

Review by bonedo

Knife Drop

Inspiriert vom originalen Russian Muff liefert dir dieses Pedal einen dicken, schweren Fuzz-Sound mit hervorragender Klarheit – sowohl für Gitarre als auch Bass. „Duff Artwork Muff“ inklusive passender, 3D-gedruckter Custom-Knöpfe. Das Muff-Schaltkreis-Steckbrett ist in einem Gorva S90-Gehäuse untergebracht und nutzt hochwertige Gorva Design-Fußschalter. Und das Besondere: Das Pedal wird in einer riesigen Duff-Dose verpackt geliefert!

Inspired by the original Russian Muff, this pedal gives you a thick and heavy fuzz with excellent clarity on guitar or bass. Duff Artwork Muff with matching 3D printed custom knobs.The Muff circuit comes housed in a Gorva S90 enclosure and uses Gorva Design premium footswitches……The pedal comes housed inside a giant Duff tin for packaging!

Gojira Fx

Duff Muff

Tester

The TU-3—the world’s best-selling stage tuner—unites trusted BOSS tuning technology with our iconic compact pedal format. Top performers everywhere rely on this robust stomp for fast and flawless tuning night after night, thanks to its high-visibility meter, simple operation, and road-tested durability. The versatile TU-3 also includes a mute function, tone-saving buffer, and power distribution capabilities, making it an essential utility tool for every player.

BOSS

Demo by Equipboard

Review by reddit /Guitar

Review by Musiker-Board

Review by The Gear Check

TU-3 Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

David Litaba

Das Premium Wah Pedal. Hier kann der Gitarrist den Wah-Effekt genau so zuschneiden, wie er es will. Mit Kontrolle über die Centerfrequenz (6 anwählbar), stufenloser Regelung der Wah-Bandbreite (Q-Control) und schaltbarem Volume Boost, stufenlos einstellbar von 0 bis satte +26dB.

 The Crybaby 535Q is the Swiss Army knife of wah pedals. It provides control over the most important wah parameters, making it easy for you to create your ultimate wah tone. Select the frequency center of the effect, then dial in the frequency range to be swept by the pedal. From narrow and sharp to broad and subtle, this powerful wah will deliver it. Once you've got your sound, make sure it gets heard with the adjustable, switchable boost that can create endless sustain on any note. This is the wah pedal of choice for guitar master Joe Satriani. The 535Q offers versatility never heard before. This pedal allows the player to customize and shape the sound of the wah. By a simple turn of the "Q" dial, you can shape your wah from a narrow, sharp wah to a broad, subtle wah. Powered by the Dunlop ECB-003 or 9 volt battery. (NEW version)---Powered by the Dunlop ECB-004 or two 9 volt batteries. (OLD version) The CRYBABY 535Q also offers six new guitar wah ranges, a variable boost from 0 to +16 dB and a hard wire on/off switch. It's new custom circuitry consumes less power and eliminates unwanted distortion. Powered by the Dunlop ECB-003 or 9 volt battery. (NEW version) Powered by the Dunlop ECB-004 or two 9 volt batteries. (OLD version)

Dunlop

Official Product Page

Guitar World Demo

CRY BABY 535Q MULTI-WAH

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Das Bumble Buzz Pedal, handgefertigt von Chris Young von Union Tube & Transistor (der das Pedal gebaut hat, das für Jack Whites Gitarrensounds bei „Sixteen Saltines“ und den Gesang bei „I'm Shakin‘“ aus dem 2012er Album Blunderbuss verwendet wurde), ist bereit Summen und stechende Geräusche. Entworfen vom Third Man Creative Hive.

The Bumble Buzz Pedal, handmade by Chris Young of Union Tube & Transistor (who built the pedal used for Jack White's guitar sounds on "Sixteen Saltines" and the vocals on "I'm Shakin'" off of 2012's Blunderbuss), is ready for buzzing around and stinging sounds. Designed by the Third Man Creative Hive.

Union Tube & Transistor

Union Tube & Transistor Website

Third Man Records Website

Demo by gearmandude

Jack White Demos Third Man Hardware Effects Pedals

TMR Bumble Buzz pedal (Readyman Studio Nashville with Jack White)

Bumble Buzz

The Triplegraph is a digital octave pedal designed by CopperSound Pedals and Jack White, featuring three proprietary telegraph keys and an integrated auxiliary loop. Utilizing a high-power DSP Blackfin Processor, Triplegraph triggers an octave down with the left key, octave up with the right key, while the middle key activates a killswitch or auxiliary loop. In KILL mode, the middle key acts as a momentary killswitch, allowing the player to remove their dry signal and attain a fully wet octave up and/or down when used in conjunction with the octave keys. In AUXILIARY mode, the player can connect one or more of their favorite effects in parallel with the octaves via the send/return jacks, and trigger them in momentary bursts. The high and low octaves can be triggered in parallel with the dry signal when the octave keys are pressed independently. The octaves themselves track seamlessly with zero latency, and can be triggered in latching or momentary modes, using our “Loctave” toggle switches. The telegraph keys themselves are composed of custom stainless steel and aluminum components, making them indestructible and exceedingly durable for both hand and foot operation. Over four years in the making, the collaborative result is an innovative, state of the art clean-tracking octave pedal, capable of standing its own against industry standards.

Coppersound

Third Man Records

Demo by BOB BRADLEY

Third Man Triplegraph

Introducing a new addition to the DigiTech Whammy Family – Whammy DT! We’ve taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

DigiTech

Whammy DT

Das Original aus NYC. Hendrix und Santana gehörten zu den ersten, die ein Stück des Pi bekamen, und seit über 40 Jahren hat der EHX Big Muff Pi den Sound der Rockgitarre definiert.

Er wird von zeitgenössischen Gitarristen und Rocklegenden für sein sattes, cremiges, geigenartiges Sustain verehrt, von Pink Floyd bis zu The White Stripes, jeder will immer noch ein Stück vom Pi!

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the EHX Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

Electro-Harmonix

BIG MUFF PI

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

current pedal board layout

Nicolas Wilfer

Das Troika Delay stammt aus den kreativen Köpfen von JHS Pedals und Third Man Hardware und rollt wie ein Streitwagen über die russische Tundra auf Sie zu. Es handelt sich um ein vielseitiges Delay-Gerät in Studioqualität, wie Sie es noch nie zuvor gesehen haben. Jack White liebt es, Delay-Pedale für seine Stimme zu verwenden, aber dieser Prozess kann viele Probleme verursachen, darunter Rauschen, Lautstärkeabfälle und Verlust an Klarheit.  Als Jack diese Idee Josh vorstellte, widmeten wir ihr sofort die gleiche Sorgfalt und Aufmerksamkeit wie dem Colour Box und dem Pulp N Peel. Der Troika ist mehr als ein Pedal. Es ist ein professionelles Studio-Gerät, das für die Verwendung mit Mikrofonen, Gitarren oder jedem anderen Instrument entwickelt wurde. Aus diesem Grund haben wir es sowohl mit XLR- als auch mit ¼-Zoll-Ein- und Ausgängen ausgestattet. Mit einem hochwertigen Lundahl-Transformator am Mikrofoneingang und einem sekundären Ausgangstransformator ist dieses Delay anders als alles, was Sie bisher gesehen haben. Es funktioniert hervorragend mit anderen Effekten und eignet sich perfekt für Desktop- und professionelle Aufnahmestudios sowie für die Bühne vor Tausenden von Menschen. Wenn Sie ein Delay suchen, das sich von allen anderen auf dem Markt unterscheidet, sind Sie hier genau richtig!

Limited to 300 units.

The Troika Delay comes to you from the thundering minds of JHS Pedals and Third Man Hardware like a chariot over the Russian tundra. This is a multi-purpose, studio-grade delay device like you’ve never seen before. Jack White loves using delay pedals on his voice, but the process can cause lots of problems, including noise, volume drops, and loss of clarity.  When Jack brought this idea to Josh, we immediately gave it the same care and attention we gave to the Colour Box and the Pulp N Peel. The Troika is more than a pedal. It’s a pro-audio studio device designed to work with microphones, guitars, or any instrument you want to use. With that in mind, we equipped it with both XLR and ¼” Inputs and Outputs. Utilizing a hi-grade Lundahl transformer on the mic input, and a secondary output transformer, this is like no delay you’ve seen before. It works great with other effects and is perfect for desktop and professional recording studios as well as on stage in front of thousands of people. If you want to use a delay that’s different from everything else on the market, look no further!

Demo by R.J. Ronquillo

Troika Yellow

David Graves

Third Man Hardware und Black Mountain freuen sich, das innovative Roto-Echo Delay-Pedal anzukündigen. Anstatt die Delay-Parameter mit den Fingern einzustellen, ermöglicht die Freewheel®-Technologie den Spielern, diese in Echtzeit mit den Füßen während des Spiels zu verändern – eine kleine Änderung, die zu unzähligen kreativen Möglichkeiten führt. Das Roto-Echo ist robust gebaut, und die Spieler können ihr volles Gewicht auf das Pedal legen, ohne Probleme. Es hat die gleiche Größe wie ein gewöhnliches Boss-Style Gitarrenpedal und passt auf jedes Pedalboard.

Third Man Hardware and Black Mountain are excited to announce the innovative Roto-Echo delay pedal. Instead of tweaking delay parameters with your fingers, the pedal’s
Freewheel® Technology allows players to change them with their feet in real-time as they play –
a small change that leads to tons of creative possibilities.
The Roto-Echo is built tough and players can put their full weight onto the pedal with no
problem. It’s the same size as a regular Boss-style guitar pedal, and fits on any pedal board.

Black Mountain

Demo by Jay Leonard J

Review by Music Radar

Roto Echo (Limited Edition Yellow)

The Voodoo Lab Tremolo re-creates the buttery, seductive tone of a vintage tube amp tremolo. This is accomplished by using the same lamp and photocell assembly found in many popular vintage amps.

This pedal also features a slope control which lets you adjust the feel from a traditional soothing tremolo to a hard “machine-gun” stutter. Speed and intensity controls provide a wide range to include very slow and deep sounds. A volume control lets you cut or boost the output level. Now you can add warm, mind-bending trem vibes to any amp with the most versatile tremolo available.

Voodoo Lab

Demo by Alex Hamilton

Demo by Sweetwater

Review by guitartest

Tremolo

BassBalls Nano

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Half the Size of a Standard Volume Pedal!

Small and portable– save precious pedal board space
The wheel enables swift movement with superb precision

Fast tremolos, fade-ins, fade-outs.

Take your volume expression to the next level!

Review by Guitars Canada

Demo by Sophie Burrell

Volume pedal

Knife Drop (Limited Edition Yellow)

As heard prominently on Jack White’s guitar solo in “Why Walk a Dog?”, this monophonic synth-fuzz has delighted and bewildered listeners since Jack began using it back in 2014. The Mantic Flex can provide an array of sounds from thick, phase sweeping squarewaves with pitch divebombs to brutal bitcrushed octaves and fluttery thereminesque squawks.

Mantic Effects

Review by Pedal of the Day

Demo by Na West

Mantic Flex

La Grotte ist der neue analoge Federhall von Anasounds. Es mag wie eine bloße Weiterentwicklung des Element mit der Feder im Inneren des Hauptpedals aussehen, aber in Wirklichkeit bietet es einen brandneuen Sound und brandneue Funktionen, die in enger Zusammenarbeit mit Jack White für seine Marke Third Man Hardware entwickelt wurden.

Im Kern ist La Grotte ein mechanischer Hall, der einen Tank mit drei Federn enthält, aber auch einen warmen Vorverstärker mit einer ausgeprägten Klangpersönlichkeit und einen sehr leistungsfähigen Zweiband-EQ, der nur den verhallten Sound beeinflusst. Unabhängige Lautstärkeregelungen für den trockenen und den nassen Sound ermöglichen es dir, die perfekte Balance zu finden, nach der du gesucht habst.

La Grotte ist eine Geheimwaffe auf dem Pedalboard eines jeden anspruchsvollen Gitarristen, unabhängig von seinem musikalischen Ansatz: Vintage oder Modern, Blues oder Pop, Garage oder Soul. Aber auch andere Musiker und Tontechniker werden die klanglichen Tiefen von La Grotte zu schätzen wissen.

La Grotte (Limited Edition Yellow)

Sergio Longoria

Third Man Recors Website

Donner Music Website

Triple Threat (Limited Edition Yellow)

Richard Lagerweij

The PLASMA product series is a revolutionary approach within the realm of overdrive and distortion, as it is a new and previously unexplored method of achieving signal clipping.
Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, PLASMA technology transforms your instrument’s live signal into a series of continuous high-voltage discharges within a xenon-filled tube.

Gamechanger Audio

Product Page 

Demo by AndyDemos

Demo by Rabea Massaad

Demo by intheblues

plasma coil

Das Original Crybaby Pedal, das viele zeitlose Rocksounds erzeugte und unter anderem von Größen wie Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour benutzt wurde.

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

Review by bonedo 

Demo by PMTVUK

Demo by SweetWater

CRY BABY STANDARD WAH (GCB95)

Featuring a unique circuit design, the MXR FET Driver captures the rich, creamy sound of an overdriven tube amplifier by cascading an op-amp gain stage into a FET stage. The FET Driver thickens up lead tones with musical, amp-like distortion and sustain without the fragility and inconsistency associated with tubes.

The FET Driver features a simple but responsive set of controls. Set your volume level with the Output control, and then use the Drive control to dial in the grit, from subtle soft-clipping to early stage distortion. Fine tune the FET Driver’s sound by tweaking Hi and Lo boost/cut controls, and push the Hi Cut switch to roll off high end frequencies when playing in high volume situations where excess noise is apparent.

Demo by Living Room GD

Review by TDPRI

M264 FET Driver

The MXR Dookie Drive Pedal captures the tones of those amps in a single pedal so that you can dial in your own variations of that famous Dookie sound. We borrowed his amps so that the MXR team could carefully analyze all the sonic qualities that make them sound so darn good. After much analysis and A/B testing, our engineers rebuilt the amps from scratch in pedal circuit form and fit them into a single housing. The High Gain and Crunch Gain sections each have their own controls, while the Blend control allows you to mix them together just like Green Day did in the studio. If you want some extra scoop in the midrange of the overall output signal, just hit the Scoop switch.

The MXR Dookie Drive Pedal isn’t just for Green Day fans—it’s a totally unique pedal that provides a full harmonic range of overdriven tones for a playing experience that is full of depth and dimension. This special edition features an all-new finish to celebrate the 30th anniversary of Dookie’s monumental release in 1994.

Demo by  B's Music Shop

Demo by  Mountain Music Exchange

Review by Squier-Talk

DD30 Dookie Overdrive 30th Anniversary

Reverb

Ambient soundscapers and tonal experimenters rejoice, the MXR Layers lands to offer new angles on classic sustain effect formulas. Cool and compact, this pedal matches thoughtful MXR design with exceptional tonality to result in outstanding sustain effect equations.

Layers bases its main experience off a threefold sustain effect that deals in, its namesake, layers. Three onboard sustain layers play concurrently to one another to fashion complex and interesting weaves of notes, as triggered by a variety of methods. By utilizing the dedicated footswitch, Layers can be played manually to sustain notes or remotely by playing dynamics. The pedal’s Trigger knob control can be used to adjust the sensitivity of the automatic trigger sustain function or disable it altogether to offer early insight into this pedal’s options of interactivity.

Demo by  N Stuff Music

M307 Layers

Double Down (Limited Edition Yellow) von MXR