Head Full is a “lofi” and analog style delay putting emphasis on ethereal atmospheres, haunting soundscapes, and full-on walls of noise. It goes about this with a warm (but not muffled) analog sounding delay line including switchable, almost cassette style modulation (with depth and speed controls); blendable distortion; a powerful tone control, and self oscillation easily accessed with the momentary footswitch. This allows sounds to range from a simple, slapback delay to all out shoegazey, chorus-y, delay-into-fuzz-y barrages of sound. Everything inbetween is also included. Check out the demo below to see!

Can you recall the last dream you had? Maybe this will help you remember.

Leyland Pedals

Demo by Pedal Experiments

Official Product Video

Review by reddit /guitarpedals

Product Page

Head Full

Der HUM Along ist eine moderne, viel lautere Nachbildung des Boss DF-2 Super Feedbacker & Distortion, wie er von Matt Talbot von der fabelhaften Band HUM und anderen brillanten Alternative Rock Bands wie Swervedriver verwendet wurde. Es ist auch ein großartiges Pedal in seinem eigenen Recht.

Ich habe alte Modelle aus den 80er und 90er Jahren studiert, um den richtigen Sound zu finden, während ich es für den modernen Gebrauch aktualisiert habe. Es ist nicht nur ein DF-2 Klon, ich verspreche es.

Dazu gehört auch, dass er dreimal so laut ist; er hat genug Headroom, um über so ziemlich jeden Tonabnehmer hinwegzukommen, den man ihm hinwirft. Der Feedbacker wurde herausgeschnitten, da er immens komplex ist und viel Platz im Gehäuse einnimmt, und Digitech hat seitdem den FreQout entwickelt. Der 9-18-V-Betrieb ist ebenfalls verfügbar, um zusätzlichen Headroom und einen anderen Charakter der Verzerrung zu erreichen. 

The HUM Along is a modern, way louder recreation of the Boss DF-2 Super Feedbacker & Distortion as used by Matt Talbot from the fabulous band HUM, and other brilliant alternative rock bands like Swervedriver. It’s also a great pedal in it’s own right.

It has been made while studying old 80s and 90s models, to get the sound right while I updated it for modern use. It’s not just a DF-2 Clone, I promise.

This includes stuff like being three times as loud; it has enough headroom to get over pretty much any pickup you throw at it. The Feedbacker has been trimmed out as it’s immensely complex, takes up a lot of space inside the enclosure, and Digitech have come up with the FreQout since then. 9-18V operation is also available to bring extra headroom, and a different character to the distortion. 

HUM Along

Too many boutique fuzz pedals to choose from? Good, here’s another.

A high gain fuzz that really likes to be loud. Includes a powerful bass cut for focusing the sound, as well as a gate control for general noise managment - or spitty nonsense. It’s favourite place is pushing an amp/another drive pedal hard, but it really can work anywhere. Really defined too, chord definition is fantastic.

A weird combo of mosfet and transistors, it has it’s own unique place in this very oversaturated market of many, many fuzz pedals. I’m very pleased with it.

Oversaturated Market

Knorriges Oktav-Fuzz mit einem Tonregler, der der Oktave gewidmet ist. Super vielseitig, besonders mit der umschaltbaren Oktave.

Es ist Tone Machine-esque, aber ohne die mittlere Schaufel. Schau dir das Demo an!

Gnarly octave fuzz with a tone control dedicated to the octave. Super versatile, especially with the switchable octave.

It’s Tone Machine-esque, but with the mid scoop removed. Check the demo!

Tactave Fuzz