Kuba Furman

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

VT BASS + CALI76

Tester

Das BLACKHEATH ist ein handgefertigtes Bassverzerrer-Pedal mit drei Modi, das dem Bassisten alle tonalen Verzerrungen bietet, die er in einem einzigen Pedal sucht. Mit 2 verschiedenen Distortion-Modi und einem Overdrive liefert der Blackheath die klassische Verzerrung, die du willst, von aggressiver Verzerrung über röhrenartige Verzerrung bis hin zu subtilen Verzerrungen, die cleanen Sounds Charakter verleihen.

The BLACKHEATH is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from aggressive distortion through tube-like distortion, to subtle distortions that add character to clean sounds.

Laney Amplification

Product Page

Demo by Laney 

Manual

Black Country Customs Blackheath

Das MXR M287 Sub Octave Bass Fuzz ist ein wahrer Koloss unter den Bass-Effektgeräten und überzeugt mit einem markerschütternden Sound, der die Wände zum erzittern bringt. Hierbei addiert der Octaver, dessen Schaltung auf der Growl-Sektion des beliebten MCR Bass Octave Deluxe basiert, eine Oktave unterhalb des gespielten Tons für einen mächtigen Low End Punch. Darüber hinaus bietet das integrierte Fuzz nicht nur eine 2-Band Klangregelung für Bässe und Höhen, sondern auch zwei Voices. Während das erste Voicing einen warmen, sanft komprimierenden Sound liefert, überzeugt das zweite mit seiner helleren und aggressiveren Klangentfaltung. Damit der natürliche Charakter des verwendeten Basses und die Definition des Tons nicht verloren gehen, kann außerdem das trockene Signal stufenlos hinzugemischt werden, wobei der separate Mittenregler bei Bedarf für einen gesteigerten Punch sorgt.

The MXR M287 Sub Octave Bass Fuzz is a true colossus among bass effect units and impresses with a bloodcurdling sound that makes the walls tremble. The octaver, whose circuit is based on the growl section of the popular MCR Bass Octave Deluxe, adds an octave below the played tone for a powerful low-end punch. In addition, the integrated fuzz not only offers a 2-band tone control for bass and treble, but also two voices. While the first voicing delivers a warm, gently compressive sound, the second is convincing with its brighter and more aggressive sound development. To ensure that the natural character of the bass used and the definition of the tone are not lost, the dry signal can also be mixed in continuously, with the separate mid-range control providing an increased punch if required.

Demo by Low End University

Demo by The Bass Channel

Demo by Stompbox Breakdown 

Demo by Premier Guitar

Review by Premier Guitar

Review by Bonedo

M287 Sub Octave Bass Fuzz

Der SansAmp Bass Driver DI ist viel mehr als nur eine Direktbox. Er kann große Vintage-Röhrensounds, helle moderne Slap-Sounds, knorrige Verzerrungen und alles dazwischen erzeugen. Drei verschiedene Ausgänge zum Ansteuern von Endstufen, Aufnahmepulten, PA-Mischpulten oder einfach zum Verbessern Ihres aktuellen Rigs. Zu den Reglern gehören Presence für die Definition und den oberen Obertongehalt, Blend, um das Verhältnis von Direktsignal und SansAmp-Schaltung zu kombinieren, und ein aktiver EQ, der mit 12 dB Absenkung oder Anhebung speziell auf den Bass abgestimmt ist.

Da die Popularität von 5- und 6-saitigen Bässen den Status einer Modeerscheinung überschritten hat und zum Mainstream geworden ist, haben wir einen Schalter hinzugefügt, mit dem die Bassfrequenz so eingestellt werden kann, dass sie auch in die tieferen Lagen reicht. Außerdem haben wir einen Regler für die Mitten und einen Schalter zur Einstellung ihrer Frequenz hinzugefügt. Der Kern des SansAmp Bass Driver und alle seine Töne bleiben dem ursprünglichen Design treu.

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

Tech 21

Review by bondeo

Demo by Philip Brennan

Official Product Video

SansAmp BDDI V2

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Mit dem OC-2 Octave-Pedal kannst du deinen Sound durch Hinzufügen von zwei zusätzlichen Tönen aufpeppen - eine und zwei Oktaven unterhalb der ursprünglichen Note. Jeder Ton hat einen separaten Lautstärkeregler und wird mit hervorragender Klarheit wiedergegeben.

The OC-2 Octave pedal lets users fatten up their sound by adding two additional tones--one and two octaves below the original note. Each tone has a separate volume control and plays back with outstanding clarity.

BOSS

Review by Reddit /guitarpedals

Review by TalkBass

Demo by Middle Aged Gear Junkie

Demo by Nick Granville

OC-2 Octaver

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Niclas Wego

Basierend auf dem gleichen Konzept und den Möglichkeiten des Flaggschiffs BOSS ES-8, ist der BOSS ES-5 eine minimal abgespeckte Version, die im deutlich kleineren Gehäuse daher kommt und somit ohne Mühe auch auf kleinere Pedalboards passt. Alle wesentlichen Bedürfnisse von Gitarristen und Bassisten werden auch hier bedient. Die kreativen Möglichkeiten für Pedalboard-Systeme, die der ES-8 ermöglicht, sind jetzt auch für kleinere Anwendungen erschwinglich. Erweitere dein Pedalboard mit dem kleinen ES-5 und du spielst in einer völlig neuen Liga. Von jetzt an wirst Du deine Effektpedale völlig anders einsetzen.

Based on the same concept and features as the flagship ES-8, the ES-5 is pared down to offer more practical and essential use options for typical guitarists and bassists, and is drastically reduced in size to fit ready-made, standard-size boards. The innovation in creativity of pedalboard systems made possible by the ES-8 has become more available and affordable. Expand your board just by one size and incorporate the ES-5, then you are in for a whole new world of musical expression, not just another utility tool. From this day on, the use of stompboxes will never be the same.

Review by Paul White, soundonsound.com

Review by Thomas Dill, bonedo.de

Demo by GUITARGUITAR

ES-5 Effects Switching System

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

Review by reddit /guitarpedals

StroboStomp HD

Review by Talk Bass.com

Review by bassic.de

Review by AMAZONA

Demo by Brett Kingman

Demo by Bass Stuff

VT Bass v2

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Der TS9B ist mit Reglern ausgestattet, die es dem Bassisten ermöglichen, die benötigten tiefen Frequenzen zu erhalten und gleichzeitig das Gefühl und den Klang des originalen Tube Screamers beizubehalten. Das Experimentieren mit den Mix- und Tone-Reglern ermöglicht eine unbegrenzte Anzahl von Sounds und Texturen. Der Spieler kann von „ein bisschen Grit“ bis zu „Full-on“ Overdrive und allem dazwischen gehen.

The TS9B is equipped with controls that allow bassists to preserve the low-end frequencies they need, while still maintaining the feel and tone of the original Tube Screamer. Experimenting with the mix and tone controls allows for a limitless number of sounds and textures. Players can go from just "a little bit of grit" to "full-on" overdrive and everything in-between.

Ibanez

Review by zZounds

Review by Audiofanzine

Demo by Jo Bass

Demo by BassYourLife

TS9B Bass Tube Screamer

PedalSafe Type F

QuickMount Type F

Pedal-Montageplatte für Standard Ibanez TS / Maxon Pedale

Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Ibanez TS / Maxon Pedale

Protective Cover & RockBoard Mounting Plate For Standard Ibanez TS / Maxon Pedals

Schutzabdeckung & universelle Montageplatte für Standard Ibanez TS / Maxon Pedale

Protective Cover & Universal Mounting Plate For Standard Ibanez TS / Maxon Pedals

The Cali76 Compact Bass is an all-analogue recreation of the legendary Urei® 1176® studio compressor, specifically engineered for bass guitar and low frequency instruments. This studio-grade FET compressor uses Class-A, low-noise circuitry and dedicated controls for side-chain filtering and parallel compression, bringing your favourite recorded bass tones to your pedalboard.

With huge low-end clarity with a control set designed with bass guitarists in mind, the Cali76 Compact Bass gives you the transparency and feel of a world-class compressor, with enough precision and dynamic control to honour its studio heritage.

Origin Effects

Demo by BassTheWorld.com

Demo by IvanBassist

Demo by Andertons

Demo by Sweetwater

Cali76 Compact Bass

M288 Bass Octave Deluxe

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

I own Sansamp, Boss ES-5, OC-2, MXR envelope filter, Darkglass x7 and Peterson tuner. I am still considering HX stomp or Future impact and Sub Octave fuzz. Also, this compressor is so tempting although I still have EBS multicomp which is doing just fine.

Jazz Bass Deluxe V QMT

ULTIMATE BASSBOARD 2023

Der MXR Bass Chorus Deluxe basiert auf reiner analoger Bucket-Brigade-Technologie, die schimmernde, flüssige Chorus- und rauschende, metallische Flanger-Effekte liefert und dabei den Punch und das Fundament deines Low Ends bewahrt.

Der Bass Chorus Deluxe verfügt über Flanger- und X-Over-Tasten auf der Oberseite mit LED-Statusanzeigen. Im X-Over-Modus wird die Modulation in den tiefen Frequenzen auf 100 Hz abgesenkt - perfekt für das Spielen von Akkorden, Melodien und Fills in den oberen Registern, während die tiefen Frequenzen in der richtigen Stimmung bleiben. Mit den Reglern für Bass und Treble können Sie die Tiefen und Höhen absenken oder anheben und den Klangcharakter des Effekts gestalten. Für einen breiten Stereosound können Sie über einen internen Schalter den TRS (Tip-Ring-Sleeve) Stereo Hardwire Bypass Mode wählen. In diesem Modus können Sie ein TRS-auf-TS-(Tip-Sleeve)-Y-Verteilerkabel verwenden, um das Effektsignal an zwei verschiedene Verstärker zu senden, so dass die Modulation von links nach rechts wandern kann.

The MXR Bass Chorus Deluxe is powered by pure analog bucket-brigade technology, serving up shimmering, liquid chorus and swooshing, metallic flanger effects while preserving the punch and fundamental of your low end.

The Bass Chorus Deluxe features top-mounted Flanger and X-Over buttons with LED status indicators. In X-Over Mode, modulation in low frequencies is decreased at 100Hz—perfect for playing upper register chords, melodies and fills while keeping the low end in tune. With Bass and Treble controls you can cut or boost lows and highs and shape the tonal character of the effect. For a wide stereo sound, select the TRS (tip-ring-sleeve) Stereo Hardwire Bypass Mode via an internal switch. In this mode, you can use a TRS to TS (tip-sleeve) Y-splitter cable to send the effect signal to two different amplifiers, allowing the modulation to move from left to right.

Review by Basschat

M83 Bass Chorus Deluxe

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Christian Wistl

Bass is the bedrock of your band, and the Two Notes ReVolt Bass's all-analog signal path, complete with a 12AX7 preamp tube — run at a healthy 200V — ensures a stand-out sound in any application. The ReVolt Bass's three channels deliver the full gamut of tones, from high-headroom cleans to old-school dirt to modern drive. You also get an integrated Dry/Wet blend for extra tone-shaping power. An analog speaker simulation ensures a polished, miked-cab sound, both onstage and in the studio. Integrating the ReVolt Bass with the rest of your rig is a cinch, thanks to a 4-cable mode, an FX loop, and MIDI I/O. This bass preamp pedal also includes a collection of ten DynIRs for situations where you need more DI flexibility. Bassists searching for a robust, made-to-move solution for their pedalboards and fly rigs will get tons of mileage out of the Two Notes ReVolt Bass.

Two Notes Audio Engineering

Review by Sound on Sound

Review by bonedo

ReVolt Bass

Clock

Digital clock

Philippe Kirsch

Our Future Impact v3  has a world class pitch tracking system that performs lightning fast even in the lowest octaves. Hard to imagine, hard to explain, easy to believe by listening. 

With its virtual analog sound engine, our Future Impact v3 makes your instrument sound as big as you could not imagine earlier. From Mini-style aggressive synth basses to acid bleeps, flutes and organs, synth leads, you will have reach for all the characteristic sounds of the electronic music history. You have four oscillators with extensive waveshaping plus two filters two perform a deep sound editing with the PC/Mac editor software supplied.

Built from aluminium, Future Impact v3 will be your lightest accessory on tour. And will last forever. 

pandaMidi

Review by Gearnews

Review by Amazona

Demo by

Future Impact v3

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Bass Compressor Blue Sparkle

The Microtubes X7 series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.

Darkglass Electronics

Review by TalkBass.com

Review by Trey Xavier, geargods.net

Review by Rainer Wind, bonedo.de

Demo by  Trey Xavier


Microtubes X7: Multiband Distortion

Demo by Trey Xavier

Microtubes X7

RockBoard

A board for heavy, drop-tuned riffing & ambient walls of sound !

Doom Metal Board 

Death By Audio

Ghost Delay

KORG

Website 

Pitchblack

Entdecken Sie, was sich jenseits bloßer Hallen, Räume, Platten und Federn verbirgt; lassen Sie sich von Blackhole in eine andere Dimension der Atmosphäre entführen. Wählen Sie aus fünf überirdischen Voreinstellungen – schaffen Sie supermassive Atmosphären mit dem ätherischen Nachhall von Blackhole, schweben Sie durch Nimbuswolken mit der luftigen Verzögerung von Dark Matter, erzeugen Sie akustische Supernovas mit dem widerhallenden Wirbel von Nebula, erleben Sie eine unerforschte Klanggalaxie mit der Wärme von Singularity und erreichen Sie eine stellare Rotation der Klangfülle mit Pulsar – oder werden Sie kreativ und erstellen Sie Ihre eigenen Voreinstellungen.
Blackhole kann bis zu 127 Voreinstellungen über MIDI laden. Schalten Sie ein Universum der Klangformung frei! Mit dieser enormen Flexibilität nimmt Blackhole Sie mit auf eine Reise von kathedralenartigen Räumen zu einer neuen Grenze des akustischen Experimentierens.

Discover what lies beyond mere halls, rooms, plates, and springs; let Blackhole transport you to an alternate dimension of ambience. Pick and choose from five otherworldly presets – create supermassive atmospheres with the ethereal reverb of Blackhole, soar through nimbus clouds with the airy delay of Dark Matter, achieve sonic supernovas with the resounding swirl of Nebula, experience an uncharted galaxy of sound with the warmth of Singularity, and achieve a stellar rotation of sonority with Pulsar – or get creative and create presets of your own. 
Blackhole can load as many as 127 presets via MIDI. Unlock a universe of sound-sculpting capability! With this magnitude of flexibility, Blackhole will take you on a journey from cathedral-esque spaces to a new frontier of aural experimentation.

Eventide

Product Page 

Review by musicradar

Review by The Gear Page

Review by TAPE OP

User Manual 

Demo by Riffs, Beards & Gear

Blackhole Reverb

The Black Arts Coven takes two very useful circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and Black Forest are here in their entirety with the addition of a toggle to switch the order of the effects. Pharaoh into Black Forest or Black Forest into Pharaoh at the flick of a switch. A hugely useful tone shaping tool, the Coven is the joining of two forces to create a new unified path

Black Arts Toneworks 

Product Guide 

Black Arts Toneworks Coven Dual Fuzz Pedal Demo In B Standard

Black Arts Coven Demo

Coven

Most families have one. One who is different, all the while resembling the others. The Crown of Horns is that one in the Black Arts Toneworks family. While the Pharaoh is the utilitarian BMP, the LSTR is the wild and outrageous brother, the Crown is the youngster with different DNA, possibly the mailman’s. Living in the BAT family, The Crown of Horns shares traits of the Pharaoh and LSTR. The heart of the Crown is that of the OpAmp muff with the addition of a hybrid Pharaoh/LSTR tone section. Not quite as middy as the Pharaoh, not quite as scooped as the LSTR. The Crown sits squarely in the middle of the two. What makes the Crown very different is the Horns. The Horns switch will bypass the tone stack altogether for a huge, flat boost of volume. The result of this is highly interactive with your amp. Different amps and settings within the amps will give results ranging from a huge volume boost to a slab of fat saturation. Your creativity will find ways to utilize the Horns. As is standard in the Black Arts family, the Crown of Horns portrait includes a big bottom, loud mouth, aggressive personality and a bit of unruly FU

Crown of Horns Demo

Crown of Horns

The Destroyer V2 combines the Ritual V2 and Oath into one unified assault. PART RITUAL, PART OATH. FULL DESTRUCTION. This goes from a controllable WALL OF FUZZ, to a SAVAGE PREAMP ANNIHILATOR. Use the Ritual or the OATH separately, OR STOMP BOTH AND DESTROY. New V2 version Ritual fuzz has more gain, compression and low mids on tap, roll guitar volume back to 9 for more bite and less compression. The Destroyer will make a hole that few can follow.

Black Arts Toneworks Destroyer Demo Video

Black Arts Toneworks Destroyer Bass Demo

Destroyer

Es handelt sich um eine Rückbesinnung auf die glorreichen Tage des Rock'n'Roll, mit einem Hauch von Black Arts.
Der Black Forest nimmt eine berühmte Schaltung und zieht sie durch den Schmutz. Mehr Gain, mehr Fettigkeit. Ein Sechswege-Wahlschalter ermöglicht die Einstellung von Gain/Low End/Voicing zusammen mit Fuzz, Bass, Treble und Volume.
Dieser Wald wuchs mit der helfenden Hand eines Klanggottes. Behandle ihn mit Sorgfalt, damit auch künftige Generationen die Schönheit des Schwarzwaldes bewundern können. Seht die hässliche Schönheit des alten Rock and Roll. Die Schönheit des großen, fetten, knorrigen Tons.
Dieses Pedal wird mit einer Standard-9VDC-Stromversorgung betrieben.
Kein Batterieanschluss.

What you have here is a throwback to the glory days of rock and roll, with a Black Arts twist.
The Black Forest takes a celebrated circuit and drags it through the dirt. More gain, more fatness. A six way selector allows you to set your gain/low end/voicing along with Fuzz, Bass, Treble and Volume.
This forest grew with the helping hand of a tone god. Treat it with care; allow future generations to behold the beauty that is the Black Forest. Behold the ugly beauty of old rock and roll. The beauty of big, fat gnarly tone.

Demo by ProGuitarShopDemos

Demo by gearmanndude

Review by Ultimate Guitar 

Black Forest Distortion/Fuzz

In all of it’s throwback glory, the Black Sheep. Dirty, mean spirited and a blast to hang around with. You can’t help but feeling a bit dirty when you plug in.

Product Review by Guitar FX Direct

Black Arts Toneworks //Black Sheep//SG  Bstandard

Black Arts Toneworks Black Sheep Bass Demo

Black Sheep Fuzz

Marius Höfer

The Rockboard is equipped with a baseplate and handles.

Bassboard

Anthony Ennen

Available as a limited special edition, this anniversary pedal covers all the expected drive tones, plus a lot more besides.

Designed in collaboration with Darkglass Electronics, the 35th Anniversary drive pedal goes full stealth with a black and gold colour scheme and a special 35th Anniversary logo box. Aside from the engage switch (which illuminates a very cool LED) and the usual in/out and DC power sockets, the pedal has three controls – level, drive and tone. As with all Darkglass pedals, you also get true bypass switching, a particularly hard-wearing footswitch and a super-bright LED.

While this is a stompbox capable of some impressive high gain sounds, it’s been designed to be equally effective at lower, more classic levels of drive and to be sensitive to bass playing dynamics. “We’ve blended old-school vibes, appealing visuals and some modern production techniques to create a pedal that has much more versatility than you might have assumed,” said Sheldon Dingwall. “It’s really been designed to capture the dynamic interaction between you and your bass. There’s plenty of dynamic range before the crunch really sets in.”
The result is a wide range of tonal possibilities from subtly distorted blues tones through to classic rock and metal. This is the perfect stompbox for Dingwall aficionados looking for something with plenty of future collectable prestige.

DINGWALL 35th Anniversary Gold Drive Pedal

Black Country Customs Blackheath von Laney Amplification