teerapat srisang

p bass 

Tester

The Microtubes Vintage is our tribute to some of the most legendary sounds in rock history. It provides warm tube-like tones with a natural dynamic response that echoes the organic compression of old tube amps and reel-to-reel tape machines.

Darkglass Electronics

Manual

Demo by  Prymaxe

Demo by  Musicmaker

Product Page

Review by Steve Cook, premierguitar.com

Review by Rainer Wind, bonedo.de

Demo by amosheller 

Demo by the bass channel 

Vintage Microtubes

Die Walrus Audio Julia ist ein komplett analoges Chorus/Vibrato-Pedal, das mit einigen Besonderheiten aufwarten kann. Obwohl es sich bei den beiden um alteingesessene Standard-Effektsounds handelt, versteht es der amerikanische Boutique-Hersteller, mit einigen Extras jenseits der Norm Interesse zu wecken.
So auch bei der Julia, bei der beispielsweise fließend mit einem Blend-Regler zwischen Chorus und Vibrato gewechselt werden kann. Dazu lässt ein Schalter die Wahl, den LFO zu Sinus- oder Dreieck-Wellenformen zu überreden. Was diese Funktionen klanglich bewirken, schauen wir uns im Folgenden an.

The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Updated for 2020, Julia now has top mounted jacks, soft switch bypassing and updated art from Adam Forster. 

Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds; some settings giving a familiar feel while others are not found on traditional chorus pedals.

A special feature of the Julia is the Lag control. The Lag knob lets you set the center delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape. 

Walrus Audio

Review by guitar 

Review by bonedo 

Demo by Mike Hermans 

Demo by SweetWater 

Demo by Nobel Music 

Julia V2

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

David Litaba

The 280 is an optical compressor that can go from light sustain to utterly smashed with the turn of a knob. Unlike faster non-optical circuits the 280 retains your high frequencies until you get into the more extreme settings. The 280 is ideal for chicken-pickin’, added sustain for leads, or snappy-slappy funk rhythm. The 280 also has enough output to be used as a lead boost with added compressor sustain. And like all of the updated DOD pedal, it has a modern power jack, LED, light but strong aluminum chassis, and true bypass switching.

Users Manual 

Product Page 

Product Demo 

Compressor 280

Roland Schmidt

KORG

Official Product Video

Pitchblack X mini

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Für 3-5 FX-Pedale - **318 x 142 mm / 12.52" x 5.59"** - erhältlich mit Gig Bag

For 3 - 5 FX pedals - **318 x 142 mm / 12.52" x 5.59"** - including Gig Bag

Landon Wolf

Josh Homme QOTSA Catacombs tour pedalboard

pol ice

The MXR Iso-Brick pedalboard power supply is proof that MXR has a finger on the pulse of guitar players and their needs. As always at MXR, they recognized a need for a pedalboard power supply that fits with the way music makers play and the gear they use to make their music - enter the Iso-Brick. Boasting 10 fully isolated outputs that are optimized to handle a wide range of pedal types - vintage or brand new, analog or digital - MXR's Iso-Brick is just right no matter what your pedal pleasure may be.

Demo by N Stuff Music

Review by PremierGuitar

Review by musicradar

ISO-BRICK M238

Das Holy Grail Plus ist ein sehr segensreicher Nachfolger seines Vorgängers, dem Holy Grail. Ich weiss nicht ob nur meins so stark rauschte oder ob ich ein Montagsmodell erwischt hatte, jedenfalls war das alte Pedal nur bedingt einsetzbar.

Spring, hall, and flerb reverbs, plus a graceful room reverb and a multifunction control that lets you control decay, damping and modulation speed!

Electro-Harmonix

Review by Pro Audio Land 

Review by ULTIMATE GUITAR 

Demo by EHX

Demo by Reverb 

Holy Grail Plus

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

M169 Carbon Copy Analog Delay

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

The Fulltone Fat-boost V1 is a discrete FET clean boost pedal known for adding warmth, fullness, and a slight midrange bump to your guitar tone without significantly altering its character.

Fulltone

Fat-boost V1

We set out to create a circuit that combined the singing, dynamic mid-range of germanium fuzz pedals with the gritty, full-bodied and well-rounded Muff-style fuzz distortion. Well...

Eureka!

Utilizing silicon transistors in a proprietary architecture to get the best of both worlds, the Eureka! is a phenomenal team player, flawlessly performing with all kinds of different effects, guitars and amps, all-the-while managing to maintain its distinct head-turning personality.

The onboard three-way toggle-switch incrementally introduces more low-end, a feature extremely useful for switching between single-coil and humbucker equipped guitars, as well as beefing things up for solos! When set to the setting, and sending a strong enough signal its way you can enjoy its gated-fuzz response!

Jam Pedals

Demo by Sasha Ivantic

Review by Guitar.com

Review by delicious audio

Eureka

David Graves

The Ixion is an extremely smooth, clean, and low-noise optical compressor that gives you an astronomical amount of variation, depth and dimension. It features an ultra-wide tonal palette, comprehensive controls, and an exceptional signal-to-noise ratio. You get the gain-reduction power of an optical photocell, a parallel-compression mix control, and Spaceman's signature discrete FET stages.

The Ixion also provides numerous sidechain features like an equal-loudness filter, an external input jack for signal processing or use with an external expression pedal. There’s also harmonically rich make-up gain, a treble-centric tone control, and the ability to accept up to 18V for higher headroom. Regardless of your configuration, the Ixion always offers the fattest, juiciest tone with a warm, vintage appeal. Use it on guitar, bass or your tabletop and push beyond boundaries into uncharted realms of sonic possibility.

Spaceman Effects

Demo by MAS Distro

Demo by Mark Johnston

Review by guitar pedal X

Review by The Gear Page

Review by Compressor Pedal Reviews

Ixion Optical Compressor (yellow edition)

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Dunlop

Demo by W-Distribution

Review by Jim Dunlop 

Review by VAR GUITAR

VOLUME (X) PEDAL DVP3

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

The TA-24 Booster is a versatile electrical instrument preamplifier that allows up to 30dB of full-range level boost, with the additional possibility to switch in a high-pass filter with various selectable corner frequencies. The Gain ist continously adjustable, a Tone control offers an additional means of sound shaping.

Although primarily designed for the use with an electrical guitar, it may also be used with other instruments. Being very similar in circuitry to the TA-23 Booster, it is based on discrete germanium transistor circuitry and will therefore always add a flavour to the sound, especially at high gain settings.

Tortenmann / Telenordia

Demo by Monteforte Valerio

TA-24 Treble Booster

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

Effect Loop Board

WHEN HELL BREAKS LOOSE: The PUSHKING 666 German Distortion Pedal is designed for defined distortion, tight and with absolute precise low-end. The pedal works best in front of your clean tuned amp.
The tone control is classic and intuitive: Treble, Middle and Bass - just like a Marshall amp.

Pushking Pedals

666 GERMAN DISTORTION

Puschking Pedals Homepage

900 UNIVIBE

Als Erstes nehme ich mir den Pushking Booster, das Modell 101 vor:
Der kommt sehr aufgeräumt daher, denn er hat nur einen Gain Regler. Der Booster soll neutral sein und auch gut zur Verwendung mit anderen Pedalen und ggf. im Effektweg sein. Ich habe ihn erst Mal solo zwischen Verstärker und Gitarre verkabelt und ausprobiert.
Auch mit ganz zugedrehtem Gain Regler gibt es schon einen ganz leichten Schub. Und auch etwas mehr Brillanz und Klarheit, das Signal wird richtig aufgefrischt. Viele würden das Pedal sicher deshalb schon einfach immer eingeschaltet lassen. Außerdem wird damit auch das Arbeiten mit dem Volume-Regler der Gitarre unterstützt. Es funktioniert einfach besser, ähnlich wie das bei einem Treble Booster der Fall ist. Das war i.V. mit all meinen Gitarren so. Ein Treble Booster ist der 101 aber nicht, dazu fehlt ihm viel zu viel "Gift". Das ist mehr so der Fullrange Allrounder

Pushking Pedals Homepage

Review by Gitarre & Bass 

Review by Guitartest.de 

101 CLEANBOOST

The "Ironfinger" Distortion Pedal is specially designed for Axel "Ironfinger" Ritt (Grave Digger) • Fully Analog • Mega Flexible Use • controls for output, gain, treble AND bass • fully parametric mid control with MidRANGE FreqUENCY and BANDWIDTH control •

Ironfinger Axel Ritt Signature

Der Pushking 800 Fullboost wurde entwickelt, um die Dynamik und das Obertonverhalten einer zusätzlichen Röhrenstufe zu erreichen. Der Gainregler entspricht bei Linksanschlag Unity Gain. Zwei Mini-Toggle-Schalter ermöglichen einen Lo- bzw. Hi-Cut. Damit fokussiert sich der Booster für Solos mittiger. In linearer Einstellung verleiht der Booster gerade kleineren Combos mehr Lebendigkeit und Volumen. Das Gerät wird mit 9 Volt betrieben, wobei es intern mit der doppelten Spannung arbeitet. Der True Bypass Schalter besitzt einen Optokoppler um Schaltgeräusche zu minimieren. 

The Pushking 800 Fullboost was developed to achieve the dynamics and overtone behavior of an additional tube stage. The gain control corresponds to unity gain when fully counterclockwise. Two mini toggle switches enable a lo or hi cut. This allows the booster to be more focused for solos. In a linear setting, the booster gives smaller combos more liveliness and volume. The device is operated with 9 volts, although it works internally with double the voltage. The true bypass switch has an optocoupler to minimize switching noise.

Pushkin-Pedals

800 FULLBOOST

Fortgeschrittener 70er-Overdrive-Ton. Volle Transparenz und perfekte Saitentrennung. Das magische Sahnehäubchen für cremige Leads.

Advanced 70's overdrive tone. Full transparent and perfect string separation. Works MAGIC as OVERDRIVE for creamy leads.

710 OVERDRIVE

Die RockBoard QuickMount Pick Box ist ein hilfreiches Zubehör für Musiker, die alles an einem Ort aufbewahren möchten. Nie wieder verlorene Plektren oder verschwundenes Zubehör! Dank des QuickMount-Systems benötigst du kein klebriges Velcro mehr, die Pick Box lässt sich fest und sicher in das RockBoard Slot Grid klemmen.

The RockBoard QuickMount PickBox is a useful accessory for musicians who want to keep everything in one place. No more lost picks or missing accessories! Thanks to the QuickMount system, you no longer need sticky hook & loop tape. The PickBox snaps securely into the RockBoard slot grid.

RockBoard

RockBoard PickBox

PickBox

Fuel Tank Junior is a lean, mean power supply that will handle virtually any 9-Volt effects pedal – and then some. It features 5 isolated outputs that deliver clean, quiet power to your pedals. And it’s switchable between 115 and 230V, so you can use it worldwide. Don’t let the compact size of this unit fool you – Fuel Tank Junior is a real powerhouse!

T-Rex

Review by musicradar.com

Fuel Tank Junior

The PUSHKING 606 Organic delay adds wonderful delays to your guitar tone, adding depth and spaciousness without sacrificing the original tone.

PUSHKING PEDALS

Review by Gitarre & Bass

606 ORGANIC DELAY

123 Schwaebisch Hall

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Tim Rilke

Sandbox Pedal Board

Designed with our friends at Pedaltrain®, the Volume (X)8 Pedal allows for the most efficient layouts on Metro Series and other popular pedalboards. Once you're all set up, step on this pedal to create incredibly smooth volume swells or control your favorite FX parameters with the road-proven, patented Low Friction Band-Drive. Internal controls set the expression mode's minimum effect level parameters and the rocker's heel/toe polarity. Features Volume, FX, Output, and Tuner jacks.

Review by Guitar World

Review by reddit /guitarpedals

VOLUME (X) 8 PEDAL (DVP5)

Branislav Vukobratovic

Die Cioks DC7 Mehrfach-Stromversorgung für Effektpedale stellt im Vergleich zu anderen Geräten dieser Art jeder Menge Energie bereit. Und das in einem flachen Gehäuse, das sogar unter ein Pedaltrain Nano Board passt. Das stattliche Kraftwerk bietet laut Angaben des dänischen Herstellers bei 9 Volt massive 4620 mA Strom und wäre damit rein rechnerisch in der Lage, ca. 577 Tubescreamer-Pedale (!) in Betrieb zu halten.

If you use effects pedals, whether on stage or in the studio, running them from a high-quality power supply is essential to getting the best performance and lowest noise out of them. The best power supplies have regulated, electrically isolated outputs, and that gives the same electrical separation as when running the pedals from batteries — but without the obvious disadvantages! There are several excellent power supplies available that offer such features, but CIOKS have managed to come up with an incredibly compact solution, seemingly without compromising on quality or flexibility.

CIOKS

Demo by The Pedal Zone 

Demo by CIOKS 

Review by

DC 7

Florian Mörk

Der LEHLE P-SPLIT III steht für passives Splitten mit höchster Signaltreue.
Die Anwendungsmöglichkeiten reichen von Splitten und Beseitigen von Brummgeräuschen über Symmetrieren und Reamping bis hinzu Recordinganwendungen.
Das Herz des LEHLE P-SPLIT III bildet der LEHLE TRANSFORMER HZ, der die beiden Ausgänge galvanisch trennt, wodurch du Masseschleifen und Brummen erfolgreich vermeiden kannst. Der LEHLE TRANSFORMER HZ wurde speziell für den Einsatz mit hochohmigen Signalen konzipiert, er splittet aber ebenfalls niederohmige Signale mit kompromissloser Klangqualität. Am ISO-Ausgang kann das Signal wahlweise symmetrisch oder unsymmetrisch abgegriffen werden. Mittels eines goldkontaktierten Phasenumkehrschalters kannst du die Phase des Ausgangssignals am ISO-Ausgang drehen, was verhindert, dass Phasenauslöschungen die Wiedergabe des Signals negativ beeinflussen.

The LEHLE P-SPLIT III combines passive splitting with the highest possible signal fidelity.
Its applications range from splitting signals and eliminating hum, to balancing and reamplification along with any signal routing that requires a clean signal free from noise.
At its core is the high-end LEHLE TRANSFORMER HZ, which galvanically isolates the two outputs, eliminating any possibility of ground loops. The LEHLE TRANSFORMER HZ was specially designed for use with high-impedance signals but also splits low-impedance signals with uncompromising sound quality. The signal can be picked off either symmetrically or asymmetrically from the ISO output.
By using the phase inverter switch with gold-plated contacts you can flip the signal phase at the ISO output, preventing phase cancellation from impairing signal reproduction.

LEHLE

Review by Musiker-Board

P-Split III

Guillaume Tassin de Montaigu

All the same features as the original Zuul® but in mini-form factor!
The mini Zuul®'s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source because of the high quality studio specifications.
Use in front of an amplifier or in a series effects loop. Dual colour LED for visual feedback gating action: Green = Open, Orange = Closed, Off = Bypass.
The KEY input signal can be directly from your guitar (r.e. split from Roach or Spliff) or other signal source which lets you go from clean to high gain without changing the Threshold knob. This powerful feature lets you control the gate with a different signal than what flows through the input/output jacks of the ZUUL®. Side switch (internal jumper on early versions) to change the threshold range to compensate for different input signal levels. Industry standard true bypass switching.

Fortin Amplification

Demo by Peter Geltat

zuul mini

Der MXR Vintage Bass Octave bietet die warmen analogen Subbass-Vibes eines klassischen Schaltkreises mit überlegenem Tracking, sauberem Headroom und der Vielseitigkeit, die moderne Spieler verlangen. Er liefert eine beeindruckende Bandbreite an Sounds im leichten, platzsparenden MXR Mini-Gehäuse.

The MXR Vintage Bass Octave upgrades the warm analog sub-bass vibes of a classic circuit with superior tracking, cleaner headroom, and the versatility that modern players demand, delivering an impressive range of sounds in the lightweight, space-saving MXR mini housing.

Review by bonedo

Demo by Janek Gwizdala

Demo by The Bass Channel

Review by Harmony Central

Review by Premier Guitar 

Review by Talk Bass.com

M280 Vintage Bass Octave

ch ray

PLUG IN, DROP OUT
"Macrodosing is when you eat the whole tap of acid, or two or three, let the trip take over"
Works with many instruments including electric guitar, synthesizers, and bass. The new Blend control eliminates a more limited internal toggle switch, in favor of a versatile external control knob.

It’s an analog filter with digital control, BLEND and VOLUME, and the limitless freedom to explore your mind. Includes auto-wah with selectable waveforms, sample/hold functions, step filter, random sample/hold, and even a pixelated filter function.

Steel Panther

Demo by EytschPi42

Macrodose

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

There are few compressors that are more sought after than our yellow box Diamond. This next-gen compressor maintains the classic circuit architecture while increasing range and functionality. The new EQ section allows you to sculpt your tone in the same box that squashes it (that’s a good thing). Furthermore, the attack switch allows you to go from the signature ultra-snappy Diamond comp style all the way to softer transparent compression.