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Malheur-Board März 2026

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Endgame Duality Calibrator IR Cab Sim Pedal - Shadow edition

 Powerplant ISO-12AC Pro Modular

My Ultimate Bass Rig - KMA

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Polytune 2 mini

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plasma coil

After years of development work, ENDGAME is our most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, it is a superb problem solver and convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA’s proprietary True Double-Tracker doubler, our own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones. Oh, did we mention Stereo? Now you can finally use all your stereo devices with just one easy to use and compact product – let the alchemy begin!

Product Page

Review by AMAZONA

Review by Premier Guitar

Demo by Thomann's Guitars & Basses

Official Product Video

Manual Page

ENDGAME - Duality Calibrator

Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre – the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion.

Review by reddit /guitarpedals

Review by bonedo

Manual download

Demo by Rabea Massaad

Wurm 2

MOAI MAEA is KMA Machines’ homage to the powerful analog octaver tones of yesteryear. The pedal generates one higher octave and up to two sub-octaves, helping you create massive walls of synthy sound from a single note.

The MOAI MAEA’s upper octave section has an edgy and fuzzy character which is reminiscent of the iconic late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges.
The sub-octave section turns your guitar into a filthy sub bass with ground shaking lows. Choose between either the first (-I), the second (-II) or both sub-octaves together (-I/-II), for an absolutely bone-breakingly heavy subsonic attack.

Review by Gitarre & Bass

Demo by Eytschpi42

Minos ist viel mehr als bloße Nachbildungen dieser Klassiker, es ist ein vielseitiges Werkzeug für viele verschiedene Arten von Fuzz-Sounds und -Musik. Mit dem INPUT-Regler können Sie die perfekte Menge an Pre-Gain und Bass-Eingang einstellen. Drehen Sie ihn nach links und Sie erhalten einen kernigen und knackigen Overdrive-Ton, der perfekt für Garage und Blues ist, während Sie ihn in die andere Richtung drehen, um einen dicken und wolligen Fuzz zu erhalten. Unser Versuch mit dem „Tonebender“-artigen Pedal bietet jedoch eine viel breitere Palette an Gain-Strukturen. Durchstreifen Sie alle Schattierungen schmutziger Töne, von der rauhen Low-Gain-Verzerrung bis hin zu dickem, wütendem Fuzz.

Much more than just mere recreations of these classics, Minos is a versatile tool for many different styles of fuzz sounds and music. With the INPUT control, you can dial in the perfect amount of pre-gain and bass input. Turn it to the left and it gives you a gritty and crisp overdriven tone, which is perfect for garage and blues, while turning it in the other direction gives you a thick and woolly fuzz. Our attempt of the ‘Tonebender-ish’ style of pedal has a much broader range of gain structures though. Sweep through any shades of dirty tone, from raunchy low gain distortion to thick angry fuzz.

Review by Stompbox Steals

Review by Musiker-Board

Review by delamar

Demo by Ponderer Sounds

Minos

In-DepThe heart of the pedal is still the same essential filter sections, which splits your signal into different loops with HIGH PASS and LOW PASS paths both filters have a 12 dB/oct. roll-off with a variable cut-off frequency from 20 Hz to 3 kHz). The rest of the vital tonal organs have had a thorough upgrade, which has resulted in an improved noise floor too. So, let’s dive into everything that makes this pedal DELUXE.


Since the original TYLER was also used as an advanced AB/Y box by many, it was found that ground loops could occur - no more with TYLER DELUXE! Both SENDs are now transformer coupled (with TRIAD Magnetics) to give you a nice and warm saturation, while avoiding ground-loops (internal slide-switched ground-lift). To be prepared for almost every situation and every pedal, both loops also got their own phase inversion switch (+/-) to get rid of potential unwanted phase cancelation.


The next new must-have feature is there to ensure the transparency of your setup and because we know it's important to you and to us, we added the good old CLEAN blend.

So far so good, but the deluxe delights don’t stop here! A master phase-switch ensures a fixed and reliable interaction with your set filter-frequency in every situation, no matter if you either have a loop engaged or not. But wait, for all of you who wants to follow TYLER's evolution, we added another claimed feature. The LP-CUT and HP-CUT switches will now mute your loops when bypassed, which will give you tons of new options to be creative, by only using the engaged loops without having clean artefacts pass through when disengaging one of the loops.

Modern times brings modern needs, so TYLER DELUXE is now equipped with relay-based soft-switches, an internal step-up to increase the headroom for hotter input signals and low-noise op-amps to improve the overall sound-quality and usability.

Some examples of use: Bass players want to retain their low end while using their favourite fuzz or dirt pedal. Insert your dirt box in the highpass FX-Loop and adjust the cut-off frequency of the High and Low Pass to your needs. Dial in your preferred ratio of those Low and High Pass signals, engage the STEEL footswitch and you will never turn off TYLER again! You can also insert different modulation pedals, for example insert a lush phaser for the lows and a nice shimmering delay for the highs and TYLER will make it sound like two different guitars are playing at once. Mix up your modulation pedals with any dirt pedals, for a very pronounced and punchy sound all coming from one amp.  If there ever was a Swiss army knife for your tone, then TYLER DELUXE must surely be it. So, fire up your frequency saw and start defining your own unique sonic path.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 100mA current draw)



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Malheur-Board März 2026

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