Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre – the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion.

Review by reddit /guitarpedals

Review by bonedo

Review by AMAZONA

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Wurm 2

Mit dem KMA Chief Disruptor schafft es ein neues Fuzz-Distortion-Pedal ins Portfolio der Berliner Boutique-Pedalschmiede. Als Vorbild dient mit dem Big Muff ein echter Klassiker des Gewerbes. Aber KMA wäre nicht KMA, wenn man dem Chief Disruptor nicht auch noch jede Menge Goodies unter der Haube eingepflanzt hätte. Worum es sich dabei handelt, wie der KMA Fuzz/Distortion performt und was seine größten Talente sind, wird dieser Test zeigen.

“Gazing from afar at the downfall of archaic sonic structures, a hooded being sat calmly on the cornerstone of legacy. For generations, instead of asking what the present actually screamed for, people had been blinded by the achievements of the past. That was before the CHIEF DISRUPTOR came along! All it took was the push of a single handle to tear down the ancient landmarks for good, not even passing a flinch as the explosion happened. Instead, a feeling of hope began to saturate the entire being, manifesting in an endlessly sustaining smile on their face. It’s finally time for a new era of crushing tones. It’s time for the age of the CHIEF DISRUPTOR"

Review by GEARNEWS 

Review by bonedo 

Chief Disruptor

Phaser Set to Stunning
Time and Space are lost within the sound of the universe. Breath in and breath out, slow down and be ready for the Astrospurt. Fasten your seatbelt and get lost in the wide, warm and soft soundscapes generated by this pedal! The Astrospurt is KMA’s take on the classic four-stage JFET based phaser. Taking this classic analog circuit, we squeezed out everything we could to give you a versatile and great sounding, but very easy to use phaser.

The Astrospurt is KMA’s take on the classic four-stage JFET based phaser.
Taking this classic analog circuit, we squeezed out everything we could to give you a versatile and great sounding, but very easy to use pedal.

Review by Pedal of the Day

Astrospurt

Your Tone Must Flow, so Tame the Terror
“The earth, once so tranquil and serene, started to shake more ominously than ever beneath her feet. After centuries of scaring the living daylights out of the ancestors, the monster-of-malice was back. She looked up with an imperious glance and faced her destiny, her irradiant eye focusing unwaveringly on the venerable creature ahead. Suddenly, the earth stood still and there fell a deep silence. She had tamed the beast! She was the long-foreseen saviour, the GUARDIAN of the WURM“

Fusing together the powerful evolution of KMA’s highly regarded WURM Distortion with an intuitive, yet versatile and ultra-fast Noise Gate, GUARDIAN of the WURM is the perfect metal monster. From chugging hard-rock, droning doom metal and grinding Swedish death metal, the beast abides. But through its highly tweakable control set, the pedal can be tamed to provide impeccable clarity to your riffs, making this the definitive dirt pedal for metal, prog-rock, shoegaze, indie and beyond.

Review by delicious audio

Review by  musicradar

Guardian Of The Wurm

MOAI MAEA is KMA Machines’ homage to the powerful analog octaver tones of yesteryear. The pedal generates one higher octave and up to two sub-octaves, helping you create massive walls of synthy sound from a single note.

The MOAI MAEA’s upper octave section has an edgy and fuzzy character which is reminiscent of the iconic late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges.
The sub-octave section turns your guitar into a filthy sub bass with ground shaking lows. Choose between either the first (-I), the second (-II) or both sub-octaves together (-I/-II), for an absolutely bone-breakingly heavy subsonic attack.

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