Landon Wolf

Josh Homme QOTSA Catacombs tour pedalboard

pol ice

The MXR Iso-Brick pedalboard power supply is proof that MXR has a finger on the pulse of guitar players and their needs. As always at MXR, they recognized a need for a pedalboard power supply that fits with the way music makers play and the gear they use to make their music - enter the Iso-Brick. Boasting 10 fully isolated outputs that are optimized to handle a wide range of pedal types - vintage or brand new, analog or digital - MXR's Iso-Brick is just right no matter what your pedal pleasure may be.

Demo by N Stuff Music

Official Product Video

Product Page

Review by PremierGuitar

Review by musicradar

Manual

ISO-BRICK M238

Tester

Das Holy Grail Plus ist ein sehr segensreicher Nachfolger seines Vorgängers, dem Holy Grail. Ich weiss nicht ob nur meins so stark rauschte oder ob ich ein Montagsmodell erwischt hatte, jedenfalls war das alte Pedal nur bedingt einsetzbar.

Spring, hall, and flerb reverbs, plus a graceful room reverb and a multifunction control that lets you control decay, damping and modulation speed!

Electro-Harmonix

Review by Pro Audio Land 

Review by ULTIMATE GUITAR 

Demo by EHX

Demo by Reverb 

Holy Grail Plus

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Das MXR Carbon Copy Analog Delay verfügt über einen vollständig analogen Signalweg für einen besonders satten, warmen Delay-Sound – ein Ergebnis, das nur durch die klassische Bucket-Brigade-Technologie möglich ist. Dieses Design bietet eine beeindruckende Delay-Zeit von 600 ms mit optionaler Modulation über einen Schalter auf der Oberseite sowie ein einfaches Layout mit drei Reglern, die Delay-Zeit, Mix (Dry/Wet-Mischung) und Regen (Delay-Wiederholungen) steuern – und das alles in einem Pedal, das nicht größer ist als ein Phase 90. Darüber hinaus bieten zwei interne Trimmpotis eine vom Benutzer einstellbare Breiten- und Geschwindigkeitssteuerung der Modulation für noch mehr Klangoptionen. Das Carbon Copy führt Sie mit einem Dreh am Regler von knackigen „Badezimmer“-Slap-Echos zu epischen, Gilmour-artigen Delays. Ein echter Hardwire-Bypass, der Betrieb mit einer einzigen 9-Volt-Batterie und bühnenreife blaue LEDs runden das Paket ab.

Übersetzt mit DeepL.com (kostenlose Version)

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by Marty Music

Carbon Copy Analog Delay M169 

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Der Fulltone Fat-Boost V1 ist ein diskretes FET-Clean-Boost-Pedal, das dafür bekannt ist, deinem Gitarrensound Wärme, Fülle und eine leichte Anhebung im Mittenbereich zu verleihen, ohne dessen Charakter wesentlich zu verändern.

The Fulltone Fat-boost V1 is a discrete FET clean boost pedal known for adding warmth, fullness, and a slight midrange bump to your guitar tone without significantly altering its character.

Fulltone

Fat-boost V1

We set out to create a circuit that combined the singing, dynamic mid-range of germanium fuzz pedals with the gritty, full-bodied and well-rounded Muff-style fuzz distortion. Well...

Eureka!

Utilizing silicon transistors in a proprietary architecture to get the best of both worlds, the Eureka! is a phenomenal team player, flawlessly performing with all kinds of different effects, guitars and amps, all-the-while managing to maintain its distinct head-turning personality.

The onboard three-way toggle-switch incrementally introduces more low-end, a feature extremely useful for switching between single-coil and humbucker equipped guitars, as well as beefing things up for solos! When set to the setting, and sending a strong enough signal its way you can enjoy its gated-fuzz response!

Jam Pedals

Demo by Sasha Ivantic

Review by Guitar.com

Review by delicious audio

Eureka

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

David Graves

The Ixion is an extremely smooth, clean, and low-noise optical compressor that gives you an astronomical amount of variation, depth and dimension. It features an ultra-wide tonal palette, comprehensive controls, and an exceptional signal-to-noise ratio. You get the gain-reduction power of an optical photocell, a parallel-compression mix control, and Spaceman's signature discrete FET stages.

The Ixion also provides numerous sidechain features like an equal-loudness filter, an external input jack for signal processing or use with an external expression pedal. There’s also harmonically rich make-up gain, a treble-centric tone control, and the ability to accept up to 18V for higher headroom. Regardless of your configuration, the Ixion always offers the fattest, juiciest tone with a warm, vintage appeal. Use it on guitar, bass or your tabletop and push beyond boundaries into uncharted realms of sonic possibility.

Spaceman Effects

Demo by MAS Distro

Demo by Mark Johnston

Review by guitar pedal X

Review by The Gear Page

Review by Compressor Pedal Reviews

Ixion (yellow edition)

Roland Schmidt

KORG

Pitchblack X mini

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

David Litaba

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Dunlop

Demo by W-Distribution

Review by Jim Dunlop 

Review by VAR GUITAR

VOLUME (X) PEDAL DVP3

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Das TA-24 Treble Booster ist ein handgefertigtes Boutique-Pedal aus Deutschland, das eine klassische Germanium-Transistorschaltung nutzt, um bis zu 30 dB Verstärkung zu liefern. Es unterscheidet sich von Standard-Rangemaster-Klonen durch seine hohe Flexibilität und einen passiven Hochpassfilter mit sechs wählbaren Stufen, die von Full-Range-Boost bis hin zu scharfen Hochfrequenz-Anhebungen reichen. Die Schaltung ist darauf ausgelegt, harmonische Färbung und eine röhrenähnliche Sättigung hinzuzufügen, ohne den natürlichen Klang des Instruments zu maskieren. Es wurde ursprünglich unter dem Markennamen Telenordia eingeführt und später von Tortenmann weitergeführt, wobei die hohen Fertigungsstandards und die Verwendung hochwertiger diskreter Komponenten beibehalten wurden. Das Pedal wird von namhaften Künstlern wie Thom Yorke (Radiohead) und Ryan Adams geschätzt.

The TA-24 Booster is a versatile electrical instrument preamplifier that allows up to 30dB of full-range level boost, with the additional possibility to switch in a high-pass filter with various selectable corner frequencies. The Gain ist continously adjustable, a Tone control offers an additional means of sound shaping.

Although primarily designed for the use with an electrical guitar, it may also be used with other instruments. Being very similar in circuitry to the TA-23 Booster, it is based on discrete germanium transistor circuitry and will therefore always add a flavour to the sound, especially at high gain settings.

Tortenmann / Telenordia

Demo by Monteforte Valerio

TA-24 Treble Booster

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

François Liger

A distinctively  Greek flavor - analog except for reverb

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Mostly Greek Board

A fully analog Booster-Overdrive-Distortion (B.O.D.), designed to deliver the great tones and feel found in the Timmy™, BluesBreaker™ and KOT™ pedals, with added touch sensitivity and overall more natural sound, due to our brand new cap-less technology®!

Tsakalis Audioworks

Demo by Leon Todd

Demo by intheblues

Review by Gearnews

Review by Ultimate Guitar

Review by Stompbox Steals

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

BOSS

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Das Original Crybaby Pedal, das viele zeitlose Rocksounds erzeugte und unter anderem von Größen wie Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour benutzt wurde.

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

Official Product Page

Guitar World Demo

Review by bonedo 

Demo by PMTVUK

Demo by SweetWater

GCB95 Cry Baby Standard Wah

ch ray

Unobtanium wurde von 3 der mythischsten und begehrtesten Musikgeräte inspiriert und kombiniert deren ultraseltene Klangelemente.
Ein magischer Ton-Overdrive trifft auf zwei legendäre Verstärker. Wir haben die Schaltung des High Headroom OVERDRIVE mit der mystischen Mischung aus Clean und Overdrive originalgetreu nachgebaut.
mystischen Mischung aus cleanen und übersteuerten Sounds. Die RAW-Edition ist das erste Pedal seiner Art, das Germanium-Transistoren in der
Clipping-Sektion eines K-Style-Schaltkreises, der höhere Verstärkung und natürlich komprimierte Töne erzeugt. Die RAW AMP-Sektion verwendet eine rein analoge Schaltung, um die kraftvolle Seite von zwei legendären Röhrenverstärkern einzufangen. Von fetten Clean-Sounds bis hin zu rauem, singendem Overdrive mit blühenden harmonischen Obertönen. Eine passive Effektschleife gibt dir die Möglichkeit, deine geliebten Pedale zwischen Overdrive und Amps in einer Box anzuschließen und so dein ideales Rig.

Unobtanium was inspired by 3 of the most mythical and sought-after pieces of music gear and combines their ultra-rare sonic elements.
A magical tone overdrive meets two legendary amps. We have accurately recreated the circuit of the high headroom OVERDRIVE with the mystical blend of clean and overdriven tones. The RAW edition is the first pedal of its kind to feature germanium transistors in the clipping section of a K-style circuit producing higher gain, naturally compressed tones. RAW AMP section uses an all-analog circuit to
capture the powerful side of two legendary tube amplifiers. From big fat clean to raw singing overdrive with blooming harmonic overtones. A passive effects loop gives you the option to connect your beloved pedals between your overdrive and amps in a box, building your ideal rig.

Crazy Tube Circuits

Demo by Buddy Blues

Demo by The Studio Rats

Review by reddit /guitarpedals

Review by Gitarre & Bass

Unobtainium RAW

Angelo Pitone

φ (Phi) has been updated to include 3 separate compressor circuits at a flip of a toggle switch.

An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1

Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of controls to suit every style.

Review by bonedo

Demo by JayLeonardJ

Demo by R.J. Ronquillo

Golden Ratio Phi v2

Adam GUIRAUD

Mirage ist eine kreative Reverb-Plattform für Gitarristen, Synth-Spieler und Sounddesigner, die Studio-Tiefe und praxisnahe Performance in einem kompakten Gerät suchen. Im Kern bietet es zwei völlig unabhängige Reverb-Engines mit jeweils eigener Steuerung und Zugang zu 16 sorgfältig entwickelten Algorithmen, aufgeteilt in zwei intuitive Bänke. Wähle klassische Sounds wie Plate, Spring und Cathedral oder tauche ein in Ambient mit Shimmer, Modulation, unendlichem Sustain und mehr. Mirage passt sich jedem Setup an – betreibe die Engines in Serie für immersive, geschichtete Reverbs; splitte sie für Stereo-Processing; nutze sie als eigenständige Mono-Reverbs im Dual-Mono-Modus; oder füge Pedale dazwischen über den Send/Return-Loop hinzu. Ein modulares Reverb-System ganz ohne Komplexität.

Mirage is a creative reverb platform built for guitarists, synth players, and sound designers who want studio-grade depth and hands-on performance in one compact unit. At its core are two fully independent reverb engines, each with its own set of controls and access to 16 meticulously crafted algorithms, organized into two intuitive banks. Choose from natural classics like plate, spring, and cathedral, or push into ambient territory with shimmer, modulation, infinite sustain, and more. Mirage adapts to any rig—run engines in series for immersive, layered reverbs; split them left and right for stereo processing; use them as independent mono reverbs in a dual-mono setup; or insert pedals between them using the dedicated send/return loop. It’s a modular reverb system without the complexity. 

Demo by Ambient Endeavors

Review by Guitar Pedal X

Review by Gear News

Mirage

The Delay Llama is a tone machine that will become an indispensable part of your sound adding warmth and depth through organic repeats which seamlessly integrate into your playing, courtesy of its BBD chips , faithful reproductions of the Panasonic MN3205.

Its straight-forward layout is addressed to delay users who are looking to elegantly enhance their hard-earned tone, similarly to how a tape-echo machine would with no frills.

The mk.3 version expands on the utility value of this modern classic, while retaining the form factor and ease of use, by introducing Tap Tempo with subdivisions and Hold  (self oscillation) functions. You can also set the bypass mode to trails (buffered) or true bypass!

The Delay Llama mk.3 comes with 600ms max. delay time , and can also be used with bass guitars.

Review by Premier Guitar

Demo by Rabea Massaad

Demo by AndyDemos

Delay Llama MK3

PedalSafe Type B3

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Der RetroVibe zählt seit langem zu den beliebtesten Uni-Vibe-Interpretationen, die je hergestellt wurden, und wird für seinen satten Puls, seinen vokalen Schimmer und seine unverwechselbare Wärme gefeiert.

Der mk.4 setzt dieses Erbe fort. Sein von Grund auf neu gestaltetes, vollständig analoges Design bewahrt die Seele des Originals und erweitert gleichzeitig seinen Ausdrucksbereich. Ein größerer Tiefen- und Geschwindigkeitsbereich sowie neue Tap-Tempo- und Ramping-Funktionen ermöglichen eine tiefere Interaktion und mehr Freiheit bei der Performance.

Wechseln Sie zwischen Chorus- und Vibrato-Modus, um alles von langsamen, flüssigen Wellen bis hin zu schnellen, rotierenden Effekten zu erkunden – immer lebendig, immer unverkennbar RetroVibe.

Der RetroVibe Mk.4 ist bereits in den Händen von Paul Gilbert, Greg Koch, Joey Landreth und Ruban Nielson von Unknown Mortal Orchestra, langjährigen RetroVibe-Nutzern, deren Feedback zum Mk.4 einstimmig begeistert ist.

Schließen Sie ein standardmäßiges passives 10k-Expression-Pedal an, um die Modulationsgeschwindigkeit in Echtzeit zu steuern und den Klang während der Bewegung zu formen.

Rosen sind rot, Veilchen sind blau, der RetroVibe ist lila und Sie werden ihn auch lieben!

The RetroVibe has long stood among the most revered Uni-Vibe interpretations ever made, celebrated for its lush pulse, vocal shimmer, and unmistakable warmth.

The mk.4 continues that legacy. Its ground-up all-analog redesign preserves the soul of the original while expanding its expressive range. A wider Depth and Speed span, plus new Tap Tempo and Ramping functions, invite deeper interaction and performance freedom.

Switch between Chorus and Vibrato modes to explore everything from slow, liquid waves to fast, rotary-like spins· always alive, always unmistakably RetroVibe.

The RetroVibe Mk.4 is already in the hands of Paul Gilbert, Greg Koch, Joey Landreth, and Ruban Nielson of Unknown Mortal Orchestra, long-time RetroVibe users, whose feedback on the Mk.4 has been unanimously enthusiastic.

Plug in a standard passive 10k expression pedal for real-time control of modulation Speed, and shape the sound as it moves.

Roses are red violets are blue the RetroVibe’s purple and you’ll looove it too!

RetroVibe Mk.4

Karsten Bock

The Warm Audio Mutation Phasor II is an accurate recreation of one of the most desirable,100% analog phaser circuits made famous in the experimental era of the 1970s. Mutation Phasor II has all of the vintage vibes of the original phaser pedal allowing you to add depth, wobble, swirl, or “instant funk” to guitar, keys, bass, or anything you can dream of. This electro-optical phase-shifting pedal is built with a true-to-spec recreation of the 70s circuit using premium components. True to the original pedal, Mutation Phasor II delivers all the rich depth and instant psychedelic tones, favored by innovative musicians and producers like Billy Corgan, Tom Bukovac, Robin Trower, and many more.

Warm Audio

Review by Bonedo

Review by MusicRadar

Demo by Riff

Demo by Travis Raab

Demo by Kris Barocsi

Mutation Phasor II

Launched in 1976, the CE-1 Chorus Ensemble was not only the world’s first chorus effect pedal, but also the very first BOSS pedal. Three years later, this inventive new sound was squeezed into the blue CE-2 Chorus, and chorus pedals have remained in the compact lineup ever since. Four decades on, the spacious modulated tone of the signature BOSS effect is still loved by musicians everywhere. In 2016, to celebrate the 40th anniversary of BOSS innovation, the original analog chorus sounds are now reborn with the Waza Craft CE-2W. The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2. CE-1 mode fully reproduces the stereo chorus and vibrato sounds of the legendary CE-1, with the addition of variable chorus depth not available in the original pedal. To commemorate the birth of BOSS effects, the CE-2W is made exclusively in Japan, just as the original CE-1 and CE-2 were.

Review by Sound on Sound

Review by Gigs and Guitars

Demo by Musicmaker

Demo by gearmanndude

CE-2W Chorus

RockBoard

ISO Power Block V12 IEC

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

The Lucydreamer is a Dry / Wet overdrive created with today’s bass masters’ needs and wants in mind.

It packs the following functions / features:

Dry / Wet Mix control

High-gain-stage footswitch which doesn’t affect the dry signal’s level

Internal trimmer to set the high-gain stage’s output level

Its overdrive circuit can track every little nuance of your playing with a wide gain-stage spectrum, ranging from highly dynamic tube-amp-like break-up, all the way to full- bodied high-gain saturation!

Owing its clipping merits to our “secret” chip, the Lucydreamer fluently tackles all the traditional tasks of an overdrive pedal and at the same time invites you to discover new ways of bonding with your bass lines!

Widen your palette of sounds, minimize pedalboard real estate and elevate your tone with the Lucydreamer!

Review by reddit /basspedals

Demo by Zachary Rizer

Demo by Patrick Hunter

Demo by Nate Navarro

Demo by BassTheWorld.com

LucyDreamer Bass

Handmade & Hand-painted in Greece, boutique analog guitar & bass pedals, made from the highest quality materials on the market, rare NOS chips, specially selected matched NOS transistors and carbon comp resistors. Most of our pedals are offered in optional point-to-point versions !

All of our pedals are true-bypass, so they don't affect your hard-earned tone.
Circuits begin with classic 60's and 70's vintage pedals that helped built the sound of Rock 'n' Roll, and end as our own, close or not so close to the original designs!

They burst with attitude as ALL of our stompboxes are hand-painted and decorated, from our in-shop-artists, and no two are alike !

Demo by JAM pedals

Delay Llama V1

In 2020 Jam Pedals had a special fundraiser for musicians who needed support. 15 big artists each picked their fave Jam pedal, and a limited, special edition of 10 was made in a sexy sparkle gold, and each signed by the artist. The pedals were then auctioned off to raise money for the charity of their choice.

Review by Guitar World

Demo by EytschPi42

Bill Frisell Tube Dreamer 2020 - Gold sparkle

After years of recommending the WaterFall and the Ripple as a great combination, we set out to offer these two pedals, housed side-by-side in a single enclosure, with the introduction of the following unique features:

The middle footswitch triples the at-any-given-point WaterFall Speed, generating sounds ranging all the way from Leslie speaker simulation, to ring modulator effects and up to deranged warble!

Expression pedal inputs for sculpting the WaterFall’s Depth and Speed in real-time.

Demo by Demos in the Dark

Ripply Fall

Erfahre mehr über das Eureka fuzz-Pedal von Jam Pedals auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr