Christopher Kang

My Board Gen. 7_1

Left

Right

David Litaba

Die Multimodulations-Einheit vereint üppigen Chorus und räumliches Flanging in einem kompakten Druckgussgehäuse und ermöglicht das gleichzeitige oder separate Mischen beider Effekte. Die digitale Signalverarbeitung bildet die legendären Sweep-Texturen klassischer Electric-Mistress-Schaltungen nach und erweitert das Routing um echtes Stereo-Imaging. Die Modulationsgeschwindigkeit wird über den Rate-Regler gesteuert, der unterhalb der 10-Uhr-Position den LFO-Sweep deaktiviert, um den Filter-Matrix-Modus für manuelle Kammfilter-Klänge zu aktivieren. Unabhängige Regler für Flanger Depth und Chorus Depth ermöglichen ein nahtloses Einblenden von subtiler räumlicher Bewegung bis hin zu dramatischen Jet-Flanger-Sweeps und schimmernden Chorus-Texturen. Zwei Main- und Stereo-Ausgangsbuchsen leiten das breite phasenverschobene Audiosignal an Setups mit mehreren Verstärkern weiter. Ein gepufferter Bypass gewährleistet eine klare Signalübertragung in nachfolgende Signalketten im deaktivierten Zustand.

Combining lush chorus and spatial flanging within a compact die-cast enclosure, the multi-modulation unit offers simultaneous or independent effect blending. Digital processing recreates the iconic sweeping textures of classic Electric Mistress circuits while expanding routing into true stereo imaging. Modulation speed is adjusted via the Rate control, which disengages LFO sweep below the 10 o'clock position to activate Filter Matrix mode for manual comb-filter sculpting. Independent Flanger Depth and Chorus Depth potentiometers allow seamless dial-in from subtle spatial movement to dramatic jet-plane swoops and watery textures. Dual Main and Stereo output jacks route expansive phase-shifted audio across multi-amplifier setups. Buffered bypass switching ensures clear signal pass-through across downstream signal chains when disengaged.

Electro-Harmonix

Official Product Video

Review by Buzz Harmony

Stereo Electric Mistress

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tester

Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it’s right at home as the core of any rig.

BOSS

Product Page

Review by The Gear Page

Review by reddit /guitarpedals

Review by bonedo

Review by guitar pedal X

Manual

Demo by  Bernd Kiltz - Gitarrenvideos

GT-1000 CORE

Inspired by a little known fuzz box called the "Fuzzy Nuts" (no we're not making that up) the Golden Fleece is a do it all dirt box that perfectly blends Fuzz, Distortion, and Overdrive into one little golden box of fun.
The single more knob only controls the output of the circuit so it's up to your fingers and guitars controls to shape the gain level and voice. With everything dimed it's a powerful blooming fuzz sound that sounds great hitting a pushed amplifier.
Internally the Golden Fleece is a different type of one knob fuzz. The pedal doesn't rely on a pair of transistors for fuzz instead utilizing a very special silicon and germanium diode pair. Zach has chosen a very special NOS Germanium diode that gives the Golden Fleece it's unique and versatile fuzz voice.

Jorge  Tena Martínez Vara

Mythos Pedals

Golden Fleece

Review by delicious audio

Demo by Peach Guitars

Michael Hodgson

Power your pedals with Ojai—the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.

You get five high-current, individually isolated, ultra-low-noise outputs—each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.

Ojai’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.

Strymon

Demo by LiamOConnorAudio

Ojai Power Adapter

Quick Start Guide

Ojai

Nick Toye

FS-6

ALBERTO DE LA VARA

FV-30L sind zwei neu designte, kompakte Volume-Pedals in gewohnter BOSS-Qualität. Speziell entwickelt, um mehr Platz auf dem Pedalboard zu schaffen, ohne dabei Kompromisse in Sachen Sound-Qualität, Zuverlässigkeit und Haltbarkeit einzugehen. Die Pedale in Profiqualität sind aus Aluminiumdruckguss hergestellt und haben einen sehr ausgeglichenen, weichen Pedalwiderstand, der feinste Lautstärkeabstufungen ermöglicht. Dank ihrer äußerst kleinen Abmessungen sind sie ideale Begleiter für Musiker, die viel auf Reisen sind und den Platz auf dem Pedalboard optimal ausnutzen möchten.

The Boss FV-30L is the newly designed, compact volume pedal in the usual BOSS quality. Specially designed to create more space on the pedalboard without sacrificing sound quality, reliability and durability. The pedal is made of die-cast aluminum and has a very balanced, soft pedal resistance, which allows for finest volume gradations. Thanks to the extremely small dimensions, the Boss FV-30L Volume Pedal is the ideal companion for musicians who travel a lot and want to make the most of the space on the pedalboard. The FV-30L-A with low impedance and stereo input/output for stompbox, keyboard and other electronic musical instruments.

Review by Charles Saufley, premierguitar.com

Demo by Juca Nery

EV 30 Expression Pedal

Xotic

Xotic XW-1 Wah

Der BLOOM von Jackson Audio ist ein umfassender Dynamikprozessor, der Gitarristen eine bisher unerreichte maximale Kontrolle über die Klangdynamik ermöglicht. Der BLOOM v2 – MIDI bietet alle Vorzüge unseres ursprünglichen BLOOM und erweitert ihn um MIDI-Funktionalität! Der Bloom ist ein dreiteiliges Gerät, das die Dynamik des Instruments mithilfe präzise abgestimmter optischer Kompressions-, Entzerrungs-, Boost- und Sustain-Schaltungen beeinflusst, die separat oder zusammen aktiviert werden können.

The BLOOM from Jackson Audio is a comprehensive dynamic engine that is designed to give guitarists maximum dynamic tonal control in ways never before possible. The BLOOM v2 – MIDI takes everything people love about our original BLOOM and updates it with MIDI! A three-fold device, the Bloom manipulates the dynamics of the instrument by way of precisely tuned optical compression, equalization, boost and sustain circuits which can be activated separately or in tandem with each other.

Jackson Audio

Review by Compressor Pedal Reviews

Manual Page

Demo by EytschPi42

Demo by Jackson Audio

Bloom v2 MiDi

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Simon Lo

HIDE&SEEK is a very convenient item with two pedal functions.
There are two models, Bright Horse and TSH-10, inside.
The left side is equipped with a KLON motif bright hose, and the right side is equipped with a Japanese TS10 motif.

The pedals are designed to connect two in series, but you can switch between the front and rear pedals with the switch on the front.
Each of the two pedals has a buffer on/off.

With this function, you can have a wide variety of sound variations even with two pedals.
For example, set the buffer to Bright Hprse and use only TSH10.You can choose to place the buffer in front or behind the TSH10 by simply flipping the front/rear switch.This has very surprising effects.

HTJ Works

Demo by Iga Massardi

Demo by Brett KIngman

HIDE&SEEK -Dual Overdrive

DC-2W Dimension C (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

This very clever design delivers a very clean, quiet, low impedance signal, and delivers a tone which is vibrant and natural without sounding harsh the way some buffers can. 

The GigRig

GRUMPYBOT BUFFER

Marco Bozzo

Patch bay for two distinct signal chains to easily manage IN, OUT, SEND and RETURN connections between your pedalboard and amp setup.

Thanks to the intelligent internal link between out and send/return fx chain, this device can instantly adapt to any amp and setup change, with or without fx loop, with no need of added cables or signal routing changes.

If nothing is connected in the send connection from the amp side, both effect chains will automatically run in series as a single one; just use the socket “to amp return” as signal output to connect into the amplifier.

The connections between inputs and outputs are full stereo, so, besides connecting stereo fx processors, you can also manage amp footswitches that use the same stereo jack connector directly in your pedalboard space.

Jad Freer Audio 

Patch Bay

Alberto Lopez

True stereo analog zero watt solid state amplifier. Has 3 unique amp and analog cabinet models per side. Only the reverbs are digital. Has dual FX send/returns, XLR outputs, AUX input, and a headphone output. Includes a separate footswitch with 3.5mm jack input.

DSM & Humboldt

Review by dshowmusic

Simplifier X

The Timmy pedal has always been known for it's ability to provide a transparent overdrive to your amplifier while retaining the amps original tone. It's a fairly common thing for an overdrive to color tone, so why invest in a $1500 plus amp only to change it's inherent sound, right?

At low settings you will be able to effortlessly achieve a sound that is simply "more" of what your amp already offers. As the gain is turned up, and the pedal's EQ adjusted accordingly, smooth, singing, round and reedy tones are at your fingertips.

The Timmy pedal's responsiveness is exactly like that of a great, tube amplifier in that it responds immediately to your right hand's attack.

The Paul Cochrane Timmy is absolutely a legend in the world of overdrive pedals, and has been copied to a large degree over the years by several knock offs. 

Paul Cochrane

Demo by Mass Street Music

Demo by Living Room GD

Timmy v3

Origin Effects

RevivalDRIVE

Kim Ulmer

Der Westminster Effects Buffered Splitter ist eines der nützlichsten Pedale überhaupt. Nutze es am Anfang deiner Signalkette als regulären Buffer (der nebenbei fantastisch klingt), in der Mitte deiner Signalkette, um von Mono auf Stereo zu wechseln ohne dabei deine Obertöne zu verlieren, oder am Ende deines Pedalboards für ein Dual-Mono Setup ohne für jedes Pedal ein zusätzliches Kabel zu brauchen.

The Buffered Splitter is one of the most useful pedals. Use it at the beginning of your chain as a regular buffer and use just one output (Which still sounds fantastic), throw it in the middle of your chain to go stereo without killing your high end, or even throw it at the end of your pedalboard to run dual mono without having to run an extra cable for every effect.

Westminster Effects

Official Product Page

Buffered Splitter

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Anders Rapanà

Mit dem Strymon Zuma stellt sich eine Mehrfach-Stromversorgung vor, die auch den Bedarf von großen Boards mit hungrigen Pedalen sättigen kann. Das kommt nicht von ungefähr, denn der amerikanische Boutique-Pedalhersteller hat selbst einige digitale Gerätschaften im Angebot, die zwar sehr viel und Gutes leisten, aber auch entsprechend ausreichend Strom für ihre Arbeit benötigen – von nichts kommt nichts.

Strymon Zuma is the quietest and most powerful pedal power supply of its kind, capable of powering a huge number of guitar pedals silently and reliably with a staggering 500mA of current available at each output. With nine high-current, individually isolated, ultra-low-noise outputs – each with its own dedicated regulator and custom transformer – Zuma is the most advanced isolated pedal power supply available today.
9 high-current, fully isolated outputs
9 outputs offer 9V DC option
500mA per 9V DC output powers nearly any pedal
2 selectable outputs offer 9V, 12V, or 18V DC options
12V option provides 375mA, 18V provides 250mA
Delivers a maximum of 48W
9 pedal cables included (5.5mm x 2.1mm barrel connectors, center negative, right angle to straight cables)
Detachable IEC power cable included
24V OUT jack allows connection to additional outputs via Strymon Ojai or Ojai R30 (sold separately)

Review by bonedo 

Demo  By Reverb 

Zuma

Der legendäre und klassische Original-POG wurde von allen großen Magazinen auf allen Kontinenten für sein makelloses polyphones Tracking und seine musikalische Flexibilität ausgezeichnet. Der EHX Micro POG bietet das gleiche perfekte Tracking und glatte Polyphonie in einem vereinfachten Design. Der Micro POG ist jetzt in einem kleinen Pedalboard-freundlichen Druckguss-Gehäuse untergebracht und wird Sie schon bei der ersten Benutzung umhauen.

Mit dem MICRO POG können Sie Ihr ursprüngliches „trockenes Signal“ mit zwei verschiedenen Oktaven (eine oberhalb und eine unterhalb Ihrer ursprünglichen Note) mischen, um völlig neue, inspirierende Sounds zu erzeugen.

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The EHX Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

With the MICRO POG, you can mix together your original “dry signal” with two different octaves (one above and one below your original note) to create totally new inspiring tones.

Review by Talk Bass.com

Review by musicradar

Demo by Nikita Astrakhantsev

Demo by Eric Merrow

Micro POG

PedalSafe Type C

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Bass EARl

A part of a CME Wireless midi system. Accepts Midi on 3,5 mm TRS jacks. Can use USB-C for power, but can also get power from the TRS MIDI connection.

Widi Jack

MIDI SPLITTY™ ist ein MIDI Splitter / Repeater zur Verstärkung, Pufferung und Wiederholung von MIDI-Signalen für lange Kabelwege und Pedalboards mit mehreren MIDI-Geräten. Das Splitten und Wiederholen deines PedalBoard MIDI-Signals war noch nie so einfach und zuverlässig! Die Konstruktion von Master Control und MIDI Splitty ist kugelsicher: Du hast drei gut gepufferte und ultra-solide MIDI-Ausgänge. MIDI Splitty splittet und wiederholt alle eingehenden MIDI-Befehle an seinen Ausgängen und stellt so die Integrität der MIDI-Daten sicher, ohne sich Gedanken darüber zu machen, ob durch die Verkettung mehrerer MIDI-Pedale eine Latenz entsteht oder nicht. MIDI Splitty ist ein perfekter Begleiter für das Routing von MIDI zu verschiedenen Pedalen und anderen Instrumenten. MIDI Splitty bietet eine einzigartige Möglichkeit, mehrere MIDI-Pedale verschiedenster Hersteller zu synchronisieren, die es bisher noch nicht gab.

MIDI SPLITTY™ is a MIDI Splitter / Repeater designed to amplify, buffer, and repeat MIDI signals for extended cable runs and pedalboards with multiple MIDI devices. Splitting and Repeating your PedalBoard MIDI Signal has never been easier or more reliable! The build of both the Master Control and MIDI Splitty is bulletproof. You've got three well-buffered and ultra-solid MIDI outputs. MIDI Splitty splits and repeats all incoming MIDI messages to its outputs, ensuring the integrity of the MIDI data without concern about whether or not any latency is being introduced by chaining together multiple MIDI pedals. MIDI Splitty is a perfect companion for routing MIDI to various pedals and other instruments. MIDI Splitty, offers a unique way to sync multiple MIDI pedals from a wide range of pedal makers that has never before been accomplished until now. 

Molten Voltage

Demo by Step Audio

MIDI Splitty

The included channel and reverb switcher for the DSM & Humboldt Simplifier X.

Simplifier X Footswitch

Donner

Review by Strat-Talk

Demo by Kennis Russell 

Demo by intheblues

Demo by Hammer Fight

Demo by Home Studio Simplified

ABY Box

PedalSafe Type L

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

The Heavy Menace is the most versatile distortion pedal we’ve ever created.  It’s an evolution of our original Heavy with new features and a compact enclosure. 

In addition to the original Heavy and Heavier modes, the Heavy Menace adds a new Lite(ish) mode, covering any high-gain sound from classic hard rock to searing modern metal.  

Empress Effects

Demo by LambChopper678

Demo by Sonic Drive Studio

Heavy Menace

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Juan Zamorano

Sandbox Pedal Board

Flavio Salcuni

We set out to make the best sounding and versatile 100% analog, stereo chorus/vibrato pedal. To achieve this we knew we could not go digital but needed to add the features that digital products provide.  Using authentic MN3007 BBD chips, operating at 15V like the 80's units did. This pedal delivers the classic sounds with added modern precision and all new sounds. 

Demo by R.J. Ronquillo

New Wave Stereo Analog Chorus/Vibrato

ch ray

El Capistan vereint drei verschiedene Bandmaschinentypen in einem Pedal, jeweils mit drei einzigartigen Modi und umfassender Kontrolle über Bandqualität, Maschinenzustand und Klangformung.

Wechseln Sie von der vollen Klangstabilität einer fabrikneuen Echomaschine bis zum stark schwankenden Klang eines renntauglichen Geräts. Genießen Sie den vollen Klang eines neuen Bandes oder die dunklen, rauen und vibrierenden Eigenschaften eines abgenutzten Bandes.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.

Go from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.

Review by Elektronauts

Review by Guitar.com

Demo by strymon

El Capistan v2 (Black)

PedalSafe Type J

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

Schutzabdeckung & RockBoard-Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & RockBoard Mounting Plate For STRYMON medium size effect pedals

Schutzabdeckung & universelle Montageplatte für STRYMON Medium Size Effektpedale

Protective Cover & Universal Mounting Plate For STRYMON medium size effect pedals

julien Tabarly

Der „Protein 2 in 1 Overdrive“ ist das Ergebnis einer Zusammenarbeit zwischen David Brown und dem Gitarristen und Produzenten Adam Sniegowski. Nachdem Adam jahrelang auf Tour und im Studio mit Backline-Verstärkern gearbeitet hatte, deren Klangqualität sehr unbeständig sein konnte, wandte er sich an Dave mit dem Wunsch, einen Dual-Overdrive zu entwickeln, der mit jeder Backline, auf die er stoßen würde, großartig klingen würde. Sie begannen mit zwei Overdrive-Effekten, die sie liebten und die sich gut miteinander kombinieren ließen, die jedoch einige inhärente Probleme aufwiesen. Dave machte sich daran, diese Probleme zu beheben, ohne dabei die Seele der Originale zu verlieren.

The Protein 2 in 1 Overdrive is a collaboration between David Brown and guitarist/producer Adam Sniegowski.  After years on the road and in the studio using backline amps that could be very inconsistent,  Adam came to Dave wanting to create a dual overdrive that would sound great with any backline he encountered. They started with two drives they loved, stacked well together, but had a few inherent issues. Dave set out to fix those issues without losing the soul of the originals.

Browne Amps

Review by ThatGuitarLover

Review by Guitar World

 Demo by Alberto Berrero

Demo by Ben Neal

Protein Dual Overdrive V3 (Black)

The Mateus Asato Signature Pedal, the ASABI, is a distortion and overdrive pedal that contains a HUGE array of tones and is also the world's first pedal to feature analog distortion plug-ins!

To keep things interesting on your pedalboard, we developed the technology to create replaceable distortion plug-ins so you can swap the distortion circuit in the ASABI without having to buy a completely new pedal! Because we all like to try out new pedals, these affordable plug-ins allow you to buy the pedal once and update it with new plug-ins all the time!

The name ASABI, which means, "of unusual birth" was chosen by Mateus because it speaks to the unique nature of this pedal, as well as his own family heritage. Keep reading below to learn more about how the ASABI can bring your tone to life in new and creative ways!

Demo by Mateus Asato

Demo by Sweetwater

Asabi Overdrive Distortion - Mateus Asato Signature

Mardy Wagner

Ernie Ball

VPJR Tuner

Joao Silva

The D1 is a powerful multi-function delay with five studio-grade, high-fidelity, custom-tuned programs. Create inspiring echoes from Digital, Modulated, Vintage, Dual Delay, and Reverse. Each can be tuned and tweaked with modulation, tone, age, and tap/clock subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control, adjustable stereo width, and onboard presets. A workhorse of a delay that is just as ready for the road as it is the studio.

Walrus Audio

Review by AMAZONA

Review by Gitarre & Bass

Demo by FACE MI

Demo by TheGuitarGeek

Mako D1

Robin Boyd

MercuryX nimmt das Herz und die Seele von Mercury7 und erweitert es weit über Sci-Fi hinaus in den qualitativ hochwertigsten und flexibelsten Studio-Hall, der jemals in einem Pedalformat entwickelt wurde. Sein modulares Hallsystemformat durchbricht das Paradigma der voreingestellten Halltypen und inspiriert zu neuen Entdeckungen. MercuryX verfügt über die gleiche einfach zu bedienende Benutzeroberfläche wie das LVX-Pedal, wodurch es sofort intuitiv zu bedienen ist. Das Pedal verfügt über 8 eigene Reverb Algorithmen, diskrete Processing-Elemente und Steuersignal-Modifikatoren, die nach Belieben angeschlossen werden können für unendliche Flexibilität bei der Erstellung eigener Reverbs. Begeben Sie sich in neue Welten.

Reverb Effektpedal
modulare Reverb-System-Architektur
8 Custom Meris Reverbs: Ultraplate, Cathedra, 78 Room, 78 Plate, 78 Hall, Spring, Prism und Gravity
erweitertes 2,54 Sekunden Stereo Predelay mit modularer Feedback-Routing-Position
fortschrittlicher ARM-Prozessor
konfigurierbare Reverb-Strukturen, Typen und Verarbeitungselemente für die ultimative Anpassung
intuitive Benutzeroberfläche basierend auf einem Farb-Display
expressiver Hold Modifier-Schalter für spontane Steuerung
99 Preset-Locations in 33 Bänken
Favorite Preset Bank für direkten Zugriff auf 3 Lieblings-Presets
eingebauter Instant-Access-Tuner mit konfigurierbarem Referenz- und Output-Modus
Deep Modifier Section erlaubt Routing von Control Signals auf Processing Parameter
neues unabhängiges Stereo-Freeze zusammen mit dem Reverb
Gate Envelope Controls für jeden Reverb-Typ
neue Processing-Elemente wie 79 Chorus, Vibrato, Vowel Mod, Tremolo, Hazy Lo-Fi und mehr
wählbare Note Divisions für jede Seite des Stereo Predelay
digital gesteuerter analoger Mix-Bus
umschaltbares Input / Output Headroom Level für Instrumenten- oder Line-Level
zuweisbare Expression Pedal Steuerung für mehrere Parameter gleichzeitig
Senden und Empfangen von MIDI-Presets
MIDI Beat Clock Synchronisation
hochwertiger analoger Signalweg und JFET Input Section
Bildschirm und Logo-Helligkeit dimmbar
24-Bit A/D und D/A Conversion
32-Bit Floating Point DSP
Regler für Decay, Predelay, Mod, Mix, Control 1, Control 2, Control 3 (Save)
4x LED-Taster (Preset Bypass und Hold Modifier-Funktion für Desktop-Nutzer)
4x Fußschalter
Metallgehäuse
2x 6,3 mm Mono-Klinken Ein- / Ausgang (True-Stereo)
6,3 mm Expression Pedal Eingang
MIDI IN und MIDI THRU Anschlüsse (5-Pin DIN)
USB-C Anschluss (nur für Firmware Updates)
Stromversorgung via optionalem 9V DC Netzteil, 2,1 mm x 5,5 mm Hohlstecker, Polarität (-) innen
Stromaufnahme 300 mA
Batteriebetrieb nicht unterstützt
Abmessungen (L x B x H) 184 x 114 x 51 mm
Gewicht 680 g
hergestellt in den USA

MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate. The pedal features 8 custom reverb algorithms, discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs. Transcend to New Worlds.

reverb effects pedal
modular reverb system architecture
8 Custom Meris Reverbs; Ultraplate, Cathedra, 78 Room, 78 Plate, 78 Hall, Spring, Prism and Gravity
expanded 2.54 secs of Stereo Predelay with modular Feedback Routing Location
advanced ARM Processor
configurable Reverb Structures, Types, and Processing Elements for the ultimate customization
intuitive color screen-based user interface
expressive Hold Modifier Switch for on the fly control
99 preset locations in 33 banks
favorite preset bank for instant access to 3 favorite presets
built-in instant access tuner with configurable reference and output mode
deep modifier section allows routing of control signals to processing parameters
new independent Stereo Freeze alongside reverb
Gate Envelope Controls for every reverb type
all new Processing Elements including 79 Chorus, Vibrato, Vowel Mod, Tremolo, Hazy Lo-Fi and more
selectable Note Divisions for each side of the stereo Predelay
digitally controlled analog mix bus
switchable input / output headroom level for instrument or synthesizer / line levels
assignable expression pedal control for multiple parameters simultaneously
MIDI preset send and receive
MIDI beat clock synchronization
premium analog signal path and analog devices JFET input section
dimmable screen and logo light
24-bit A/D and D/A conversion
32-bit floating point DSP
controls for Decay, Predelay, Mod, Mix, Control 1, Control 2, Control 3 (Save)
4x LED buttons (preset bypass and Hold Modifier function for desktop user)
4x footswitches
metal housing
2x 6.3 mm mono in / output jacks (true stereo)
6.3 mm expression pedal input
MIDI IN and MIDI THRU connections (5-pin DIN)
USB-C port (for firmware updates only)
power supply via optional 9V DC adapter, 2.1 mm x 5.5 mm barrel plug, polarity (-) center
current draw 300 mA
battery operation not supported
dimensions (L x W x H) 184 x 114 x 51 mm / 7.25" x 4.5" x 2"
weight 680 g / 1.5 lbs
made in the USA

Meris

Demo by Meris

Mercury X

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Bloom v2 MiDi von Jackson Audio | PedalPedia | RockBoard