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Powerball EP645

Pedalboard for Fender SuperSonic 22

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In 1962 the worlds first manufactured guitar pedal was introduced in the Maestro Fuzz-Tone. Three years later in 1965, it made its way across the pond from the USA to the hands of a British engineer named Gary Hurst in London. The legend has it that he was asked by a London session player to modify the circuit for more bass and better sustain. After some tweaking, the Tonebender was born. The Tonebender MKI was a three transistor circuit as was the following MKII that came later in 1966. Decades after the Tonebenders heyday of the 1960s, a collector named Dennis Johannsen realized that his 60's era Tonebeder had only two transistors, not three. This discovery caused a puzzling situation because all Tonebender circuits through MKIV are a three transistor design. Through further investigation, it came to light in an interview with Gary Hurst that he did make a very small batch of two transistor Tonebenders in February and March of 1966. Dennis Johannsen named his discovery the MK1.5, and it is one of the rarest pedals ever produced, a collectors dream. The Arbiter Fuzz face that came in late 1966 is an almost direct clone as well as various other two-transistor fuzz circuits of the era. The MK1.5 is a true legend of guitar that almost went unnoticed to history. The sound of this fuzz is very aggressive, full of low end, and sustain. You may also notice a slight velcro-ish type decay as notes decay off in extreme settings. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and two germanium transistors that I hand-matched to the circuit. 

Each small batch of Benders will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a normal polarity power cable like your other pedals as I have wired it internally to work that way. The Bender is identical to the original except that I adjusted the taper of the pots to feel more intuitive. I also added a single power supply filter capacitor to help with noise and adjusted one resistor value for more volume. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions. 

Product Page

1966 Series Bender

Das JHS Pedals AT ist Andy Timmons Signature Overdrive-Pedal, das Andy seinen unverwechselbaren Lead- und Rhythm Tone verleiht. Der Drive Kanal des AT + ist identisch mit dem Original-AT-Pedal. Dazu gehören Volume, EQ, Drive, Air und ein Dreiwege-Schalter für 25-Watt-, 50-Watt- oder 100-Watt-Modi. Der Volume Regler bietet dir viel Spielraum zum Spielen, während der Drive Regler einen großen Bereich von High-Gain-Blues bis hin zu donnernder Distortion bietet. Die Klangregler arbeiten zusammen, um dir die Möglichkeit zu geben, deinen Ton zu formen und perfekt in den Mix zu setzen. Der EQ arbeitet als Standard Hell / Dunkel-Regler, während der Air-Regler im oberen Bereich wie ein Präsenzregler rollt, so dass du genau die richtige Helligkeit für die Artikulation und Klarheit hast. Der Drei-Wege-Schalter gibt dir das Gefühl von verschiedenen Leistungsverstärkern. Neu beim AT + ist ein eigenständiger fußschaltbarer Boost. Da der Boost unabhängig ist, kann er alleine verwendet werden, um den Verstärker oder andere Pedale in Verbindung mit dem AT + Drive-Kanal zu betreiben.

The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. The drive channel of the AT+ is identical to JHS original AT pedal. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. New to the AT+ is an independent foot-switchable Boost. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.

Official Product Page

JHS Pedals The AT+ (demo)

Andy Timmons demo of the new signature AT+ by JHS Pedals

Manual

JHS The AT+ - Review by Muzikus [CZ], [03-2019]

JHS The AT+ - Review by Gitarre & Bass [DE], [12-2018]

Guitar Equipment Special_ Andy Timmons - Keeley Halo Dual Echo & JHS Pedals The AT+ - Review by Darkstars.de, [03-2023]

The AT+

The JHS Pedals 3 Series Flanger is inspired by the classic analog flangers of the past. The intuitive controls for Blend, Rate and Intensity cover a wide range of vintage-inspired sounds. The switchable Tape mode moves the sound into tape-like sweeps with zero through flanging. This mode is inspired by real tape flanging as done in studios by altering the speed of tape machines during playback. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

3 Series Flanger

Der JHS Pedals 3 Series Flanger ist von den klassischen analogen Flangern der Vergangenheit inspiriert. Die intuitiven Regelmöglichkeiten für Blend, Rate und Intensity decken eine breite Palette von Vintage-inspirierten Sounds ab. Der schaltbare Tape-Modus erweitert den Effekt um Tape-ähnliche Sweeps. Dieser Modus ist vom echtem Tape-Flanging inspiriert, wie es in Studios durch Ändern der Geschwindigkeit von Bandmaschinen während der Wiedergabe praktiziert wurde. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

Review by delicious audio

Review by bonedo

Das JHS Pedals 3 Series Reverb bietet Musikern einen vielseitigen Effekt, der genau das richtige Maß an Raum für die Gitarre bietet. Von einem kleinen, natürlichen Room Hall bis zu beinahe endlosen Ambient-Washes lassen sich alle denkbaren Reverberation-Effekte erzeugen. Der EQ-Regler verändert die Klangtextur des Reverbs und bietet so hellere, klare oder dunklere, wärmere Voicings. Der Decay-Regler bestimmt die Länge der Hallfahne und mit dem Pre-Delay-Schalter lässt sich eine kurze Verzögerung vor dem Einsetzen des Effekts aktivieren um selbst kurze, Slap-ähnliche Echos oder Spring-ähnliche Sounds zu erzeugen. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series Reverb - Demo Video - shnobel

JHS Pedals 3 Series Reverb - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - Rabea Massaad

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - 60 Cycle Hum

3-Series-Reverb by JHS

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