Dark Riff

This compact bass board is designed for a player who wants versatile overdrive and distortion options, precise tone shaping, and full control over dynamics without excess noise. Each pedal is chosen to keep the bass signal strong, clear, and flexible for any amp or mixer setup.

The bass enters the Ibanez Pentatone PTGATE, a noise gate that ensures the clean signal remains tight and controlled and also provides convenient input access on the board. Immediately after it, the signal passes through the JHS Pedals Little Black Buffer. This always-on buffer is especially important when using a bass with passive pickups: it stabilizes the impedance, preserves high-end clarity, and prevents signal loss caused by long cable runs and multiple pedals later in the chain. Placing the buffer early ensures a consistent, full-range signal reaches all subsequent effects.

From there, the signal flows into the DigiTech DF-7 Distortion Factory. Although originally designed as a guitar pedal, the DF-7 works exceptionally well on bass thanks to its powerful EQ section, which allows the low end to be preserved and shaped instead of being lost. The pedal offers seven distinct drive and distortion types in a single unit: Ibanez TS-9, DOD Overdrive/Preamp 250, Boss DS-1 Distortion, Pro Co Rat, Boss MT-2 Metal Zone, DigiTech Metal Master, and Electro-Harmonix Big Muff. This makes the DF-7 a highly versatile source of gain, covering everything from light overdrive to aggressive distortion and fuzz textures while remaining controllable in a bass context.

After the DF-7, the signal passes through a second Ibanez Pentatone PTGATE, which helps keep higher-gain sounds quiet and controlled before hitting the main processing stage.

Next, the signal reaches the Darkglass Alpha·Omega Photon, the core component of this board. It provides three presets: clean, Alpha distortion, and Omega distortion. The Alpha distortion emphasizes low-end frequencies with a smooth, rounded character, while the Omega distortion provides more upper frequencies, higher gain, and harmonic richness. The Photon also includes a compressor and cab simulator, shaping the signal for a consistent, powerful sound whether routed to an amp or directly to a mixer.

From the Photon, one signal goes directly to the mixer, while another is routed through the Ibanez Pentatone PTEQ, a flexible EQ that only affects the amp signal. It allows precise tone shaping for any amplifier and stage environment while keeping the mixer signal unchanged, ensuring the bass sits perfectly in the mix.

Power comes from the isolated MXR M 239 Mini Iso-Brick, with quick access via the RockBoard Mini Mounting MOD DC, all mounted on the RockBoard Duo 2.1.

This board delivers versatile overdrive and distortion tones, clear or slightly pushed low-end, and a powerful, defined bass sound - all while keeping noise low and signal integrity high. Each pedal has a specific role, creating a compact and flexible bass rig.

Dark Angry Bass Board (V4)

Tester

Die wohl beste Geheimwaffe, von der du wahrscheinlich noch nicht wusstest, dass du sie brauchst! Gerade wir Pedal-Nerds laufen Gefahr unseren Sound mit endlosen Pedalketten in den Ruin zu treiben. Der Feind heißt Kapazität, ein Problem das bei zu langen Kabelwegen undn ich zuletzt schlechten Schaltungen auftritt und das Signal High End kostet und es schwach und charakterlos klingen lässt. Ein Trugschluss, der dies noch unterstützt is die Annahme dass True Bypass immer gut ist, denn ganz stimmt dies leider nicht. Der Little Black Buffer kommt genau hier ins Spiel und versorgt dein Rig mit genau der richtigen Eingangsimpedanz, damit du am Ende einen klaren, natürlichen Sound hast, der klingt als hättest du dich direkt in den Amp gestöpselt.

This may be the greatest weapon you didn’t know you needed. For those of us who are a little “pedal happy” there can be some downfall to our tone. When running a pedal board with more than one or two effects, something called “capacitance” happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all “true bypass” is good. This isn’t true and actually can be worse than imagined. This is where the “Little Black Buffer” steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural tone that sounds like you're plugged straight into your amp.

Official Product Page

Manual

Little Black Buffer

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

David Litaba

Wir haben unser Alpha·Omega genommen und mit unermüdlicher Anstrengung all unsere erlernten Ingenieurkenntnisse darin verarbeitet. Indem wir die legendäre Verzerrungsschaltung in ein neues Paradigma einfügten, eröffneten wir eine Reihe von Möglichkeiten, die vorher nicht verfügbar waren.

We took our Alpha·Omega, and with relentless efforts added all the learned engineering to it. Placing the iconic distortion circuit into a new paradigm enables a range of possibilities that were never before available.

Darkglass Electronics

Demo by  BassTheWorld.com

Demo by Nate Navarro

Product Page

Review by Rainer Wind, bonedo.de

Review by Joris Henke, gitarrebass.de

Alpha Omega Photon

daniel lee

Der Pentatone Equalizer ist eine eigenständige Version des 5-Band-Equalizer-Teils im Ibanez Pentatone Preamp. Mit einem kontinuierlich veränderbaren Q-Regler für jedes Band, der eine größere Vielfalt an Klangkreationen ermöglicht, bietet er noch präzisere Klanggestaltungsmöglichkeiten. Darüber hinaus sorgt die ±9V Stromversorgungstechnik für eine hohe Headroom. Damit eignet sich der parametrische Equalizer nicht nur für E-Gitarren, sondern auch für Signalquellen mit höherem Pegel wie E-Bässe und Keyboards.

The Pentatone Equalizer is a standalone version of the 5-band equalizer section in the Ibanez Pentatone Preamp. Adding a continuously variable Q control on each band, which allows for a wider variety of sound creation, enables even more detailed sound creation. Furthermore, the ±9V power supply circuitry provides a wide headroom. That makes the parametric equalizer suitable for not only electric guitars but also higher-level output signal equipment such as electric bass guitars and keyboards.

Ibanez

Demo by Sweetwater

Demo by EytschPi42

Review by sevenstring.org

Review by The Gear Page

Pentatone PTEQ

QuickMount Type J

Pedal-Montageplatte für mittelgroße Strymon-Pedale

Pedal Mounting Plate For Medium Size Strymon Pedals

DELETED USER

The Pentatone Gate is a standalone version of the GATE section in the Ibanez Pentatone Preamp. This gate achieves a quick response and natural sustain and has an added threshold mode switch which allows you to adjust the threshold in the appropriate range.
Furthermore, thanks to the 4 I/O jacks, the gate circuitry can work at a proper location, such as right after distortion pedals or in between the send/return of a guitar amplifier.

Review by bonedo

Review by Guitar Bomb

Pentatone Gate PTGATE

Thomas Amenda

Das Distortion-Pedal simuliert folgende Pedale:
1. Ibanez TS-9
2. DOD Overdrive/Preamp 250
3. BOSS DS-1
4. Pro Co Rat
5. BOSS MT-2 Metal Zone
6. DigiTech Metal Master
7. Electro-Harmonix Big Muff pi

The DF-7 is designed to give you the tonal nuances, drive, and vibe reminiscent of
the Ibanez® TS-9*, DOD® Overdrive/Preamp 250, Boss® DS-1*, Pro Co Rat™*,
Boss® MT-2 Metal Zone®*, DigiTech® Metal Master™, and Electro-Harmonix®
Big Muff π®*.The DF-7 also features Flexible Output Mode™ with a choice of
six stereo spectrums and the acclaimed CIT™ cabinet modeling technology.This
gives you the flexibility to run either directly into a mixer or recording device
utilizing the DF-7’s cabinet models or amps in either stereo with 6 spectrum
choices or mono.

DigiTech

Website

Review by Harmony Central

Review by EquipBoard

Demo by JHS Pedals

Demo by Chucks Guitar Geekery

X-Series DF-7 Distortion Factory

M239 Iso Brick Mini Power Supply

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

This compact bass board is designed for a player who wants versatile overdrive and distortion options, precise tone shaping, and full control over dynamics without excess noise. Each pedal is chosen to keep the bass signal strong, clear, and flexible for any amp or mixer setup.

The bass enters the Ibanez Pentatone PTGATE, a noise gate that ensures the clean signal remains tight and controlled. From there, the signal flows into the DigiTech DF-7 Distortion Factory. Although originally designed as a guitar pedal, the DF-7 works exceptionally well on bass thanks to its powerful EQ section, which allows the low end to be preserved and shaped instead of being lost. The pedal offers seven distinct drive and distortion types in a single unit: Ibanez TS-9, DOD Overdrive/Preamp 250, Boss DS-1 Distortion, Pro Co Rat, Boss MT-2 Metal Zone, DigiTech Metal Master, and Electro-Harmonix Big Muff. This makes the DF-7 a highly versatile source of gain, covering everything from light overdrive to aggressive distortion and fuzz textures while remaining controllable in a bass context.

Next, the signal reaches the Darkglass Alpha·Omega Photon, the core component of this board. It provides three presets: clean, Alpha distortion, and Omega distortion. The Alpha distortion emphasizes low-end frequencies with a smooth, rounded character, while the Omega distortion provides more upper frequencies, higher gain, and harmonic richness. The Photon also includes a compressor and cab simulator, shaping the signal for a consistent, powerful sound whether routed to an amp or directly to a mixer.

From the Photon, one signal goes directly to the mixer, while another is routed through the Ibanez Pentatone PTEQ, a flexible EQ that only affects the amp signal. It allows precise tone shaping for any amplifier and stage environment while keeping the mixer signal unchanged, ensuring the bass sits perfectly in the mix.

Power comes from the isolated MXR M 239 Mini Iso-Brick, with quick access via the RockBoard Mini Mounting MOD DC, all mounted on the RockBoard Duo 2.1.

This board delivers versatile overdrive and distortion tones, clear or slightly pushed low-end, and a powerful, defined bass sound - all while keeping noise low and signal integrity high. Each pedal has a specific role, creating a compact and flexible bass rig.

Dark Angry Bass Board (V3)

This compact bass board is designed for a player who wants versatile overdrive and distortion options, precise tone shaping, and full control over dynamics without excess noise. Each pedal is chosen to keep the bass signal strong, clear, and flexible for any amp or mixer setup.

The bass enters the Ibanez Pentatone PTGATE, a noise gate that ensures the clean signal remains tight and controlled. From there, the signal flows into the Boss JB-2 Angry Driver, a dual-overdrive pedal combining the dynamic BD-2 Blues Driver and the aggressive, Marshall-style JHS Angry Charlie in parallel. With proper settings, this pedal preserves low-end clarity while adding punch and drive, making it ideal for both subtle overdrive and more pronounced gain tones.

Next, the signal reaches the Darkglass Alpha·Omega Photon, the core component of this board. It provides three presets: clean, Alpha distortion, and Omega distortion. The Alpha distortion emphasizes low-end frequencies with a smooth, rounded character, while the Omega distortion provides more upper frequencies, higher gain, and harmonic richness. The Photon also includes a compressor and cab simulator, shaping the signal for a consistent, powerful sound whether routed to an amp or directly to a mixer.

From the Photon, one signal goes directly to the mixer, while another is routed through the Ibanez Pentatone PTEQ, a flexible EQ that only affects the amp signal. It allows precise tone shaping for any amplifier and stage environment while keeping the mixer signal unchanged, ensuring the bass sits perfectly in the mix.

Power comes from the isolated MXR M 239 Mini Iso-Brick, with quick access via the RockBoard Mini Mounting MOD DC, all mounted on the RockBoard Duo 2.1.

This board delivers versatile overdrive and distortion tones, clear or slightly pushed low-end, and a powerful, defined bass sound - all while keeping noise low and signal integrity high. Each pedal has a specific role, creating a compact and flexible bass rig.

Dark Angry Bass Board (V1)

Zur Feier des 40-jährigen Jubiläums der BOSS-Compact-Pedale haben sich BOSS und JHS Pedals zu einer historischen kreativen Zusammenarbeit zweier Branchenführer zusammengeschlossen. Untergebracht im klassischen BOSS-Compact-Design vereint das JB-2 Angry Driver die Sounds des legendären BOSS BD-2 Blues Driver mit dem beliebten Angry Charlie von JHS Pedals. In enger Zusammenarbeit entwickelten die beiden Pedalhersteller eine völlig neue kombinierte Schaltung mit optimiertem Sound und perfekter Abstimmung für den Dual-Mode-Overdrive-Betrieb.

Das JB-2 Angry Driver verfügt über drei Doppelpotis, die eine unabhängige Regelung von Drive, Tone und Level für jede der beiden Overdrive-Schaltungen ermöglichen. Über einen Sechsfach-Drehschalter lassen sich die beiden Overdrives einzeln oder kombiniert in Serien- oder Parallelbetrieb nutzen. Durch die Möglichkeit, den expressiven Low-to-Mid-Gain-Sound des Blues Driver mit der aggressiven Rock-Stimme des Angry Charlie in jeder erdenklichen Kombination zu mischen, bietet das JB-2 Angry Driver eine enorme Bandbreite und Vielseitigkeit in einem einzigen Overdrive-Pedal.

To celebrate the 40th anniversary of BOSS compact pedals, BOSS and JHS Pedals have come together in a historic creative collaboration between the two industry leaders. Housed in the classic BOSS compact design, the JB-2 Angry Driver pairs the tones of the iconic BOSS BD-2 Blues Driver with JHS Pedals’ popular Angry Charlie. Working closely together, the two pedal innovators have developed an all-new combined circuit with refined sound and performance perfectly tuned for dual-mode drive operation.

The JB-2 Angry Driver features three dual-concentric knobs that provide independent drive, tone, and level control for each overdrive type. Via a six-position mode selector, you can use each overdrive independently or combine them in series and parallel configurations. With the ability to blend the Blues Driver’s famously expressive low-to-mid gain tones with the Angry Charlie’s aggressive rock voice in any combination, the JB-2 Angry Driver delivers unmatched range and versatility from a single overdrive pedal.

BOSS

Review by TonePedia

Review by Premier Guitar

Official Product Video

Demo by Guitarist

JB-2 Angry Driver

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

This compact bass board is designed for a player who wants versatile overdrive and distortion options, precise tone shaping, and full control over dynamics without excess noise. Each pedal is chosen to keep the bass signal strong, clear, and flexible for any amp or mixer setup.

The bass enters the Ibanez Pentatone PTGATE, a noise gate that ensures the clean signal remains tight and controlled and also provides convenient input access on the board. Immediately after it, the signal passes through the JHS Pedals Little Black Buffer. This always-on buffer is especially important when using a bass with passive pickups: it stabilizes the impedance, preserves high-end clarity, and prevents signal loss caused by long cable runs and multiple pedals later in the chain. Placing the buffer early ensures a consistent, full-range signal reaches all subsequent effects.

From there, the signal flows into the OKKO Motörbass Overdrive. While designed to capture the signature gritty bass tone of Lemmy Kilmister and the vibe of a Marshall Super Bass stack, in this architecture, it is deliberately utilized as a light overdrive and an aggressive frequency filter rather than a primary high-gain machine. This is a calculated gain-staging decision: keeping the Motörbass at strict unity gain prevents its massive analog output voltage from overloading the digital A/D converters of the subsequent Darkglass Photon. Thanks to its internal 24V charge pump, the Motörbass provides immense analog headroom, allowing it to act as a brilliant tonal shaper. It acts as an analog pre-processor, feeding the Photon a harmonically rich signal to embed that distinct mid-heavy, tube-like aggression before digitization, all while maintaining perfect volume parity across the board.

After the Motörbass, the signal passes through a second Ibanez Pentatone PTGATE, which helps keep higher-gain sounds quiet and controlled before hitting the main processing stage.
Next, the signal reaches the Darkglass Alpha·Omega Photon, the core component of this board. It provides three presets: clean, Alpha distortion, and Omega distortion. The Alpha distortion emphasizes low-end frequencies with a smooth, rounded character, while the Omega distortion provides more upper frequencies, higher gain, and harmonic richness. The Photon also includes a compressor and cab simulator, shaping the signal for a consistent, powerful sound whether routed to an amp or directly to a mixer.

From the Photon, one signal goes directly to the mixer, while another is routed through the Ibanez Pentatone PTEQ, a flexible EQ that only affects the amp signal. It allows precise tone shaping for any amplifier and stage environment while keeping the mixer signal unchanged, ensuring the bass sits perfectly in the mix.

Power comes from the isolated MXR M 239 Mini Iso-Brick, with quick access via the RockBoard Mini Mounting MOD DC, all mounted on the RockBoard Duo 2.1.

This board delivers versatile overdrive and distortion tones, clear or slightly pushed low-end, and a powerful, defined bass sound - all while keeping noise low and signal integrity high. Each pedal has a specific role, creating a compact and flexible bass rig.

[MAIN] Dark Motor Bass Board

Badger

In memory of one of the (if not THE) last true rock’n’roll icons, OKKO presents the MOTÖRBASS pedal. You’re all familiar with Lemmy’s signature sound – ultra powered rumbling grind, distorted, slightly fuzzy but with a lot of edge and definition for high speed hammering powerchords.

It would be presumptuous to claim you could get the exact sound of the iconic modified Marshall Super Bass stack from a 9-volts-powered box... but we did a lot of tweaking to capture that sonic character and we’re pretty happy with the result.

When trying the recreate the Lemmy sound with distortion pedals you easily run into problems. Bass distortions often lack the aggressive edge or get muddy when playing chords. Guitar distortions usually cut too much low end and often sound too fizzy. The MOTÖRBASS runs on an internal voltage of 24 volts*. Paired with carefully chosen filtering, this massive headroom ensures for a raw but tight distortion sound all across the fretboard.

Controls are easy: FASTER controls the gain from almost clean to full blast. HARDER works on the upper mids. Lower settings sound more rounded, turning up adds aggressive bite and attack. LOUDER? Hmm....

The MOTÖRBASS is not only for die hard Motörhead fanatics but for every bass player wanting a powerful, tight rock sound. Now, grab a pick and PLAY HARD!
Btw., don’t lend it to your guitar player, chances are you’ll never get it back...

Okko FX

Review by Talk Bass.com

Review by Gitarre & Bass

Demo by MrExcane

MOTÖRBASS

Mehmet Aycan Özek

Modern

Vincent Shore

Das TC Electronic PolyTune 3 Noir ist ein ultrakompaktes Stimmgerät, das polyphones, chromatisches und extrem präzises Strobe-Tuning in einem schwarzen Mini-Gehäuse vereint. Es integriert die renommierte Bonafide Buffer-Schaltung, um Signalverluste bei langen Kabelwegen und komplexen Pedalboards zu verhindern. Das Pedal erkennt automatisch, ob eine einzelne Saite oder alle Saiten gleichzeitig angeschlagen werden, und passt die Anzeige entsprechend an. Ein dedizierter Schalter ermöglicht den Wechsel zwischen True Bypass und Buffered Bypass Modi für maximale Flexibilität. Das Display verfügt über einen Umgebungslichtsensor, der die Helligkeit der 109 LEDs automatisch an die Lichtverhältnisse anpasst.

The TC Electronic PolyTune 3 Noir is an ultra-compact tuner that combines polyphonic, chromatic, and ultra-precise strobe tuning modes within a black mini-chassis. It integrates the renowned Bonafide Buffer circuit to prevent signal loss across long cable runs and complex pedalboards. The pedal automatically detects whether a single string or all strings are plucked and adjusts the display mode accordingly. A dedicated switch allows users to toggle between True Bypass and Buffered Bypass modes for maximum signal flexibility. The display features an ambient light sensor that automatically adjusts the brightness of its 109 LEDs to suit the lighting conditions.

TC Electronic

Demo by Man Bun Metal Head

Official Product Video 

Demo by HEY MOONSHINE

Review by Guitar World

Polytune 3 Noir

Lee Atkin

Das DigiTech Badder Monkey ist ein Overdrive-Pedal, das auf der klassischen Bad-Monkey-Schaltung basiert und tiefere Bässe sowie eine verfeinerte Mittenansprache liefert. Es bietet Regler für Gain, Level, Low und High zur präzisen Klangformung und verfügt über zwei Ausgänge für Verstärker und Mischpult mit Lautsprecheremulation. Entwickelt für Gitarristen, die einen warmen, röhrenähnlichen Overdrive-Sound suchen, besitzt es ein robustes Metallgehäuse und True-Bypass-Schaltung.

The DigiTech Badder Monkey is an overdrive pedal that builds upon the classic Bad Monkey circuit, delivering richer low end and a more refined midrange response. It provides Gain, Level, Low, and High controls for precise tone shaping, and its dual outputs allow both amp and mixer connections with cabinet emulation. Designed for guitarists seeking smooth, amp-like breakup and warm overdrive tones, it offers rugged metal construction and true bypass switching.

Review by Gear News

Demo by 60 Cycle Hum

Badder Monkey

The Model feT is a transistor-based preamplifier designed around the legendary Sunn Model T amplifier. Those who have played the original know that while it excels at heavy tones when pushed, it is far more than just an amp for stoner rock and doom metal. In fact, on its own it is a fantastic mid-gain amplifier with a tone that is dark, yet clear and present—making it an exceptional pedal platform.

Electronic Audio Experiments

Review by pedal of the day 

Demo by Eric Merrow 

Demo by Demos In The Dark 

Demo by Pedal of the Day 

model feT

Marco te Heesen

Erlebe den brachialen High-Gain-Sound, der legendäre Alternative-Rock- und Metal-Bands – von Foo Fighters und Incubus bis hin zu Metallica, Tool und vielen mehr – geprägt hat.*

Mit sechs klassischen Mikrofon- und Lautsprecher-Kombinationen, einem integrierten Overdrive/Boost im TS-Stil sowie einem Noise Gate liefert dir das Knuckles ’92 den authentischen, genreprägenden Sound eines der aggressivsten High-Gain-Amps aller Zeiten direkt zu Füßen.

Experience the searing high-gain tone that powered legendary alt rock and metal bands from Foo Fighters and Incubus to Metallica, Tool, and more.*

Giving you six classic mic and speaker pairings, built in TS-style OD/boost, and noise gate, Knuckles ‘92 puts the authentic genre-defining sound of one of the most ferocious high-gain amps ever made under your boots.

Universal Audio

Review by Sound on Sound

Review by Gearnews

Review by AMAZONA

Knuckles '92

QuickMount Type UA 

Pedal-Montageplatte für die UNIVERSAL AUDIO UAFX Series

Pedal Mounting Plate for the UNIVERSAL AUDIO UAFX-Serie

ch ray

Der UAFX ANTI 1992 High Gain Amp liefert die brachialen Gitarrensounds von Slipknot, In Flames, Machine Head und unzähligen skandinavischen Metalbands direkt zu Deinen Füßen.*

Mit ANTI erhältst Du den authentischen Sound des 120-Watt-Röhren-Ungetüms, das aggressive, "gescoopte" Gitarrensounds geprägt hat, kombiniert mit perfekt abgemischten Boxen, um zermalmende Riffs, sengende Leads, kristalline Cleans und alles dazwischen zu entfesseln.

The UAFX ANTI 1992 High Gain Amp delivers the savage guitar tones of Slipknot, In Flames, Machine Head, and countless Scandinavian metal bands right at your feet.*

With ANTI, you get the authentic sound of the 120-watt tube behemoth that gave rise to aggressive “scooped” guitar tones, combined with perfectly-miked cabinets to unleash bone-crushing riffs, searing leads, crystalline cleans, and everything in between.

Review by Guitar.com

Manual Page

Anti

Diezel Amplification

VH4-2

The REVV G3, inspired by the renowned Generator 120 Purple Channel, boasts one of the most distinct tones found in contemporary amplifiers. It offers exceptional clarity and tightness, coupled with just the correct level of saturation to suit any musical scenario. This tone, previously reserved for a select few, can now be experienced by all in the form of an amp in a box. It provides a tactile experience that guitarists will truly appreciate

REVV

Review by amazona.de

Review by bonedo.de

Demo by Ola Englund

Demo by Pete Thorn

Review by premierguitar.com

The SOLDANO SLO PLUS captures the playing experience of both the SLO-100 amplifier’s legendary channels in a powerful, compact new pedal. It delivers the genuine Soldano Overdrive high gain channel as well as the Normal channel’s inspiring crunch tones, in a single housing.

Soldano

Review by Stompbox Steals

Review by delicious audio

Super Lead Overdrive Plus

Dieses „BE“ Dual-Overdrive-Pedal fängt den Klang des mittlerweile legendären Friedman BE-100 Verstärkers ein, der die Bühnen weltbekannter Musiker auf der ganzen Welt ziert. Das ursprüngliche Friedman BE-OD Single-Channel-Pedal eroberte die Branche im Sturm. Zehntausende Pedale wurden weltweit verkauft und es ist immer noch sehr beliebt! Dieses neue BE-OD Deluxe-Pedal verwendet genau denselben Schaltkreis, verfügt jedoch über einen weiteren Kanal und zwei Mittenregler. Die obere Reihe (Kanal 1) ist identisch mit dem ursprünglichen BE-OD-Pedal, während Dave die untere Reihe (Kanal 2) mit etwas geringerem Gain abgestimmt hat. Mit zwei „BE“-Kanälen in Ihrem Arsenal können Sie sowohl Ihre Rhythmus- als auch Ihre Lead-Sounds perfekt einstellen. Das BE-OD Deluxe liefert authentischen Röhrenverstärkersound mit den Reglern, die Sie zur Gestaltung Ihres Sounds benötigen. Zu den Reglern gehören: 3-Positionen-Tight-Schalter, Lautstärke, Gain, Bass, Mitten, Höhen und Presence. Mit diesen reaktionsschnellen Reglern gelangen Sie von milden Overdrives bis hin zum absoluten Gain-Nirvana. Das BE-OD Deluxe wird in den USA hergestellt und ist so konstruiert, dass es jahrzehntelangem Gebrauch standhält. Es ist ein Muss für jeden Ton-Enthusiasten.

This "BE" dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over.  The original Friedman BE-OD single channel pedal took the industry by storm. Tens of thousands of pedals sold worldwide and it's still going strong!  This new BE-OD Deluxe pedal employs the exact same circuit but adds another channel and dual midrange controls. The top row (Channel 1) is identical to the original BE-OD pedal while Dave voiced the bottom row (Channel 2) with slightly lower gain.  Dual "BE" channels in your arsenal allow you to perfectly set both your rhythm and lead sounds.  The BE-OD Deluxe delivers authentic tube amplifier sound with the controls needed to shape your tone. Controls include: 3 position tight switch, volume, gain, bass, middle, treble and presence knobs.  These responsive controls will take you from mild overdrives to straight up gain nirvana.  Built in the USA and designed to withstand decades of abuse, the BE-OD Deluxe is a must have pedal for any tone enthusiast.

Friedman

Product Page 

Review by Bonedo 

Demo by PMTVUK 

Demo by Pete Thorn 

BE-OD deluxe

MT-2W Metal Zone (Waza Craft)

Dieses klassische analoge Verzerrerpedal schließt die Lücke zwischen Overdrive, Hard-Clipping-Sättigung und Fuzz. Ausgestattet mit einem einzigartigen, umgekehrt arbeitenden Tiefpass-Filterregler sowie variablen Distortion- und Volume-Potis, ermöglicht es eine präzise Anpassung schneidender Höhenfrequenzen. Die Schaltung basiert auf einem High-Gain-Operationsverstärker, der ein Paar symmetrischer Silizium-Clipping-Dioden ansteuert, um den charakteristischen Biss und aggressive Oberschwingungen zu erzeugen. Eingebaut in ein extrem robustes Stahlgehäuse mit im Dunkeln leuchtenden Grafiken, integriert es eine einzelne Status-LED zur klaren optischen Einschaltkontrolle. Sein vielseitiger Regelbereich eignet sich für Anwendungen, die von einem transparenten Rhythmus-Boost bis hin zu satten, stark gesättigten Lead-Sounds reichen.

This classic analog distortion pedal bridges the gap between overdrive, hard-clipping saturation, and fuzz. Featuring a unique reverse-action low-pass filter control alongside variable distortion and volume knobs, it allows precise adjustment of cutting high-frequencies. The circuit relies on a high-gain operational amplifier driving a pairs of symmetrical silicon clipping diodes to achieve its signature grit and aggressive harmonic content. Built into a highly durable steel enclosure with glow-in-the-dark graphics, it incorporates a single status LED for clear optical engagement confirmation. Its versatile sweep accommodates applications ranging from a transparent rhythm boost to rich, heavily saturated lead tones.

ProCo

Demo by intheblues

Demo by PMTVUK

Review by the JHS Show

Review by delamar

Review by Guitar Chalk

Rat 2

QuickMount Type PC2 

Pedal-Montageplatte für das PROCO The Rat Pedale

Pedal Mounting Plate for the PROCO The Rat pedal

The MC404 CAE Wah was developed by Bob Bradshaw of Custom Audio Electronics and the Cry Baby design team with the goal of creating a highly versatile wah-wah of top-grade components. It features dual Fasel inductors with two distinct voices (high-end emphasis or low to mid resonance), and a built-in MXR MC401 Boost/LineDriver adds even more flexibility. Choose between inductors and turn the boost on or off with the side-mounted kickswitches; bright LEDs on each side of the wah indicate operation status. The MC404 boasts true hardwire bypass, a long-life CTS potentiometer, and internal pots for "Q" and gain adjustments.

Dunlop

Review by PREMIER Guitar 

Demo by ProGuitarShopDemos 

MC404 CAE Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Keeley Kompressoren sind wohl die beliebtesten Boutique Kompressoren am Markt. Mit weit über 50.000 gebauten Kompressoren ist die Keeley Werkstatt wohl ein Experte auf den Gebieten Kompression, Limiting und Sustain. Keeley weiß ganz genau was es braucht um ein Instrument klingen zu lassen, als wäre es professionell aufgenommen worden. Sie wissen wie sie deine Gitarre im Mix ganz nach vorn stellen und sie wissen genau, was das Spielen zur wahren Freude macht. Keeley Compression macht’s möglich! Der Keeley Compressor Plus ist der nächste Schritt nach vorne in Keeleys Reihe an 2- und 4- Knob Kompressoren. Die neuen Features sind einfach und geradeaus. Es gibt einen einfachen Release Schalter, der speziell auf Single Coils und Humbucker getunt ist. Kein rätseln mehr, ob Attack und Release richtig eingestellt sind. Deine Humbucker haben all das Attack und den Punch den sie haben sollen! Das Keeley Team hat außerdem einen fantastisch klingenden Tone Regler kreiert, der die sensiblen Obertöne, die bei komprimierten Signalen oft verloren gehen, betont. Außerdem verfügt der Compressor Plus über einen Blend Regler, der das Kompressor Signal auf bis zu 50 % im Mix absenken, und so die Dynamikspitzen in deinem Spiel und somit deine Phrasierung erhalten kann, während du zudem das nötige Sustain bekommst. Der Keeley Compressor Plus bietet denselben fabelhaften Push an süßen Frequenzen, den du von älteren Kompressoren kennst, nun mit der nötigen Flexibilität für jedes Instrument.

The Keeley Compressor is the most popular boutique compressor in the world.  With well over 50,000 compressors built in the Keeley shop we have an expert understanding of compression, limiting, and sustain.  Keeley know what it takes to make an instrument sound like it’s been professionally recorded.  They know how to make your guitar jump from the mix. They know how to make it fun and easy to play.  Keeley Compression is how.  The Keeley Compressor Plus is the next true advancement in their 2 and 4 knob compressor line.  The new features are simple and straight forward.  Now there is a simple Release Switch that is tuned for single coils or humbuckers.  No more wondering if you have the attack or release set right.  Your humbuckers will have all the attack and punch that they should.  The Keeley team designed a gorgeous sounding Tone Control that emphasizes the most sensitive harmonics that can be lost in compression.  The Compressor Plus now sports a Blend Control that retains the peaks in your playing and more importantly the proper phasing of your guitar signal.  The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to handle any instrument.

Keeley Electronics

Keeley Compressor Plus - Demo Video - ProGuitarShop Demos

Keeley Compressor Plus - Demo Video - Livingroom Gear Demos

Review by The Gear Check

Compressor Plus

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Dem beliebten MXR Ten Band EQ hat der amerikanische Hersteller ein Facelift verpasst und präsentiert ihn unter der Modellnummer M108S in einem neuen, leichteren Gehäuse mit True-Bypass-Schaltung, einer effektiveren Rauschunterdrückung und zwei Ausgängen. Geblieben sind das große Frequenzspektrum von 31,25 Hz bis 16 kHz, getrennte In- und Output-Levels sowie der Betrieb mit 18 Volt für mehr Headroom.
Da der MXR Ten Band EQ auch Frequenzbereiche unterstützt, die von einem Gitarrenlautsprecher eigentlich nicht mehr übertragen werden, empfiehlt er sich ebenso für den Betrieb am E-Bass, für Fullrange-Anwendungen oder fürs Direct-Recording. Nicht wenige Gitarristen schätzen den grafischen Equalizer

The MXR Ten Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs for increased visibility, and a second output so you can run two separate signal chains. With ten carefully chosen frequencies and both input and output level controls, the Ten Band EQ will let you tune your bass or guitar rig to any room in seconds—create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more. For ultimate tone-sculpting ability in a bullet-proof enclosure, put the Ten Band EQ on your pedalboard. 

Review by awkwardsound 

Review by bonedo 

Demo by Ryan Lutton

Review by HOMETONEBLOG

M108S Ten Band EQ

Moritz Ringwald

Analoger Bucket Brigade Flanger in vollem Stereo. Nutzt 4 MN3009 Bucket Brigade IC chips für satte Flange-Sounds mit ausreichen Headroom. Er verfügt über einen bidirektionalen Feedback-Regler und einen Sweep-Regler, der die Verzögerungszeit auf einer Seite des Stereofeldes erhöht, während er die Verzögerungszeit auf der anderen Seite verkürzt. Der Dimension-Schalter überkreuzt die beiden Kanäle miteinander und erzeugt so einen Doppel-Flanger-Effekt, bei dem zwei Delay-Linien in entgegengesetzte Richtungen moduliert werden, auch im Mono-Einsatz.

All-analog, full-stereo modulation effects pedal that uses a quartet of genuine MN3009 Bucket Brigade IC chips to deliver a rich Flanger effectwith high headroom. It features a bi-directional Feedback control and a Sweep control that increases the delay time on one side of the stereo field while shortening the delay time on the other side. The Dimension switch crossfeeds the two channels into one another, creating the entrancing double-flanger effect of two delay lines being modulated in opposite directions, even when used in mono.

Supro

Review by Pedal of the Day

Review by Eirik Stordrange

Supro Flanger 1309

Gianluigi LAVARINI

The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.

Catalinbread

Demo by Pedalboard of the Day

Demo by HarryAndAGuitar

Demo by Get Offset

Demo by Let's Play All

Many Worlds Phaser

Erfahre mehr über das Pentatone Gate PTGATE Noise gate-Pedal von Ibanez auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr