Far out! A complete 60's flashback with none of the drawbacks, the FZ7 is the ultimate in psychedelic fuzz. With the FZ7's tone, drive, and level controls, it's never been easier to get the right retro tones. You can even engage the DAMAGE switch for that ratty, broken speaker sound. Yeah, baby, yeah!! Dial in, tune up, drop down or whatever turns you on.

Review by Ultimate Guitar

Review by Harmony Central

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Demo by ShurSoma

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Product Page

FZ-7 Fuzz

The Ibanez CP10 Compressor/Sustainer is a high tech, studio quality effect in a compact case. It's ultra low input noise (-107dBv) combined with the latest VCA circuit provides clean, distortion free compression and sustain. The CP10 also features three controls giving you complete control of the attack time, sustain and output level.

Official Website

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Schematics download

Manual

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Demo by Jimmy Rigs

CP-10 Compressor

For most bassists, applying distortion to their instrument's sound is still unheard-of, but that is only because conventional distortion effects have not been able to deal with the characteristics of the bass tone, cutting of the low frequencies and causing a loss of dynamic quality.

Now, this has all changed thanks to the Ibanez BS10 Bass Stack. Here is the first distortion effect developed specifically for the discerning bassist. With a distortion range that beautifylly handles the wide audio spectrum of the bass, the BS10 faithfully and naturally distorts the original sound to produce a fat and heavy timbre with a powerful presence. It features a Drive control to vary the effect's intensity over a broad range and a Tone control for harmonic equalization. These settings let you use the BS10 for a large variety of applications: it is great as a pre-amp or a mild overdrive, but also as a wild distortion effect giving a radical fuzz bass sound. The BS10, a versatile dream-come-true for the creative bassist!

Review by audiofanzine

Review by Tone Home

Demo by blitzpulver

Demo by Pedal Pawn

BS-10 Bass Stack

The Ibanez DML1 is a unique digital modulation delay pedal that combines three distinct effects - flanger, chorus, and delay - in a single unit. This pedal is designed to provide a wide range of tonal possibilities, making it an excellent choice for musicians seeking to add depth and texture to their sound.

Demo by  Stonelake Sounds

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Review by TDPRI

DML Digital Modulation Delay

So, you have been out looking at stereo choruses and flangers and you like the unique quality that each one gives to your instrument, but you are not yet ready to buy two separate pedals. Well, look no farther. For just about the price of either you can have both in the new Ibanez PC10. The PC10 has two completely seperate modulation sections that can be accessed by either the top mounted A/B switch or by plugging in an optional footswitch. In the "A" mode, depressing the unit's footswitch will give you effect "A" or dry. In the "B" mode, depressing the unit's footswitch will give you effect "B" or dry. In the A/B mode, depressing the unit's footswitch will give you effect A or effect B alternately. In addition there is a stereo output jack that when accessed by a 1/4" stereo plug gives you both normal and inverted effect outputs enabling you to play in true stereo.

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