So, you have been out looking at stereo choruses and flangers and you like the unique quality that each one gives to your instrument, but you are not yet ready to buy two separate pedals. Well, look no farther. For just about the price of either you can have both in the new Ibanez PC10. The PC10 has two completely seperate modulation sections that can be accessed by either the top mounted A/B switch or by plugging in an optional footswitch. In the "A" mode, depressing the unit's footswitch will give you effect "A" or dry. In the "B" mode, depressing the unit's footswitch will give you effect "B" or dry. In the A/B mode, depressing the unit's footswitch will give you effect A or effect B alternately. In addition there is a stereo output jack that when accessed by a 1/4" stereo plug gives you both normal and inverted effect outputs enabling you to play in true stereo.

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LongFallBoots

PC-10 Prime Dual Chorus

Compressor stompboxes are probably the most misunderstood pedals, because they don't "change" tone like a distortion or flanger. But what they do is maybe even more important: balancing string response, providing clarity and punch at any volume, and smoothing out sustain-all of which our CP5 does quite well.

Review by audiofanzine

Review by Musiker-Board

Review by Mirosol Kapsi

Demo by The Rolling Store

Demo by U S.

Official Website

CP-5 Compressor

Ibanez knows space on your pedalboard is at a premium, and the Tube Screamer Mini was designed to help you preserve that valuable real estate. This smaller form-factor Tube Screamer delivers the same legendary tones you'd expect from our larger offerings, but in a box that's roughly half the size of the original.

•Overdrive, Tone and Level controls
•True Bypass
•Required Current: 18mA@9V
•Power Supply: External DC 9 volt AC adapter(Center-negative)

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Demo by Andertons Music Co

TS Mini

Similar to classic Boss DS-1 but a bit less fizzy.

Demo by Tony Mullins

Demo by Wall of Sound

DS-7 Distortion

The Ibanez GE10 Graphic Equalizer controls the seven octave ranges between 100Hz and 6.4kHz with +/- 15dB of equalization at each octave. There is also a master gain control that provides an overall +/- 15dB of variation in the output level without disturbing any of the filter settings.

The GE10 is most useful as an overall tone altering device but it has other uses too. By manipulating the 3,2kHz and 6,4kHz filter, troublesome feedback howls can be reduced or eliminated. The GE10 can also be used as a gain booster by increasing the level control.

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