Saulo Silveira

Rocker

dewey hwang

Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.

Universal Audio

Product Page

Demo by EytschPi42

Official Product Video

1176 Studio Compressor Pedal

Tester

Whirly Verb’s MODULATION function lets you take that perfect reverb and thicken, twist and turn it to sound like something strange is going on... Combined with the REVERB and DECAY controls, MODULATION offers you a world of strange reverb sounds that will inspire your creativity and fascinate your audiences.

T-Rex

Demo by Pedal des Tages

Review by Mike B, pedal-of-the-day.com

Review by Jordan Wagner, premierguitar.com

Manual

Demo by Pedal of the Day

Whirly Verb

GREGORY GUENEAU

DAS ABELHA BIETET DREI VERSCHIEDENE FUZZ-ARTEN ÜBER EINEN KIPPSCHALTER IN DER MITTE DES PEDALS. „POLEN“ LIEFERT EINEN SCHLAGIGEN UND SPITZIGEN TON, DER AN EINE LEERE BATTERIE IM GERMANIUM-FUZZ-STIL ERINNERT. „NECTAR“ BIETET EINE RUNDE UND RIESIG KLINGENDE FUZZY-OPTION, WÄHREND „HONEY“ EINE ETWAS GEDÄMPFTERE VERSTÄRKUNG MIT BEEINDRUCKENDER VIELSEITIGKEIT BIETET. DIE „BUZZ“- UND „LOUD“-REGLER PASSEN FUZZ UND LAUTSTÄRKE AN, WÄHREND DIE „HI“- UND „LO“-REGLER EINE VIELSEITIGE REICHWEITE BIETEN, UM IHREN EQ PERFEKT ZU GESTALTEN.

TAUCHEN SIE MIT DEM „TROPICAL MODE“ IN PSYCHEDELISCHE Sphären ein, EINEM HOCHPASSFILTER, DER SIE DIREKT IN DIE TROPEN ENTFÜHRT. AKTIVIEREN SIE IHN DURCH DOPPELTIPPEN AUF DEN FUSSSCHALTER ODER HALTEN SIE IHN FÜR EINE KURZE KLANGERFAHRUNG HALT. DREI FUSSSCHALTERPROFILOPTIONEN ERMÖGLICHEN IHNEN, DIE TEMPOÄNDERUNGEN FÜR DIE KURZE FUNKTION NACH IHREN WÜNSCHEN ANZUPASSEN.

THE ABELHA OFFERS THREE DISTINCT FLAVORS OF FUZZ VIA A TOGGLE SWITCH AT THE PEDAL'S CENTER. "POLEN" DELIVERS A SAGGED AND SPITTY TONE REMINISCENT OF A DYING BATTERY ON A GERMANIUM FUZZ STYLE. "NECTAR" PROVIDES A ROUND AND HUGE-SOUNDING FUZZY OPTION, WHILE "HONEY" OFFERS SLIGHTLY MORE CONTAINED GAIN WITH IMPRESSIVE VERSATILITY. THE "BUZZ" AND "LOUD" CONTROLS ADJUST THE FUZZ AND VOLUME, WHILE THE "HI" AND "LO" CONTROLS PROVIDE A VERSATILE RANGE TO SHAPE YOUR EQ TO PERFECTION.

DIVE INTO PSYCHEDELIC REALMS WITH THE "TROPICAL MODE", A HIGH-PASS FILTER THAT TRANSPORTS YOU STRAIGHT TO THE TROPICS. ACTIVATE IT WITH A DOUBLE TAP ON THE FOOTSWITCH OR HOLD IT FOR MOMENTARY SONIC EXPLORATION. THREE FOOTSWITCH PROFILE OPTIONS ENABLE YOU TO ADJUST THE TEMPO CHANGES FOR THE MOMENTARY FUNCTION TO YOUR LIKING.

Beetronics

Review by bonedo

Review by Guitar World

Demo by TheGuitarGeek

Abelha Tropical Fuzz

The beauty of the RAT2 lies in its versatility.  Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads.  Do you have a powerful amp with too much headroom for the gig?  Let the RAT2 be your dirty channel.  Maybe you already love your amp’s distortion.  Use the RAT2 as a boost for solos and get the extra kick you need.
The RAT2 features the legendary RAT filter control.  Turn it to the right to roll off brittle high-end frequencies.  Having trouble cutting through the mix?  Turn it to the left and allow the natural brightness of your instrument to shine through.

ProCo

Review by the JHS Show

Review by delamar

Review by Guitar Chalk

Demo by intheblues

Demo by PMTVUK

Rat 2

Seung Ra

Das A.C.P Ham Multidimensional Reverb ist ein digitales Reverb-Pedal, das in Zusammenarbeit mit dem renommierten Gitarristen Andrew Cashen (A.C.P) entwickelt wurde. Die Schaltung basiert auf einem DSP-Algorithmus, der dichte, atmosphärische Texturen erzeugt, die über den Standard-Hall hinausgehen. Es bietet vier Hauptregler für Mix, Decay, Tone und einen speziellen "Dimension"-Regler zur Modulation der Reflexionsdichte. Das Design wurde darauf ausgelegt, sowohl subtile Räume als auch endlose, oszillierende Klanglandschaften ohne digitalen Schärfegrad zu ermöglichen. Gefertigt in kleinen Serien, zeichnet es sich durch ein hochwertiges, pulverbeschichtetes Gehäuse und ein True-Bypass-Schaltsystem aus. Das Pedal ist besonders für Ambient-Musiker und Sound-Designer konzipiert, die eine charakterstarke Alternative zu Mainstream-Reverbs suchen.

The A.C.P Ham Multidimensional Reverb is a digital reverb pedal developed in collaboration with acclaimed guitarist Andrew Cashen (A.C.P). The circuit is based on a DSP algorithm designed to create dense, atmospheric textures that push beyond standard reverberation. It features four primary controls for Mix, Decay, Tone, and a unique "Dimension" knob to modulate reflection density. The design was engineered to provide everything from subtle rooms to infinite, oscillating soundscapes without digital harshness. Built in small batches, it features a high-quality powder-coated enclosure and a true-bypass switching system. The pedal is specifically tailored for ambient musicians and sound designers seeking a characterful alternative to mainstream reverb units.

A.C.P

Ham Multidimensional Reverb

Provides natural wave and thick vivration, while taking over the REAL of PB-1. Switchable three mode allow you to choose from two different phase effects and high quality vivrato. Useful low-noise vivration for many different scenes.

Sobbat

Demo by Iga Massardi

PB-2

ch ray

Entwickelt aus unserer Flaggschiff-Starlight Echo Station, bringt das Orion Tape Echo die magischen, sanften Delay-Effekte der klassischen 70er-Jahre Maestro Echoplex EP-III Tape-Delays in einem eleganten, kompakten Format.

Emerging from our flagship Starlight Echo Station, Orion Tape Echo gives you the magical hazy delay effects of vintage ’70s Maestro Echoplex EP-III tape delays, in a classy, compact package.

Review by Gearnews

Manual Page

Orion Tape Echo

The Type One is a stereo analogue chorus ensemble effect.  It is loosely modelled around the DNA of the true sultan of chorus, the Boss CE-1 from the mid-1970s.  Both use a very unique LFO waveform unlike any other chorus or vibrato pedal.  Like the CE-1, the sound quality is ethereal and encompassing, especially when listened to in stereo.  It also does that John Frusciante thing.

The Type One has been finely tuned to give maximum clean headroom, so even a strummed bass, a synth, or a humbuckered guitar won't hit the stops.  Likewise, if you are a low frequency warrior, the Type One won’t rob you of Lo Hz.  The Type One features a very low quiescent noise floor, so it is as equally at home in a studio as in front of a cranked amp on a festival stage. 

Horrothia Effects

Demo by Ambient Endeavors

Demo by  Anne Sulikowski

Review by reddit /guitarpedals

Review by Pedal of the Day

Review by Gigs and Guitars

Review by The Gear Page

Type One

Der Milkman ist eine Kollaboration zwischen Josh Scott von JHS und Tim Marcus of Milkman Sound. Das Konzept ist einfach: ein einzelnes Pedal, dass dir ein Echo/Slap Delay und Boost bietet, dass du als Immer-an Klangverbesserer oder Overdrive für niederwattige Amps nutzen kannst. Zur Rechten hast du hier einen diskreten Verstärker-basierten Boost Schaltkreis mit Tonnen an Power und Charakter. Zur Linken liegt dir hier ein Echo/Slap Delay zu Füßen, designt um wie ein Hybrid aus Tape Echo und Eimerketten Delay zu klingen.

The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. The right side of the pedal is the boost side - a discreet amplifier based circuit with tons of power and character. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay.

Official Product Page

JHS The Milkman Slapback Echo and Boost Demo by Pro Guitar Shop

JHS The Milkman - Livingroom Gear Demo

JHS The Milkman - Video Demo by Pedal of the Day

JHS Pedal The Milkman Test by Bonedo - DE

JHS Pedals, VCR (Featuring the Pulp'N'Peel, Milkman, Colour Box 500)- Official Bass Demo

Milkman

Das Electro Harmonix Oceans 12 ist ein Stereo-Reverb-Pedal, das, wie der Name schon erahnen lässt, mit gleich 12 verschiedenen Reverb-Modi den Spieler beglücken möchte. Damit hat das Oceans 12 im Gegensatz zum seinem ebenfalls von uns getesteten Vorgänger, dem Oceans 11, noch einen Algorithmus mehr an Bord. Viel entscheidender ist aber die Möglichkeit, gleich zwei Reverbs parallel oder in Serie zu schalten, und das in Stereo.

The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect.

The Oceans 12’s reverbs are:
• ROOM – two modes: reverb algorithms modeled after a lively room and a spacious performance hall
• SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the spring algorithm from the EHX Holy Grail
• PLATE – two modes: two emulations of the smooth, metal plate reverb often used in high-end recording studios during the 1960s and ‘70s
• REVERSE – two modes: a reverse reverb effect as well as true reversed echoes
• ECHO – three modes: a digital delay with various echo rhythms feeding into a plate reverb
• TREM – three modes: a classic, periodic volume envelope with various shapes applied to both the wet and dry mix of a hall reverb
• MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
• DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
• AUTO-INF – three modes: auto-infinite reverb (w/optional chorus or flange) that “listens” to your playing and crossfades to a new reverb wash upon detection of newly struck notes.
• SHIMMER – two modes: two configurations of a rich octave-shifted reverb wash
• POLYPHONIC – two modes: two configurable bi-directional pitch shifts that add dimensionality to the reverb tail
• RESONANT – two modes: reverb excited by tunable resonators and configurable self-oscillating filters on the reverb tail

2 simultaneous, independent, stereo reverb engines
Series and parallel control for the dual reverbs
24 presets
Stereo in/out or mono send/return with pre and post reverb options
Tide Control for stereo image alteration
Lo-fi Control
Infinite attenuation control
Tap tempo to set your pre-delay time, echo time and more
Input jack for external expression and 3-button footswitch control
Power supply included

Electro-Harmonix

Product Page 

Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo  

User Manual

Demo by Premier Guitar 

Oceans 12 Dual Stereo Reverb

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Ronald Westland

Das UAFX Lion '68 Super Lead Amp Pedal liefert die klassischen britischen Verstärker-Sounds, die von legendären Künstlern wie Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC und vielen anderen berühmt gemacht wurden.

Lion '68 ist das einzige Pedal, das die originalgetreuen Sounds von drei verschiedenen 100-Watt-Plexi-Verstärkern liefert. Dank der leistungsstarken Dual-Engine-Verarbeitung und der erstklassigen UAD-Modellierung erhältst du die großartigen Cleans, den aggressiven Breakup und das heiße Röhren der Originale.

The UAFX Lion '68 Super Lead Amp pedal gives you the classic British amp sounds made famous by decades of legendary artists including Jimi Hendrix, Van Halen, Led Zeppelin, AC/DC, and more.

Lion '68 is the only pedal that delivers the dead-on tones of three distinct 100-watt plexi amplifiers. Built on powerful dual-engine processing and world-class UAD modeling, you get all the gorgeous cleans, aggressive breakup, and hot-rodded roar of the originals.

Demo by Guitar Bonedo

Review by That Guitar Lover

Lion 68 Super Lead Amp

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

Case to go

ivan  gomez

Tone is more than just guitars, amps and pedals; but the voice of the player. Once your core elements are brought together, you can refine your sound or even push it to a whole new level. 
This is Zenith: a powerful EQ, Boost, and Compressor delivered in one compact and incredibly flexible package. From subtle tone shaping and compression that is felt and not heard, through to extreme sound sculpting and sustain beyond the natural realm, Zenith’s three circuits cover it all. Digitally controlled switching then allows the 100% analogue EQ and Compression circuits to be accessed independently, all via one OptoKick footswitch. 

Hamstead

Review by Talk Bass.com

Review by Electric Guitar Review

Demo by R.J. Ronquillo

Demo by Living Room GD

Zenith Amplitude Controller

David Litaba

This 10 band EQ e ect pedal is suitable for both Bass and Guitar, the frequency band ranges from 31.25Hz to 16kHz, including 4-string, 5-string Bass and 6-string, 7-string Guitar. On the pedal’s right side, there is an independent Volume Control Knob, and the related LED lights on each knob lights accordingly.

YUER

YF-40 10 Band EQ Guitar Effect

Romain Gasseau

Einer der beliebtesten Echo-Effekte aller Zeiten - das Roland RE-201 Space Echo - als BOSS RE-20 Twin Pedal wiedergeboren! Roland und BOSS haben jedes klangliche Detail des Originals präzise reproduziert. Erlebe den legendären Band-Echo-Sound des RE-201 in der modernen, kompakten und wartungsfreien Version!

One of the most beloved echo effects ever made, the Roland RE-201 Space Echo, has been reborn as the BOSS RE-20 Twin Pedal! Roland and BOSS have recreated every sonic detail and nuance of the original. Experience the legendary tape-echo sound of the RE-201, and get “lost in space” with this retro-modern marvel.

BOSS

Review by Music Radar Team

Review by Robby Mildenberger, bonedo.de

Review by Max Lorenz, amazona.de

Demo by audiotech vr

RE-20 Space Echo

Michael Doyle

Updated for 2023! We have gone back to the drawing board with the Wildwood Mjolnir to get it even closer to Zach’s personal Klon Centaur. When the Wildwood Mjolnir was released it was our attempt to make the best “Klone” possible and after getting a real unit we learned so much sonically that we revised the design to closer emulate the tones that were in that fabled silver box. Flash forward to the 2023, we re-evaluated the sonic differences between our Mjolnir and the original unit and decided we could get them even closer sonically and improve production woes.

Mythos Pedals

YouTube Channel

Facebook Page

Instagram Page

Demo by Wildwood Guitars

Wildwood Mjolnir

Mariano del Moral

The Cali76 FET Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 FET Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

Origin Effects

Review by Compressor Pedal Reviews

Review by OVNI LABS

Manual download

Cali76 Fet Compressor (Brushed Aluminium)

Tavish Stone

The LIGHT Pedal combines all the best features of a classic spring reverb with an innovative infrared optical sensor system and a unique effects section. Create countless new types of reverb textures that have never been possible before.

Gamechanger Audio

Game Changer Light Pedal Review by Ricky Tinez

Game Changer Light Pedal Demo by Game Changer Audio

Game Changer Light Pedal Review by 60 Cycle Hum

Game Changer Light Pedal Review by Andertons 

Review by MOD WIGGLER

Review by Premier Guitar

Review by Sound on Sound

Light Pedal

Die British Pedal Company Compact Series BPC Rush Pepbox ist eine kompakte, moderne Nachbildung der Original Pepbox, die 1965 von Pepe Rush für WEM entwickelt wurde. Das Original-Pedal wurde von John Lennon in den Abbey Road Studios während der Revolver Sessions verwendet und ist auf vielen Fotografien aus der Zeit zu sehen. Die Compact Series BPC Rush Pepbox verfügt wie das Original über 2 Germanium ACY41-Transistoren.

The British Pedal Company Compact Series BPC Rush Pepbox is a compact, modern replica of the original unit designed by Pepe Rush for WEM in 1965. The original pedal was most famously used by John Lennon at Abbey Road Studios during the Revolver Sessions and can be seen on many photographs from the period. The Compact Series BPC Rush Pepbox features 2 Germanium ACY41 transistors as per the original unit.

British Pedal Company

British Pedal Company - Rush Pepbox Vintage Series & Rush Pepbox Compact Series - Deutsch -  W-Music Distribution

British Pedal Company - Rush Pepbox Vintage Series & Rush Pepbox Compact Series - English - W-Music Distribution

Compact Series BPC Rush Pepbox

Das JHS Kodiak Tremolo Pedal ist das nächste JHS-Pedal in der Tap-Tempo-Serie mit allem, was man braucht, um den größten Tremolo Growl zu erzeugen, welchen man jemals gehört hat! Der Kodiak hat fünf einfache Controls: Volume, Speed, Mix, Ratio, und Wave. Basierend auf den klassischen Vox- und Black Face-Tremolo-Sounds, bringt der Kodiak Vintage-Tremolo in die moderne Ära, mit vier verschiedenen Wellenmustern, Onboard Tap-Tempo und Tap-Tempo Unterteilungen, um dir volle Kontrolle und viel Inspiration zu geben. Mit all den Eigenschaften des braunen Bären, kannst du dich mit einem Topf Honig hinsetzen und dir viel Zeit mit deinem neuen Bärenfreund nehmen, um  heurauszufinden was er alles zu bieten hat! Der Kodiak verfügt auch über eine Tap / Expression-Buchse auf der rechten Seite des Pedals. Schließe ein externes Tap-Tempo oder ein Expression-Pedal an, um die Geschwindigkeit des Tremolos zu steuern. Wähle entweder TAP oder EXP über den Schalter auf der linken Seite des Kodiak und lass deinem Tone eine bärenstarke Umarmung verpassen!

The JHS Pedals Kodiak Tremolo is the next JHS pedal in their tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard! The Kodiak has five simple controls: Volume, Speed, Mix, Ratio, and Wave. Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. With all the features brown beast bears, you can sit down, grab a jar of honey, and spend lots of time with your new bear-friend to really get to know what he has to offer! The Kodiak also features a Tap/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak and let it give your tone a bear hug!

JHS Kodiak demo by Rabea Massaad

JHS Kodiak tremolo pedal - demo by RJ Ronquillo

"The KODIAK is HERE!" JHS VLOG

JHS Kodiak - Review by Gitarre & Bass [DE], [06-2019]

JHS Kodiak - Review by Bonedo [DE]

Kodiak Tremolo

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Das Electro-Harmonix Sovtek Deluxe Big Muff Pi ist ein umfassendes Fuzz-/Distortion-Pedal, das die charakteristischen Klänge der "Civil War"- und "Tall Font" Green Russian Big Muffs mit fortschrittlichen klangformenden Funktionen kombiniert. Die Schaltung bewahrt das gewaltige Bassfundament und die klaren Höhen der alten Sovtek-Geräte und fügt eine fußschaltbare parametrische Mitten-EQ-Sektion mit einstellbarer Frequenz und Q-Bandbreite hinzu. Ein integriertes Noise Gate mit einstellbarem Schwellenwert hilft dabei, das Rauschen bei hoher Verstärkung zu kontrollieren, und ein Blend-Regler ermöglicht das Mischen des Direktsignals mit dem Fuzz, was besonders für Bassisten von Vorteil ist. Das Pedal verfügt außerdem über einen "Wicker"-Schalter zur Verbesserung des Hochfrequenz-Attacks sowie einen Eingang für ein Expression-Pedal für Frequenz-Sweeps in Echtzeit. Diese Kombination aus klassischem Analog-Sound und modernem Nutzen macht es zu einer der vielseitigsten Iterationen des Big-Muff-Designs.

The Electro-Harmonix Sovtek Deluxe Big Muff Pi is an expansive fuzz/distortion pedal that integrates the signature tones of the "Civil War" and "Tall Font" Green Russian Big Muffs with advanced sound-shaping features. The circuit maintains the devastating low end and crisp highs of the vintage Sovtek units while adding a foot-switchable parametric Mids EQ section with adjustable frequency and Q bandwidth. A built-in noise gate with an adjustable threshold helps manage high-gain hiss, and a Blend knob allows for mixing the dry signal with the fuzz, which is especially beneficial for bass players. The pedal also features a "Wicker" switch to enhance high-frequency attack and an expression pedal input for real-time frequency sweeps. This combination of classic analog grit and modern utility makes it one of the most versatile iterations of the Big Muff design.

Demo by Sound Affects

Review by Bass Player

Sovtek Deluxe Big Muff Pi

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Peter Francis Dimayuga

Multifunctional, 2-in-1, work as tuner as well as power supply.
Scientific and rigorous tuning program to make tuning more accurate and stable.
With eight isolated outputs, can power eight 9V pedals simultaneously - 6 for 100mA, and 2 for 500mA.
Compact and portable design, easy to carry along.
True bypass design, minimizes tone loss and get more control of your pedal.

Caline

Demo by Rig Hustle

Tuner Power CP-09

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Louis Springer

Mit dem Harley Benton Power Plant ISO-2 Pro hat die Thomann-Hausmarke eine Mehrfach-Stromversorgung für Effektpedale im Portfolio, die insgesamt 2000 mA an Strom liefern kann und somit sehr gut für hungrige Digitalpedale geeignet ist. Die Ausgänge sind alle galvanisch voneinander getrennt, dazu ist das Gerät auch noch klein und leicht.

No matter how great the effects on your pedal board are: If the power supply is not up to the job, your set-up is a ticking time bomb. To guard against nasty surprises in the practice room and on stage, we developed the PowerPlant ISO-2 Pro. This multi-output PSU offers you 8 isolated, filtered and short-circuit-protected power outputs for your effect pedals that eliminate noise and hum. Each output has its own status LED. Two outputs deliver 9/12/18 V DC at max. 500 mA, while the remaining six outputs offer 9 V DC at max. 300 mA (individually isolated). A comprehensive assortment of cables is also included: Eight single cables (60 cm in length, 5.5 x 2.1 mm coaxial plug on both ends) and one Y-cable (voltage doubler, 30 cm in length, one 5.5 x 2.1 mm coaxial plug on one end, two 5.5 x 2.1 mm coaxial plugs on the other end).

Harley Benton

Demo by leothemetal 

Demo by Duesenberger

Demo by  Ginger Lefty Guitar

Demo by The Bedroom Rocker

Review by reddit.com/r/guitarpedals

Review by stinkfoot.se

Review by delamar.fm

Review by bonedo.de

PowerPlant ISO-2 Pro

It’s in that moment when you start playing. You hear the speaker start to rotate and you sense the moving air. With a little growl it becomes magic from that first moment. This is what rotary speaker is about and with VENTILATOR II, you enter a sonic world of absolute perfection - handy, light and absolutely reliable. The best rotary speaker sound you could wish for, now it’s yours!

Neo Instruments

Demo by gearmanndude

Demo by Chris Buck

Ventilator II

Pedal Case für 10-12 FX-Pedal - **635 x 445 mm**

Pedal Case for 10-12 FX-Pedal - **635 x 445 mm**

Das Lutz ist eine äußerst vielseitige, moderne Interpretation einer klassischen Zwei-Transistor-Silizium-Fuzz-Schaltung, die für extremes Tone-Shaping und klangliche Experimente entwickelt wurde. Es verfügt über eine einzigartige 144-Wege-Filtermatrix, bestehend aus zwei 12-stufigen Hochpassfilter-Schaltern (Pre-Fuzz und Post-Fuzz), um den Frequenzgang präzise zu formen. Das Pedal enthält zwei "Curly Cable Simulatoren", um den Höhenabfall verschiedener Kabellängen zu replizieren, sowie einen Voltage-Sag-Regler für Texturen einer "sterbenden Batterie". Drei fußgesteuerte Funktionen umfassen einen Haupt-Relais-Bypass, einen Transistor-basierten Eingangs-Boost/Buffer für zusätzliche Verstärkung und einen "Cap Defeat"-Schalter, der Eigenoszillation und Oktav-Obertöne induziert. Ein spezieller Bias-Regler ermöglicht den Übergang zwischen glattem, anhaltendem Fuzz und gegateten, klettverschlussartigen Klängen. In Großbritannien handgefertigt, ist das Gerät in einem kompakten Gehäuse mit oben montierten Buchsen und einem militärtauglichen Fußschalter im Arcade-Stil untergebracht.

The Lutz is a highly versatile, modern take on a classic two-transistor silicon fuzz circuit, designed for extreme tone-shaping and sonic experimentation. It features a unique 144-way filter matrix composed of two 12-position high-pass filter switches located pre-fuzz and post-fuzz to precisely sculpt frequency response. The pedal includes dual "curly cable simulators" to replicate the high-frequency roll-off of different cable lengths, alongside a voltage sag control for "dying battery" textures. Three foot-controlled functions include a main relay bypass, a transistor-based input boost/buffer for added gain, and a "Cap Defeat" switch that induces self-oscillation and octave overtones. A dedicated Bias control allows users to transition between smooth, sustained fuzz and gated, Velcro-like breakups. Handmade in the UK, the unit is housed in a compact enclosure with top-mounted jacks and a military-grade arcade-style footswitch.

Lutz

Erfahre mehr über das Type One chorus, vibrato-Pedal von Horrothia Effects auf PedalPedia – der umfassendsten Online-Ressource für Effektpedale ▶️ Offizielle Spezifikationen, Handbücher, Produktvideos und mehr