Tides ist im Grunde ein hochgradig anpassbares „Dirty Reverb. Eine genauere Beschreibung des Pedals wäre ein Atmosphärengenerator, der es dir ermöglicht, perfekte, rauschende Wellen von Reverb zu erzeugen. Normalerweise würde man dir raten, alle Verzerrungen vor dein Reverb-Pedal zu schalten, aber Tides ignoriert diese Konvention und ist so konzipiert, dass es Verzerrung hinzufügt, nachdem dein trockener Signalanteil mit dem Effektanteil gemischt wurde. Dieser Ansatz ermöglicht es dir, übertriebene, fuzzige Klangwände zu erschaffen, durchsetzt mit interessanten Harmonischen und klanglichen Artefakten, die sonst nicht erreichbar wären.


Tides is fundamentally a highly tweak-able dirty reverb. A more accurate description of the pedal would be an atmosphere generator that allows you to craft perfect noisy waves of reverb. Usually you would be advised to place all dirt before your reverb pedal but Tides ignores this convention and is designed to add dirt after your dry signal has been blended with the wet signal. This approach enables you to create over the top fuzzy walls of sound sprinkled with interesting harmonics and sonic artefacts that would not be achieved otherwise.

Holy Island Audio

Product Page

Review by delicious audio

Demo by Strazburg

Official Product Video

Tides v2

Mountain Mover ist eine „Big Muff“-Variante gepaart mit einem Ringmodulator.
Die Idee hinter Mountain Mover war, einen aggressiv klingenden Fuzz für das etwas ausgefallenere Publikum zusammenzustellen, das in Sachen Dirt etwas anderes bevorzugt.

Mountain Mover is a ‘Big Muff’ variant paired with a ring modulator.
The idea behind Mountain Mover was to put together an aggressive sounding fuzz for the weirder crowd who prefer something a bit different when it comes to dirt.

Mountain Mover

ABRACADAVER is a transformer based octave up boost/overdrive pedal.

The main goal I had in mind when developing the ABRACADAVER was to be a simple way of adding a sprinkle of chaos to your other drive pedals. Place it before your fuzz for a fuller, more harmonically rich sound or place it after fuzz to turn it into a wild octave fuzz in the vein of an octavia. It's essentially a real tone messer-upper that takes any drive it touches straight to gross town.

Demo by Theo And His Pedals

Abracadaver

Deforming is a PT2399 based delay with an envelope controlled warp function.

We've all played a show where you get to the end of your set, click on your delay pedal, crank the feedback knob and manically twist the time knob for walls of time bending chaos.

The concept behind Deforming was to make that time knob manipulation possible without having to drop to your knees and put your hands on the pedal. Meaning you can keep playing while the delay signal bends and warps around your playing.

Deforming features an input preamp which can be driven hard to saturate the unit and emulate the preamps of old tape machines. This preamp control also helps you reduce the input volume to balance out the signal when driving the unit with loud dirt pedals.

The warping effect can range from subtle pitch wobbles for shoegazey chord movement through to all out warped chaos at the most extreme settings.

Demo by Fuzz Eater Gear Demos

Demo by Tunnel of Reverb

Deforming

Plague Pit was born after receiving multiple requests to build a pair of Abracadaver circuits into a single box.

Plague Pit expands the regular Abracadaver circuit by taking its internal controls and bringing them to the outside of the pedal. There are independent controls for both Volume and the ‘Clang’ amount of each respective circuit. I have also massively increased the gain of the Abracadaver circuits to drive your amp a little harder (although you can switch back to the regular level of gain via an internal dip switch if you wish.)

The two circuits are wired in series from right to left. This means you can either use the circuits independently or stack them for double the fun. Dial back the volume on your guitar for strange clanging sitar impressions before kicking in the second circuit to completely obliterate your amplifier. With the Clang knobs dialed back it spews forth a thick and sludgy fuzz tone perfect for doom. As you crank the Clang knobs the octave up blends into the signal to drag your guitar to the forefront of the mix when playing with a band.