Dale Price

This is how I would like to have my favourite pedals arranged on a single board.

Telecaster

The Dream Machine

Tone Master Deluxe Reverb

David Litaba

Der TC Electronic PolyTune 2 Pedal Tuner ist ein absolutes Must Have für jeden Gitarristen. Mithilfe der polyphonen Tuning-Engine lassen sich alle Saiten der E-Gitarre gleichzeitig und präzise stimmen. Insbesondere Gitarren mit Tremolo-System sind mittels der polyphonen Funktion leichter zu kontrollieren: Das Spannungsverhältnis aller Saiten zueinander wird sichtbar und die Beeinflussung der übrigen Saiten, wenn man eine Saite stimmt. Darüber hinaus stehen ein klassischer Einzelton-Modus mit Nadelanezeige und ein extrem exakter Stroboskop-Modus mit +/- 1 cent Genauigkeit zur Verfügung. Auch Freunde von Drop- und Open-Tunings kommen mit den passenden Einstellungen auf ihre Kosten. Dank der extrem hellen und großen LED-Anzeige ist der TC Polytune 2 auch bei schlechten Lichtverhältnissen perfekt ablesbar. Als Extra bietet der TC Electronic Polytune 2 außerdem einen 9V-Ausgang zur Stromversorgung weiterer Effektgeräte auf dem Pedalboard.

The TC Electronic PolyTune 2 pedal tuner is an absolute must-have for every guitarist. With the help of the polyphonic tuning engine, all strings of the electric guitar can be tuned simultaneously and precisely. Guitars with a tremolo system in particular are easier to control using the polyphonic function: The tension ratio of all strings to each other becomes visible and the influence on the other strings when one string is tuned. In addition, a classic single-note mode with needle display and an extremely precise strobe mode with +/- 1 cent accuracy are available. Friends of drop and open tunings will also get their money's worth with the appropriate settings. Thanks to the extremely bright and large LED display, the TC Polytune 2 is perfectly legible even in poor lighting conditions. As an extra, the TC Electronic Polytune 2 also offers a 9V output for powering other effects devices on the pedalboard.

TC Electronic

Manual

Review by MusicStore

Product Page

Review by bonedo

Demo by Best Guitar Effects

Demo by Reverb

Polytune 2

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Tester

Electro-Harmonix

95000 Looper

The Blessed Mother V2 births a classic overdrive sound, perfecting that raw, yet velvety tone. The range goes deep and wide thanks to the Immaculator function, which allows you to control the transparency of the drive. Dial in sounds from vintage, Tubescreamer-like grit to a heavenly, transparent boost. The Blessed Mother plays well with others and often enhances other drives in the signal chain. Thanks to a supernatural combination of silicon and germanium diodes, the gain has a warm and sweet character to it, just like you would expect from God's mom. Separate treble and bass controls allow you to really tailor the feel to your liking, but this pedal’s speciality is its powerful midrange that can cut through no matter where on the neck you are playing.

Heather Brown Electronicals

Review by Pedal of the Day

Review by Premier Guitar

Demo by collector//emitter

Demo by Demos In The Dark

Quick Start Guide

The Blessed Mother V2

Beim Hoof Fuzz hat sich EarthQuaker Devices vom klassischen, „russischen“ Big Muff Pi inspirieren lassen. Das Hoof Germanium/Silizium-Hybrid-Fuzz erzeugt ein natürliches und obertonreiches Sustain. Das Klangspektrum reicht von dreckigem Overdrive bis zu monströsem Fuzz. Der Shift-Regler verändert als „Geheimwaffe“ die Frequenz-Ansprache des Tone-Reglers, ausgehöhlt klingende „Scooped-Mids-Fuzz-Sounds“ sind hiermit ebenfalls möglich. Das Hoof Fuzz ist voll analog aufgebaut, verfügt über einen True Bypass und wird in Handarbeit in Ohio/USA hergestellt. Das Hoof V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Hoof Fuzz is based on character of the classic green Russian muff. The Hoof germanium/silicon hybrid fuzz delivers a smooth, natural and harmonically rich sustain. It is capable of creating everything from dirty and organic overdrive to monstrous fuzz madness. The Shift control is its secret weapon of the Hoof. It changes the frequency response of the tone control, primarily on the treble side, making possible hollow sounding “scooped mids fuzz tones”. The Hoof features all analog operation and True Bypass. Hand built in Ohio, USA. The Hoof V2 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices

Official Product Page

EarthQuaker Devices Hoof Fuzz V2 - Official Demo

Review by Music Radar

Review by Guitar Muse

Hoof

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Gustavo Celis

Chroma Console is a flexible multi-effect pedal that takes inspiration from the eccentricity, grit, and lively instability of beloved vintage recording technology, combines it with brand new sounds, and delivers it all through an intuitive user interface that puts wide-ranging sonic experimentation at your fingertips.

Hologram Electronics

Review by musicradar

Review by AMAZONA

Quick Start Manual

Official Product Video

Demo by Mark Johnston

Chroma Console

GREGORY GUENEAU

The origin of the Anasounds Utopia family is as simple as it gets. We wanted a delay with the warmth and musical qualities of a tape echo or a bucket brigade pedal without the loss of treble and the maintenance issues of those classic models. And we also wanted control to face many musical situations.
The Utopia Deluxe is a maxed-out version of the original one with a tap tempo, modulations that are easy to set up and a built-in preamp.

Anasounds

Demo by Jack Gardiner

Demo by bensmithguitar

Review by guitar pedal X

Utopia Deluxe

Das Boss DD-500, ein High End Delay des japanischen Effektgeräte-Herstellers, kann mit 12 Delay-Programmen, 32 Bit/96 kHz Signalverarbeitung, bis zu 297 Speicherplätzen und einem Looper aufwarten und ist mit dieser Ausstattung naturgemäß in einer etwas höheren Preisklasse angesiedelt. Allein diese Eckdaten sind einigermaßen imposant, aber die Marke Boss und der Mutterkonzern Roland haben bereits in der Vergangenheit – zum Beispiel mit dem DD-20, dem Space Echo oder dem Tera Echo – bewiesen, dass man durchaus auch in unterschiedlichen Preiskategorien in der Lage ist, uns Gitarristen mit amtlichen Delay-Sounds zu versorgen.

The Boss DD-500 is one of the few Boss pedals which are, because of their size, less pedalboard friendly. Therefor, it offers up to 10 seconds maximum delay time, tap tempo and tape emulation.
Other features of the stereo pedal that allows to choose a true bypass or a buffered processing, are modulation, expression pedal and midi input.
Furthermore, you can lead different delays (modulation models) on several channels and run the pedal serial as well as parallel.
All things considered, the 9V pedal with integrated looper provides an extremely extensive menu including tone shaping options.
Nevertheless, the Boss DD-500 which is still produced today is not really legendary and its sound is quite sterile. This is why this digital delay is a 3 of 10 on my cult factor scale.

BOSS

Review by Michael Astley-Brown, musicradar.com

Review by Stephan Güte, amazona.de

Review by Thomas Dill, bonedo.de

Demo by ProGuitarShopDemos 

Demo by Leon Todd 

DD-500 Digital Delay

QuickMount Type J1

Pedal-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine Pedale

Pedal Mounting Plate for BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine pedals

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Strymon

Review by Bonedo 

Review by Amazona 

Demo by Pete Thorn

Demo by Andertons Music 

Cloudburst Ambient Reverb

Adrian Zumbrunn

Das Ernie Ball VP Jr 250k kommt mit den gleichen großartigen Eigenschaften wie unser original Lautstärkepedal, allerdings um 22% kleiner. Das im kompakten, robusten und nahezu unzerstörbaren Aluminiumgehäuse untergebrachte Pedal ist perfekt auf passive Audiosignale abgestimmt. Direkt hinter der Eingangsbuchse unterhalb der Wippe wartet ein Micro-Schalter, der die Wahl zwischen zwei voreingestellten Lautstärke-Raten bietet.

The Ernie Ball VP Jr 250k provides all the same great features as our original volume pedal while reducing your footprint by 22%. The VP 250k Jr is perfectly voiced for passive signals and features a compact, rugged design consisting of aircraft grade aluminum housing that is virtually indestructible. Directly behind the input jack under the footplate is a micro taper switch which provides the user two distinct volume swell rates.

Ernie Ball

Demo by Austin Lindsay

Demo by Long & McQuade 

Review by Talk Bass.com

Review by audiofanzine

Review by Ernie Ball Forum

Review by Guitar Space

Volume Pedal Jr. 250K

Mit dem „Cathedral“ erweitert Electro Harmonix deren Angebot an Reverb-Pedalen, welches mit der etablierten „Holy Grail“-Serie bereits ein traditionsreiches Fundament bietet. Auf dieser Basis wurde der „Cathedral“-Reverb entwickelt, welcher insgesamt acht verschiedene Hall-Maschinen in einem Gerät vereint. In Abgrenzung zu den vielen Konkurrenten im Reverb-Bereich sind auch Delays mit an Bord, mit denen sich die Reverbs feedbacken lassen.

Enter the Cathedral and surround your music with the aria of divine presence. True stereo reverbs reveal your inspirations while programmability recalls your spirit of creation. The Cathedral is the performer’s mantra creating the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground.

Review by Jordan Wagner, premierguitar.com

Review by Tom Gatza, bonedo.de

Demo by Reverb 

Demo by DAVEWEINER

Demo by ProGuitarShopDemos

Cathedral

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Simon Lo

Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.

To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

Review by Jan Steiger, amazona.de

Review by Best Guitar Effects 

Big Sky

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Nicholas Howerton

Made for a friend who is actually building this board.

Face Melter 5000 (Don't ask questions :p)

Gilles Peynet

Feel the need to express yourself fully? M-Audio’s EX-P expression controller pedal works with all M-Audio MIDI controllers that have an expression pedal input. A built-in polarity switch insures compatibility with most other brands of controllers and keyboards. Use the EX-P to control any assignable variable MIDI controller value including volume, modulation, panning, filter sweep and more. Durable molded construction with integral cable.

M-Audio

Demo by Rob L

Demo by Stamatis Stabos

Review by reddit /guitarpedals

EX-P

Der Name Orange steht für einen eigenen britischen Ampsound und natürlich ein unverwechselbares Design, das aufgrund der auffälligen, fruchtigen Farbe einen hohen Wiedererkennungswert hat. Effektpedale sind sicherlich nicht die Hauptdisziplin, mit der man die Marke in Verbindung bringt, doch das soll sich wohl ändern, denn 2015 hat Orange zum ersten Mal seit den 60er Jahren einen Schritt in den Bodentretermarkt gewagt.

The Amp Detonator from Orange is the ultimate tool for guitarists who want to use a guitar with two different amplifiers and/or effect chains. Two outputs, each with its own buffer amp, allow the guitar signal to be forwarded alternately or simultaneously, without the need for long cable runs. In addition, a specially developed isolating transformer and a switch for phase reversal ensure noiseless operation without loss of sound.

Orange

Demo by Guitar Interactive Magazine 

Demo by Orange Amps 

Review by Guitar Interactive Magazine 

Amp Detonator ABY

Tavish Stone

 Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to me for a practical solution for this technique– and the Volture was born. 

JHS Volture Manual French

JHS Volture Manual Czech

JHS Volture Manual German 

JHS Volture Manual Polish

JHS Volture Manual Dutch

JHS Volture Manual Englisch

JHS Volture Product Page 

Review by Pedal PCB

Demo by Pedal Stacking

Demo by Tellurite Music Co.

Volture

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

EQ-200 Graphic Equalizer

ch ray

With every AUTO Series pedal, your performance becomes an integral part of the sound effect!
Your touch, playing dynamics, and note choices shape the tones and textures, responding to your performance and evolving in real-time. Hence, the sound design is intricately woven into your musical expression, guiding you on a journey of continuous discovery and wonder.

Customize the adjustments with the DYNAMICS and PITCH knobs and dedicated mode switches. Adjust the DYNAMICS decay time, introduce glide to PITCH tracking, and tailor the response curves to match your playing style and the desired effect. Each of the primary effect knobs is paired with a corresponding smaller adjustment knob, also known as an attenuverter. This allows you to precisely dial in the variation amount and direction for each effect knob independently. Imagine the dynamic possibilities – a loud strum on a guitar can turn one knob clockwise significantly, while only slightly nudging another knob in the opposite direction. Explore the subtleties, from gentle parameter shifts to sweeping, full-parameter transformations.

Gamechanger Audio

Demo by Gear Sounds

Review by The Gear Page

Review by Sound on Sound

Auto Chorus

Gamechanger Audio’s AUTO Series M-Type pedals redefine classic audio effects with
cutting-edge parameter automation - carefully designed to become part of your performance.
Rather than overwhelming you with a variety of pre-made, quirky sounds, we provide you with
the essential toolset: three nuanced algorithms, four vital parameter controls, two exceptionally
precise dynamics & pitch tracker engines, and a set of patching accesories.
With these building blocks and the knowledge contained in this booklet - you will be able to
explore an endless array of sound possibilities. The combinations are virtually limitless, allowing
you to continuously breathe new life into the AUTO REVERB and create soundscapes that
naturally evolve with your playing, offering a unique musical experience every time.

Review by Guitar Bomb

Review by Gearnews

Auto Reverb

To shape the AUTOMATION, you can precisely calibrate both DYNAMICS and PITCH tracking engines – indicated by the led light strips in the patchbay. Furthermore, you can customize the automation with the DYNAMICS and PITCH knobs, along with dedicated switches featuring three distinct modes for both sides of automation. Thereby you tailor the response curves to suit your playing style and the desired automation effect.

The result – an unlimited breadth of touch-responsive effects – orchestrated in real time by the nuances of your playing. 

From subtle, tasteful settings, all the way up to wild experimentation – the AUTO Series is an endless platform for discovery.

Auto Delay

James  Thain

The ProD2 is a high-quality ultra-compact stereo passive direct box that features custom-made Radial transformers. Essentially two ProDIs in one compact enclosure the ProD2 is a great choice for stereo keyboards, DJ equipment and consumer hi-fi systems. Its high-performance transformer has an exceptionally linear frequency response from 20Hz to 18kHz and is able to handle high signal levels without saturation making it ideal for electronic instruments. The ProD2 is housed in an extremely rugged two piece 14 gauge steel enclosure with a book-end designed outer shell that prevents damage to the switches, features a -15dB PAD for high output sources and ground lift switch to troubleshoot noise from ground loops.

Radial Engineering

Demo by Adam Likes to Rock

Review by Gearspace

PRO D2

Lee Atkin

Microcosm ist ein granulares Effektpedal, das Ihren Sound auf neue und aufregende Weise neu arrangiert und interpretiert, indem es eine Vielzahl von Sampling-, Pitch-Shifting-, Delay- und Looping-Techniken einsetzt. Kaskadierende Mikro-Loops können in straffe, mit dem Tap-Tempo synchronisierte Rhythmen eingebunden, in eisige Ambient-Texturen aufgelöst, zu hypnotischen Drones verwoben werden und vieles mehr.

Übersetzt mit DeepL.com (kostenlose Version)

Microcosm is a granular effects pedal that rearranges and reinterprets your sound in new and exciting ways using a variety of sampling, pitch-shifting, delay, and looping techniques. Cascading micro-loops can be locked into tight, tap-tempo synced rhythms, diffused into glacial ambient textures, woven into hypnotic drones, and much more.

Introduction by Hologram Electronics

Demo by David Hilowitz Music

Review by Sound On Sound

Review by Magnetic Mag

Microcosm

rudy iskandar

Pedal Board Power Supply With 8 Isolated Outputs

GATOR

Review by GUITAR WORLD 

Demo by Guitar World 

Power 8

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Luca Silveira

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

My first board - looking for pointers!

Esma

Best Bluetooth Pedal for Live Stage Performance
The AirTurn BT500S Series combines the features and performance of the classic BT200 series. It is created with the look and feel of a traditional stompbox style pedal with optional 9v power supply, making it easy to add to your existing pedalboard. It is built with industrial-grade steel switches, and encased with a nearly indestructible polymer blend that doesn't interfere with the radio signal and still holds up to road wear. Along with the ability to customize computer keyboard and MIDI commands, it’s the perfect app controller for guitarists, bassists, keyboard players, DJ’s, recording engineers, and more!

Airturn

Demo by Ryan Ellis

BT500S-4

Robert Ossenkopp

Clean began its life as a question: Can clean be as fun as dirty?

Developed slowly and through a variety of experiments, Clean explores the wild side of compression and brings the interactivity of distortion circuits to a clean signal. 

Clean is a studio-grade compressor you can turn on its head and push beyond the expected.

It was built to bring the exploratory energy of distortion to the clean performer, from the touch sensitivity of an overdrive to the unwieldy response of a fuzz. Tasteful, musical nuance, tied to your hands.

Chase Bliss

Clean

Habit is a delay with a memory. It stores everything you play for later, so you can revisit and reuse sounds from the past: Gather up loops, design echo patterns, and harmonize with yourself from two minutes ago. 

It’s an effect that can be turned into an instrument on a whim, an evolving paint-splatter of everything you do. Or it could just be a fun echo.

Habit

Chroma Console von Hologram Electronics