The Free The Tone "TRI AVATAR" is a next generation chorus pedal with four signal paths for three chorus sounds (three phases) and one dry signal. In stereo operation the first phase of chorus sound is assigned to the L side, the second phase to the L+R sides, and the third phase to the R side. In monaural operation all of the three phases are mixed together. By mixing three independent chorus sounds the TRI AVATAR adds more width and depth to its output and the result exceeds that which can be achieved by conventional stereo chorus pedals. Problems with usual chorus units such as unintentional pitch changes, sound images with blurred lower end, and noises relating to sweep timing have been solved by combining Free The Tone's analog and digital technologies and with its unique know-how. The result is our completely new chorus pedal that will amaze its users with the various incredible sounds that can be created by a single chorus pedal.

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TA-2H Tri Avatar

As well as great sound quality and durability, a smooth and musical volume change is required in an ideal volume pedal. The Full-Rotation Belt-Drive system in the Free The Tone “DVL-1 series/ Direct Volume" has been newly developed by identifying problems in conventional volume pedals in order to embody this ideal volume pedal.

Unlike usual mechanisms that use a string to rotate a variable resistor, the Free The Tone’s unique Full-Rotation Belt-Drive system adopts a gear and belt mechanism to drive the variable resistor linearly and link pedal operation directly to volume change. Volume is controlled smoothly and musically with smooth rotation and an optimized volume curve. The belt used in this mechanism is reinforced with wires to provide excellent durability and to prevent elongation or breakage from heavy use or aging.

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Direct Volume DVL-1

This is the result of guitarists’ quest for higher expression power not obtainable just from clean tone. The FREE THE TONE GB-1V “GIGS BOSON” has overwhelming expression power that can reproduce the pick angle when the string is plucked and sound changes produced by the touch of the left hand. All of these things are necessary to transform the overtones produced by the strings into sounds and music. The “GIGS BOSON” will provide guitarists with a higher expression ability and new stimuli.

Review by musicradar

GB-1V Gigs Boson Overdrive

Combining FREE THE TONE’s analog and digital technologies and achieving high-speed calculation by using a 32-bit high precision DSP, we have realized a sound quality that far exceeds that of usual pedal type delays.

By concentrating a vast amount of accumulated knowledge of analog and digital technologies into its new product “FLIGHT TIME,” Free The Tone has realized a sound quality that goes far beyond other pedal type delay units. With high-speed calculation performed by a 32-bit high-precision DSP, the FLIGHT TIME pursues sonic quality equal to that of famous classic rack type high quality delay units, without using simulation or modeling. Further, the FLIGHT TIME implements two ground-breaking features: Realtime BPM Analyzer and Delay Time Offset.

FT-1Y Flight Time Digital Delay

At first glance the PA-1Q series look like digital equalizer effects units but are “analog equalizers.” Including I/O sections, the equalizer circuits through which the guitar/bass signals pass are all fully analog and contour the rich tones of your guitar/bass as analog signals. This is the same signal processing method you will find in graphic equalizers with conventional slider volume controls. The PA-1Q series are analog effects units, but the parameter control section is a digital circuit that can precisely store and process the status of various parameters in the digital domain. This enables real-time parameter control via presets and MIDI.

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PA-1QG/PA-1QB Programmable Analog 10 Band EQ

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Free The Tone

TA-2H Tri Avatar

Free The Tone

Direct Volume DVL-1

Free The Tone

GB-1V Gigs Boson Overdrive

Free The Tone

FT-1Y Flight Time Digital Delay

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