By using FTT’s original algorithm, the AMBI SPACE combines various elements to achieve a mechanism for producing complex reverberation, through the use of a 32-bit dual core chip and a 32-bit high precision DSP. While the high quality, natural and musical sounding reverberation realized in this compact device can of course be used for electric guitars and basses, as well as for acoustic guitars and vocals, it is equally at home in other situations, such as recording and mixing.

In FTT’s newly developed and original reverb sounds “CAVE” and “SERENE”, the early reflections and late reverberation are added in multiple steps to realize a complex harmonic structure comprising enhanced frequency components, all of which creates an almost magical, transparent and spatial sounding reverb like you’ve never heard before. These new reverb sounds will stimulate your imagination.

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Ambi Space AS-1R

he FREE THE TONE BASS BLASTER is an overdrive pedal designed especially for basses. The voltage is boosted internally to ±15Vdc in order to easily be able to control the wide dynamic range of the bass guitar. It has excellent touch response that bassists request, and the sound characteristics are not lost regardless of whether the bass is played with a pick or fingers. The pedal creates the fat overdrive sound that most bassists are looking for. Treble and Bass tone controls are perfectly matched to the characteristics of the bass and provide a wide range of tonal adjustment.

Review by Talk Bass

BB-2 Bass Blaster Overdrive

The FREE THE TONE FB-2 FINAL BOOSTER is a full-range booster that can provide +20 dB of boost. It will not degrade the highs and lows of your guitar signal when the effect is turned on and will provide a natural sounding boost without affecting the original tonal characteristics of your guitar or bass. The HTS circuit is also built-in to preserve the sound quality whether the effect is turned on or off. The Final Booster does not reverse phase when the boost is turned on. Although it is not widely known, boosters that employ a single-transistor or FET circuit cause a phase reversal when switched on, and this can cause the sound to drop in level or result in phase cancellation. The Final Booster does not have this problem.

Review by Free The Tone 

FB-2 Final Booster

The FREE THE TONE SC-1 SILKY COMP has succeeded in realizing a natural and smooth sound like a shiny silk cloth by adopting a special soldering process during printed circuit board assembly.

The SC-1 will change the concept of existing compressor pedals. Arpeggios have a flowing, smooth, and natural link between notes, and comping can create sharp grooves. Variations in sound are possible by using the ATTACK control.
The SILKY COMP can be used like a limiter by setting the ATTACK control fully clockwise.

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SC-1 Silky Comp

As well as great sound quality and durability, a smooth and musical volume change is required in an ideal volume pedal. The Full-Rotation Belt-Drive system in the Free The Tone “DVL-1 series/ Direct Volume" has been newly developed by identifying problems in conventional volume pedals in order to embody this ideal volume pedal.

Unlike usual mechanisms that use a string to rotate a variable resistor, the Free The Tone’s unique Full-Rotation Belt-Drive system adopts a gear and belt mechanism to drive the variable resistor linearly and link pedal operation directly to volume change. Volume is controlled smoothly and musically with smooth rotation and an optimized volume curve. The belt used in this mechanism is reinforced with wires to provide excellent durability and to prevent elongation or breakage from heavy use or aging.

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Weitere Pedals von Free The Tone

Free The Tone

Ambi Space AS-1R

Free The Tone

BB-2 Bass Blaster Overdrive

Free The Tone

FB-2 Final Booster

Free The Tone

SC-1 Silky Comp

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