The Vixen is a stunning dimensional overdrive with loads of flexibility and an incredible dynamic range. At its core, The Vixen is based on the framework of our previous pedal, The Foxtail, but is a completely new pedal in almost every way. Featuring a 4148 diode more for more traditional overdrive sounds, The Vixen also features a Nanolog N3 which utilizes “Quantum Tunneling Technology” (yes, you read that correctly) for a completely different experience. This is not just alternate clipping, but is like having two completely different pedals to choose from in one enclosure.  Additionally, the tone control features Treble, Bass, and Presence knobs, which has greatly opened its range and made it extremely precise to dial in exactly what you want.

Foxpedal

Demo by shnobel

Demo by Curtis Kent

Review by guitar pedal X

Product Page

Vixen

The Kingdom combo same amazing overdrive you know and love from the Kingdom, and the earthshaking clean MOSFET boost from the Ebenezer make this one incredibly versatile drive. Now featuring a Focus knob on the boost side to allow you to adjust the bandwidth of frequency range in the boost section. Turn it all the way to the right to push mid/treble frequencies to cut through the mix, or turn it all the way to the left to bring in more bass for a thick, punching wall of sound.

Demo by BUZZBEE TV

Review by reddit /guitarpedals

Kingdom Combo V2

The classic screamer brought to life in a flexible and dynamic package. The City is the dreamer’s screamer. With so much control over the shape of your tone, you’ll grow to love the classic drive circuit like it’s the late 70’s all over again. Without the bell-bottoms.

Review by delicious audio

The City V2

FOR YOUR EYES ONLY: This former fuzz intelligence officer has snuck across our borders and is ready to trade state secrets for its freedom. Bringing with it all the fuzz it could pack in this little case, it packs a punch like no other. Classic Russian muff tones can certainly be had, but that's not what has the Kremlin sweating this breach.

The independent "Pre" linear clean boost pushes the fuzz into full saturation at the touch of a button (notably, it also works standalone, but we really shouldn't leak that little secret to the public at large). Mid tones can be shaped from the full classic mid scoop, through flat mids all the way down to a mid hump.

Classic silicon clipping gives you the breakup you know and love, switch to LED clipping for a more open attack, or (if you dare) go full Red Dawn by lifting the clipping diodes all together. Unbutton the hood and adjust the signal saturation via a trimpot on the PCB. And last but not least, enter the secret code to unlock the fuzz feedback mode -- a highly interactive and dare we say, dangerous, fuzz revolution.

Demo by Coastal Tone

Review by Premier Guitar

Defector

Built using a classic buffer design as seen in the famous Klon Centaur (yeah, there are unicorns inside).

You need a buffer. Really, you do. Every time I hand a musician a buffer pedal, they say "I don't think I need one of those"... then they try it and say "Wow, I can't believe my tone was so bad before, now I know!"

Bottom line is that your guitar pickups weren't made to push a big signal through a long cable to a stompbox that may or may not play nicely with it, through even more stomp-boxes, through another long cable to your amp. The buffer changes everything. Its a subtle effect, but it brings everything to life. Fairy dust. 

K-Buffer