Tim Rilke

Sandbox Pedal Board

David Litaba

Designed with our friends at Pedaltrain®, the Volume (X)8 Pedal allows for the most efficient layouts on Metro Series and other popular pedalboards. Once you're all set up, step on this pedal to create incredibly smooth volume swells or control your favorite FX parameters with the road-proven, patented Low Friction Band-Drive. Internal controls set the expression mode's minimum effect level parameters and the rocker's heel/toe polarity. Features Volume, FX, Output, and Tuner jacks.

Dunlop

Demo by PMTVUK

Official Product Video

Product Page

Review by Guitar World

Review by reddit /guitarpedals

Manual

VOLUME (X) 8 PEDAL (DVP5)

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Branislav Vukobratovic

Die Cioks DC7 Mehrfach-Stromversorgung für Effektpedale stellt im Vergleich zu anderen Geräten dieser Art jeder Menge Energie bereit. Und das in einem flachen Gehäuse, das sogar unter ein Pedaltrain Nano Board passt. Das stattliche Kraftwerk bietet laut Angaben des dänischen Herstellers bei 9 Volt massive 4620 mA Strom und wäre damit rein rechnerisch in der Lage, ca. 577 Tubescreamer-Pedale (!) in Betrieb zu halten.

If you use effects pedals, whether on stage or in the studio, running them from a high-quality power supply is essential to getting the best performance and lowest noise out of them. The best power supplies have regulated, electrically isolated outputs, and that gives the same electrical separation as when running the pedals from batteries — but without the obvious disadvantages! There are several excellent power supplies available that offer such features, but CIOKS have managed to come up with an incredibly compact solution, seemingly without compromising on quality or flexibility.

CIOKS

Demo by The Pedal Zone 

Demo by CIOKS 

Review by

Review by bonedo 

DC 7

Florian Mörk

Der LEHLE P-SPLIT III steht für passives Splitten mit höchster Signaltreue.
Die Anwendungsmöglichkeiten reichen von Splitten und Beseitigen von Brummgeräuschen über Symmetrieren und Reamping bis hinzu Recordinganwendungen.
Das Herz des LEHLE P-SPLIT III bildet der LEHLE TRANSFORMER HZ, der die beiden Ausgänge galvanisch trennt, wodurch du Masseschleifen und Brummen erfolgreich vermeiden kannst. Der LEHLE TRANSFORMER HZ wurde speziell für den Einsatz mit hochohmigen Signalen konzipiert, er splittet aber ebenfalls niederohmige Signale mit kompromissloser Klangqualität. Am ISO-Ausgang kann das Signal wahlweise symmetrisch oder unsymmetrisch abgegriffen werden. Mittels eines goldkontaktierten Phasenumkehrschalters kannst du die Phase des Ausgangssignals am ISO-Ausgang drehen, was verhindert, dass Phasenauslöschungen die Wiedergabe des Signals negativ beeinflussen.

The LEHLE P-SPLIT III combines passive splitting with the highest possible signal fidelity.
Its applications range from splitting signals and eliminating hum, to balancing and reamplification along with any signal routing that requires a clean signal free from noise.
At its core is the high-end LEHLE TRANSFORMER HZ, which galvanically isolates the two outputs, eliminating any possibility of ground loops. The LEHLE TRANSFORMER HZ was specially designed for use with high-impedance signals but also splits low-impedance signals with uncompromising sound quality. The signal can be picked off either symmetrically or asymmetrically from the ISO output.
By using the phase inverter switch with gold-plated contacts you can flip the signal phase at the ISO output, preventing phase cancellation from impairing signal reproduction.

LEHLE

Review by Musiker-Board

P-Split III

Guillaume Tassin de Montaigu

All the same features as the original Zuul® but in mini-form factor!
The mini Zuul®'s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source because of the high quality studio specifications.
Use in front of an amplifier or in a series effects loop. Dual colour LED for visual feedback gating action: Green = Open, Orange = Closed, Off = Bypass.
The KEY input signal can be directly from your guitar (r.e. split from Roach or Spliff) or other signal source which lets you go from clean to high gain without changing the Threshold knob. This powerful feature lets you control the gate with a different signal than what flows through the input/output jacks of the ZUUL®. Side switch (internal jumper on early versions) to change the threshold range to compensate for different input signal levels. Industry standard true bypass switching.

Fortin Amplification

Demo by Peter Geltat

Review by The Gear Page

zuul mini

Tester

Der MXR Vintage Bass Octave bietet die warmen analogen Subbass-Vibes eines klassischen Schaltkreises mit überlegenem Tracking, sauberem Headroom und der Vielseitigkeit, die moderne Spieler verlangen. Er liefert eine beeindruckende Bandbreite an Sounds im leichten, platzsparenden MXR Mini-Gehäuse.

The MXR Vintage Bass Octave upgrades the warm analog sub-bass vibes of a classic circuit with superior tracking, cleaner headroom, and the versatility that modern players demand, delivering an impressive range of sounds in the lightweight, space-saving MXR mini housing.

Review by bonedo

Demo by Janek Gwizdala

Demo by The Bass Channel

Review by Harmony Central

Review by Premier Guitar 

Review by Talk Bass.com

M280 Vintage Bass Octave

ch ray

PLUG IN, DROP OUT
"Macrodosing is when you eat the whole tap of acid, or two or three, let the trip take over"
Works with many instruments including electric guitar, synthesizers, and bass. The new Blend control eliminates a more limited internal toggle switch, in favor of a versatile external control knob.

It’s an analog filter with digital control, BLEND and VOLUME, and the limitless freedom to explore your mind. Includes auto-wah with selectable waveforms, sample/hold functions, step filter, random sample/hold, and even a pixelated filter function.

Steel Panther

Review by delicious audio

Demo by EytschPi42

Macrodose

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Demo by Philip Conrad

Demo by

Capo Preamp

There are few compressors that are more sought after than our yellow box Diamond. This next-gen compressor maintains the classic circuit architecture while increasing range and functionality. The new EQ section allows you to sculpt your tone in the same box that squashes it (that’s a good thing). Furthermore, the attack switch allows you to go from the signature ultra-snappy Diamond comp style all the way to softer transparent compression.

Diamond Pedals

Review by thegearpage

Demo by BassTheWorld

Demo by Pedalboard of the Day

Diamond Bass Compressor EQ

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Roland Schmidt

KORG

Pitchblack X mini

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Mike kam dem Klang und, was noch wichtiger ist, dem Spielgefühl des Amps so nahe wie möglich. Wenn du das MESHUGGAH-Pedal in die Endstufe eines MESHUGGAH-Amps oder in die IR-Sektion der Neural DSP Nameless X Suite spielst, sind die klanglichen Unterschiede extrem schwer zu erkennen.

Mike got as close as he could to the tone, and most importantly, the feel of the amp. If you are to run the MESHUGGAH into the power section of a MESHUGGAH amp, or even into the IR section of the Neural DSP Nameless X suite, the tonal differences are extremely hard to hear.

Review by Music Radar

Demo by Ola Englund

Meshuggah PreAmp

Meshuggah’s legendary guitarist Fredrik Thordendal’s signature 33® pedal is a sonic detonation tool that will transform any gain fueled amplifier into an unrelenting wrecking ball of metal!

At Fortin, we are renowned for chasing only the greatest metal tones imaginable. We have nothing short of lazer focus to develop the most crushing modern guitar tones, tones that are worthy of an artist like Fredrik - to make a pedal he can proudly put his name to.

Through countless hours of research, design, development, prototyping, sampling, planning, reviewing and almost endless tweaking, we are proud to present the Fredrik Thordendal signature 33® pedal!

The boost level control provides up to +22dB of clean boost with added side remote 1/4” jack for channel switching with a mini slide switch. There is no need to tap dance, if you want one channel on your amp boosted and the other not, the 33® changes the channel on your amp and automatically applies the boost.

There are two things to remember when using the 33®. You may not need as much gain as you usually do, as the front of the amp is being hit hard, the gain will be increased the more you open up the 33®.

The 33® has top mounted jacks and DC inlet for tight pedal board mounting applications. Matte black powder coat finish with gloss black screening for a killer blacked out look. As with all Fortin pedals, the 33® is proudly built in North America.

Technical Details:
Built in U.S.A.;
Designed with, and for, Fredrik from Meshuggah;
Highest grade materials selected for superior sound, response and reliability;
Industry Standard 4DPT true bypass mechanical stomp;
9vDC or center-pin negative (fully regulated) external adapter/power supply or battery (not included);
Power draw: 27mA (9v);
Pedal Dimensions (W/D/H): 4.4” x 2.38” x 1.06” (112mm x 60mm x27 mm) excluding knobs and switches;
Shipping Weight: 360g;
Includes Fortin’s limited 1-year warranty;
Ships globally – all published prices are USD

Demo by killertonetexas

33® - FREDRIK THORDENDAL SIGNATURE PEDAL

Treffen Sie das KALI® Pre-Amp / Distortion – die nächste Evolution im Fortin-Ton. Direkt nach den bahnbrechenden NATAS®- und MESHUGGAH-Pedalen ist KALI® die dritte Ausgabe unserer Preamp-Serie und bringt das Feuer unserer legendären Verstärker direkt auf Ihr Pedalboard. Inspiriert vom ikonischen Fortin® CALI® Amp – entstanden aus Mike Fortins langjähriger Amp-Modding-Arbeit (und als Hommage an Jose Arredondo) – fängt KALI® alles ein, von vintage Plexi-Glanz bis hin zu voller moderner Metal-Zerstörung. Mit schaltbaren Gain-Modi (VINT, SAT, RAW), einem drei-stelligen Bright-Schalter pro Gain-Regler und einem aktiven 3-Band-EQ bietet KALI® eine Klang-Universum an Ihren Füßen. Hergestellt in den USA mit hochwertigen Materialien und True-Bypass Relais-Schaltung.

Meet the KALI® Pre-Amp / Distortion – the next evolution in Fortin tone. Hot off the heels of the game-changing NATAS® and MESHUGGAH pedals, KALI® is the third installment in our preamp series, bringing the fire of our legendary amps straight to your pedalboard. Inspired by the iconic Fortin® CALI® Amp — born from Mike Fortin’s deep roots in amp-modding (and a nod to Jose Arredondo’s revolutionary work), KALI® captures everything from vintage Plexi sparkle all the way to full-throttle modern metal mayhem. With switchable gain modes (VINT, SAT, RAW), a three-position Bright switch for each gain control, and an active 3-band EQ, KALI® puts a universe of tones at your feet. Built in U.S.A with highest-grade materials, and featuring true bypass relay switching.

Review by Premier Guitar

Manual on Product Page

Kali

Many Fortin amps have achieved legendary status over the years - but only one has had players constantly talking, constantly chasing, constantly looking to recreate its legendary tone.

We wanted players to be able to get that tone from their own rig, be able to drop it right in and feel the brutal power, articulation and depth of gain that made the NATAS amp the legend it is.

A staggering feat of engineering, a sound and response never experienced from a gain pedal includes cascading gain stages, a perfectly placed 3 band active EQ, additional Kill gain boost and a Mid Shape (scooped or humped) tone shaper, ensures that the NATAS Distortion brings the authentic Fortin tone to a dirt pedal, for the very first time.