Adrielle Machaer Suryantoro

Les Paul (magnetic output)

Les Paul (GK output)

New Pedal Board

Maz 18

Jazz Chorus JC-40 (L)

Jazz Chorus JC-40 (R)

K12.2

Tester

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

BOSS

Product Page

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Manual

Demo by Rabea Massaad

Official Product Video

EQ-200 Graphic Equalizer

Chad Penfold

Der GM-800 hebt die Gitarrensynthese in ein neues Zeitalter natürlicher Spielbarkeit und grenzenloser kreativer Bandbreite. Angetrieben von der neu entwickelten Serial GK-Schnittstelle erschließt die fortschrittliche ZEN-Core-Engine jeden erdenklichen Sound – von akustischen Instrumenten bis hin zu klassischen und modernen Synthesizern –, während der Hochleistungs-DSP eine Tracking-Stabilität und einen Ausdrucksspielraum bietet, die noch nie zuvor möglich waren. Kombinieren und bearbeiten Sie Töne frei mit dem intuitiven Szenen-Workflow, färben Sie Sounds mit einer riesigen Auswahl an Effekten und erkunden Sie ein Universum neuer Inhalte in Roland Cloud. Der GM-800 ist kompakt, stromlinienförmig und äußerst vielseitig und verleiht Ihrer Gitarre oder Ihrem Bass unbegrenztes musikalisches Potenzial.

The GM-800 elevates guitar synthesis into a new age of natural playability and boundless creative range. Driven by the newly developed Serial GK interface, the advanced ZEN-Core engine unlocks any sound imaginable—from acoustic instruments to classic and modern synths—while high-performance DSP delivers tracking stability and expressive scope never before possible. Freely combine and edit Tones with the intuitive Scene workflow, color sounds with a huge selection of effects, and explore a universe of fresh content on Roland Cloud. Compact, streamlined, and ultra-versatile, the GM-800 infuses your guitar or bass with unlimited musical potential.

Demo by

GM-800

Greg Dunn

Der neue Maßstab für das, was ein Hallpedal leisten kann, ist da.
Im BigSky MX trifft rohe Rechenleistung auf innovatives Design und vollendete klangliche Handwerkskunst, um Ihnen wahrhaft erhabene Hallklänge mit atemberaubender Fülle und Komplexität zu bieten.
Das sind Klänge, die zu neuen kreativen Werken und endlosen Stunden des Spielens inspirieren.

Das BigSky MX verfügt über eine atemberaubende Rechenleistung – es nutzt einen leistungsstarken Tri-Core-ARM-Prozessor mit 800 MHz –, die ganz der Erzeugung wahrhaft atemberaubender Hallklänge gewidmet ist. Unsere neuen Hallalgorithmen wurden sorgfältig von Hand entwickelt, und anschließend wurde ein hochmoderner Gradientenabstiegs-Optimierungsalgorithmus eingesetzt, um unerwünschte Nachhallgeräusche oder Artefakte zu beseitigen. 

The new pinnacle of what a reverb pedal can be has arrived.
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.
These are sounds to inspire new creative works and endless hours of playing.

BigSky MX features a staggering amount of computing power — it uses a high performance tri-core 800 MHz ARM processor — all dedicated to producing truly breathtaking reverbs. Our new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. 

Strymon

Review by Synth Anatomy

Review by musicradar

Demo by Pete Thorn

Demo by Andertons Music Co

BigSky MX

Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

Empress Effects

Review by Gearspace

Manual download

Demo by Liam Killen

Demo by Knobs

Echosystem

David Litaba

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Review by bonedo

H90 Harmonizer®

The Zuul®+ takes everything that made the original Zuul® legendary and adds multiple new, essential, features. The first thing we wanted to do was expand the ‘Key In’ functionality (that makes the gate active after OD/Boost pedals, reacting to the pure guitar signal), Zuul®+ now boasts a ‘Key Thru’ (complete with ground lift switch), that eliminates the need to split the signal externally. We have also added all new Hold and Release controls that give you everything you need to ensure you have pristine gating response in your rig.

Fortin Amplification

Demo by Professor Killertone

ZUUL+

RockBoard

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks 

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Product Page 

Pharaoh

Dieses „BE“ Dual-Overdrive-Pedal fängt den Klang des mittlerweile legendären Friedman BE-100 Verstärkers ein, der die Bühnen weltbekannter Musiker auf der ganzen Welt ziert. Das ursprüngliche Friedman BE-OD Single-Channel-Pedal eroberte die Branche im Sturm. Zehntausende Pedale wurden weltweit verkauft und es ist immer noch sehr beliebt! Dieses neue BE-OD Deluxe-Pedal verwendet genau denselben Schaltkreis, verfügt jedoch über einen weiteren Kanal und zwei Mittenregler. Die obere Reihe (Kanal 1) ist identisch mit dem ursprünglichen BE-OD-Pedal, während Dave die untere Reihe (Kanal 2) mit etwas geringerem Gain abgestimmt hat. Mit zwei „BE“-Kanälen in Ihrem Arsenal können Sie sowohl Ihre Rhythmus- als auch Ihre Lead-Sounds perfekt einstellen. Das BE-OD Deluxe liefert authentischen Röhrenverstärkersound mit den Reglern, die Sie zur Gestaltung Ihres Sounds benötigen. Zu den Reglern gehören: 3-Positionen-Tight-Schalter, Lautstärke, Gain, Bass, Mitten, Höhen und Presence. Mit diesen reaktionsschnellen Reglern gelangen Sie von milden Overdrives bis hin zum absoluten Gain-Nirvana. Das BE-OD Deluxe wird in den USA hergestellt und ist so konstruiert, dass es jahrzehntelangem Gebrauch standhält. Es ist ein Muss für jeden Ton-Enthusiasten.

This "BE" dual overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier, which has graced the stages of world class musicians the world over.  The original Friedman BE-OD single channel pedal took the industry by storm. Tens of thousands of pedals sold worldwide and it's still going strong!  This new BE-OD Deluxe pedal employs the exact same circuit but adds another channel and dual midrange controls. The top row (Channel 1) is identical to the original BE-OD pedal while Dave voiced the bottom row (Channel 2) with slightly lower gain.  Dual "BE" channels in your arsenal allow you to perfectly set both your rhythm and lead sounds.  The BE-OD Deluxe delivers authentic tube amplifier sound with the controls needed to shape your tone. Controls include: 3 position tight switch, volume, gain, bass, middle, treble and presence knobs.  These responsive controls will take you from mild overdrives to straight up gain nirvana.  Built in the USA and designed to withstand decades of abuse, the BE-OD Deluxe is a must have pedal for any tone enthusiast.

Friedman

Review by Bonedo 

Demo by PMTVUK 

Demo by Pete Thorn 

BE-OD deluxe

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Heitor Rosa

The Gladio is specifically designed to help worldwide Robben Ford fans to reach his fabulous Dumble tone. You will not only get a similar tone but you’ll find renewed inspiration and ideas thanks to Gladio’s exceptional touch sensitivity and amp-like feel.

Cornerstone Music Gear 

Review by delicious audio

Review by The Gear Page

Demo by Kris Barocsi

Demo by Shawn Tubbs

Demo by That Pedal Show 

Gladio

The Protein is based around modified versions of two well-respected drive pedal circuits: the ‘Blue’ side is based on a 1990’s Marshall Bluesbreaker but has a tweaked tone control and extra output, while the ‘Green’ side takes its cue from that Nashville session favourite the Nobels ODR-1. 

Browne Amps

Review by ThatGuitarLover.com 

Review by Guitar World 

Demo by Alberto Barrero

Demo by Buddy Blues 

Protein

The Cali76 Compact Deluxe is an all-analogue recreation of the legendary Urei® 1176® studio compressor, with an unmistakable sound heard on countless classic albums. This studio-grade FET compressor uses Class-A, low-noise circuitry and a dedicated parallel compression control to bring your favourite recorded guitar tones to your pedalboard.

Origin Effects

Review by that guitar lover

Review by Sound on Sound

Demo by Living Room GD

Demo by Sweetwater

Cali76 Compact Deluxe

Sean Sheppard

Vertex Effects

Buffer Interface

Nick Morgan

The Mastermind PBC/10 is our first switching unit designed for use on a pedalboard. This product combines best of all of the products we’ve done over the years into one compact and powerful unit. This gives for the first time, the power and flexibility of a rack switching system – on a pedalboard!

We’ve designed the Mastermind PBC/10 to get the most out of pedalboards that include MIDI controllable pedals like those made by Eventide, Line 6 and Strymon. Not only does the PBC/10 handle all of the audio routing and switching, but also its comprehensive MIDI features allow complete control over these pedals.

RJM Music Technology

Review by Music Players

Review by Premier Guitar

PBC/10

Der LEHLE Sunday Driver ist ein kompaktes, hochwertiges Vorverstärker / Buffer / Booster-Gerät für E- und Akustik-Gitarre, Bass oder andere Saiteninstrumente. Er nutzt eine diskrete Class-A JFET-Schaltung und liefert einen sauberen, transparenten Klang mit zwei wählbaren Betriebsarten: „Driver“ (neutraler Boost) und „Sunday“ (hoch-impedante Einstellung, die mehr Details hörbar macht und Wärme hinzufügt). Im Driver-Modus bleibt Signal klar und dynamisch erhalten, auch bei langen Kabelwegen oder komplexen Effektketten; im Sunday-Modus wird die Eingangsimpedanz erhöht, zuvor verborgene Klangnuancen werden hörbar, und der Pegel kann bis zu +18 dB angehoben werden — mit sehr geringem Rauschen und voller Dynamik. Der Pedal kann als Line-Treiber, Kabel-Treiber, Booster oder sogar als DI/Vorverstärker dienen — ideal fürs Studio oder Live-Setup.

The LEHLE Sunday Driver is a compact, high-end preamp/buffer/booster for electric and acoustic guitars, basses or other string instruments. It uses discrete Class-A JFET circuitry offering a clean, transparent sound with two selectable modes: “Driver” (neutral boost) and “Sunday” (high-impedance mode that reveals extra detail and adds warmth). In Driver mode it preserves signal clarity and dynamics even through long cable runs or complex pedal chains; in Sunday mode it increases input impedance (making subtle nuances more audible) and provides up to +18 dB boost with very low noise and full dynamics. The pedal can function as a line-driver, cable driver, booster or even DI/pre-amp — ideal for studio or live use.

LEHLE

Demo by Euge Valovirta

Sunday Driver

Für 15-25 FX-Pedale, 2 MOD-Slots - **820 x 424 mm / 32.28" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 2 MOD slots - **820 x 424 mm / 32.28" x 16.69"** - available with Gig Bag or Flight Case

Arnold Hablewitz

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

DA-50

Das TC Electronic Thunderstorm Flanger Pedal bietet einen Vintage Stil Flanger-Effekt, ausgestattet mit einer Bucket-Brigade-Schaltung für einen hervorragenden Klang. Das innovative Design ermöglicht Ihnen eine einfache Bedienung, indem Sie einfach den Regler drehen, bis Sie Ihren perfekten Flanger-Ton gefunden haben

The TC Electronic Thunderstorm Flanger is a fully analog bucket-brigade based flanger pedal effect. It perfectly captures the classic vintage tones from the legendary days at an affordable price. From the guitar sounds that made the ´80s and all the way back to the classic ´60s psychedelic riffs, or just for creating experimental tones – The TC Electronic Thunderstorm Flanger is a lot of fun!

TC Electronic

Review by Talk Bass.com

Review by Bass Musician Magazine 

Demo by EytschPi42

Thunderstorm Flanger

40 years ago, in a tiny town in Denmark, two brothers planted a sonic seed – and the SCF STEREO CHORUS FLANGER was born!
A chorus pedal so great and so far ahead of its time – that it single-handedly shaped the destiny of TC ELECTRONIC.

In celebration of our 40th anniversary – and to honor this legendary piece of kit – we’ve created a special limited run of the CORONA CHORUS (only 2,000 units), which sees the CORONA take on the sleek, iconic look of the original SCF pedal.

To ensure it doesn’t just look the part, we’ve meticulously recreated the lush, all-enveloping chorus, pitch-mod and flanger tones of the original, now available as TonePrints, ready to beam to your CORONA CHORUS – absolutely free of charge!

Review by

Demo by TC Electronic 

Demo by CS Guitars 

Corona Chorus

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by Musiker-Board

Review by reddit /guitarpedals

Review by Pedal Authority

NS-2 Noise Suppressor

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Manual Page

MT-2 Metal Zone

There has been a recent surge of orders for the Dirty Tree due to it gaining some attention from some notable individuals. Once again please be patient as I am getting through the hundreds of orders.

Pepers Pedals

Review by delicious audio 

Demo by Robin Flink 

Demo by Louis Torres 

Demo by Riffs, Beards & Gear 

Dirty Tree Boost

Das Shroot II ist ein vielseitiges Overdrive- und Distortion-Pedal im „Amp-in-a-Box“-Stil, das eine Weiterentwicklung der ursprünglichen Shroot-Schaltung darstellt. Es basiert auf der Krusher-Plattform der Marke und verfügt über eine einzigartige Zwei-Band-EQ-Sektion vor der Verzerrung, die für eine umfassende Klangformung vor der Gain-Stufe ausgelegt ist. Der „Kick“-Regler fungiert als aktive Bass-Kontur um 100 Hz, während der „Punch“-Regler die Mitten vor dem Drive bei etwa 1 kHz für „Chainsaw“-Texturen steuert. Diese Version führt eine relaisbasierte lautlose Umschaltung ein und ist so konzipiert, dass sie einen anschlagsdynamischen Gain liefert, der die natürliche Tonalität von Gitarre und Verstärker beibehält. In Oregon handgefertigt, fungiert es effektiv als eigenständiger Drive oder als dedizierter Vorverstärker.

The Shroot II is a versatile "amp-in-a-box" style overdrive and distortion pedal that serves as an evolution of the original Shroot circuit. Built on the brand's Krusher platform, it features a unique pre-drive two-band EQ section designed for significant tone shaping before the gain stage. The "Kick" control acts as an active low-end contour centered around 100Hz, while the "Punch" control manages pre-drive midrange at approximately 1kHz for "chainsaw" textures. This version introduces relay-based silent switching and is designed to provide touch-sensitive gain that maintains the natural tonality of the guitar and amplifier. Handcrafted in Oregon, it functions effectively as a standalone drive or a dedicated preamp.

FuzzImp

Demo by ArnoldPlaysGuitar

Shroot II

Die Radial Engineering Pro DI ist eine kompakte, passive DI-Box, welche sich sehr gut für Keyboards, Drumcomputer und Digitalpianos eignet. Die eigens dafür entwickelten Audioüberträger entsprechen dem außergewöhnlichen Qualitätsmaßstab, der durch den Industriestandard Radial Engineering JDI etabliert wurde.

The ProDI is a passive direct box designed for use on stage or in home recording studios, with the ability to handle high output instruments without distortion, and a transformer-isolated output to eliminate noise from ground loops

Radial Engineering

Review by Guitar Gear 

Demo by Audio University

Review by Audiofanzine

ProDI

Alcmene® is a great Klon-style Overdrive pedal that will revolutionize your guitar tone! Alcmene® offers you the same genuine features that made the legendary Klon Centaur famous, and it perfectly captures its core characteristics.

Steel Panther

Review by Delicious-Audio 

Demo by All-Pedal

Demo by Kyle Bull 

ALCEMENE

Airis Effects

Airis Effect Website

HM808

Hexdrive

The MXR Uni-Vibe Chorus/Vibrato delivers the same lush, chewy textures that players have used since the late '60s. Updated with modern gigging players in mind, this effect now it comes in a standard MXR housing—a fraction of the size and weight of the original—with true bypass switching.

With its simple three-knob interface, you can dial in the effect to your taste in short order. First, use the VIBE switch to select either Chorus Mode—dry signal mixed with pitch-shifted signal—or Vibrato Mode—only pitch-shifted signal. Then, use the LEVEL control to set the effect volume, the SPEED control to set the sweep rate, and the DEPTH control to set overall intensity.

Put the MXR Uni-Vibe Chorus/Vibrato on your board and expand your tonal palette.

Demo by jumdunlopusa

M68 Uni-Vibe Chorus/Vibrato [small box]

Das BOSS HM-2 Heavy Metal wurde von 1983 bis 1991 produziert und ist bis heute eine Legende unter den Distortion-Pedalen. Alle Regler auf Anschlag – so entsteht der Signature-Sound, der untrennbar mit dem schwedischen Death Metal verbunden ist. Doch auch in "sanfteren" Einstellungen überzeugt das HM-2 auf unzähligen Mainstream- und Shoegaze-Tracks. Seit Jahren erreichen uns Anfragen von eingefleischten HM-2-Fans – nun ist es endlich soweit: nach drei Jahrzehnten wird der legendäre Bodentreter in einer speziellen Waza Craft-Edition neu aufgelegt. Das HM-2W liefert den authentischen analogen Klang des Originals, erweitert um zahlreiche moderne Funktionen und Details für eine nochmals verbesserte Performance.

Produced from 1983 to 1991, the BOSS HM-2 Heavy Metal is a true legend in the history of distortion pedals. Its signature “chainsaw tone” with all knobs maxed is the defining voice of Swedish death metal, and the slightly milder sides of its personality can be heard on tracks from mainstream to shoegaze. After years of requests from hardcore HM-2 fans, the iconic stomp is now reborn three decades later in a special Waza Craft edition. The HM-2W delivers the authentic analog sound of the original in all its glory, coupled with lots of modern refinements for enhanced performance.

Demo by Guitar Bonedo

Demo by Reverb

Official Website

Review by Guitar World

HM-2 Heavy Metal

“Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Machines’ CIRRUS Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.”

The CIRRUS Spatial-Temporal Modifier was KMA Machines’ first step into the fully digital realm. But we didn’t just want to do a regular and run-of-the-mill type of product. No, what we came up with is a truly special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

KMA Machines

Demo by The Pedal Zone

Cirrus

KORG

Website 

Pitchblack

Tommy BOUCHEROT

Morley

George Lynch Dragon 2 Wah

Der DigiTech Whammy bietet Ihnen dieselben haarsträubenden „Dive Bomb“-Effekte, packenden Pitch Bends und blitzschnellen Harmoniewechseln, die Sie suchen, sowie einige neue Überraschungen. Verändern Sie ganze Akkorde mit der neuen Einstellung für die Tonhöhenverschiebung von Akkorden und führen Sie klassische Single-Note-Bends aus.

The DigiTech Whammy brings you the same hair-raising “dive bomb” effects, gripping pitch bends and lightning harmony shifts you are looking for plus a few new twists. Bend entire chords with the new chordal pitch shifting setting, and execute classic single note bends.

Whammy V

ZUUL+ von Fortin Amplification