MIME is a reverb pedal, built using an AI chat bot service.
The AI couldn't figure out how to use the onboard control set, so we wrapped the code into a sweet analogue package to provide you with a full wet/dry mix as well as a feedback control for reverb length.

The secondary foot switch short circuits the feedback to 100% for psychedelic swells, pads and faux amplifier feedback effects.



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Mime

The Fjord Fuzz SOL effect pedal, designed in collaboration with PALF, is a sonic alchemy that captures the spirit of Gilmour and Hendrix, offering a unique experience with its dynamic fuzz and overpowering uni-vibe, everything is emotionally powerful.

Demo by Palf

Demo by Tone Factory

Hedda

LOKE gives you two almost identical signals.
Each one has enough output to drive your preamp into overdrive.
One of the signals has a slight tape tint to it and can be shifted in time by either 0-100mS or 0-400mS.
You can quickly switch between delay modes via the secondary foot switch and the expression
control gives you the option of warping the time parameter with hands-free operation.
We also added a very exciting random LFO using the least-significant-bits method of calculation,
as well as a sort of servo control for the delay time operation.

All of this together offers you the full suite of exciting effects found on old school reel-to-reel tape gear,
but perhaps even more intriguing, it lets you dwell within the spaces left between the classic staples
of recording tricks and discover new and wonderful textures, never heard before.

Loke

ODIN takes one of the best octave-up fuzz circuit designs of all time, strips away all the fluff and over-engineering and leaves you with a simple, yet powerful device. Turn it on and you are greeted by a wonderful, saggy, yet open and carefully compressed fuzztone, not too dissimilar from a Fuzz Face. ODIN is much louder, more mids-forward, less compressed and just a joy to work with. It also cleans up really nicely, but not as abruptly as you would expect from a Fuzz Face type pedal.

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