You may have guessed it already, solely based on the looks of the PisdiYAUwot, this beast was made for METAL! The gain stage is raw and brutal yet extremely clear and defined. The EQ options are staggeringly versatile to say the least. The sound? Earthshakingly awesome! Chords, fast runs and triplets stand out with a clear and potent punch. No more mushy wobble, just power!

Emma Electronic

Review by audiofanzine

Review by The Gear Page

Review by Premier Guitar

Demo by Living Room GD

Demo by MetalRecordingServices.com

Product Page

Review by bonedo

PisdiYAUWot

TransMORGrifier takes everything you know and love about old analog stompbox compressors, and adds some nice modern improvements to the tonal equation. Meaning, you can get the squish and the squash without having to sacrifice the natural body of your core tone. From transparent studio-like comp tones to overly compressed vintage chicken-picking tones, and anywhere in between. You’ll find it all in the TransMORGrifier!

Review by Talk Bass.com

Review by OVNI LABS

Demo by The ToneShack

Demo by Pedal Zone

Manual

TransMORGifier

The goal with the OnoMATOpoeia was to create a pedal that every player out there would benefit from having on their board. Something that would sweeten up the sound no matter if it was used subtly or shamelessly. The result: a unique and versatile boost/overdrive pedal that can do anything from adding a little push to lift solos or rhythms off the ground, to adding some glorious tube-like grit.
With the addition of a wide-ranging “seesaw” tone control and a saturation knob that changes the gain structure from loose, old-school and slightly fuzzy to tight and modern, this pedal has a tonal trick available for any musical trade out there.

Demo by ChrisPedalDemos

Demo by Teemu Rämö

Review by The Fretboard

Review by Musiker-Board

Review by Pedal of the Day

OnoMATOpoeia

TransMORGrifier übernimmt alles, was Sie an klassischen Analogen Stompbox-Kompressoren lieben, und fügt einige moderne Verbesserungen in die klangliche Gleichung ein. Das bedeutet: Sie können das „Quetschen“ und „Zerdrücken“ bekommen, ohne den natürlichen Körper Ihres Grundsounds opfern zu müssen. Von transparenten Studio-Kompressionstönen bis hin zu übermäßig komprimierten Vintage-Chicken-Picking-Klangfarben, und alles dazwischen.

TransMORGrifier takes everything you know and love about old analog stompbox compressors, and adds some nice modern improvements to the tonal equation. Meaning, you can get the squish and the squash without having to sacrifice the natural body of your core tone. From transparent studio-like comp tones to overly compressed vintage chicken-picking tones, and anywhere in between. You’ll find it all in the TransMORGrifier!

*Versatile Ratio knob – From subtle studio comp tones to aggressive chicken-picking tones.
*High quality analog compression tones
*Wide frequency spectrum, making it suitable for any instrument. 
*Highly intuitive control set – dial in amazing tones quick and easy 
*Top-mounted I/O
*Handmade in Denmark
*True-Bypass switching

The secret to the TransMORGrifier’s superb tones and versatility is the highly transparent circuit it’s built on and the ratio knob. The ratio knob allows you to go from subtle to over-the-top compression in seconds flat, all while inflicting minimal coloration to your original tone.

So whether you just want to level things out a bit and add some subtle sustain or you wanna go all-in on cowboy hats, telecaster-twang and chicken-picking, the TransMORGrifier’s intuitive control set will take you there with ease.

Demo by The Pedal Zone

Demo by TheToneShack

Review by Ovnilab

TransMORGrifier

StinkBug ist die Verkörperung all dessen, was Sie von einem großartigen Overdrive-Pedal erwarten — warme Verstärker-ähnliche Drive-Töne, mit einem feinen Mittenschwerpunkt, sodass Sie im Mix durchkommen, ohne den natürlichen Klang Ihres Instruments aufzugeben.

StinkBug is the embodiment of everything you’ve come to expect of a great overdrive and then some. It spits out warm amp-like drive tones and just adds that lovely touch of mid-presence that’ll make you cut through a mix like nobody’s business. But… and this is a good but, it does all of this without ever compromising the natural timbre and sound of your instrument, leaving you with an overdriven sound that’s as dynamic and articulate as your own playing style.