Mit dem EQD Brain Dead Ghost Echo V3 LTD lassen sich erstklassige und lebendige Vintage-Federhalleffekte erzeugen, die dem Sound Größe, Tiefe und Charakter verleihen. Besondere Vielseitigkeit erreicht das Brain Dead Ghost Echo durch den Attack-Control-Regler, der das Pre-Delay steuert. Der Spring-Reverb-Effekt lässt sich mit den Reglern Depth und Dwell formen. Das Brain Dead Ghost Echo ist mit einem analogen Dry Path und True Bypass ausgestattet und wird in Handarbeit in Ohio/USA hergestellt. Das Brain Dead Ghost Echo V3 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Das Pedal ist auf 1.500 Stück weltweit limitiert.

The EQD Brain Dead Ghost Echo V3 LTD is capable of producing first-class, vibrant, vintage spring reverb effects to add size, depth and character to your sound. The Brain Dead Ghost Echo is extremely versatile, thanks to its Attack control knob, which adjusts the pre-delay, as well as the Depth and Dwell controls which further fine tune the spring reverb effect. All analog dry signal path and true bypass. Hand made in Ohio, USA. The Brain Dead Ghost Echo V3 uses silent relay-based soft touch switching. The pedal is limited to 1 500 pieces worldwide.

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EQD GHOST ECHO V3 - Review Video - Musiker TV

Manual

Earth Quaker Ghost Echo - Review by Gitarre & Bass [DE], [12-2022]

Ghost Echo

The Wave Transformer is an analog, vintage-voiced, voltage-controlled oscillator with over 8 octaves of accurate pitch tracking. It has 7 simultaneous wave outputs, including a unique Complex output.

The Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM. Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering The Wave Transformer a voice unto itself. If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

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The Wave Transformer

Das Hoof Reaper kombiniert die EQD Pedale Hoof Fuzz und Tone Reaper Fuzz mit einem „Old School“ Octave-Up-Effekt. Alle drei Effekte verfügen über eigene Regler und Fußschalter und können somit einzeln oder in beliebigen Kombinationen zusammengeschaltet werden. 
Der Octave Effekt kann als standard Latching Modus aktiviert werden, oder im Momentary Modus, indem du den Fußschalte einfach solange gedrückt hältst, wie du den Effekt brauchst.
Insgesamt gibt es somit sieben Möglichkeiten. Der Octave-Up-Effekt ermöglicht zusammen mit den Fuzz-Stufen Sounds, die an explodierende Amp-Stacks denken lassen. Oder man setzt diesen Effekt eher subtil für sich allein ein. Das Hoof Reaper verfügt über True Bypass und wird in Handarbeit in Akron, Ohio un den USA hergestellt.  
Das Hoof Reaper V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Hoof Reaper features our popular Hoof and Tone Reaper fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. All three effects have their own footswitch, therefore, they can be used independently or in any of its 7 combinations. The Octave effect can be activated in standard latching operation or in momentary operation, by just holding the footswitch down for as long as you’d use the effect. The Hoof Reaper is capable of creating everything from subtle octave-up overtones through crushing octave squalls that simulate exploding stacks of amps, it features True Bypass and is hand built in Akron, Ohio, USA. The Acapulco Gold V2 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices Hoof Reaper V2 - Demo Video - Reverb

EarthQuaker Devices Hoof Reaper V2 - Demo Video - ProGuitarShop

Hoof Reaper

Octave Fuzz Blaster
The Fuzz Master General is our take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. We have taken the basic circuit and re-imagineered it to be more useful for the modern player. The Fuzz Master General features a more accurate Fuzz control that delivers a much broader spectrum of dirt tones ranging from nearly clean through full buzz saw assault. We added a “Voice” toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. This has a huge impact on the characteristics of fuzz tone, upper octave clarity and output level. Germanium diodes offer more output and an open, looser fuzz tone while the silicon diodes compress the signal and yield a tighter fuzz tone. When the voice is set to no diode clipping (center position) you can attain a nearly clean upper octave that boarders on ring modulation! While the original Fuzz Master had a foot switch to select between two different tone settings, The Fuzz Master General has a variable tone control that allows you to dial in anything from a wide open treble assault to a super-scooped, bass heavy blast. It also has significantly more output volume and a much lower noise floor than the original, vintage unit. With all these added features, the Fuzz Master General delivers a more versatile version of the original while still retaining the same swelling octave grind we all know and love. Each Fuzz Master General is made by human hands in mostly tropical Akron, Ohio.

Fuzz Master General Operational Manual 

Earthquaker Devices Fuzz Master General™ Octave Fuzz Blaster

Fuzz Master General

Hey Shredders! Patch a Pitch Bay in your effects chain and blast your three-part guitar harmonies into the stratosphere! This Device packs a three-part polyphonic harmonizer and overdrive circuit into a compact unit that saves precious pedalboard real estate while still being completely intuitive.

Each of the Pitch Bay’s polyphonic harmonizers (“Pitch Up” and “Pitch Down”) are tunable in semitones from one octave below the root to one octave above, and every interval in between. You’ll find everything from rumbling sub-octaves, dissonant tone clusters, soaring octave-up lead sounds, to ripping NWOBHM lead guitar harmonies.  Rounding out the top row of controls is the “Gain” knob, which can go from totally clean to heavily distorted, unleashing the dirty hesher within.

The bottom row of controls is the Pitch Bay’s mixer section where you can adjust the volume of your upper voice, lower voice, and the all-analog “Root” signal to create the perfect polyphonic blend of sounds. The digital pitch-shifting engine tracks across the harmonic spectrum, making the Pitch Bay perfect for dense chords, synthesizers, vocals, bass guitar, drum machines, and just about anything with a ¼” output. Sky’s the limit, reap the whirlwind, reach for the stars, break a leg, ride the lightning, YOLO, etc.…

Each Pitch Bay is true bypass and imagineered one at a time by a team of rocket scientists in the space station orbiting the alien landing site of Akron, Ohio, USA.

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