Cooper FX's Exp Gen is a four output, multi-faceted expression controller perfect for adding movement and depth to your pedal board without the need for extra limbs. With four assignable outputs, the main soft button determines what mode to run per output—these include auto, tap, tigger, and latch.
Auto mode is a set modulation that runs cyclically with no need to engage, while tap mode determines the rate of modulation based on tapping in the tempo via the footswitch. Trigger mode sweeps the modulation in an upward motion from zero, where the amount and length of modulation is based off of how long you press the footswitch, while Latch mode acts in the same way—but instead of resetting when the footswitch is released, the modulation holds out the amount at which it was last released.

Cooper FX

Review by delicious audio

Demo by collector//emitter

Instagram Channel

Demo by Devon Blue Whitaker

FX Expression Generator

Dual-loop parallel/series signal blender with feedback, loop reordering and MIDI control

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Signal Path Selector

Das kompakte Pedal COOPER FX Arcades ist eine vielseitige Multi-Effekt-Plattform. Das Besondere daran ist, dass es die Art des Effekts anhand der Karte bestimmt, die in das Pedal eingesteckt ist. Ähnlich wie bei bestimmten Retro-Videospielkonsolen kann der Benutzer beim Arcades die Karten austauschen, um das gewünschte Erlebnis auszuwählen. Anstelle eines Videospiels führt der Austausch einer Karte jedoch zu einer anderen Bank von acht Effekten.

COOPER FX Arcades compact pedal is a versatile multi effect platform, but what makes it unique is that it determines what type of effect it is based on the card that is inserted into the pedal. Much like certain retro video game consoles, the Arcades will allow the user to swap cards to select the experience they want. Instead of a video game however, the change of a card will result in a different bank of eight effects.

Manual

Review by Reddit /guitarpedals

Review by Guitar Pedal X

Demo by Mark Johnston

Demo by Emily Hopkins

Demo by AndyDemos

Arcades

Dies ist der Klang der Nostalgie. Der Generation Loss vereint alle Aspekte der Banddegradation und verwendet eine Kombination von Effekten, um den uns allen vertrauten Klang zu erzeugen. Generation Loss bezieht sich auf die Abnahme der Klangqualität und die Einführung von Rauschen und Klangartefakten bei jeder Kopie auf magnetischen Medien wie Tonbändern. Zufällige Tonhöhenschwankungen, Filter zur Verringerung der Bandbreite des Signals, Reduzierung der Abtastrate und Rauschen werden in diesem Pedal kombiniert, um diesen Klang zu imitieren, ohne dass ein kaputter VHS-Player erforderlich ist.

This is the sound of nostalgia. The Generation Loss brings together all aspects of tape degradation and uses a combination of effects to hone in on that sound we’re all familiar with. Generation Loss refers to the decrease in sound quality and introduction of noise and sound artifacts each time a copy is made on magnetic media such as tape. Random pitch fluctuations, filters to cut down on the signal’s bandwidth, sample rate reduction, and noise are all brought together in this pedal to mimic that sound without the need for a broken VHS player.

Review by Gett Offset

Demo by Pedal of the Day

Demo by Knobs

Generation Loss

Die Moment Machine ist im Kern einer der fortschrittlichsten Pitch Shifter, die es in Hardwareform gibt. Mit zwei unabhängigen polyphonen Pitch-Shifting-Engines, einem leistungsstarken Sechzehnschritt-Sequenzer und über zweihundert vom Benutzer einstellbaren Parametern bietet das Pedal viel Raum, um sich darin zu verlieren, ist aber dank einer einfachen und intuitiven grafischen Benutzeroberfläche leicht zu bedienen.

The Moment Machine at its core, is one of the most advanced pitch shifters available in hardware form. Featuring two independent polyphonic pitch shifting engines, a powerful sixteen step sequencer, and over two hundred user adjustable parameters, there is plenty of room to get lost in the pedal, however it’s easy to use due to a simple and intuitive graphical user interface.