Cog Effects Mini Bass Board

T-16 Analogue Octave

Mini 66 Bass Overdrive

Tarkin Fuzz

The original T-65 was engineered to allow bassists to fully explore the sonic landscape of the analogue octave pedal. This second iteration gives the same awesome tone and freedom to experiment while also being more pedalboard-friendly. The TRS jack for the effects loop has been replaced with individual send and return jacks, and the new Mode footswitch allows you to engage or bypass your effects loop when the T-65 is bypassed - no longer do you sacrifice your effects loop pedals to only be used when the T-65 is engaged, now you can switch them in and out in bypass. 

Analogue octaves aren't perfect: they glitch out and don't produce the "clean" octave signals that a digital octaver does, but they have a certain character that makes the sound much more musical and appealing to the ear. The T-65 is designed to provide the best possible tracking while retaining this character.

Level controls are included for dry signal, one octave down, one octave up, and the parallel effects loop. The Filter control is an adjustable low-pass filter on the octave down signal, ranging from tubby subby dubby tones through to buzzy synthy tones and everything in between. Tune your octave down to your own tastes. Neat.

The octave up is a bit dirty and helps add some presence back in to your sound when in a live band mix. It is by no means a clean reproduction of your sound an octave higher, and it isn't designed to be used as a standalone octave up on bass, but instead as an integrated part in this octave machine.

Experiment with different pedals in the effects loop. Turn the dry signal all the way down and use a Tarkin in the loop for the fattest, fullest fuzz sound you'll get without bi-amping. Really like that distortion pedal but hate that it kills your low end? Try blending it with your dry signal, an octave down and an octave up rather than just clean blending. 

All four audio jacks plus the DC jack are north-mounted to provide a convenient footprint for almost every pedalboard.

Product Page

Demo by MrExcane

T-65 Analogue Octave

Grand Tarkin Bass Fuzz, Knightfall Distortion and T-65 Octave all in parallel. Four level controls for mixing Dry signal, with only one ever active depending on which combination of effects are selected.

This is very much an expansion on the concept of the T-65 Octave and parallel sub octave in general.

Hellraiser

A streamlined version of the two-channel Knightfall 66, the Mini 66 provides simplicity and versatility in a tiny Hammond 1590A enclosure. Don't let the size fool you, this thing sounds massive.

The Voice knob of the Knightfall 66 is replaced with a three-position Fat switch, giving control over low end content before the gain stage. Similarly, the Tone knob is replaced by the three-position Cut switch to tame high end post-clipping. The filtered Clean channel of the Knightfall 66 is included, designed to integrate in a more natural sounding way than a typical full range clean signal.

With nine different and repeatable settings to use in conjunction with the Gain knob, plus the Clean level knob, the Mini 66 is a huge sounding overdrive in a pedalboard-friendly enclosure. This is absolutely the mini overdrive your pedalboard is crying out for.

Review by bassmusicianmagazine

Review by musicradar 

Review by dshowmusic

Demo by Mr.Excane

Sag Hallo zu R-1 (ehemals Rogue One). Ein solides Stück gebäudezerschmetternder, die erste Reihe dezimierender Großartigkeit.

R-1 hat zwei voll ausgestattete Grand-Tarkin-Kanäle plus einen zusätzlichen analogen Oktavkanal, der parallel hinzugefügt werden kann. Jeder Grand-Tarkin-Kanal hat Regler für Fuzz, Level, Tone, Mids und Clean Level sowie Kippschalter, um die Dioden von jeder Clipping-Stufe zu entfernen und die Fülle des Kanals zu ändern, um Ihren idealen Fuzz-Sound aus allen Modellen der Triangle-, Ram's Head-, Russian- und NYC-Ära einzustellen. Der A/B-Fußschalter wechselt zwischen den beiden Fuzz-Kanälen und ermöglicht Ihnen, mit Ihren Füßen auf drastisch unterschiedliche Einstellungen zuzugreifen.

Say hello to R-1 (formerly Rogue One). A solid chunk of building-crushing, front-row-decimating awesomeness.

R-1 has two full featured Grand Tarkin channels, plus an additional analogue octave channel that can be added in parallel. Each Grand Tarkin channel has knobs for Fuzz, Level, Tone, Mids, and Clean Level, plus toggle switches to remove the diodes from either clipping stage and to change the fullness of the channel to dial in your ideal fuzz sound from all the Triangle, Ram's Head, Russian and NYC era models. The A/B footswitch swaps between the two fuzz channels, allowing you to access drastically different settings with your feet.

Official Product Video

Demo by Patrick Hunter

Review by Talk Bass.com

Review by reddit /basspedals

R-1 Fuzz Octave


Smaller, better, meaner. The Tarkin mk2 is based on the Green Russian, just like the mk1, great for the bass guitar and thick guitar sounds, but this time it's squeezed into the pedalboard-friendly 1590A enclosure. It'll do the classic, smooth fuzz sound we all know and love, but it will also do a lot more than that.

Increase the Fuzz knob for more sustain and distortion. The Tone knob takes you from deep rumbling wool through to nasty ice-pick fizz. Bass players will likely not venture past the 2 o'clock point without physical abuse from bandmates, but it's there if you need it.

The LPF and HPF switches adjust the corner frequencies of the filters that make up the Tone control, allowing you to add low- and high-mids respectively. These controls help cut through a live mix and give you the option to add more punch to your fuzz sound. As you would expect, these switches interact with the Tone knob, so experimentation is highly encouraged.

Inside you'll find switches to adjust the two clipping stages. In position 1, the clipping is smoother, and in position 2 the clipping has more bite. You can also remove the clipping diodes from either stage using these switches.

Overall, this tiny terror will fit on any pedalboard and is an extremely versatile fuzz box for guitar and bass.


* Fuzz, Tone and Level controls provide a range of fuzz tones

* LPF and HPF allow classic Green Russian tones or more cutting tones

* Internal switches adjust clipping flavour and can remove diodes 

* 2.1mm Boss-style 9v DC input (power supply not included)

* True Bypass Switching

* Die-cast Aluminium Hammond 1590A box

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Cog Effects Mini Bass Board

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Cog Effects

T-65 Analogue Octave

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Hellraiser

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Mini 66 Bass Overdrive

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R-1 Fuzz Octave

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