The CKK Electronic Infinite Reverb Pedal delivers a digital reverb effect that is multi-parameter adjustable to provide a wide variety of tones. Since the Infinite Reverb was created in 2013, it has been updated twice and this model features quality tones as well as excellent build quality. The Infinite Reverb has an adjusted frequency response, to suit the guitar's tone and become more natural and clear. The Infinite Reverb Pedal is equipped with 3 reverb parameters consisting of Pre-Delay, Decay and Damping which can be used to easily sculpt your tone. There is also a Reverb control on board, as well as the unique Infinite Switch for creating the ultimate swirling, space effect.

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Infinite Reverb

The Infinitereverb Stereo is a stereo space reverb effect. It creates a huge sense of space, and is able to perfectly restore the tone and performance details of the guitars, never colors the original tone, especially for the acoustic guitars, it retains the woody taste of the guitar itself.

We carefully studied the spectral characteristics of the reverb signal and made it evenly distributed throughout the whole spectrum. Playing at any position on the fretboard are all very natural, and good at wrapping of string sound. Does not lose or compress any key signal components in the original signal, excellently preserved the details.

The Infinitereverb Stereo creates a super wide space reverb effect, ethereal and magnificent. It is equipped with three adjustable parameters, DECAY, PRE-DELAY and DAMPING. Combining the guitar and playing style to adjust, you can create a unique reverb effect. It does not only support the standard input and output, you also can use different combinations of input and output to get effects with slight differences.

The Infinitereverb Stereo is also equipped with Trail Bypass function. When the reverb effect is turned off, the effect fades out gradually and the playing is always smooth and natural.

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Infinite Reverb Stereo

The CKK Electronic Q Cat Pedal brings smart filter enveloping effects to your electric guitar's sound. With a voice similar to a wah pedal, the effect uses adjustable frequencies to open and close a filter. The resonance, sensitivity and frequency knobs allow you to have precise control over your effect's sharpness. This makes it a great pedal for funk and jazz players, or for those wanting a wah-sounding pedal without having to manually adjust it whilst playing.

Q Cat

The CKK Electronic Omni Boost MK2 is a diverse guitar pedal for both live and studio applications. The Omni Boost consists of two boost types: fat gain and clean gain. The clean signal offers up to 20dB of boost, or can be turned to its minimum and act as buffer signal restoration. The fat boost setting increases the mid frequency and is suited to balancing and improving overdrive pedals. This pedal is suited to versatile guitarists who play both clean and driven songs.

Omni Boost MK2

The Scream Honey/SH-1N is especially for the Marshall enthusiasts who have never found a satisfied overdrive that can perfectly boost their Marshall amps !

As a deeply enthusiast of amp tone, while studying the N5 drive, Sinvertek company has never stopped researching and modifing various classic vintage amps in history. The most necessary part in this process is developing overdrive pedal. Overdrive effect has been used as the most powerful support to the amp since they were invented. The most basic way to use the overdrive effect is to combine its own frequency spectrum with the frequency spectrum of the amps to produce a new tone. In the history of electric guitars, this methord has been used by most guitarists.

Since the establishment of Sinvertek, we have been obsessed with the combination of various tones of overdrive and the amp. At the same time, we have been committed to designing an overdrive effect that best suits for our own aesthetics. Based on ten years of research, we proudly announced that our first high-end overdrive pedal was born. That is SCREAM HONEY/SH-1N.

We designed SH-1N with two basic goals. Firstly, SH-1N must not attenuate any useful frequency of amp tone. Each legendary amp in history is perfect from the perspective of music at the time, SH-1N should retain these original frequencies. So, SH-1N will not making the tone clear at the cost of reducing the low frequency of amp, especially under the condition of high volume, this avoids the tone becoming
extremely sharp. Moreover, SH-1N features the right low frequency settings, this is very important, it prevents the bell liked attack in the original crunch from being completely swallowed up by the stiff low frequency of the overdrive itself. Secondly, on the premise of maintaining the original characteristics of the amp tone, the overdrive pedal should try to make the tone more transparent and bold, perfect the frequency response, and get a wider & deeper low frequency, bright and transparent high frequency, also greatly improve the attack.

In order to improve the variety of the overdrive tone, SH-1N is equipped with two fine-tuned tone switches. The one on the right is BOLD switch, and the other one on the left is HOLLOW switch. When both switches are in the down position (turned off), it is a traditional and classic overdrive tone. When turning on the BOLD switch, the low frequency and high frequency was boosted, as well as gain. Sometimes, you may feel the tone a little harsh when playing humbucker guitars, just turning on the HOLLOW switch to attenuate some mid and high frequency, the tone will be more transparent.

The SH-1N used hand tested and selected vintage components which we have collected for many years , all these vintage components have been discontinued for several decades, and they will never be found again. The SH-1N is completely hand solder, this make it not only features high-end vintage tone, but also was an aesthetic artwork. Grabbing the last chance to own an overdrive with the real vintage tone!

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