MOOD is a different kind of multi-effect. Its two channels are aware of each other, and work together. One half samples and loops brief moments, the other is a suite of real-time spatial effects.

You can even spill audio back and forth between the two channels for endless shaping: Run a time-stretched loop through a cloud of delay taps, re-sample it, and carry on.

It’s a musical chemistry set. Transfer, combine, and get lost.

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MOOD MKI

eneration Loss MKII is a study of tape in all its forms.

We decided to start from scratch this time and really explore what tape is all about. Get into those crinkles that make it so magical. We took apart VCRs, we analyzed anything we could find with a tape in it, from camcorders to cassette decks. 

All available for you to saturate, fail and flutter, until everything sits just right. And if you prefer the way it was before, you can do that too. In stereo. 

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Generation Loss MKII

Through-zero and back again. Many decades ago, it is rumored that a certain, infamous “Spectre” created the effect we’ve all come to know as flange by putting a finger on a set of identical tape recorders, slightly altering the speed of one of the recorders. Through-zero flanging is an incredibly rare and inspiring effect, especially in the analog domain. By using two delay lines (as opposed to just one), Spectre can cross over the elusive “zero point.” This through-zero flanger pedal features an all-analog signal path that can be dialed in to create any amount of subtle and wacky flange tones. Spectre also boasts an impressive array of chorus and vibrato tones. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

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Review by Pedal of the Day

Review by Premier Guitar

Spectre

Thermae is constructed around four reissued versions of the legendary MN3005 bucket-brigade delay chip, that can be sequenced, modulated, and overworked to reveal all the character analog delay has to offer. 

It lets you push these chips beyond their intended purpose to generate melodies, reveal hidden textures and explore impossibly long delay times (up to 32 seconds). Round that out with synth-inspired controls, and you’re set to filter, glide and step your way somewhere new.

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Weitere Pedals von Chase Bliss

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MOOD MKI

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Generation Loss MKII

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Spectre

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Thermae

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