Through-zero and back again. Many decades ago, it is rumored that a certain, infamous “Spectre” created the effect we’ve all come to know as flange by putting a finger on a set of identical tape recorders, slightly altering the speed of one of the recorders. Through-zero flanging is an incredibly rare and inspiring effect, especially in the analog domain. By using two delay lines (as opposed to just one), Spectre can cross over the elusive “zero point.” This through-zero flanger pedal features an all-analog signal path that can be dialed in to create any amount of subtle and wacky flange tones. Spectre also boasts an impressive array of chorus and vibrato tones. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

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Review by Pedal of the Day

Review by Premier Guitar

Spectre

MOOD is a different kind of multi-effect. Its two channels are aware of each other, and work together. One half samples and loops brief moments, the other is a suite of real-time spatial effects.

You can even spill audio back and forth between the two channels for endless shaping: Run a time-stretched loop through a cloud of delay taps, re-sample it, and carry on.

It’s a musical chemistry set. Transfer, combine, and get lost.

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MOOD MKI

Mit zwei unabhängigen analogen JFET/IC Schaltungen bietet das Chase Bliss Audio Brothers den Komplettüberblick über das Beste aus Boost, Fuzz und Drive. Die linke Hälfte des Brothers bedient den analogen JFET-Schaltkreis mit transparentem Sound, während die rechte Seite den mittig basierten IC-Kanal regelt. Über die Mix-Funktion beider Schaltkreise lassen sich beide Kanäle entweder kaskadiert oder parallel kombinieren, wodurch unfassbar viele Sound-Kombinationen wie gestackte Fuzz-Sounds, angeboostete Drives oder parallele Fuzz Sounds kein Problem für das Brothers darstellen.

Natürlich bietet das Brothers in klassischer Chase Bliss Manier die volle Kontrolle über alle Regler per Anschluss für Expression Pedale. Über die stirnseitigen DIP Schalter können die zu steuernden Parameter individuell angewählt werden, um z.B. in Echtzeit zwischen den Schaltkreisen zu blenden oder organische Boost Swells über die Gain-Regler zu erzeugen.

The Chase Bliss Audio Brothers Analog Gainstage pedal is designed in collaboration with Resonant Electronic. It's built upon two independent JFET/IC analog channels utilizing a total of six boost, drive or fuzz circuits. With thirty-three possible routing options, the Brothers pedal by Chase Bliss Audio can be used to create an astounding array of tones.

MIDI Manual

Manual

Brothers

Lossy captures the special kind of degradation that happens to digital audio when it’s shrunk, transferred, and compromised.
Streaming music on a 56k modem, an MP3 ripped from a CD-R, a viral video from 2007 played through a cellphone. 
All the nasty and beautiful mistakes of heavily deconstructed digital audio in an easy-to-tweak real-time pedal.

Review by Gearnews

Review by Guitar.com

Lossy

eneration Loss MKII is a study of tape in all its forms.

We decided to start from scratch this time and really explore what tape is all about. Get into those crinkles that make it so magical. We took apart VCRs, we analyzed anything we could find with a tape in it, from camcorders to cassette decks. 

All available for you to saturate, fail and flutter, until everything sits just right. And if you prefer the way it was before, you can do that too. In stereo. 

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