 Brian May’s sonic signature not only comes from his home built “Red Special” guitar, but also from a treble-booster pummeling banks of AC30s. He never turns the treble booster off, accessing a wide range of tones simply by manipulating his volume knobs and pickup settings. From his guitar, to the treble booster, to the amps, his entire rig is essentially a singular musical instrument. One that inspires the sort of playing May is known for. We designed the Galileo with this playing approach in mind, that with it you can roll your guitar volume back for jangly AC30 cleans, and crank it up for searing leads and aggressive yet focused rhythm tones.

Review by Premier Guitar

Review by AMAZONA

Galileo

The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes. Yes, you can get classic, swirly and rich, vibe-esque phaser sounds from the Many Worlds. The fun doesn’t stop there, however; we take you on a multi-versed quest of Many Worlds to uncover some unique otherworldly sounds as well. The Many Worlds features a robust LFO engine with classics like sine and square sharing the same control with reverse sawtooth and two independently controlled and intermodulating sine waves. Lastly, we've added envelope-dependent phase shift–both up and down–letting you control the phase shift with your pick attack, rather than driving it with an LFO. This gives you an autowah-esque manually controlled phase shifting experience.

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Many Worlds Phaser

The Formula No. 55 is a Foundation Overdrive that reproduces, in exact detail, the preamp section of the classic Fender™ tweed 5E3 Deluxe using an all-discrete JFET-based signal path. The Volume and Tone controls replicate, part for part, the circuitry of the 5E3, giving you authentic tweed amp response. The output section is designed to give you punch and volume with a low output impedance to drive your amp perfectly. Set the Hi-Lo button to "Lo" for the cleaner response of a vintage tweed. "Hi" is like hot rodding your amp by swapping in higher gain tubes.

FORMULA NO. 55

In 1970 Led Zeppelin hit the stage of London's historic concert hall, Royal Albert Hall. We love the RAH performance and were inspired by a friend to capture it in a pedal.
At this performance Jimmy Page expressed himself masterfully with a broad pallet of tones and GIANT dynamic range. Of course this has a lot to do with Page’s playing technique and Gibson Les Paul. His backline amps, custom Hiwatt heads into Marshall cabinets filled the entire hall with a cornucopia of colors at levels ranging from a mouse whisper to rave ups louder than a jumbo jet taking off only inches over your head.

Review by reddit /guitarpedals

Review by mylespaul

Hiwatt-inspired overdrive-preamp, particularly aimed to emulate the sound of The Who Live at Leeds

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