Der parametrische Equalizer bietet drei Equalizer-Bänder mit unabhängiger Steuerung von Frequenz, Bandbreite und Pegel für jedes Band.

Jedes Band hat bis zu 15 dB Verstärkung oder Absenkung. Die Bandbreite reicht von 0,25 bis 2,5 Oktaven.
Tief - 40 bis 400 Hz
Mittel - 200 bis 2.000 Hz
Hoch - 1.000 bis 10.000 Hz

The Parametric Equalizer offers three bands of equalization with independent control of frequency, bandwidth, and level for each band.

Each band has up to 15 dB of boost or cut. The bandwidth ranges from 0.25 to 2.5 octaves. 
Low - 40 to 400 Hz
Mid - 200 to 2,000 Hz
High - 1,000 to 10,000 Hz

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Parametric Equalizer

The Subsonic Analog Octaver is a recreation of the classic OC-2. Starting with the original circuit and components, the Subsonic improves upon the OC-2 with the removal of the active bypass circuitry. The output passive mixer has been replaced with an active mixer, allowing for signals to go well above unity gain. And finally, the Subsonic allows for higher input voltages (up to 18V) for even more headroom for hotter signals. The Subsonic is faithful to the original tone of the OC-2 while adding modern upgrades that make it even more useful.

Review by Talk Bass.com

Subsonic

The Buffer Bandwidth Amplifier is an always on utility pedal that improves your signal to noise ratio, provides consistent tone and clarity in any setup, and filters out unwanted subsonic and ultrasonic frequencies.

The BBA is designed to be transparent, capturing and preserving your natural tone. Whether you have a huge pedal board, or just go straight to the amp, the BBA provides a consistent impedance for your pickups. Long cable lengths no longer rob you of your high end. Cycling different pedals on and off no longer give unexpected loading on your pickups. The BBA can reliably feed your signal into a variety of devices such as pedals, preamps, DI boxes, amplifiers, mixers, and recording interfaces.

Buffer Bandwidth Amplifier

The Fliptop is a JFET preamplifier that is modeled after the B15 amplifier. The gain staging and EQ sections were carefully designed to give the feel and response of the vintage tube amp, offering a good range of pillowy tone that can be driven to the point of light overdrive if pushed.

 In addition to the James stack EQ and gain staging, the Fliptop adds a Master volume control on the output so you can dial in the amount of drive you want while adjusting the volume as needed.

 The Cab knob is essentially a wet/dry control, allowing you to apply 0 to 100% of the cab tone to the preamplifier output. Dialing in more of the cab response tightens the low end and cuts the high frequencies for a warm, vintage tone. The frequency response is modelled after the 15" cab.

Demo by Yaksonator

Review by Bass Gear Mag

FlipTop

The Filter FX Loop is a utility pedal used for mixing any external effect with your clean signal while offering filtering, level, and phase controls for further tone shaping.

 The Filter FX Loop works by splitting your signal into two parallel paths: Clean and Effect.

The Clean path has LPF and Level controls (white knobs).
The Effect path has HPF, LPF and Level controls (blue knobs) as well as a phase switch. The HPF is placed before the effect, while the LPF, Level, and Phase controls are post effect.
The two signals are summed together and sent to the output.
 
The filters can be used to alter the feel and performance of an effect. Experiment with your effects to find new possibilities.

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