Pedro Almeida

Jazzmaster 

New pitch delay mod

AC15CC2

Jay Jay

Der 1312 begann sein Leben als physische Verkörperung einer der Grundüberzeugungen von Black Mass Electronic: Black Lives Matter. Es bot uns auch eine umsetzbare Möglichkeit, unsere Unterstützung finanziell zu demonstrieren. Diese neue Version des 1312 verkörpert ein weiteres wichtiges Gefühl: Trans-Rechte sind Menschenrechte. 50 % der Gewinne aus diesen Pedalen werden zwischen mehreren Organisationen aufgeteilt, deren Anliegen wir unterstützen – No More Dysphoria, Transgender Emergency Fund, Asian American Resource Workshop, Black & Pink – Boston und Solidarity North Shore.

The 1312 began its life as a physical embodiment of one of Black Mass Electronic’s fundamental beliefs: Black Lives Matter. It also provided an actionable avenue for us to demonstrate our support monetarily. This new iteration of the 1312 embodies another important sentiment: Trans Rights are Human Rights. 50% of the profits from these pedals will be split between several organizations whose causes we support - No More Dysphoria, Transgender Emergency Fund, Asian American Resource Workshop, Black & Pink - Boston, and Solidarity North Shore.

Black Mass Electronics

Product Page

Review by guitar.com

Manual

Demo by Megan L

Demo by collector//emitter

Demo by TUNNEL OF REVERB

Demo by ambienttrash

1312 Distortion V3

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

LINE 6

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

ch ray

Petrichor is a lo-fi delay sequencer pedal based on 2399 chip.

Polarbear Effects

Review by delicious audio

Review by guitar pedal X

Official Product Video

Demo by Ambient Exploration

Petrichor

Tomasz Galek

Portal ist ein aktiver Signalmischer mit zwei Betriebsarten: parallel und seriell. Im Parallelmodus verfügt der Signalmischer über zwei Send/Return-Schleifen und einen Hauptausgang, der drei unabhängige Eingänge zu einem zusammenfassen oder bei Bedarf als aktiver ABY verwendet werden kann. Im Serienmodus sind A und B serielle Kanäle. Wenn der A/B-Schalter geschlossen ist, wird Kanal A oder B überbrückt. Wenn alle drei Schalter geschlossen sind, handelt es sich um einen echten Bypass.

Portal is an active signal mixer with two working modes: parallel and series. In parallel mode, the signal mixer has two send/return loops and one main output, which can combine three independent inputs into one, or can be used as an active ABY as needed. In series mode, A and B are series channels. When the A/B switch is closed, channel A or B is bypassed. When all three switches are closed, it is true bypass.

Sonicake

Review by reddit /guitarpedals

Demo by Pedal Picassos

Demo by David Greer

Portal

Tester

Whammy effects in a single stompbox pedal
7 pitch intervals shift across a 4 octave range

DigiTech

Review by musicradar

Demo by ProGuitarShopDemos

Whammy Ricochet

Das Z.Vex Fat Fuzz Factory Vexter ist das neue Fuzz-Effektpedal für E-Gitarre, das die Grundfunktionen des Fuzz Factory-Pedals um einen 3-Wege Schalter erweitert, mit Hilfe dessen unterschiedliche Oszillationen bzw. Oktaven angewählt werden können. Mit den Schaltern Volume und Drive wird die Ausgangslautstärke bzw. die Stärke der Verzerrung eingestellt. Daneben kann der Sound des Z.Vex Fat Fuzz Factory Vexter mit den Noisegate-, Compressor- und Stability-Reglern verfeinert werden. Z.Vex Fat Fuzz Factory Vexter.

This 25th Anniversary Vexter Series Fuzz Factory features UV printed art. The parts inside are identical to the hand painted model.

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz. Includes an on/off LED and center-negative DC power jack.

ZVEX

Zvex Effect Product Page 

Demo by G. Wooden

Fuzz Factory 25th Anniversary Ed.

The Broadcast is a transformer coupled, discrete Class-A germanium pre-amplifier based on the classic broadcast consoles of the 1960s. In the low-gain setting, the Broadcast can cover everything from sparkling clean boost through to transparent overdrive, all with a healthy dose of volume available to push your amp. The Broadcast features a specially selected Triad steel-core transformer and a Germanium transistor. Advancing the gain on the Broadcast starts to saturate the transformer and the pedal’s discrete circuitry, giving rise to a gentle and dynamic compression coupled with subtle thickening of the mid-range. With the gain switch in the high setting and the trim control wound up, the Broadcast starts to deliver heavier distorted sounds with a warm and fuzzy edge to them. The Broadcast covers a wide range of driven and distorted tones whilst remaining dynamic, responding well to pick attack and the subtle nuances of every player.

Hudson Electronics

Review by THE JHS SHOW 

Review by

Demo by The Tone Lounge 

Demo by shnobel

Broadcast

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Der Small Stone von Electro Harmonix ist ein Phaser-Pedal, das 1974 von David Cockerell entwickelt wurde. Im Gegensatz zu seinem Hauptrivalen, dem MXR Phase 90, der einen JFET-Transistor verwendet, um die Frequenz seiner vier Stufen zu variieren, ist seine Schaltung um einen Transkonduktanz-OP-Verstärker herum aufgebaut. Der Small Stone wurde unter anderem von David Gilmour und David Bowies Gitarristen Carlos Alomar verwendet und war von Anfang an ein großer Erfolg, so dass er noch immer im Katalog der in Long Island ansässigen Marke zu finden ist.

The Small Stone from Electro Harmonix is a phaser pedal that was developed by David Cockerell in 1974. Unlike its main rival, the MXR Phase 90, which uses a JFET transistor to vary the frequency of its four stages, its circuit is built around a transconductance op-amp. Used by David Gilmour and David Bowie's guitarist Carlos Alomar, among others, the Small Stone was a huge success from the start, so much so that it can still be found in the Long Island-based brand's catalog.

Electro-Harmonix

Demo by Musicmaker

Review by Reddit /guitarpedals

Review by MusicRadar

Small Stone

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Esben Dyrhovden

Get the wobbly, disjointed, decidedly un-hifi sound of recording to cassette. Without the need to record to cassette. Or record at all!
The unique, dynamic vibrato responds to your playing strength and can get fairly extreme if you want. Adjust the 'Sensitivity' control to dial in the intensity of it's response, from subtle to almost complete tape stop!

Adjust the character control to give you anything from clean and jangly, to saturated and wooly tones. It changes the response of the tape saturation and tone circuits in one go, making it really easy to dial in the kind of cassette vibe you're after.

Bleak District Electric

Demo by Pair of Pandas

Demo by Eric Merrow

RecHead

Mit hochwertigem Sound und vielseitiger Einsatzmöglichkeit hebt der **RV-6** Reverb-Pedale auf ein neues Level. Über die Möglichkeiten vorheriger Generationen hinausgehend, vereint dieses leistungsstarke Pedal modernste Technologie mit dem legendären BOSS-Know-how – so lassen sich beeindruckende Reverb-Sounds im Handumdrehen abrufen.  

Von dezenten Raumklängen über moderne Shimmer-Effekte bis hin zu langen, atmosphärischen Reverbs umhüllt der RV-6 deinen Sound mit dichten, inspirierenden Klangwelten.

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

BOSS

Review by Guitar.com

Review by Music Radar

RV-6 Reverb

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

The Bleak District Electric Landscraper is a dual-channel, 1970s-style op-amp-based transparent overdrive/distortion. Both channels are identical and provide plenty of headroom for awesome clean tones, plus they get crunchy when you turn up the gain!

The Landscraper's core circuit is similar to the classic '70s distortions (Blue Clipper, DOD 250 Preamp, MXR Dist+). It uses an op-amp for gain and then hard-clips the signal with back to back germanium 1n60p diodes.

Leading into that core circuit is an op-amp input buffer (like that in the Klon) which provides a nice consistently clear signal to the drive section.

After the gain circuit is a JFET boost. This gives a large amount of volume to the pedal, allowing access to all of the great lower gain settings without having to sacrifice volume. It's designed to be as transparent as possible, except for the harmonics added from the clipping.

The Landscraper essentially adds two extra channels to your amp, without altering your tone. If you’ve tried all the usual soft-clipping drives but not found one you like, it might be time for an alternative solution!

Demo by Gigs & Guitars

Landscraper

Terra Earthly Overdriver
Unearth the organic tones so often missing from the 'classic' drive pedals of yore and let Terra either define your sound or play in harmony with your setup of choice. The unique and complimentary controls unlock a huge range of saturation options, letting you bring life to the guitar sound in your head.

Demo by Nick Rees

Terra

Transcend traditional limitations and lose yourself on a journey of psycedellic discovery.

Whether you swirl or throb, or self oscillate in a frantic to-ing and fro-ing of phase shift annihilation? The Miraj has you covered. At its heart, a four stage, optical phase shifter, the Miraj utilises an all analog signal path and a similar led/ldr mechanism as the fabled Univibe. This provides a wonderfully analog interface to the digitally controlled, tap tempo, multiple waveform LFO. Borrowing design elements from both the Univibe and Phase 90, the Miraj is able to shift between those well known tones whilst maintaining a sonic character all of its own.

Miraj V2

Born in the dark and forever since living in the shadows. The Sun?No is inspired by the infamous Sunn Model T amplifier.

Using multiple, hybrid gain stages, comprising of both op amp and NOS jfet transistor amplifiers. There are crushing amounts of volume and gain on tap. Always natural and organic from the bottom to the top of the range. The mode switch allows access to both 'vintage' and 'reissue' levels of saturation.

New for version 2, the EQ toggle switches between two different EQ variations for the active tone control. Always keeping that massive low end and mid-range clarity the Model T is famous for.

Demo by Pedal Experiments

Sun?No V2

RecHead von Bleak District Electric