The Bigfoot King Fuzz is a high gain guitar pedal that covers a multitude of fuzz and distortion tones.

Inspired by the organic guitar tones of Dan Auerbach (The Black Keys), this pedal is designed to sound and respond exactly like a cranked up vintage tube amp. It caters for everything from medium gain blues to fully saturated rock, and everything in between.

Bigfoot Engineering

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Demo by Mike Hermans

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King Fuzz

The circuits and tones are identical in the King Fuzz Mini to the standard King Fuzz pedal. However, the King Fuzz Mini does not feature the internal battery option.

Inspired by the organic guitar tones of Dan Auerbach (The Black Keys), this pedal is designed to sound and respond exactly like a cranked up vintage tube amp. It caters for everything from medium gain blues to fully saturated rock, and everything in between.

King Fuzz Mini

The Bigfoot King Fuzz XL is two award-winning guitar pedals in one box: the Thunder Pup overdrive and the King Fuzz distortion.

It will cover all your dirty sounds with ease. It has separate 2 modes, one for lower gain sounds and one for higher gain sounds, both of which have our trademark tube amp quality tone. The overdrive circuit provides classic Angus Young (AC/DC) Marshall-esque grit, while the distortion circuit captures a Dan Auerbach (The Black Keys) inspired saturation.

Review by Guitar Interactive Mag

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Review by Premier Guitar

King Fuzz XL

The Bigfoot Octo Puss is a passive octave-up guitar effects pedal that combines high performance modern and vintage components.

Our octave up generator utilises germanium diodes for authentic vintage tones. We then combine them with a premium studio quality audio transformer to provide far better frequency response and tracking than any other analogue octave pedal on the market.

Octo Puss

The Bigfoot Thunder Pup is a low/medium gain guitar pedal that covers classic British overdrive tones.

The Thunder Pup has 2 settings: the Big Amp mode is inspired by the tones of Angus Young (AC/DC) and captures the classic Marshall Plexi 4x12 stack sound. It has a little more gain, a stronger lower-midrange punch, and powerful low frequency response. The Little Amp mode has a faster attack in the lows, cleaner mids, and more air in the highs like a vintage open back 2x12 combo, such as the Vox AC30 or the Marshall Bluesbreaker.