Max Ruppelt

1 for all

RB700 II 210

Trotz kompakter Maße hat dieser 4-Kanal Mixer einiges zu bieten! Für Klangqualität bei jeder Lautstärke sorgen seine rauscharmen 4580 Vorverstärker, die auch in unseren größeren Studiomischpulten zum Einsatz kommen. Verwenden Sie den MX400 zum Beispiel als Submixer für Ihr Mischpult: Falls bei bestimmten Anwendungen die Anzahl der regulären Mischpultkanäle nicht ausreicht, können Sie zum Beispiel die Ausgänge von drei Keyboards mit dem MX400 verbinden und diesen an einen Mischpultkanal anschließen. So haben Sie die Möglichkeit, Ihre Keyboards mit dem MX400 zu mischen, ohne gleich mehrere wertvolle Mischpultkanäle zu belegen.

Despite its ultra-compact size, the MICROMIX MX400 4-channel line mixer is really big on features! Providing the highest sonic quality at all output levels vs. the competition, the MX400 features ultra low-noise 4580 operational amplifiers for outstanding audio performance – the same chips as the ones found in its much bigger brethren.
Expanding on the capabilities of standard-size mixers is where the MX400 works its magic, for instance when it is used as a sub-mixer. If you are running short on available channels on your “big” mixer and need to add 3 more keyboards to your mix, just connect them to the MX400, dial-in the mix – and connect MX400’s output to a single input on your main mixer. This is just one example of how the MX400 can add versatility to your current setup – just imagine the possibilities!
The MX400 is the ideal solution for mixing multiple line-level signals on a budget. Sure, it’s as cute as a button – but you’ll want to own one because of what it brings to your performance. And the MX400 is so very affordable. Check one out at your Behringer dealer, or place an online order today!

Behringer

Product Page

Manual

MX400

The Microtubes X Ultra greatly expands on the already immense versatility of the Microtubes X7. Featuring all the great controls that its predecessor has that allows users to select exactly what frequencies they want to compress and saturate for the low and treble respectively, but with four major additions providing an additional layer of flexibility, while maintaining the same compact footprint, making it an extremely complete tool for the modern bassist.

Darkglass Electronics

Demo by The Bass Channel

Official Product Video

Review by Mike Brooks, guitarworld.com

Review by Rainer Wind, bonedo.de

Microtubes X Ultra

Tester

BOSS

Manual Page

MT-2 Metal Zone

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Antony Douch

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

Review by reddit /guitarpedals

Review by Six String Sensei

Review by Guitar World

Review by bonedo

Demo by  Pepe Music

OC-5

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

TC Electronic

Review by Charleston Classical Guitar

Review by musicradar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

The EHX Cock Fight Plus offers up the award-winning tone of the original Cock Fight in a rugged, lightweight pedal and with a traditional rack and pinion style operating mechanism. It contains two different expressive filters: a traditional wah pedal filter and a formant filter used for vowel sounds. The Cock Fight also features a lively fuzz section that can be added before or after the filter section, or taken out of the signal path completely.

Electro-Harmonix

Demo by PMTVUK

Review by Chris Loeffler, harmonycentral.com

Review by Paul Riario, guitarworld.com

Cock Fight Plus

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Will Harvey

Will's Muse/ Royal Blood Pedal Board

With 15 dB of available boost or cut per band, the EQ700’s seven frequency bands were carefully optimized to provide the ultimate tools for EQ’ing your guitar. Of course, to make full use of the EQ700’s capabilities, it helps to first understand some basics about the frequency range of your axe. The EQ700 covers the audio spectrum from below 100 Hz to over 6.4 kHz, allowing you to effectively cut or boost a slew of frequencies to help bring focus to your sound. Special attention has been paid to the critical midrange frequencies, which can easily make or break your tone. The following section offers tips that will have you sculpting the perfect guitar sound in no time at all.

Demo by PopMusicRu

Demo by Bass Stuff

BEQ700 Bass Graphic Equalizer

Nicolas Wilfer

Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Walrus Audio

Video Manual

Official Product Video 

Canvas Tuner

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Kim Ulmer

Sometimes you love something so much, you have to kill it. Your tone should be no different. Maintain absolute silence between songs or create cool stutter effects with the Murder One killswitch.
Some of the world’s best pedals are simpler than the plot of a Hollywood romance film. Well, they don’t come simpler (or more stylish) than Vein-Tap.com’s proud new offering, the Murder One killswitch pedal. With the power to quickly kill your signal in two different actions, the Murder One is all the guitar killswitch pedal you’ll ever need.
The Murder One Killswitch does exactly what it says on the box; it’ll kill your signal like a terrifying, deadly assassin, cutting off all noise completely. Perhaps you’re using this to silence your insane amounts of distortion hiss or feedback in between songs (we’re looking at you, death metal guitarists), or maybe create a modern stutter guitar effect by killing and reviving your signal quickly. It’s amazing how handy these pedals are, and once you have one, you really will wonder how you managed without one.
Even at high volumes and gain levels, the Murder One’s switch won’t give horrible pops and clicks – it’s a silent and deadly signal killing machine.
The Murder One is available in two varieties, or “actions”. The first is “latching”, in which you step on the pedal once to kill your signal and step on it again to bring it back. The second is “momentary”, and will kill your signal only whilst you’re holding the pedal’s footswitch down. This really is a matter of personal preference; you probably already know which one you’d prefer.

Vein-Tap

Demo by Vein-Tap.com

Murder One Killswitch

Big Muff Pi w/ Tone Wicker

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

ch ray

Der Data Corrupter ist ein “wilder, aber reproduzierbarer” drei-stimmiger, modulierter, monophoner harmonizierender PLL (Phasenregelschleifen), der dein Eingangssignal nimmt und es „brutal in einen schmetternden Square Wave Fuzz Tone verstärkt, diesen multipliziert, herunterbricht und moduliert“ um dir harmonisch komplexe, expressive anschlags-dynamische Analog-Synth Tones, mit bis zu drei Oktaven unter (oder über) dem Originalsignal plus zusätzlichen Harmonien liefert. Um die verkorkste Maschine, die im Mainframe des Data Corrupters schlummert zu erwecken, stelle den Subharmonic Root Schalter auf Oscillator und versuche dich nicht von der sonaren Malware, die du gerade auf deinem Setup installiert hast abzuwenden. Der Data Corrupter nimmt dein Signal in die Mangel und verdreht es in die Summe und die Differenz aus Master Oscillator und Subharmonic mit Frequenzmodulation auf den oberen und unteren Oktaven.

The Data Corrupter is a “wild, yet repeatable” three-voice Modulated Monophonic Harmonizing PLL (phase-locked loop)  that takes your input signal and “brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided, and modulated” to create a harmonically complex, expressive, and touch-responsive analog synth tone up to three octaves below (or above) the original, plus additional harmonies. To unleash the cracked machine lurking within the Data Corrupter mainframe, set the Subharmonic Root switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves.

EarthQuaker Devices

Official Product Page

EarthQuaker Devices Data Corrupter - Official Demo

EarthQuaker Devices Data Corrupter - Demo Video - Pedal Of The Day

EarthQuaker Devices Data Corrupter - Demo Video - ThePedalZone

EarthQuaker Devices Data Corrupter - Demo / Review Video - Knobs

EarthQuaker Devices Data Corrupter - Demo / Test Video - Vintage King

EarthQuaker Devices Data Corrupter - Demo Video - Reverb

EarthQuaker Devices Data Corrupter - Demo Video - ProGuitarShopDemos

EarthQuaker Devices Data Corrupter - Demo Video - Pedals And Effects

EarthQuaker Devices Data Corrupter - Review by Bass Professor [DE], [04-2019]

EarthQuaker Devices Data Corrupter - Review by Tone Report [EN]

EarthQuaker Devices Data Corrupter - Review by gearphoria.com 1/2 [EN]

EarthQuaker Devices Data Corrupter - Review by gearphoria.com 2/2 [EN]

Data Corrupter

Jonathon Hunter Hill

The Intelligent Footswitch is an intuitive yet versatile accessory for our amplifiers. One tap will engage and disengage the Microtubes Engine, while holding for 3 seconds will Mute the amplifier. It is connected to the head via a standard 1/4″ cable and it’s powered by a microcontroller that sends commands to the head using a proprietary communication protocol.

Review by Sweetwater Customer

Intelligent Footswitch

christopher P

Passive momentary two button switchbox for controlling the aux switching on HX Stomp, RC-1, etc. Each switch can be configured as normally open or normally closed. Connects to devices via a TRS jack. Assembled in a 125B enclosure.

125B Two Button Momentary Switchbox

Offering a universe of rich, analog-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS’s expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

Demo by  Six-String Samurai

Review by The Gear Page

Review by Sound on Sound

SY-200 Synthesizer

Der Amp ist ein respektvoller Treble Booster, der perfekt zu Röhrenverstärkern und Fuzz-Pedalen passt. In seinem Herzen befindet sich ein Germanium-Relikt aus der ehemaligen Sowjetunion. In der Nullstellung dämpft er das Signal ab. Bei 10 liefert er 20 dB Wärme und reißt den Ton von allem, was hinter ihm steht. Der Amp ist unser Treble Booster. In seinem Herzen steckt ein kolossaler Germanium-Transistor, der jahrzehntelang vergessen in der Ukraine darauf wartete, endlich etwas Aufregendes mit seinem Leben anfangen zu können. Dieser Transistor wird mit einer einfachen und eleganten Schaltung auf die Spitze getrieben, was zu einem klassischen Vintage-Ton führt (basierend auf dem zeitlosen Dallas Rangemaster). Er ist nicht böse, aber auch nicht schön: Er erhöht nicht nur die Lautstärke, sondern füllt den Klang mit Charakter und erzeugt eine leichte Verzerrung, die für diesen Transistortyp charakteristisch ist. Es hebt auch die Höhen hervor und verleiht dem Sound einen funkelnden Glanz und viel Präsenz. 

Es ist ein einfaches Pedal, aber es macht sicherlich einen großen Unterschied. Am Ende der Pedalkette ist es ein großartiger Lautstärkebooster für Soli. Aber der farbige Ton passt auch gut zu allem, was danach kommt - wie Fuzzes und Röhren. Wenn man den Amp vor einem Fuzz platziert, fungiert er als Tone-Texture-Regler für das andere Pedal. Vor einem Röhrenverstärker wird nicht nur die Lautstärke und das Gain erhöht, sondern man hört auch die Röhren auf eine völlig ungewohnte Art und Weise brüllen, anders als man es gewohnt ist. Ab Juli 2016 verfügt der Amp über einen internen Regler, mit dem man einstellen kann, wie stark man die Höhen anheben möchte. Er reicht von 120 Hz, als flachere Verstärkung, bis zur Werkseinstellung von 500 Hz, die einen feurigen Ton à la Brian May, Tony Iommi, Rory Gallagher und Co. erzeugt... Wir haben uns in den Germanium-Transistor des Amps verliebt (derselbe, der auch in der Mother of Fuzz verwendet wird). Sie werden nicht mehr hergestellt.

The Amp is a respectful treble booster that matches perfectly with tube amps and fuzz pedals. In its heart lies a germanium relic, from the former Soviet Union. When zeroed, it attenuates the signal. At 10, it supplies 20dB of heat, tearing the tone of anything that stands after it. The Amp is our treble booster. In its heart lies a colossal germanium transistor whom spent decades forgotten in Ukraine just waiting for the time when it would finally be able to do something exciting with its life. This transistor is pushed to the extreme with a simple and elegant circuit, resulting into a vintage, classic tone (based in the timeless Dallas Rangemaster). It isn’t evil, but it ain’t nice: In addition to increasing the volume, it fills the sound with character, creating a slight distortion, characteristic of this type of transistor. It also accentuates the trebles, bringing a sound full of sparkle and with a lot of presence. It is a simple pedal, but it surely makes a lot of difference. At the end of the pedal chain it is a great volume booster for solos. But the colored tone also goes well with whatever comes after it – like fuzzes and tubes. If you place the Amp in front of a fuzz, it acts as a tone texture control to the other pedal. In front of a tube amp, besides increasing the volume and gain you will hear the valves roar in a completely unusual manner, different from whatever it is that you are used to. From July 2016, the Amp comes with an internal control that lets you dial how much highs you want to boost. It goes from 120 Hz, as a flatter amplification, up to its factory default of 500 Hz, giving that fiercy tone à la Brian May, Tony Iommi, Rory Gallagher and friends… We have fallen in love with the Amp’s germanium transistor (the same used in the Mother of fuzz). They are no longer manufactured.

Stomp Audio Labs

Demo by Igor Fediczko

Review by Pedal of the Day

Instagram Channel

Demo by Pedal of the Day

Edward Van Halen's Gitarrensound auf dem Debüt Album von1978 katapultierte ihn schlagartig in dem Olymp des Rock und selbst nach mehr als 25 Jahren hat die Gitarrenarbeit auf diesem Album nichts von ihrer Faszination eingebüßt. Den unglaublichen Sound, den EVH auf dieser Platte kreierte, gehört zu den absoluten Meilensteinen des Rock und ein wichtiger Bestandteil dieses Sounds war von vornherein der MXR Phase 90. Der Phase 90 trug maßgeblich zu den zeitlosen Gitarrensounds von “Eruption,“ “Ain't Talkin' 'Bout Love,“ “On Fire,“ und “Atomic Punk“, sowie vieler anderer klassischer Van Halen Stücke bei. Entstanden aus einer Zusammenarbeit zwischen Eddie Van Halen und Jim Dunlop ist der EVH 90 eine komplett neu designte Version des legendären Phase 90. Der EVH 90 zeigt genau die gleichen räumlichen Klangverwirbelungen und hypnotischen Phasenverschiebungen, die den Phase 90 so berühmt machten. Als neues Feature besitzt der EVH 90 den Script-Schalter, der es ermöglicht, zwischen dem Vintage 'Script Logo' und dem moderneren, aggressiveren 'Block Logo' Phasersound zu wählen. Außerdem präsentiert sich der EVH 90 mit einem rot, weiß und schwarz gestreiftem Outfit, ganz so wie Eddie´s legendäre Frankenstein Gitarre.

Edward Van Halen earned his spot in the guitar tone hall of fame with the first note on his debut album in 1978. The guitar work on that album still boggles minds more than 25 years later. The tones that EVH got on that classic record are among the greatest ever, and a huge part of Eddie‘s guitar sound has always been the MXR Phase 90. The Phase 90 contributed to the unbelievable tones on "Eruption," "Ain't Talkin' 'Bout Love," "On Fire," and "Atomic Punk," plus many other timeless Van Halen tracks. Now you can grab a piece of Eddie's magic with the new MXR EVH 90—a collaboration between Eddie Van Halen and Dunlop Manufacturing that represents a totally redesigned, updated version of the legendary Phase 90. The EVH 90 will give you the same great spacey swirls and hypnotic warbles that made the Phase 90 famous. But the EVH 90 also features the all-new Script switch that lets you instantly toggle between a vintage, "Script Logo" phase tone and a more modern, in-your-face "Block Logo" phaser. Plus, the EVH 90 sports the greatest graphics in the history of rock: the red, white, and black stripes from Eddie's legendary Frankenstein guitar. Oh yeah—it's also got a bitchin' new blue LED. Now, how cool is that? Power: Single 9-volt battery or Dunlop ECB-003 AC Adapter

Review by Amazona 

Review by Awkward sound 

Demo by SweetWater 

Demo by Reverb 

EVH90 - EVH Phase 90 Red

PedalSafe Type A1

Schutzabdeckung & RockBoard-Montageplatte für Standard Single Pedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard Single Pedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

Der Ammoon Nano Looper ist ein kompaktes und vielseitiges Loop-Pedal, das sich perfekt für Gitarristen und Musiker eignet, die ihrem Sound mehrere Ebenen hinzufügen möchten. Trotz seiner geringen Größe bietet er beeindruckende Funktionen, darunter bis zu 10 Minuten Aufnahmezeit und unbegrenztes Overdubbing. Das Pedal verfügt über eine echte Bypass-Funktion, um die Integrität des ursprünglichen Signals zu erhalten, und bietet die Möglichkeit, Aufnahmen rückgängig zu machen, wiederherzustellen und zu löschen.

Der Ammoon Looper erlaubt es außerdem, die Ausgangslautstärke mit einem einzigen Regler einzustellen und verfügt über eine übersichtliche LED, die den aktuellen Status anzeigt. Er unterstützt WAV-Audiodateien, die über das mitgelieferte USB-Kabel auf den PC geladen oder von dort heruntergeladen werden können. Dieser Looper ist in einem robusten Gehäuse aus einer Aluminiumlegierung untergebracht, das eine lange Lebensdauer garantiert.

The Ammoon Nano Looper is a compact and versatile loop pedal, perfect for guitarists and musicians looking to add layers to their sound. Despite its small size, it offers impressive features, including up to 10 minutes of recording time and unlimited overdubbing. Users can easily undo, redo, and delete recordings, and the pedal includes a true bypass function to maintain the integrity of the original signal.

The Ammoon Looper also allows you to adjust the output volume via a single knob, and it has a clear LED to show the current status. It supports WAV audio files, which can be uploaded or downloaded from your PC using the included USB cable. This looper is housed in a durable aluminum alloy body, ensuring long-lasting performance.

Ammoon

Demo by Diego Paez Contreras

Demo by Bartosz Oczkowski

Demo by John Dagen

Demo by Riccy G.

Review by Reddit /guitarpedals

Review by Audiofanzine

Looper

Gilles Peynet

Feel the need to express yourself fully? M-Audio’s EX-P expression controller pedal works with all M-Audio MIDI controllers that have an expression pedal input. A built-in polarity switch insures compatibility with most other brands of controllers and keyboards. Use the EX-P to control any assignable variable MIDI controller value including volume, modulation, panning, filter sweep and more. Durable molded construction with integral cable.

M-Audio

EX-P

Helmut Jungkunz a.k.a. #helmutguitar

Your Boss MS-3 just became even more versatile. The MS-3 is loved for its huge sounds in a small design. That small design also means fewer switches. With the QUAD+ you instantly get 4 additional switches to expand your capabilities.

Otter Custom Design

Quad+ for Boss MS-3

Isen Ritchie

Das ZVEX Fuzz Factory Vertical verdankt seine Existenz laut Zachary Vex, dem Mastermind hinter der US-Pedal-Manufaktur ZVEX, der Idee eines Mitarbeiters, aber es war wohl auch der langgehegte Wunsch vieler User nach einem Pedal mit Standardabmessungen. Die üblichen ZVEX-Pedale im Querformat nehmen auf dem Board eine Menge Platz in Anspruch und nicht wenige Gitarristen behelfen sich damit, sie am Rand vertikal und mit dem Schalter nach außen zu platzieren, damit sie problemlos bedient werden können, ohne zu viel Platz zu beanspruchen.

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz.

ZVEX

Review by bonedo 

Demo by Z VEX 

Fuzz Factory Vertical

David Litaba

Der RockBoard StageTuner ST-01 vereint alle Aspekte, die Musiker in einem chromatischen Pedal-Tuner suchen. Die große, leuchtstarke, aber nicht blendende 28-Segment LED-Anzeige bietet eine gut lesbare Oberfläche, auch aus einer Entfernung von mehreren Metern. Der True Bypass hat keinerlei Einfluss auf den Klang deiner Gitarre und die beiden Ausgänge ermöglichen entweder stills oder eine hörbares Stimmen. Die Referenzfrequenz des ST-01 kann in 1-Hz-Schritten von 432 bis 445 Hz eingestellt werden und er verfügt über einen Stimmbereich von 27,5 Hz (A0) bis 4,186 kHz (C8) bis auf 1 Cent genau. Er verfügt darüber hinaus über eine praktische De-Tuning Funktion, mit der du deine Stimmung um 1, 2 oder 3 Halbtöne droppen kannst. All dies macht den StageTuner ST-01 in Kombination mit dem kompakten Metallgehäuse zum optimalen Begleiter, den du auf deinem (RockBoard) Pedalboard nicht wirst missen wollen.

The RockBoard StageTuner ST-01 combines all aspects that musicians seek in a chromatic pedal tuner. Its large, bright, but not blinding LED 28 segment display provides an easily readable interface even from meters away. The true bypass does not affect your guitar's tone at all and its two outputs allow for either silent or audible tuning. The ST-01's reference frequency can be changed in 1 Hz steps from 432 to 445 Hz with a tuning range from 27,5 Hz (A0) to 4.186 kHz (C8) accuratly down to 1 Cent. It also feature a handy detuning function, which lets you drop your tuning by 1, 2 or 3 semi-tones. All this, combined with the StageTuner ST-01's compact metal housing makes it the optimal companion you will not want to miss on your (RockBoard) pedalboard.

RockBoard

RockBoard Stage Tuner ST-01 - Demo / Review Video - Musiker TV

Stage Tuner V2

Das Digitech Freqout Natural Feedback Creator Effektpedal gehört zu den eher exotischen Vertretern im Pedalboard. Es widmet sich der Erzeugung von Rückkopplungen, die zwar zum Repertoire jedes gepflegten (Rock-) Gitarristen gehören, aber üblicherweise nur mit entsprechender Lautstärke und der Interaktion zwischen Amp, Box und Gitarre möglich sind. Mit dem E-Bow, der seit Mitte der 70er Jahre erhältlich ist, gibt es bereits ein Werkzeug, das die Saiten per Magnetfeld beliebig lang in Schwingung versetzt, indem es über die gewünschte Saite gehalten wird. Oder den Sustainer von Fernandes, ein Pickup, der ebenfalls die Saiten zum Schwingen bringt, wenn er per Schalter dazu aufgefordert wird. Und natürlich muss beim Umbau der Gitarre einer der vorhandenen Tonabnehmer dem Sustainer weichen.

The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

DigiTech

Review by Bonedo 

Demo by Mike Hermans 

FreqOut

Phil Treu

150 built-in programs for DJ mixes and sound design
In addition to the effect programs that were so
popular on the KP3, such as a filter that's designed with an analog feel in mind, standard spatial-type effects such as a highly usable delay, a grain shifter that lets you freeze an instant of sound, and a decimator, we've added an enhanced looper as well as new effects.
You can connect a mic to the mic input jack
and generate full-fledged vocoder sounds in
real time. An "FX RELEASE" feature has been
provided which lets you control the reverberant
tail of the effect to obtain a more natural decay,
ensuring that these powerful effects will blend
naturally into your song or performance

KORG

Review by Perfect Circuit

Review by DJ MAG

Review by AMAZONA

Demo by Desert Ninja

Demo by PlayersPlanetOz

KAOSS KP3+

A re-creation of the classic Ross compressor, with very low noise. Use the Sustain, Attack, and Level knobs to find your ideal tone. Tweek the Attack to boost your bottom end and level off high-output pickups.

True bypass design minimizes tone loss.

 Aluminum alloy casing with stoving varnish finish.

JOYO

Demo by Chris Walton

Demo by Disorderly Sound Studios

Review by Trevor Curwen

JF-10 Dynamic Compressor

Mehr Punch
Das UO300-Pedal erfüllt eine einfache, aber wirkungsvolle Aufgabe: Es fügt dem Ursprungston zwei weitere, um eine und zwei Oktaven nach unten transponierte Noten hinzu, sodass Ihr Gitarrensound mehr Wucht und Power erhält. Mit dem Octaver-Pedal erweitern Sie Ihren Gitarrensound um satte Bassklänge und spielen im Handumdrehen coole Bassläufe. Über den Range-Schalter legen Sie fest, ob hohe, mittlere oder niedrige Frequenzen mehr Power erhalten. Haben Sie sich entschieden, fügen Sie einfach mit dem Direct-Regler Ihren ursprünglichen Sound hinzu.

It is widely known that there is great strength in numbers. The ULTRA OCTAVER UO300 underpins your sound with added muscle, generating notes one and two octaves below what you play. The result is powerful, with the deep, rich impact that is only possible when guitar and bass lines are joined at the hip. Wanna play bass lines with your guitar? Wanna play synth-like lines with the addition of some fuzz with your guitar or bass? The stunning UO300 will make your tonal dreams come to life.

Review by bkpedalreviews.com

Demo by Lerning Curve

Demo by Dr. Mad Tone

UO300 Ultra Octaver

Das Donner Stylish Fuzz Pedal – Der ultimative Begleiter für Gitarristen, die einen klassischen, satten Fuzz-Sound in einem kompakten Format suchen.
Dieses Pedal verleiht deinem Spiel einen kräftigen, vintage-inspirierten Klang, der sowohl für knackige Riffs als auch druckvolle Soli bestens geeignet ist. Er ist mit einer klassischen und robusten Voll-Aluminium-Legierung ausgestattet. True Bypass bietet einen transparente Ton; eine LED-Anzeige zeigt den Betriebsstatus.

The Donner Stylish Fuzz Pedal - The ultimate companion for guitarists looking for a classic, rich fuzz sound in a compact format.
This pedal gives your playing a powerful, vintage-inspired sound that's perfect for both crunchy riffs and punchy solos. It features a classic and robust all-aluminium alloy construction. True Bypass provides a transparent tone; an LED indicator shows the operating status.

Stylish Fuzz

MX400 von Behringer