William W

Dream Board

Thomas & Simone RhPf Electronics

Capharnaüm ist roher, chaotischer Fuzz mit Biss – laut, lo-fi und kompromisslos. Mit gezackter Sättigung, aggressivem Low-End und bröckelnder Gating-Struktur liefert er pure Zerstörung. Scorch formt den Klang, Wrath stapelt Texturen – wenn Ordnung endet, beginnt Capharnaüm.

Capharnaüm is raw fuzz with a serrated edge—loud, lo-fi, and full of chaos. It delivers jagged saturation, gated sag, and aggressive low-end punch. With tone-sculpting Scorch and dual-texture Wrath, it thrives where polish ends and mayhem begins. No cleanup. No compromise.

RhPf Electronics

3D Viewer and AR tool

Interactive Frequency Response

Product Page

Review by KAHFA

Manual

Demo by Philomena Music and Demo

Capharnaüm

Ein reaktives Distortion-Pedal mit gestapelten MOSFET-Gain-Stufen. Der Mo(s)Ghoul liefert dynamischen Crunch, gesättigte Leads und fuzzige Texturen – immer musikalisch, nie steril. Die passive 3-Band-Klangregelung erlaubt präzises Formen ohne Härte. Organisch, lebendig, direkt – der Ton folgt deinem Spielgefühl.

A reactive distortion pedal built around cascading MOSFET gain stages. From thick rhythm crunch to saturated leads and fuzz textures, the Mo(s)Ghoul stays dynamic and expressive. Its passive 3-band EQ lets you scoop, boost, or contour without harshness. Raw, organic, and responsive—always alive under your fingers.

Demo by We As A Company

Interactive Demo

Mo(s)ghoul

Sylvain Puysegur

Dark Star ist ein charaktervoller Lo-Fi-Reverb – ideal für langsame Anschläge und die Erzeugung atmosphärischer Pads. Rund um den Kernklang bieten zahlreiche Regler Möglichkeiten zur Klangverfremdung: Signalabbau, Filterung, Pitch-Shifting, zusätzlicher Delay sowie nützliche Parameter wie Mix und Volume.

Für maximale Integration in verschiedenste Setups verfügt der Dark Star über Stereo-Ein- und Ausgänge, analoges Dry-Through sowie wahlweise Trails- oder True-Bypass-Schaltung. Presets, Expression-Steuerung für jeden einzelnen Regler und vollständige MIDI-Kontrolle über sämtliche Parameter runden das leistungsstarke Feature-Set ab.

Ein Reverb für jede Position in deiner Signalkette – fast schon ein eigenes Instrument.

Dark Star is a characterful lo-fi reverb, ideal for slow attack and pad generation. Around the core voice are a number of controls for signal degradation, filtering, pitch shifting, added delay, and utilities like mix and volume. For integration into many different rigs, Dark Star has stereo in and out with analog dry through and trails or true bypass switching. Presets, expression control over every knob, and MIDI control over every element round out the robust feature set.  This is a reverb for anywhere in your signal chain, and almost an instrument of its own.

Old Blood Noise Endeavors

Review by delicious audio

Review by guitar pedal X

Review by reddit /guitarpedals

Review by AMAZONA

Demo by Harp Lady

Demo by The Pedal Zone

Dark Star V3

Stephen Walton

Chase Bliss

Video Manuel

MOOD MKII

Tester

Shallow water
K-Field Modulator

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes.

Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to.

K-field (Simulation mathematics), an  undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours.

The water is shallow on this side of the pool. Do not dive and you will not drown.

Fairfield Circuitry

Product Video by FairfieldCircuitry

Shallow Water

After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.

Old Blood Noise Black Fountain Demo 

Old Blood Noise Black Fountain Product Page 

Black Fountain-copy

GREGORY GUENEAU

After years of development work, ENDGAME is our most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, it is a superb problem solver and convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA’s proprietary True Double-Tracker doubler, our own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones. Oh, did we mention Stereo? Now you can finally use all your stereo devices with just one easy to use and compact product – let the alchemy begin!

KMA Machines

Review by Premier Guitar

Demo by Thomann's Guitars & Basses

Official Product Video

Manual Page

ENDGAME - Duality Calibrator

ch ray

The Gravity Well analog tremolo/wavefolder/refractor is your sonic submersible for exploring subaquatic psychedelic netherworlds of sound. It's a dual pedal featuring a tremolo on one side and a wavefolder on the other. When both sides are active a third effect emerges, a refractor, a first-of-its-kind style of modulation effect produced by integrating the tremolo and wavefolder to rhythmically and fluidly warp and un-warp your signal, producing a dazzling variety of never-before-heard sounds and textures.

Possibilities are endless, but include analog synthesizer sounds, touch sensitive envelope filter-esque sweeps, heavy cinematic pulsing rhythms, splatty gnarly alien fuzz, ring mod like bell tones, science fiction sound fx and textures, and surfy tremolo warbles, just to name a few!

Cosmodio Instruments

Review by Pedal of the Day

Demo by rob. robn

Gravity Well

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between. Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Walrus Audio

Review by Guitar.com

Demo by Rabea Massaad

Demo by Knobs

Demo by Walrus Audio

Julianna

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Ein paralleler 3-Band-Enhancer mit unabhängigem Gain- und Level-Setup für Bässe, Mitten und Höhen. Der Tri-Hormonic Phalanx formt jede Frequenz separat – mit Klarheit und Kontrolle. Verleihe deinem Sound Druck im Bass, Präsenz in den Mitten oder Glanz in den Höhen, ohne Überschneidungen. Für transparente Klangformung oder gezielte Sättigung – immer phasenstabil, immer musikalisch.

A parallel 3-band enhancer with independent gain and level controls for lows, mids, and highs. The Tri-Hormonic Phalanx lets you shape each frequency band separately—add grit to the mids, shimmer to the highs, or body to the lows, all without overlap. Whether for clean sculpting or stacked harmonic saturation, it delivers clarity, power, and phase-coherent balance.

Tri-Hormonic Phalanx

Fabian Förster

Wenn du Bass auf einem Track spielst, hast du vielleicht das Gefühl, dass der Bass-Sound nicht gut in den Track „passt“. Vor allem bei Songs, die intensiver oder härter klingen. Wenn du mit deinem Bass einen aggressiveren Ton erzeugen willst, kann eine extreme Verzerrung wie ein Fuzz eingesetzt werden - oder du kannst eine leichtere Gain-Lösung verwenden, die den Ton deines Basses beibehält. Dies ist der Surfing Polar Bear Bass OD (MOD BY BJF)

Basierend auf dem beliebten Surfing Bear Overdrive-Pedal von Animals Pedal haben wir mit Hilfe des genialen Effektdesigners Björn Juhl von BJFe den bestmöglichen Bass-Overdrive geschaffen - den IT'S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. Er hilft nicht nur dabei, den übersteuerten Sound klassischer Röhrenbass-Amps aus den 60er und 70er Jahren zu erzeugen, sondern moderne E-Bassisten spielen auch härtere Linien im Einklang mit den Rhythmusgitarren, um massive Riffs zu kreieren.

Probiere den SPBBOD mit deinen Fingern aus und sieh, wie dynamisch er auf jede Note reagiert. Du kannst mit dem Lautstärkeregler oder deiner Spielstärke von Clean auf Overdrive umschalten. Schlage ihn hart an und erhalte die OD-Kante. Spielen Sie sanft und Sie werden mit einem satten, fast cleanen Ton belohnt. Die Wahl liegt bei deinen Fingern. Es ist nicht nur der Rest der Band, sondern auch der Sound und das Gefühl des Overdrive, bei dem du die tiefen und tiefen Töne deutlich hören kannst, mit einer schönen Kante auf deinem Basston, die dich ins Rampenlicht katapultieren kann!

When you’re playing bass on a track, you may feel that the bass sound doesn’t “sit” well within the track sonically. Especially with songs that are more intense or fierce sounding. If you want to make a more aggressive tone with your bass, distortion can be extreme like a fuzz – or you can use a more light-gain solution that retains the tone of your bass. This is the Surfing Polar Bear Bass OD (MOD BY BJF)

Based on Animals Pedal’s popular Surfing Bear Overdrive pedal, we have made the best bass overdrive possible with the help of genius effects designer Björn Juhl from BJFe – the IT’S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. In addition to helping create an overdriven sound from classic tube bass amps from the 60s and 70s, modern electric bassists are also playing heavier lines in unison with the rhythm guitars to create massive riffs.

Try the SPBBOD with your fingers and see how it responds dynamically to every note. You can switch from clean to overdrive with your volume knob or your playing strength. Hit it hard and get the OD edge. Play softly and be rewarded with rich almost clean tone. The choice is up to your fingers. It’s not only the rest of the band, but also the sound and feel of the overdrive where you can clearly hear the low end and root notes with a beautiful edge on top of your bass tone that can propel you into the spotlight!

Animals Pedal

Review by Reddit /guitarpedals

Demo by 【ムツミ】Mutsumi

Demo by LEP INTERNATIONAL

Surfing Polar Bear Bass OD MOD

Ein fetter, rauer MOSFET-Overdrive mit kräftiger Sättigung und nuancierter Dynamik. Drei fein abgestimmte Gain-Stufen liefern wahlweise klassischen Blues-Crunch oder fokussierter Schärfe. Von rauchigen Bässen bis zu kristallklaren Höhen – dieser Sound lebt von Spielgefühl und Charakter.

A swampy, greasy bold overdrive packed with touch-sensitive dynamics and three gain stages stacked for bluesy grit or focused bite. From smoky lows to glassy highs, it’s all about feel and attitude.

Demo by Philip Czarnecki

News Letter

Mosferatwo

Multi-reverb with preset capability and intuitive control.

Four unique reverb algorithms.

Four programable presets.

Intuitive interface.

Native Audio

Demo by R.J. Ronquillo

Ghost Ridge V1.5

RockBoard

ISO Power Block V12 IEC

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

Reed-like attack with a roar from a mixture of sounds, the Foxes Talking of Dreamy Fuzz (FTODF) brings glory and grit and has a unique place among many fuzz pedals. The Octave-up style fuzz became a hit attraction in the late 60s with certain legendary guitarists and evolved more in the 70s with the “velvet” style octave fuzzes born on the West Coast USA. The Foxes talking of dreamy Fuzz was born based on that intense and unique sounding design.

It is easy to recreate the exact designs of the 60s and 70s, but the character and tones can be extremely rough and abrasive and were designed for the darker and less gainey amplifiers from that time. Animals Pedal did not change the basic sound of the octave fuzz, just slightly refined it with improved operability. You can also make some wild shrieking sounds that is unique to this style of fuzz, as well as have access to a great standard fuzz sound that is organic and authentic. Not only can you get drunk with the former psychedelic tone, but you can also have the freedom to incorporate it into modern music and create new sounds. The standard fuzz tone (with octave switch set to “OFF”) is a flavor of 70s silicon-based fuzz that is immediately memorable.

When you turn on the octave, the pedal overflows with madness – especially when you select the front pickup and play single note lines above the tenth fret with the tone rolled off – a cry with intense octave will flow from your fingers. The FtodF has an overall sense of stability with the textures of the classic fuzzes, and it is an Animals Pedal that can be stepped on confidently by any guitarist who seeks new fields of tone.

In Oct, 3 Foxes talking of dreamy Fuzz

There are legendary pedals that were born in the 1970s, and the auto wah/auto filter style of pedal was one of the funkiest. At first it was red, later became the very famous green, and later blue (from various companies that we can’t mention due to copyright). Many guitarists and bassists used these pedals as the staple of their funk sound. In particular, many bassists in the USA and UK began to use these pedals to forge new basslines that would resonate around the world. The funk was born, the sounds were legendary, and the people danced.

Animals Pedal feels the funk and brings you the Double Spy Mission is Impossible Filter, an easy-to-use update of the original auto-wah style of sound.

Demo by A.G.O x Shin Sakiura LAB

Demo by  John McNicholas Guitar

Double Spy Mission is Impossible Filter

Der Animals Pedal 1927 Home Run King Comp ist ein beliebter Kompressor mit einem natürlichen Klang, einfach zu bedienen und hat eine Echtzeitanzeige der Kompressorwirkung mit der LED-Anzeige. Diese neueste Ausgabe hat sowohl ein größeres Gehäuse und mehr schöne Kunst. Er ist ein „natürlicher“ Kompressor, den moderne Gitarristen brauchen und der einfach zu verstehen und zu bedienen ist. Für viele Gitarristen sind Kompressoren oft schwer zu bedienen und zu verstehen. Der Effekt kann schwerer zu hören sein als „auffälligere“ Effekte, und da es sich um einen Effekt handelt, der dazu beiträgt, Pegelspitzen zu begrenzen und leisere Passagen zu verstärken, kann er als ein Effekt angesehen werden, der für das Ohr trügerisch ist. Aber der Kompressor ist ein unverzichtbarer Effekt für Gitarristen, vor allem für diejenigen, die schöne saubere Töne und müheloses Sustain lieben. Der 1927 HRKC ist der richtige Kompressor für dich!

The Animals Pedal 1927 Home Run King Comp is a popular compressor with a natural sound, easy to operate, and has real-time display of the compressor action with the LED indicator. This latest edition has both a bigger housing and more beautiful art. It is a “natural” compressor that modern players need and is easy to understand and use. For many guitarists, compressors can seem difficult to use and understand. The effect can be harder to hear than more “flashy” effects, and since it is an effect that helps to limit peaks and amplify quieter passages, can be seen to be an effect that is deceptive to the ear. But the compressor is an indispensable effect for guitarists, especially those who love beautiful clean tones and effortless sustain. The 1927 HRKC is the right compressor for you!

Demo by JAM's Factory 1996

Demo by maruhachi08

Demo by Jeffrey Slape

Demo by くぼあつし

1927 Home Run King Comp.

Everyone needs reverb, and Animals Pedal brings the Bath Time Reverb to add the color and depth to your tone that you seek. This pedal features two of the most popular reverb sounds (SPRING and HALL) and you can set them to fit your vibe.

Adjust the balance between the dry (original) sound and the wet (effect) sound with the REVERB knob. The more you turn this knob clockwise, the stronger the wet signal becomes and your signal will be almost all reverb decay. If you set it to the maximum, the sound will continue to decay from a small note, and you can make beautiful sustaining tones like strings. The DECAY knob will make the reverb extend from a short reverb (sounds like a bathroom) to a much longer reverb (sounds like a church). If you set it for a long decay, you will be transported to an outer space cathedral that is vast and fantastic.